August 5, 2024
Quadrophenia (1979) - Crossover Episode with the Music Rewind Podcast
Cinema Decon - Overthinking Cinema Classics and Cult FavoritesIn this episode of Music Rewind, hosts Steve Epley and Luke Boris engage in an in-depth discussion of The Who's legendary concept album Quadrophenia, exploring its complex narrative about Jimmy, a young mod in 1960s Britain struggling with identity, social pressures, and personal disillusionment. They meticulously analyze the album track by track, discussing its musical composition, lyrical themes, and the unique contributions of each band member: Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon.
The podcast delves into the album's narrative structure, which follows Jimmy's psychological journey through youth culture, exploring themes of teenage alienation, societal expectations, and personal transformation. They discuss how the album reflects the mod subculture, the tensions between mods and rockers, and Jimmy's descent into drug use and emotional turmoil, while also examining the album's innovative musical techniques, including its use of recurring motifs and multiple personality representations.
Beyond the musical analysis, Steve and Luke contextualize Quadrophenia within the broader landscape of concept albums, comparing it to works like Pink Floyd's The Wall and discussing its lasting impact on rock music. They reflect on their own personal experiences of finding identity in their twenties, drawing parallels with Jimmy's journey and offering insights into the universal struggles of youth, personal growth, and self-discovery.
Quadrophenia is a complex concept album by The Who that explores themes of youth alienation, mental health, and the Mod subculture of 1960s Britain
The album is structured around four distinct musical motifs representing each band member's personality, which intersect throughout the narrative of the protagonist Jimmy
Jimmy's journey reflects a typical young person's struggle with identity, societal expectations, and finding oneself, characterized by rebelliousness, drug use, and emotional turbulence
The album's musical composition is groundbreaking, featuring innovative use of synthesizers, multiple vocal styles, and intricate instrumental layers that create a cohesive narrative experience
The song 'Love, Reign Over Me' serves as a powerful emotional climax, representing Jimmy's potential redemption and search for inner peace after a tumultuous journey
The accompanying film adaptation provides additional context to the album's story, depicting the real-life tensions between Mods and Rockers in 1960s Britain
Each band member (Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon) contributes a unique musical and thematic element to the album's conceptual structure
Quadrophenia is considered a landmark concept album that influenced future rock operas and narrative musical works
Chapter 1: Introduction to Quadrophenia: A Rock Opera Journey
Steve Epley introduces a crossover episode from his Music Rewind podcast, featuring Luke Boris discussing The Who's concept album Quadrophenia. The discussion explores the album's background, its rock opera structure, and the personal connection both hosts have to the music.
- The podcast episode aims to deeply explore the album's musical and narrative elements.
- Quadrophenia is The Who's third rock opera, following Tommy and A Quick One.
Key Quotes
Chapter 2: The Mods: A Cultural Subculture
The hosts discuss the Mod subculture of 1960s Britain, exploring its distinctive fashion, musical preferences, and social dynamics. They delve into the significance of style, scooters, and the specific cultural context that inspired the Quadrophenia album and film.
- The Mod subculture was characterized by precise fashion, specific music tastes, and a dedicated lifestyle.
- Pete Townshend, a key member of The Who, was considered the most 'Mod' of them all.
Key Quotes
Chapter 3: Musical Breakdown: Album Structure and Themes
The hosts analyze Quadrophenia's complex musical structure, discussing its concept of four personalities representing each band member, the album's narrative arc, and the intricate musical motifs that weave throughout the tracks.
- The album features four distinct personality themes corresponding to each band member.
- Quadrophenia is designed to be experienced as a complete narrative, not as individual tracks.
Key Quotes
Chapter 4: Character Study: Jimmy's Journey
The hosts examine the protagonist Jimmy's emotional journey, discussing his struggles with identity, societal expectations, and personal challenges. They analyze his mental state, drug use, and the broader themes of youth alienation represented in the album.
- Jimmy represents a archetypal youth struggling with identity and societal expectations.
- The album explores themes of alienation, disillusionment, and the challenges of early adulthood.
Key Quotes
Chapter 5: Musical Legacy and Concept Albums
The discussion concludes with a broader conversation about concept albums, musical innovation, and the lasting impact of Quadrophenia. The hosts compare it to other notable concept albums and reflect on its unique musical and narrative qualities.
- Quadrophenia is considered one of the most significant concept albums in rock history.
- The album's innovative musical and narrative structure continues to influence musicians today.
Key Quotes
Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.
Hello,
listeners.
Steve
here.
If
you've
been
following
Cinemadecon
on
our
socials,
you
know
that
the
show
is
pretty
much
on
indefinite
hiatus.
No
new
episodes
are
on
the
horizon,
but
maybe
someday
we'll
bring
it
back
in
another
way.
Luckily,
there
is
the
perfect
crossover
episode
available
from
my
other
show,
the
award
nominated
Music
Rewind.
We
have
a
monster
episode
where
I
am
joined
by
the
who
super
fan
Luke
Boris.
We
talk
about
the
1973
album
Quadrophenia
and
the
1979
film
that
goes
with
it.
Enjoy.
Hello
and
welcome
to
season
two
of
Music
Rewind,
a
podcast
where
we
look
to
tell
the
stories
behind
our
favorite
albums.
I'm
your
host,
Steve
Epley,
and
in
each
episode
I
will
invite
a
guest
on
to
tell
us
about
their
favorite
music
album,
how
they
discovered
it,
and
what
makes
it
special
to
them.
Joining
me
today
is
our
first
returning
guest
on
Music
Rewind,
Luke
Boris.
You
will
remember
Luke
from
our
episode
Talking
Radioheads
in
Rainbows
and
also
our
two
part
classic
rock
roundtable.
Luke
is
a
lifelong
music
nerd
and
also
moonlights
as
a
guitar
player
himself.
Welcome
back,
Luke,
and
thank
you
for
being
on
the
show.
Hey,
thanks
for
having
me.
Yeah.
Back
by
popular
demand.
Everyone's
been
requesting
me.
I
know
this.
Absolutely
one
of
our
most
requested
people.
Everybody's
tied
at
zero.
That
means
you're
one
of
the
most.
There
you
go.
Well,
man,
let's
jump
right
into
this.
This
is
a
big
one.
What
album
would
you
like
to
bring
to
the
table
and
why
is
it
special
to
you?
Well,
if
you
listen
to
the
roundtable
that
we
did,
I
think
you're
going
to
have
a
good
guess
about
what
we're
doing
tonight.
It's
Quadrophenia
by
the
who
and
it's
their
sixth
studio
album
and
their
third
rock
opera.
I'm
going
to
count
a
quick
one
as
their
first.
Kind
of
like
Rush
2112.
The
whole
album
wasn't
a
concept
album,
it
was
just
that
song.
But
the
same
with
Quick
One,
which
is
a
fantastic
song
if
you
haven't
heard
it
live.
They
do
an
awesome,
awesome
job.
And
then
obviously
we
got
Tommy
as
well.
So
Quadrophenia
is
their
third
concept
rock
opera.
Yeah,
Tommy,
I
was
well
versed
in.
I
could
recite
to
you,
Tommy,
word
for
word.
That
was
kind
of
like
a
part
of
my
childhood
and
beyond
and
the
movie
and
the
album.
And
I'd
always
heard
of
Quadrophenia,
like,
oh,
you
gotta
listen
to
it,
gotta
listen
to
it.
I
knew
a
couple
of
tracks.
Obviously
the
real
me
and
Love
Reign
over
Me,
but
I
had
never
listened
to
it
all
the
way
through
until
this.
And
thank
you
for
bringing
this
to
the
table.
This
album
was
just
magic.
I
agree.
100.
It
was
wonderful.
I'm
going
to
have
a
hard
time
keeping
this
short.
I
think
we're
going
to
be
up
all
night
here.
We
have
no
limits
on
time.
It's
perfectly
fine.
We'll
get
into
anything
you
want
to
talk
about
because
this
may
end
up
being
just
a
geek
out
session
about
a
fantastic
album
for
sure.
And
it's
not
just
one
artist
either.
All
of
them
bring.
They're
at
the
top
of
their
game
on
this,
for
sure.
Yeah.
So
how
did
you
discover
it?
I
actually
got
into
Quadrophenia
later
on
in
life.
My
dad
had
the
greatest
hits,
Meaty,
Beady,
Big
and
Bouncy.
So
I
grew
up
listening
to
that.
And
he
also
had
who's
Next,
which
I
could
easily
do
an
episode
on
who's
Next
as
well.
So
anyway,
Quadrophenia,
I
would
say
freshman
year,
sophomore
year
of
college
is
when
I
kind
of
got
into
it.
And
what
really
blew
it
up
too
was,
you
know,
my
love
for
Pearl
Jam
2007,
I
believe.
So,
yeah,
that
would
have
been
sophomore
year
of
college.
So,
yeah.
Eddie
Vedder
and
Pearl
Jam
did
a
cover
of
Love
Reign
Over
Me
for
the
Sandler
movie.
I
got
to
see
that
at
Bonnaroo.
That
was
one
of
their
encore
numbers.
Nice.
And
that
blew
my
mind.
Yeah,
he
nailed
it.
Oh,
for
sure.
I
can't
speak
enough
about
his
vocals
on
that,
Eddie.
And
no
offense
at
all,
but
as
he
aged,
or
as
he
is
aging,
I
should
say,
his.
His
voice
is
kind
of
declining,
in
my
opinion.
He's
come
up
with
this
new
style
which
works
for.
For
what
he's
trying
to
do.
But
in
that
song
in
particular,
I
think
that
might
be
pinnacle.
Eddie
Vedder,
especially
the
studio
recording,
he
just
gives
it
his
all.
And
yeah,
I've
always
known
it
as.
Just
a
really
good
song.
I
did
not
know
it
in
the
context
of
the
story,
which.
And
we'll
get
into
the
story,
I'm
sure,
but
adds
so
much
and
especially
when
you
get
to
this.
This
version
and
Roger
Daltrey's
vocals
on
that
particular
track,
it's
just
so
much
there
passion.
It's
desperation.
There
are
so
many
words
you
could
use
to
describe
it.
But
yes,
Roger
at
his
peak
as
well
there.
So
for
Eddie
to
be
able
to
recreate
that,
it
was
something
special.
And
I
did
get
to
see
it
in
concert
as
well,
too.
So
Pearl
Jam,
obviously,
I
have
not
seen
the
who,
but
so
anyway,
yeah,
just
the
album
kind
of
touches
on
youth.
Alienation,
countercultures.
Now,
were
you
familiar
with
the
Mods?
I
was
not
before
Quadrophenia.
No.
Me
neither.
I
wasn't.
I
guess
I
was
familiar
with
rockers
just
from
seeing
it
in
America,
but
I
think
Mods
was
definitely
English.
It
definitely
wasn't.
I
didn't
know
it
was
such
a
specific
thing.
I
mean,
I
thought
that
was
just.
I
don't
know,
the
style,
you
know,
the
way
they
dressed
and
riding
around
on
the
scooters.
I
thought
that
that
was
just
kind
of
something
that
that
age
group
did.
I
didn't
realize
there
was
such
a
dedicated,
you
know,
subculture
to
this.
Dedication
is
an
understatement,
for
sure.
If
you
watch
the
movie,
which
I
know
we
talked
about.
I
did.
So,
yeah.
It
was
lifestyle,
for
sure.
Yeah.
Anyone
who's
listening
right
now
on
hbo,
Max,
Quadrophenia.
The
movie's
on
there.
And
it
definitely
adds
another
whole,
another
level
to
this
album
as
far
as
how
they
put
it
on
the
screen.
Yep,
yep,
yep,
yep.
So.
And
I
actually
watched
a
documentary
on
Quadrophenia
recently.
I
believe
it
was
called
can
youn
See
the
Real
Me?
It
was
a
BBC
special.
I
think
I
watched
the
same
thing.
There
you
go.
So
it
was,
like,
in
seven
parts
on
YouTube.
And
I
watched.
Yes,
yes,
yes,
yes.
I
don't
know
why
they
broke
it
up,
because
it
wasn't
that
long,
but.
But,
yeah.
Pete
described
the
album
as
human
frailty
and
abandonment
set
to
the
tune
of
A
barreling
Freight
Train,
which
is
probably
a
perfect
description.
And
it's
fascinating
to
me
that
they.
So
the
Mods,
just
to
describe
a
group
of
youth,
most
likely
early
20s,
they
wore
very
smart
suits.
They
had
very
trimmed
haircuts.
They
were
very
dedicated
to
their
appearance.
They
wore,
like,
Air
Force
jackets
from
the
military
and
they
rode
around
on
scooters.
They
were
very
dedicated
to
a
very
specific
type
of
music.
They
did
not
like
the
R
and
B
that
the
rockers
went
towards.
They
were
more
towards
the
early
who
styles
and
the
Kinks.
Kinks
were
another
big
one
in
there.
It's
just
very
interesting
that
that
subset
was
the
base
for
the
who's
early
years.
And
then
he
writes
this
rock
opera.
I
don't
know.
It
doesn't
paint
him
in
a
great
light
as
a
whole.
No,
not
at
all.
Yep,
we'll
find
that
out.
Yeah.
And
it's
just.
It's
weird
that
it's
not
that
he
was
dogging
his
fans.
It's
just
really
telling
a
story.
And
then
you
get.
I
don't
know
how
to
put
this
in
the
words.
Yeah.
Because
he
was
technically
one
of
them.
They
cut
their
hair
the
same.
I
mean,
yeah,
it
was
definitely
their
lifestyle
as
well.
So
you're
correct
in
saying
that
he.
Was
the
most
mod
of
them
all,
they
said.
Yep,
for
sure.
Yep,
yep,
yep.
Yeah,
you've
seen
how
he
dresses
on
stage.
He's.
He's
all
about
his
presentation,
so
I'll
say.
So
do
you
want
to
talk
the
story,
the
music,
the
arrangement.
There's.
There's
like
so
much
to
talk
about.
What
do
you
want
to
talk
about
on
this?
I
think
we
can
do
song
by
song
like
we
did
last
time,
and
we
can
do
all
three.
We
can
have
cover
what's
going
through
Jimmy's.
Jimmy
is
our
protagonist.
We
can
talk
about
what's
going
through
his
mind
at
the
time.
We
can
talk
about
the
amazing
bass
presentation
that
John
Entwistle
has
delivered.
We
can
talk
about
Keith
Moon's
insanity
on
the
drums,
et
cetera,
et
cetera.
So
I
want
to
mention
that
in
the.
Probably
100
times
I've
listened
to
this
album
since
I
go
through
the
season
here,
as
I.
As
I'm
about
to
do
an
episode,
I
kind
of
dive
into
an
album
and
I'll
listen
to
it
over
and
over
again.
But
the.
With
this
one,
I
actually
found
online
an
85
page
thesis
paper
dedicated
to
the
mental
illness
described
in
the
album.
There
you
go.
It
was
like
a.
Like
a
doctorate
type
of
paper.
You
know,
someone's
going
for
their
doctorate
and
man,
that
was
detailed.
I
didn't
get
through
it.
I
only
probably
got
about
a
quarter
of
the
way
through
it
because
it
was.
If
you
want
an
abridged.
If
you
want
an
abridged
version.
Pete
actually
wrote.
I've
got
the
vinyl
record
here
for
those
of
you
not
being
able
to
see.
Yes,
this
is
perfect.
It
really
is.
It
describes
the
album
in
a
condensed
form.
And
I
shouldn't
say
condensed,
it's
pretty
wordy.
But
yeah,
it's
just.
Did
he
do
that
for
Tommy?
I
don't
know
if
he
did
or
not.
I
actually
have
Tommy
sitting
right
here
as
well.
I
don't
believe
he
did,
but.
Because
I
know
they.
Pink
Floyd
didn't.
For
the
Wall,
by
the
way,
if
you
see
back
there,
I
got
Tommy
up
on.
There
you
go,
beautiful.
And
I'm
holding
it.
And
I
see
animals
underneath
too,
which
you
obviously
chose
for
your
Animals
is
always
prominent.
But
like
the
wall,
an
essay
of
that
nature
would
have
been
very
helpful
to
help
us
understand
the
story
of.
The
Wall,
the
craziness
that's
going
through
Roger
Waters
mind.
Yeah,
for
sure.
Yeah.
Tommy
does
not
with
Tommy.
I
saw
the
movie
first,
so
I
knew
the
story.
Okay.
And
that
helped
me
enjoy
the
album
immensely.
I
haven't
listened
to
Tommy
in
ages.
I
need
to
put
this
one
on.
But
something
else
to
note,
so
you
can
see
on
the
Tommy
cover,
all
of
their
faces
are
in
here.
What
I
thought
was
neat
about
Quadrophenia.
Quadrophenia
cover,
yeah.
We'll
dive
right
into
there.
So
there
are
four
rear
view
mirrors.
So
the
Quadrophenia
cover,
for
those
listening,
has
a
Ahmad
sitting
on
a
scooter,
and
he's
got
his
Air
Force
jacket
there
with
the
who
on
the
back
of
the
jacket,
the
logo.
But
the
scooter
has
multiple
rear
view
mirrors,
and
in
each
mirror
is
a
actual
picture
of
each
member
of
the
who.
Here's
the
fun
fact
about
Jimmy.
So
Jimmy
does
have
Quadrophenia,
which
is
what
we're
talking
about.
Quad
being
for
personalities.
And
each
of
the
personalities
pertains
to
one
of
the
members
of
the
band.
So
we
got
Pete,
we've
got
John,
we've
got
Keith,
we
got
Roger.
So
each
of
the
band
members
also
have
a
dedicated
song
on
the
album.
So
Helpless
Dancer
is
Roger
Daltrey's
song.
And
the
description
is
tough
guy,
but
a
helpless
dancer.
So
apparently
Roger
Daltrey,
in
my
opinion,
all
the
live
stuff,
I've
seen
all
of
the
interviews,
he
seems
like
a
gentle
giant,
but
apparently
he
was
a
fighter.
He
did
not
mess
with
Roger.
So,
yeah,
basically
tough
guy,
but
Helpless
dancer
and
then
Dr.
Jimmy,
John
Entwistle.
That's
his
song.
Because
there's
a
break
a
few
times
in
the
song,
actually,
it's
called
Is
It
Me?
And
he's
considered
the
romantic
bellboy
is
Keith
Moon,
which
is
described
as
a
bloody
lunatic,
but
I'll
even
carry
your
bags
so
devil
may
care
attitude,
that
kind
of
thing.
And
then
obviously,
Pete's
Love
reign
over
me.
So
its
description
is
a
beggar,
a
hypocrite.
Love
reign
over
me.
So.
And
each
of
those
has
its
own
motif
that
reoccurs
throughout
the
album.
It'll
cut
into
the
songs,
which,
by.
The
way,
I
think
that's
what
makes
this
the
perfect
concept
album
for
me
anyway,
is
it
ties
throughout
the.
Like
you
said,
each
of
those
motifs
is
throughout
the
entire
thing.
So
it's
just
as
a
whole,
it's
just
beautifully
done.
Townshend
is.
It
works
well
when
you
appreciate
it.
Like,
we
are
approaching
it
as
a
concept
album.
But
if
you
were
to
jump
over
from
track
to
track,
just
random
man,
this
would
make
no
sense.
Sure.
Yep.
It
really.
This
is
tailored
to
front
to
back,
you
kind
of
have
to.
Normally,
I
would
ask
the
guests,
how
do
you
listen
to
the
album?
But
there's
really
only
one
answer
on
this
one.
Sure,
I
agree.
But
we
haven't
even
gotten
to
songwon
yet.
I'm
gonna
do
another
sidebar
here.
So
we
were
speaking
about
who's
Next
earlier.
So
who's
Next
was
supposed
to
be
another
rock
opera.
So
it
was
called
Lifehouse.
Basically,
abridged
version
is.
So
we
had
Tommy,
we
have
Jimmy
for
Quadrophenia.
Bobby
was
the
main
character
for
Lifehouse.
And
basically
life
has
become
hazardous.
The
world
has
been
polluted
so
terribly
that
everyone
has
to
live
in
these
suits.
They're
called
life
suits.
They
basically.
They're
living
life
through
virtual
reality,
which
we're
not
too
far
off
from
that.
That's
prophetic
there.
Yeah,
absolutely.
But
Pete's
ideas
were
so
grandiose
and
over
the
top
for
this
one.
No
one
really
understood
what
he
was
trying
to
do.
So
they
kind
of
took
the
songs
from
Lifehouse
and
turned
them
into
who's
Next.
So
they
rearranged
them.
So
basically
you
got
a
concept
album,
but
it's
been
chopped
and
rearranged
for
radio.
So
they
do
stand
alone
to
some
extent.
I
don't
want
to
say
all
the
songs
in
Quadrophenia
do,
but
you
got
the
real
me.
5:15
Cannes.
Even
though
it's
got
some
of
the
motifs
in
there.
And
then
Love,
Brain
Over
Me.
Those
are
kind
of
the
three.
I
believe
they
released
those
three
as
singles.
Yes,
yep.
Those
were
the
three
for
sure.
But
anyway,
another
side
note.
So
2021
was
50
year
anniversary
for
who's
Next.
And
I
just
found
this
out
today,
actually.
Pete
Townsend
is
going
to
release
Lifehouse.
He
is
going
to
give
us
that
concept
album.
Yes.
Since
it's
the
50th
anniversary
of
who's
Next,
he's
actually
going
to
put
it
in
the
correct
order.
He's
going
to
add
the
songs
that
were
cut.
I
don't
know
if
he's
re
recorded
them,
but.
And
if
he
hasn't,
then
I'm
sure
he's
got
his
demo
still
that
he
can
kind
of
soup
up
and
make
it
a
concept.
So
we're
getting
another
who
concept
album
in
2022,
which
is
amazing.
We'll
have
to
do
a
bonus
episode
and
just
dissect
that
when
it
comes
out.
That'd
be
awesome.
Get
first
impressions.
That'd
be
fun.
Absolutely.
So,
all
right,
well,
let's
dive
into
this.
I've
been
just
babbling
here.
Go
for
it.
Take
us
into
track
one.
Track
one
is
I
am
the
scene.
So
basically,
Pete
walked
around
making
field
recordings.
So
it
starts
off
with
the
ocean
noises,
the
rain,
television,
train
whistles,
parades,
you
know,
whatever
he
was
encountering,
he
recorded.
So.
And
this
song
kind
of
just
sets
the
tone
for
the
album,
in
my
opinion.
And
then
you
do
get
some
Roger
vocals
in
there
as
far
as
the.
The
four
motifs.
Correct.
Some
of
the
recurring
ones.
And
then
you'll
hear
bell
boy.
You
hear
just
little
bits
of
it.
Yep.
And
Pete
actually
whispers
in
the
background,
I
am
the
sea.
Oh,
does
he
really?
Yes.
You
can
catch
that.
Yep.
But,
yeah,
like
you
said,
helpless
dancer.
You
got
the
horns.
Is
it
me?
Bellboy,
Love,
Rain
over
me.
You
get
a
tease
for
all
of
them,
and
they
all
represent
the
voices
going
on
in
Jimmy's
head
at
any
given
time,
so.
And
then
the
song
kind
of
just
fades
out,
and
what
you
get
is
Roger
screaming,
can
you
see
the
real
me?
Can
you?
So
that
kicks
us
right
into
the
real
me.
Can
you
see
the
real
me,
Doctor?
Doctor,
can
you
see
the
real
me,
Doctor?
Oh,
doctor.
John
Entwistle's
tone
on
his
bass
is
just
so,
so
phenomenal.
I
was
wondering
how
long
we
get
before
you
start
talking
about.
It
just
kicks
right
into
it.
It
really
does.
And
I
guess
it's
tone
again,
I'm
not
a
musician,
so
I
said
that
in
the
last
three
podcasts,
I
believe,
so
I
don't
know
how
to
describe
this
stuff,
but
tone,
there's
just
something
in
his
bass
guitar
that
not
many
people
can
even
touch.
I
don't
know
if
I've
heard
another
bass
player
like
John
Entwistle.
And
what
always
fascinates
me
is
the
skill
needed
to
keep
rhythm
and
time
with
Keith
Moon.
Yes.
That
is
a
level
of
bass
playing
that
is
impossible.
How
the
hell
does
he
do
it?
Because
Keith
Moon,
especially
when
you
watch
the
videos
of
some
of
these
songs
live
with
Keith
playing,
I
mean,
it's
like
the
dude's
got
eight
hands.
It
is.
How
the
hell
does
he
hit
all
of
these
drums
in
the
right
moments
to
keep
a
rhythm
and
still
add
in
those
jazzy
things
on
the
side?
It's
nuts.
Yep,
I
agree
100%.
And
then
at
some
points
throughout
this
album
in
particular,
I
don't
even
know
if
he's
keeping
rhythm.
He
is
going
so
quickly.
Obviously
there's
a
rhythm
of
some
sort
in
there,
but
he
is
just
wailing
on
those.
I
wonder,
is
this
just
a
what
if?
Would
Keith
have
been
as
good
as
he
was
without
John
Entwhistle
to
keep
that
rhythm
steady?
I
don't
think
so.
I
think
that's
a
good
point.
I
think
he
needed
someone
like
that
to
maintain.
And
you
could
argue
that
Entwistle
is
their
lead
guitarist
because
Pete's
always
been
known
as
the
rhythm.
He's
the
king
of
rhythm.
I'm
going
to
go
ahead
and
say
I
think
Pete
Townsend
is
the
best
rhythm
guitarist
ever,
Period.
That's
again,
opinion.
John
Entwistle
is
making
up
for
that.
And
I
shouldn't
say
lack
of
lead
guitar
because
Pete
does
come
in
a
few
times
on
this
album
and
has
some
stellar
leads.
But
John
Entwistle,
I
think
he
could
be
considered
their
lead
guitarist.
The
real
me
just
is
a.
It's
classic
who
to
me
that's
just
everything
hitting
on
all
cylinders
and
that's
just.
Everybody's
just
on
point
for
a
good
rockin
tune.
Story
wise,
it's
Jimmy
going
to
a
doctor,
a
preacher
and
others
trying
to
figure
out
what
is
his
deal,
what's
his
issues
without
getting
any
solution.
Yes,
no
one
understands
what's
going
on
in
his
head
and
his
split
personalities
are
coming
to
the
forefront.
So
YouTube
John
Entwistle
isolated
Bass
I
think
I
sent
this
to
you
and
Al
a
month
ago.
Holy
cow.
So
anyway,
I'll
stop
babbling,
but
I
also
touched
on
this
in
the
roundtable.
We
get
our
first
Keith
Scream
in
this
song.
So
I
don't
know
if
you
noticed
these,
but
throughout
the
whole
album
he
is
hitting
so
hard
that
he's
just
yelling
at
the
top
of
his
lungs
and
it's
so
loud
that
his
drum
microphones
are
picking
it
up.
That's
awesome.
I
think
it's
at
the
56
second
mark.
So
if
anyone
listening
is
counting
scream
number
one
is
56
seconds
into
the
real
me.
Then
that
leads
into,
which
is
pretty
much
the
overture
Quadrophenia,
the
track.
I
have
that
note
as
well.
I
would
compare
this
to
Overture
off
of
Tommy.
Yeah,
Tommy
has
Overture
and
then
Underture,
which
are
two
of
my
favorite
tracks
off
that
entire
album.
And
then
here
you
have
something
similar
and
we'll
talk
later
on.
But
Quadropheni
pretty
much
serves
as
the
overture.
You
got
a
little
bit
of
everything
in
one
amazing
instrumental
arrangement.
And
starts
off
with
Bellboy.
And
then
this
is
back
to
what
I
previously
said.
Pete
actually
shows
his
lead
guitar
chops
fantastic.
So
heavy
synthesizers
as
well.
So
what
Pete
did
was
he
played
the
organ
and
filtered
it
through
a
synthesizer
which
was
a
fairly
new
technology.
And
as
far
as
I
know,
I
don't
know
if
anyone
was
utilizing
the
synthesizer
as
Pete
was
at
this
time.
I
don't
know
if
I'm
necessarily
the
best
person
to
be
talking
about
this
album.
I
was
not
born
at
that
time,
but
I
don't
know.
I
think
it
was
pretty
unique
for
the
time,
so.
But
yeah,
the
Is
it
me
Melody
is
then
played
on
guitar.
That's
obviously
from
Dr.
Jimmy,
like
we
said
earlier.
Then
Helpless
Dancer,
the
horns
come
in.
And
followed
by
the
melody
played
on
the
violin.
But
then
Love
reign
over
Me.
The
piano
kicks
in,
ends
with
more
ocean
waves.
You
got
your
motor
scooter
coming
in.
All
of
those
field
recordings.
So.
So
Quadravino
then
drifts
into
track
four,
which
is
Cut
My
Hair.
And
this
is
kind
of
where
the
story
really
begins.
The
street
again
and
I'm
leaping
through
Just
ride
for
a
beach
fight.
Yes.
Yep.
It's
the
first
proper
track.
You
know,
you
had
the
real
me,
but
this
is
exactly
where
it
begins,
for
sure.
And
then
we
do
get
another
Keith
scream
right
off
the
bat.
Really?
I
didn't
notice
this
one.
Yep.
41
seconds
in.
I
noted
all
of
them.
And
it
looks
like
there's
1,
2,
3
more
in
the
song.
So
you'll
have
to
send
me
that
and
I'll
put
it
in
the
show
notes
because
I
want
to
listen
to
it
again.
I
want
to
listen
for
the
ones
that
I
missed.
Yep.
He's
just
an
animal.
Absolutely.
So
he
actually
destroyed
multiple
drum
kits
recording
this
in
the
studio.
Oh,
really?
Now,
I
knew
they
did
that
live,
but
I
didn't
know
he
was
doing
it.
No,
just
in
the
actual
recording,
there's,
like,
little
damage.
Little
damage.
And
then
apparently
when
they
did
Love
Brain
Over
Me,
he
destroyed
his
kid
in
the
studio.
Just
not,
like,
theatrics,
just
playing.
Sure.
Holy
cow.
That's
crazy.
And,
yeah,
I
just.
Keith
alive.
I'm
sure
you've
seen
clips,
but
he
duct
tapes
his
headphones
to
his
head.
He's
just
a
crazy
man.
So.
I
believe
that
for
sure.
Yeah.
But
before
I.
Before
an
episode
goes
live
on,
like,
Friday
or
Saturday,
I'll
post,
like,
a
homework
assignment
for
anyone
that's
paying
attention
to
my
account.
And
I'll
say,
here's
your
homework
for
the
weekend,
but
I
am
100%
gonna
post
the
YouTube
video
of
Bellboy
with
him
singing
the
vocals.
It's
great.
Yep.
It
is
just
absolutely
great.
We'll
get
to
Bellboy,
though.
Yep,
yep,
yep.
So.
But
yeah,
the
distorted
guitar
part
in
this,
I
don't
know
if
he
was
putting
that
through
the
synthesizer
as
well,
but
sometimes
it
sounds
like
his
guitar
is.
Is
overly
produced
somehow,
so
I
don't
know
if
he's
using
a
bow
I
know
John
Paul
Jones
used
to
do
that
with
Zeppelin,
so
maybe
Pete
picked
that
up
as
well.
But
anyway,
it's
beautiful.
It's
just
another
layer
added
on.
You've
got
your
standard
piano.
You
got
your
synthesizer,
piano,
organ.
And
then
you've
got
these
guitar
effects
that
just
add
ambiance
to
the
whole
thing.
And
then
they
use
different
vocalists.
You
got
Pete
Townsend
and
Roger
Daltrey
singing
as
far
as
to
kind
of.
It
sets
that
atmosphere
of
the
different
voices
in
his
head.
Yeah.
So
why
should
I
care?
And
then
just
different
vocalists.
And
this
happens
on
multiple
tracks.
They
have
beautiful
harmonizing
on
this
one.
And
Pete
did
take
the
lead
for
most
of
it,
too,
so.
And
there
are
some
songs
on
here
where
the
who
becomes
a
trio,
because
Roger's
non
existent
at
all.
And
I
think
those
were
probably
the
ones
that
Pete
felt
most
passionate
about,
that
he
was
the
only
singer.
And
you'll
notice
too,
on
some
of
those,
Keith
is
actually
just
keeping
a
beat.
He's
more
subdued.
Entwistle
isn't
all.
He
can
be
restrained
when
he
needs
to
be.
Yeah.
Yes.
So
we'll
get
to
those
two
later.
Jumping
ahead.
So
Cut
My
Hair
is
where
the
story
starts.
And
it's
Jimmy
trying
to.
He's
describing
how
he's
fitting
in
with
the
Mods.
Correct.
How
he.
He's
got
to
keep
up
with
the
fashions.
He's
got
to
get
the.
His
suit
to
be
specific
dimensions
and
look
a
certain
way.
He
doesn't
want
to
have
the
kids
at
school
look
down
on
him
because
he's
not
up
on
the
fashion.
Fashion
was
really
an
important
part
of
this
whole
subculture.
It
was.
And
I'm
going
to
go
back
to
what
you
said,
something
you
said
earlier.
You
mentioned
that
the
who
actually
started
as
a
mod
band.
Well,
their
very
first
single,
before
they
were
even
the
who.
I
made
a
note
here
of
what
the
band
was
called
at
the
time,
the
High
Numbers.
So
the
High
Numbers,
their
first
single
was
Zoot
Suit
and
I'm
the
Face.
And
you
actually
get
to
hear
the
refrain
from
Zoot
Suit
in
this
song.
They
lifted
the
lyrics
from
their
very
first
single.
And
on
that
note
is
terminology.
The
Face.
That's
what
the
mods
kind
of
called
themselves
within
the
group.
You
know,
like
they
say,
you
were
out
there
with
the
Faces,
which.
I
mean,
there
was
groups
called
the
Faces
and
such.
So
there
was.
Odd
fact,
when
Keith
Moon
died,
the
person
who
replaced
him
was
Kenny
Jones,
and
he
was
the
drummer
for
the
Faces.
Nice.
And
Rod
Stewart
was
obviously
the
lead
singer.
Yeah.
But,
yeah,
Kenny
Jones
was
their
drummer.
For
quite
a.
Quite
a
while
after
Keith
passed.
Yeah.
I
did
not
know
what,
let's
say,
the
terminology
of
the
face,
you
know,
I'll
be
the
best
face
out
there
sort
of
thing.
Yeah.
That's
because
I
didn't
know
that.
I
had
to
read
up
on
the
mods.
And
I
would
never
have
known
that
this
was.
You
could
say
this
album
was
written
for
those
people
that
had
grown
out
of
that.
That
subculture.
We
appreciate
it
now,
having
no
connection
to
that.
That
group,
but
still,
it's.
It
was
definitely
written
for
them.
Yes,
it
was,
for
sure.
And
after
this
one
comes
the
Punk
and
the
Godfather,
which
I
claimed
as
my
favorite
jam.
I
believe
on
the
roundtable,
I
think
you
did
this
song
just.
It
does
it
for
me.
You
said
the
real
me
was
who
at
their
finest.
This
is
too.
This
song
is
just
perfect.
Who?
Every.
If
anyone
ever
says,
if
I
meet
someone
that
doesn't
know
the
who,
I
would
direct
them
to
the
song.
That
you're
gonna
get
a
flavor.
You're
gonna
get
a
flavor
of
every
one
of
their.
Their
talents.
And
it's
just
a
rocker
through
and
through.
That's
a
good
question.
Someone
who's
never
heard
of
the
who,
where
would
you
direct
them
at?
What
song
would
you
give
them?
I
would
probably
say
515.
Yeah,
515
would
be
a
good
one.
But
this
one's
good,
too.
Bob
O'Reilly,
you
know,
won't
Get
Fooled
Again.
I'm
sure
they've
all
heard
that.
But
anyway.
So
anyway.
But
yeah,
this
one
just
kind
of
just
smacks
you
in
the
face.
Just
bursts
in
with
authority.
And
I
mentioned
this
too,
previously,
Pete
and
John's
guitars
almost
sound
like
they're
having
a
battle.
Kind
of
like
the
voices
in
Jimmy's
heads
or
in
Jimmy's
head.
I
don't
know
if
that's
intentional
as
well,
but
the.
So
anyway,
I
just
thought
that
was
neat
and
if
it
was
intentional,
that's
genius.
Again,
my
note
here
is
classic
who
music.
This
is
what
you
expect
from
the
rock
legends
on
all
levels
for
this
song.
Yep.
That's
a
great
note
for
sure.
And
yeah,
John
at
his
finest,
too.
You
know,
the
tone
again,
it's
just.
It's
perfect,
so.
And
Roger
actually
harmonizes
with
himself
in
this.
Pete
doesn't
come
in
for
the
harmonies.
He
gets
to
do
both
parts
there.
And
from
a
story
perspective,
this
is
Jimmy
going
to
see
a
mod
group.
And
in
my
takeaway,
I
guess
he's
disappointed.
Yes.
Because
they're
supposed
to
be
this
high
level
of
faces,
and
it's
all
a
show.
It's
all
theatrics.
It's
all
phony.
None
of
it's
real.
I
had
phony
listed
as
my
description
for
the
band
on
my
notes
as
well.
So
you're
spot
on.
And
the
band
itself,
the
Godfather
portion
is
like,
tough
shit.
Thanks
for
your
money.
There
you
go.
And
another
note
that
I
made
here,
which
is
a
popular
saying,
never
meet
your
idols
because
you'll
only
be
let
down.
And
then
that's
true.
That's
kind
of
the
tone
you
get
with
this
too.
But,
yeah,
just
Keith
screams
a
couple
times
in
this
one
as
well.
So
I'll
get
this
to
you
after
the
show.
I'll
make
every
time
I
noted
a
Keith
scream.
I'm
sure
I
missed
some
too.
But,
yeah,
Pete's
part
in
the
song,
he's
got
kind
of
an
echoing
effect
and
he's
kind
of
harmonizing
with
himself
on
that
part
as
well.
And
again,
I
don't
know
if
he's
using
a
slide
guitar
or
a
violin
bow,
but
there's
just
a
lot
of
cool
effects
kind
of
just
echoing
throughout
the
whole
thing.
So
it's
a
great,
great,
great,
great
song.
So
I
love
the
reference
to
my
generation
as
well.
Yes,
yes,
I've
got
a
note
on
that.
So
not
only
are
they
referencing
the
four
themes
throughout,
they're
also
referencing
their
older
stuff.
So,
like
Zoot
Suit,
their
first
single
from
the
previous
song
and
now
they're
going
to
their
first
album.
There's
a
bit
of
a
meta
level
to
it.
Yeah.
And
he
does
that
through
a
talk
box,
which
I
don't
know
how
popular
that
was
at
the
time.
He
had
the
moo
moo
moo
moo
moo
choo
choo.
So
I
know
Stevie
Wonder
did
it
in
concert
quite
a
bit.
Peter
Frampton
years
later,
obviously
did
it
to
death.
And
this
would
have
been
quite
a
few
years
before
Animals
with
their
talk
boxes.
Sorry,
you
can't
tell.
I'm
really
into
this.
I'm
just
feeling
it.
Sorry,
I
already
took
Animals.
So,
anyway,
inside
one,
if
you're
a
vinyl
fan,
this
is
where.
And
I
think
that's
just
the
perfect
song
to
end
side
on.
So,
yeah,
side
note,
during
all
this,
as
I
was
telling
you,
I
did
buy
the
vinyl.
Got
it
for
like
25
bucks,
used
on
Amazon.
And
I
appreciate
the
order
and
just
the
set
list
as
far
as
what
ends
and
what
starts
a
disc,
they.
Did
that
very
well,
for
sure.
And
even
on
the
cd,
it's
a
two
disc.
They
ended
at
side
two
and
side
four,
obviously,
so
it
ends
perfectly
for
those
as
well.
So.
Yes,
I
agree.
That'd
Be
difficult
because
that
was
their
only
medium
back
in
the
day.
But
it'd
be
difficult
to
choose
the
order.
And
especially
for
story
like
this,
that
needs
to
be
told
in
a
specific
order.
So.
Yep.
You
kind
of
like,
say,
like
the
Wall
ends
their.
Their
first.
They
have
part
one
and
part
two,
and
that
break
is
done.
Well,
you
know,
hey,
hey,
you
starting
part
two
and
stuff.
So
that's
in
that
same
vein.
Agreed.
Then
we
go
into
track
six,
which
is
the
one.
And
this
is
Pete
on.
On
lead
vocals
again.
Yes.
And
this
is
the
who
as
a
trio.
I
actually.
I'm
going
to
do
another
side
Note
here.
In
2008,
I
went
to
see
Eddie
Vedder
solo.
He
was
touring
for
into
the
Wild,
the
soundtrack
that
he
did.
Okay.
And
he
actually
performed
the
song
and
just
reinforced
my
love
for
this
album
for
sure.
But,
yeah,
that
was
the
last
concert
I
went
to
with
my
dad,
actually.
And
fun
fact,
he
and
my
uncle
came
with
my
buddy
and
I
and
they
thought
we
were
going
to
a
Pearl
Jam
concert.
And
when
it
was
Eddie
sitting
on
a
stool
with
an
acoustic
guitar,
they
were
so
disappointed.
I
think
they
left
about
halfway
through.
Really?
Yep.
They
bought
these
amazing
Eddie
Vedder
tickets
and
left
my
buddy
and
I
there
so
they
could
go
out
drinking.
So
went
to
the
Cubs
game
the
next
day,
which
was
great.
But,
yeah,
it
was
something.
They
were
so
disappointed
they
left,
but
I
was
certainly
not.
And
I'm
one
by
Eddie
Vedder
is
something
you
guys
should
look
up.
He.
Yeah,
I'll
see
If
there's
a
YouTube
on
that
one.
Yes.
Auditorium
Theater,
2008.
Check
it
out.
He
did
an
amazing
job.
So,
anyway,
I
did
see
note
somewhere.
That
I'm
one
has
become
a
staple
of
Pete
Townsend's
solo.
I
can
see
that.
Shows
in
a
fan
favorite,
which
makes
sense.
Yep.
For
sure.
So
beautiful
acoustic
ballad,
but
they
do
mix
in
some
of
that
classic
who
sound,
you
know,
just
to
not
alienate
their.
Their
fans.
So
slide
guitar
again.
John
and.
And
Keith
are
kind
of
subdued
on
this
one.
This
is.
I
think
John
probably
had
a
lot
of
control.
He
might
have
wanted
to
do
this
one
solo,
you
know,
so
they
kind
of.
Well,
it
matches
the
lyrics
in
the
story
because
this
is
Jimmy
feeling
part
of
the
mods,
and
this
is
not
him
breaking
down.
This
is
not
him
starting
a
riot
or
something
or
doing
something
crazy
or
fighting
with
his
parents
or
whatever.
This
is
him,
you
know,
I'm
one.
I'm
one
of
you
guys.
And
the
music
and
the
lyrics
match
all
together.
Now,
see,
I
took
it
a
different
way.
I
thought
this
was
him
realizing
that
he's
not
a
mod
and
he's
one.
With
him,
he's
trying
to
be
an
individual.
Well,
I
guess
I
took
it
as
it's
one
of
those
things
where
if
you
tell
yourself
something
enough,
you
believe
it.
You're
right.
Yep.
Okay,
I
can
see
that.
So
he's
just
constantly.
Because
if
you
look
at
the
lyrics,
he's
asking
people,
where'd
you
get
those
blue
jeans?
He
looks.
I'm
a
Gibson
without
a
case.
He's
being
that
phony
that
the
Godfather
told
him
that
he
had
to
be.
So
he's
like,
okay,
well,
then
I'm
the
one.
But
I'm
not
really
sure.
Yep.
Conflicting
thoughts
going
through
as
well.
So.
All
right,
okay.
I
changed
my
view.
I'll
join
you.
All
right,
next
we
got
the
Dirty
Jobs
track
seven,
Dirty
Jobs.
This
one,
Keith
is
hard
at
work,
judging
by
the
screams
that
I
have
listed
here.
So
I've
got
1,
2,
3,
4,
5,
6.
I've
got
7
Keith
screams
on
this
one.
Oh,
wow.
He
is
working
overtime.
But,
yeah,
the
synthesizers
into
the
short
violin
strokes
just
kind
of
brings
you
right
in.
I'm
being
beaten
every
day.
My
life's
rating.
Things
are
changing.
I'm
not
gonna
sit
and
weep
again.
Entwistle.
I'm
gonna
stop.
It's
just
so,
so
good.
So.
But
anyway,
yeah,
Dirty
Jobs.
Basically,
Jimmy
is
going
to
work
as
a
garbage
man.
Now,
that's
what
I
took
from
the
album.
In
the
movie,
he
never
actually
goes
to
work
as
the
garbage
man.
But
what
he's
realizing
is
that
society
looks
down
upon
these
folks
with
the
Dirty
Job.
So
he
lists
what
pig
farmer,
bus
driver,
miners,
et
cetera.
But
as
he's
talking
to
these
other
blue
collar
workers,
he
actually,
towards
the
end,
he
blames
them.
Yeah.
Yep.
Yeah.
That
kind
of.
The
lyrics
kind
of
took
a
turn
for
me
there
where
he's
like,
he's
realizing,
yeah,
society's
gonna
keep
you
guys
down.
It's
just
kind
of
the
way
it
is.
And
they
says,
but
it's
your
own
damn
fault.
Yep.
If
you
let
them
do
it
to
you,
you've
got
yourself
to
blame.
Yeah.
Yep.
So
I
guess
he
kind
of
mentally
says,
I'm
not
gonna
let
them
do
that
to
me,
I
guess.
Yep.
I'm
not
gonna
weep
again
right
afterwards.
You're
right.
Yes.
That's
for
sure.
It
might
also
signify
that
he's
going
to
rebel
in
the
future
as
well.
Which
that
leads
into
Helpless
Dancer.
Yes.
Yep.
Song
ends
with
pig
snorting
parade
in
the
background.
And
then,
yes.
Helpless
Dancer.
The
theme
of
Roger
that
we
talked
about
earlier.
So
the
tough
guy,
the
helpless
dancer
opens
with
horns.
I
don't
know
if
that's
kind
of
like.
That's
supposed
to
be
a
revelation.
I'm
going
to
get
artsy
fartsy
because
that's
what
Pete
was.
So
let's
kind
of
dig
deep.
Well,
this
one
is
stripped
down
though
too.
Yeah.
Yep.
This
one
just
relies
heavily
on
Roger
to
do
all
the
heavy
lifting.
Yes,
for
sure.
He's
again,
just
powerful,
powerful
vocalist.
So
kind
of
relays
Jimmy's
hardships.
Although
the,
the
other
hardships
that
he's
listing
has
seemed
kind
of
minuscule
in
my
opinion.
I
was
going
to
talk
about
that
later.
As
far
as
his
to.
To
me.
And
this
is
coming
as
a
parent,
Jimmy
is
a
lot
of.
This
is
just
a
rebellious,
spoiled
little
brat.
Yes.
Yep.
As
today's
youth
would
say.
First
world
problems.
Yes.
Yes.
Now
granted,
his
parents
aren't
the
best.
They've
got
their
own
issues
that
he
details
in
various
lyrics.
But
he
had
a
job,
he
had
a
fun
group
of
friends,
he
had
social
life,
he
had
your
basic.
What's
going
through
his
head
is
largely
what
every
late
teen,
early
20s
kind
of
goes
through
as
far
as,
okay,
what
am
I
going
to
do
with
my
life?
Do
I
grow
up
and
start
to
be
a
functioning
member
of
society
or
do
I
be
a
deadbeat
and
try
to
just
party
all
the
time?
Yep.
And
I
can
relate
to
Jimmy
100%.
I
don't
know
about
you,
but
I
think
like
you
said,
a
lot
of
people
can.
And
I'd
say
this
is.
As
a
parent,
I
want
to
smack
them
side
of
the
head
and
say,
grow
up
man.
Just
why
were
you
whining?
Tell
21
year
old
Luke
to
not
go
out
and
drink
when
he's
got
a
final
exam
tomorrow
and
he
would
tell
you
screw
off.
So
you
can't
talk
to
youth
either.
They're
going
to
do
what
they
want
to
do
and
hopefully
they
can
get
a
level
head.
And
also
there's
a
lot
of
drugs
in
this
album.
So
he's
talking
about
the
blue
pills,
amphetamines
and
just.
So
that
doesn't
help
any
situation
that
this
kid's
doing.
Yes,
agreed.
100%.
Yeah.
Gin,
lots
of
drinking.
So.
But
yeah,
but
you're
right
though.
He's
trying
to
lump
himself
in
with,
you
know,
racial
inequality
and
another.
Other
issues
in
this
song.
And
it's
like,
dude,
your
problems
are
not
even
close.
Yeah.
Your
problems
have
nothing.
Yeah.
So
it's.
I
don't
know
if
we're
supposed
to
sympathize
with
him
on
that
level.
Or
I
think,
see
him
as
delusional.
We're
supposed
to
see
the
pettiness.
Yeah,
I
think
for
sure.
Because
Pete's
not
a
dummy.
He
wouldn't
have
presented
that
as
his
point
of
view,
you
know,
so
there
are
two
sides
to
the
story,
too.
So.
Yeah.
And
he
gets
all
cylindrical
about
if
a
man
is
trying
to
change,
but
it
only
causes
further
pain.
So
you
stop
dancing.
Yep.
And
again,
I
think
the
stop
dancing
signifies
the
rebellion,
again,
because
this
is
Roger's
song.
He's
a
helpless
dancer,
but
he's
also
a
fighter.
So
this
is
the
way
I
took
it.
The
dance
is
the
functioning
member
of
society.
Yeah.
Yep.
So
you're
helpless,
but
keep
dancing.
Do
what
you're
told.
Go
do
the
garbage.
Go
do
the
mailroom.
Go
do
those.
And
so
what's
he
going
to
do?
You
stop
dancing.
That's
brilliant.
Yes,
for
sure.
And
he
did
stop
dancing.
You
stop
dancing.
All
right,
on
to
the
next
one.
Is
it
in
my
head?
So
I
have
a
confession
to
make.
Okay.
There
are
many
times
when
I
did
listen
this
album,
though,
and
I
would
purposely.
This
is
where
I
started.
Okay.
And
there's
a
reason
I
like
those
first
eight
tracks.
They're
all
great.
But
track
nine
through.
I
don't
know,
through
the
end
really
just
kind
of.
It's
the
start
of
the
breakdown.
So
it
really
kind
of
kicks
it
into
gear
with
the.
All
the
motifs
start
coming
to
the
surface.
And
each
song,
obviously,
we'll
cover,
but
it's
going
to
be.
They're
all
at
a
very
high
level
musically.
But
this
is
vinyl
Confession.
I
would
start
here.
There
you
go.
I
apologize.
No
worries.
But,
yeah.
So
this
is
another
example
of
a
perfect
who
song.
I
think
you
touched
on
that.
But
if
someone
asked
what
their
sound
is,
this
would
be
one
to
point
them
to
for
sure.
It's
got
that
piano
in
the
background
that
emphasizes
all
the
themes.
Yep.
And
then
just
the
title
alone
matches
lyrics
as
far
as
he's
trying
to
figure
out.
Is
this
in
my
head?
Is
this
me?
Am
I
the
problem?
Trying
to
find
the
real
me
if
you
will
I
walk
and
the
people.
Turn
and
loud.
Is
it
in
my
head?
Is
it
in
my
head?
Is
it
in
my
head?
So.
But
Keith
and
John
are
kind
of
subdued
on
this
one,
too.
They're
not
all
over
the
place.
They're
keeping
a
rhythm
going.
And
even
I
subdued
John
and
Keith
are
still
better
than
a
majority
of
rhythm
sections
out
there.
So.
Well,
and
this
is
kind
of
the
last.
And
I
could
be
wrong,
but
to
me,
this
is
like
the
last
subdued
one
before.
Yes,
it
all
happens.
Yes.
The
freight
train.
The
freight
train.
There
you
go.
As
Pete
said.
Yeah.
The
freight
train.
Yes.
The
515.
All
right.
So,
yeah,
Jimmy
sees
a
man
without
a
problem,
but
also
a
country
full
of
starving
people
and
wonders
how
these
can
exist
simultaneously.
So
he's
kind
of
reflecting
self
as
well.
And
all
positive
points
on
this
song
are
actually
followed
by
a
negative
as
well.
Yes.
So
that
shows
his
self
doubt
and
his
paranoia.
Yes.
Throughout
the
song.
Yep.
Anxieties
of
modern
life.
But,
yeah,
back
to
what
you
said
earlier,
I
think
a
lot
of
people
have
walked
in
Jimmy's
shoes,
if
not
all
people
experiencing
these
things.
So
he
is
not
unique.
But
we
won't
say
that
yet
because
we've
got
to
keep
the
drama
going.
Right.
So
it
goes
into
track
10,
which
is.
I've
had
enough.
And
this
is,
I
guess,
you
know,
FOMO's
first
breakdown.
Yes.
Oh,
yeah,
it
for
sure
is
a
breakdown.
There
are
so
many
layers.
This
is
insanity
in
song
form
for
sure.
This
was
one
of
my
favorites
on
the
album.
Yeah,
it's.
It's
definitely
yes.
Yeah.
Roger,
his
intro
shows
Jimmy's
anger.
It's
very
tense.
Just
beautifully
delivered.
And
then
the
second
part,
Pete
comes
in
and
actually,
we'll
see
this
part
again
later.
And
again
and
again.
Yes.
You
talk
about
the
jacket
and
the.
GS
scooter,
describing
all
of
his
mod
things.
It's
very
materialistic.
As
things
start
to
crash
down
around
him,
he
keeps
telling
himself
that,
I've
got
the
suit,
I've
got
the
scooter,
I've
got.
I
got
the
coat.
Why
is
everything
breaking
down?
I'm
doing
what
I'm
supposed
to
do
with
fashion.
Why
is
nothing
else
working?
I
should
have
the
girl,
I
should
have
the
money,
I
should
have
all
this,
but
it's
not
happening,
so.
But
yeah.
And
then
right
afterwards,
we
get
the
Love
Rain
or
Me
Tease.
This
is
kind
of
signifying
Jimmy's
want
to
go
or
his
need
to
go
back
to
the
sea
in
Brighton.
And
then
we
get
a
beautiful
banjo
break.
Banjo.
I
have
it
in
here.
I
said,
I
love
the
drums
on
this
one.
Keith
is
on
point.
Followed
by
a
frigging
banjo.
And
speaking
of
Keith,
during
the
banjo
part,
is
he
playing
a
bongo?
I
believe
so.
I
was
gonna
say
I
didn't
know
if
it
was
bongo
or
he
had
some
sort
of
different
skin
on
one
of
his
drum
heads.
But,
yeah,
it
sounds
like
with
one.
Of
his
eight
arms.
There
you
go.
But,
yeah,
it's
very,
very
hillbilly
and
just
a
knee
slapper
for
sure.
But
it's
beautiful.
It's
the
who's
version
of
Hillbilly.
Hillbilly
who?
We
go
right
back
into
the
tense
part.
Right
after
that,
Roger
hits
us
again.
And
guess
what
happens
at
4
minutes
and
8
seconds?
I'm
gonna
go
with
Keith
Whispers
something.
Yes.
Got
another
Keith
scream.
But
he's
just.
He's
going.
I'm
not
surprised
I
missed
it
in
this
one.
There's
all.
This
one
has
everything
going
on.
It
does.
Yes.
But.
Yeah,
he's
just
so
powerful.
Drummond
there.
Correct
me
if
I'm
wrong.
This
is
the
end
of
the
first
disc,
correct?
Yep.
And
side
two.
Yes.
So
this
is
like
the
first
finale.
It
is.
Yes,
yes,
yes,
yes.
I
think
he
decides
that
he
doesn't
fit
in
with
the
mods
in
this
song.
Maybe
not
decides,
but
is
realizing
that
he
doesn't.
And
maybe
society
in
general.
Maybe
he's
just
seeing
himself
as
an
outcast.
Anxiety
is
building
up
to
this
point.
And
I'm
finished
with
the
fashions
and
acting
like
I'm
tough.
Yeah.
Yep.
Bored
with
hate
and
passion
I've
had
enough
of
trying
to
love
so.
Well,
you
didn't
do
the
Roger
Daltrey
version.
There
you
go.
No,
I
can't
do
it.
And
I'm
definitely
not
everything
on.
I
didn't
realize
what
he
was
saying
until
I
read
the
lyrics,
that
last
word.
It's
passion.
Yes.
He
says
he's
bored
with
hate
and
passion,
but
the
hate
and
passion
come
through
in
that
final.
That's
true.
I'm
born
with
hate
and
passion
I've.
Had
enough
of
time.
Yeah.
Like
you
said
in
side
two.
But
I
think
that
we
get
the
hint
that
he
wants
to
go
back
home
and
go
to
his
happy
place.
Story
wise,
he
wants
to
go
back
to
the
one
time
that
he
had
his
high
point
in
his
short
life,
which
was
a
rumble
in
Brighton,
where
the
mods
had
a
weekend
there,
and
then
the
rockers
were
there
with
their
motorcycles,
which.
I
want
to
talk
about
the
movie
for
a
minute.
Okay.
How
weird
was
it
watching
these,
you
know,
actual
bikers,
you
know,
go
toe
to
toe
with
these
scrawny
little
mods.
And
they
were
getting
their
asses
handed
to
them.
Yeah,
it
was.
It
was
even.
I
mean,
you'd
see
one.
It
was
just
so
weird
because
you
think
in
this
day
and
age,
the.
I'll
use
more
modern
terms,
but
the
preppy
guys.
Yes.
In
their.
In
their
suits
and
their
slicked
hair
versus
the
guys
on
the.
On
the
motorbikes.
It
just.
It.
In
today's
aspect,
it
should
have
been
an
ass
kicking.
I
agree.
But
I
think
at
sheer
Numbers.
The
mods
were
out
in
numbers,
so
I
think
they
had
that
going
for
them.
But
yeah,
and
earlier
in
the
movie,
you
see
there's
a
mod
by
himself
trying
to
fix
his
bike
and
the
rockers
take
him
out.
Yeah.
And
the
mods
will
leave
a
man
behind.
Yes,
they
will.
Yeah.
We're
getting
chased
by
a
bunch
of
rockers
and
our
groups
are
even.
But
one
guy
has
bike
trouble
or
scooter
trouble.
Sorry,
man,
you're
on
your
own.
And
that
leads
back
to
the
selfishness,
I
think.
The
ego.
But
fun
fact
too.
That
actually
happened.
65
people
died,
apparently.
There
was
actually
in
Brighton.
Yes.
On
the
beach.
I
figured
there
was
an
actual
altercation
to
go
small
ride,
but
I
didn't
know.
65
people
died.
That's
terrible.
That
was
on
a
news
headline
that
I
saw
somewhere.
It
might
actually
be
in
the.
The
quadrophenia
booklet
here.
But
yeah,
it
was
an
all
out
brawl
for
sure.
I'd
like
to
apologize
to
anyone.
That
actually
was
a
mod
and
I'm
dogging
you
guys.
I'm
going
by
the
album
and
the
movie,
so
I'm
sure
there's
a
lot
of
good
people
out
there
that
were
mods.
Yes,
for
sure.
And
when
I
said
selfish,
I
meant
stand
up.
Please
don't
do
donuts
with
your
scooter
in
my
lawn.
Yes,
that
was
an
excellent
point
in
the
movie
as
well.
Oh,
man.
I
actually
really,
really
enjoyed
that.
I
don't
know
about
you,
but
I.
Did
enjoy
the
movie,
the
whole.
All
of
it.
And
I
loved
the
scooters
because
it
was
like
they
had
to
like
trick
out
their
scooters.
How
many
mirrors
can
you
fit
on
there?
How
many
stickers?
And
that
was
so
weird.
And
Sting's
bike
was
the
cream
of
the
crop.
That
was
the
ace
face.
Yes.
GS
on
the
front.
I
don't
think
he
said
anything
in
the
movie,
did
he?
I
don't
think
he
had
any
lines.
I
don't
believe
so.
Yeah.
Now
that
you
say
that,
he
just.
Stood
there
and
stared.
Oh,
no,
he
did.
He
had
one
line.
It
was
in
court
when
he
said
he
was
going
to
write
him
a
check.
You're
right.
You're
right.
That
was
a
good
scene
too.
Yes,
it
was.
That
was
the
perfect
line
to
give
a
judge
for
sure.
Yep.
And
I
think
that
was
right
when
Outlandos
the
Moore.
That
was
their
first
album.
Right.
The
Police,
I
think
that
had
just
come
out.
Right.
I
did
read
that
when
they
cast.
This
is
based
on
the
IMDb
trivia
that
I
was
reading.
When
they
cast
Sting,
he
wasn't
like
a
household
Name.
By
the
time
the
movie
came
out,
everyone
did
know
who
Sting
was,
at
least
in
the
uk
and,
you
know,
they
were
starting
to
come
up
as
a
band.
Sure.
And
fun
fact
as
well.
The
movie
was
supposed
to
be
set
in
1964
and
apparently
there
were
some
70s
models,
vehicles
in
some
of
the
shots.
Grease
was
playing
at
the
movie
theater,
which
hadn't
come
out
until
much
later.
They
didn't
have
a
license
to
film
anything
on
the
road.
So
everything
that
you're
seeing
on
the
roads,
other
than
a
few
things
in
Brighton
with
extras,
but
when
they're
riding
scooters
and
they're
getting
wrecked
and
you
know,
get,
you
know,
those
little
beat
up
scenes,
those
are
all
like
guerrilla
filming.
They
like
do
it
before
the
cops
show
up.
Oh,
wow.
And
another
reason
is
because
the
helmet
laws
changed,
so
they
had
to
film
it
as
if
it
was
1963.
So
they
had.
With
Jimmy
and
the
Mods
and
with
no
helmets,
but
that
was.
That
was
the
actual
law.
By
the
time
they
started
filming.
Gotcha.
All
right,
that's.
That's
neat
as
well.
I
did
not
know
that
this
is.
All
gospel
because
this
was
all
read
on
the
Internet.
Yes.
If
either
of
us
misspeaks
in
this,
please
don't
judge
too
harshly.
All
right.
It
might
have
been
covered
in
that
85
page
doctorate,
but
I
didn't
get
that
far.
There
you
go.
Well,
I'm
sure
you
got
some
good
tidbits
from
it
anyway.
All
right,
we're
starting
side
three
with
5:15.
So
5:15,
I
believe
is.
Did
they
call
the
train
set
or
is
it
supposed
to
be
like
the
train's
number?
I
think
it's
the
I'm
on
the
5:15,
which
is
the
5:15
time
slot
that
goes
to
Brighton.
Gotcha,
gotcha,
gotcha,
gotcha.
That
makes
sense.
Yeah,
because
it's
got
the.
I'm
out
of
my
brain
on
the
515.
Yes.
So
out
of
his
brain,
you
can
guess
that
he
has
taken
quite
a
few
of
the
blues
that
we
were
talking
about
earlier.
Yeah.
So
Jimmy
gets
everything
that
he
has
as
far
as
amphetamines.
He
takes
a
whole
ton
and
just
goes
on
the
train.
And
it's.
It's
like
his
high
trip
on
the.
He's
just
saying
what
he
sees.
Yep.
And
actually
the
song
starts
off
with
the
chorus
from
Cut
My
Hair.
Yeah.
Why
should
I
care?
Yes.
So
more
multiple
personalities
coming
through.
And
that
makes
you
think
too.
Let's
go
back
to
the
artsy
fartsy.
Is
this
coming
from
the
same
personality
that
we
saw
in
Cut
My
Hair?
Is
that
what
that's
supposed
to
allude
to.
I
think
that
the
four
personalities,
if
we
take
that
as
story
face
value,
they
intersect.
I
mean,
they're
all
coming
up
at
different
points
during
multiple
songs.
So
it's
not
necessarily
one
song
from
one
personality.
It's
intercut.
Yep.
I
agree
100%.
Inside
outside
leave
me
alone
In
Inside.
Outside
Nowhere
is
home
Inside
outside
Where
have
I
been?
Out
of
my
brain
on
the
fire.
But
yeah,
we
get
the
back
and
forth
treatment
with
the
vocals.
Again,
Roger
sings
a
part
and
then
you've
got
the
rest
of
them
yelling
back.
What'd
you
think
of
the
lyrics?
That's
something.
So
I'm
gonna
get.
This
is
set
in
1963.
Yes.
I'm
not
going
to
say
them
because
I
don't
want
to
get
mean,
but
the
eau
de
cologne
part.
So.
This
was
written
from
the
point
of
view
of
a
young
boy
in
1963.
So
what
he's
seeing,
we're
not
saying
anything.
So
the
eau
de
coloning,
apparently
when
the
Beatles
came
around,
the
girls
would
piss
their
pants
and
sit
on
the
seats
in
the
train.
No
joke.
I
read
this.
And
the
ushers
had
to
spray
cologne
to
get
the
smell
of
pee
out
of
the.
Out
of
the
train.
That
makes
sense.
He's
like,
the
seats
are
seductive.
Celibate
sitting.
There
you
go.
So,
yeah,
just
another
little
fun.
There
you
go.
The
ushers
are
sniffing.
Ew
to
cloning.
Yep.
Wow.
Just
for
anyone
that
has
not
heard
the
song,
it
starts
off
with
why
should
I
care?
In
a
very
subtle
tone.
And
then
it
kicks
off.
It
completely
changes
in
full
who
fashion.
You
got
horns
in
there.
You
got
the
jumps
piano.
And
then
the
lyrics
come
in
with
talking
about
teenage
girls
way
underage,
sexually
knowing.
And
then
it
just
goes
like,
oh,
wow.
Okay.
This
is
the
train
we're
on.
Okay,
so.
But
yeah,
again,
yeah,
just
that
back
and
forth.
Roger
sings
something
and
then
the
rest
call
back
to
him.
So.
And
then
I
think
Pete
and
John
are
both
singing
the
high
and
low
harmonies.
So
inside
outside
and
then
Inside
outside.
So
one
of
them's
doing.
It's
either
Pete
and
John.
I
know
in
concert
it
was
Pete
and
John,
but
it
might
be
both
of
those
are
Pete
in
this.
So
anyway,
one
on
each
channel.
If
you've
got
a
hi
fi
system,
left
and
right
channels,
they're
both
screaming
at
you
from
both
sides,
which
is
neat.
The
high
harmonies
in
the
right
and
the
lows
on
the
left.
So
in
that
section
of.
In
that
section
of
lyrics
is.
He's
confused
as
all
hell.
I
mean,
he's
like
moments
of
Clarity
during
this
trip.
Trip
on
the
train
and
trip,
you
know,
with
the
amphetamines.
But
it's
like,
where
have
I
been?
He's
asking
himself,
like,
what
the
hell's
going
on?
And
then
he's.
Then
there's,
I
guess,
another
portion
of
himself
telling
him.
I'm
out
of
my
brain
on
the
train.
Yes,
yep.
And
speaking
of
Inside,
Outside.
So
another
little
side
note
here.
I
just
thought
of
this.
So
is
this
a
reference
to
Beach
Boys
Inside,
Outside
usa?
That
could
be.
Yeah,
that
could
be.
That
would
be
a
rocker
song
though,
wouldn't
it?
I
wouldn't
see
that
as
a
mod
song.
I
don't
know.
That's
a.
And
that
was
another.
Well,
I
mean,
that
was
another
takeaway
I
had.
Was
coming
from
our
generation,
all
these
different.
Whether
it's
the
Kinks
and
the
who
or
the
Stones
and
the
Beatles,
I
lump
them
all
together
as
classic
rock,
as
we've
obviously
discussed.
But
there
was
that
brick
wall
between
them,
apparently,
with
these
different
groups.
So
it's
kind
of
weird
in
retrospect
from
historical.
You
know,
we
look
at
it,
that's
just
good
old
fashioned
rock
all
around.
So
Beach
Boys,
I
wouldn't
know
which
bucket
to
put
them
in
because
they're
just
classic
rock.
Agreed.
So,
again,
I
may
not
be
the
right
person
talking
about
this,
but
I
hope
my
passion's
coming
through.
I
did
have
a
note
though,
on
this
that
it
has
one
of
the
saddest
lyrics
to
me,
which
is
the
inside
outside,
nowhere
is
home.
Yeah,
it's
just
the
way
that
is
delivered.
It's
just
very
sad.
Very
sad
to
me.
Roger
does
have
a
very
expressive
delivery
in
his
vocals.
So
desperation
coming
through
again.
Yeah.
Just
how
did
these
four
dudes
meet?
You
know,
if
fate
exists,
this
was
fate's
doing,
putting
these
four
musicians
together.
So.
But
yeah,
again,
contradictory
statements
are
out.
So
you've
got
magically
bored,
you've
got
free
frustration,
you
got
quiet
storm
water,
you've
got
tightly
undone,
sadly
ecstatic
uppers
and
downers.
Everything's
got
a
contradiction
to
it.
No,
you're
right,
you're
right,
yeah.
Alluding
to
the
multiple
personalities,
possibly
again.
And
just
the
overall
confusion
of
this
young
lad.
Yes,
yes,
yes.
So
anyway,
cut
my
hair
comes
back
in
again
at
the
end.
So
actually
this
was
a
single,
as
we
talked
about
earlier,
the
B
side
was
a
song
called
Water.
It's
on
Odds
and
Sods.
It's
a
B
Sides
album
of
theirs
and
it
is
so,
so
good.
If
you
haven't
heard
Water,
check
it
out,
Roger.
I
have.
Not
Roger
Water,
not
Roger
Waters.
Roger
Daltrey
at
his
finest.
Seriously.
Check
it
out.
Passion.
He's
just
grit.
I
mean,
just
awesome.
Awesome,
awesome
delivery.
So
anyway,
can't
say
enough
about
this
whole
band.
Well,
okay,
then
we
go
into
track
12,
which
is
sea
and
Sand.
Sea
and
sand.
I've
got
a
soft
spot
for
this
one.
So
I
know
we
had
a
conversation
about
this
a
few
weeks
ago,
but
I
used
to
make
mixtapes
for
my
girlfriends
back
in
college,
and
this
one
always
made
it
to
the
mixtape.
Now,
I'm
not
sure
if
this
was
the
right
message.
No,
not
at
all.
But
it
was
the.
It
was
Roger's
part.
The
love
parts,
you
know,
it
was.
That's
what
I
was
looking
at,
so.
And
my
mix
tapes
were
second
to
none.
I'm
telling
you,
it
was
a
ride.
So
this
had
to
be
in
there.
It
was
part
of
it.
As
much
as
I've
analyzed
these
lyrics,
and
this
song
is
right
up
there.
Yeah.
I
wouldn't
send
this
to
a
girl.
Not
if
she's
listening
to
the
words.
Yeah,
but
it's
Roger's
words.
Roger's
words.
So.
Girl
I
love
is
a
perfect
dress.
I
mean,
come
on,
who
doesn't
want
to
hear
that?
Where's
every
fashion
gifts?
But
knowing
it
in
the
context
of
the
album,
it
changes
all
meaning.
It
does.
So.
So
Jimmy
arrives
at
Brighton
and
he's.
This
quiet
seaside
town
is
not
what
he
was
expecting
or
remembers
he.
Because
he
was
there
with.
With.
During
the
brawl,
during
the.
The
height
of
the
mod
thing.
And
now
it's
all
just
old
people.
And.
And
now
all
he
has
left
with
him
is
his
thoughts.
Yes.
And
he
starts
questioning
everything.
Like
you
said,
the
girl
I
love
is
the
perfect
dresser,
but
I
am
the
one.
I
am
the
face
that
she
wants
her
man
to
be.
Why
am
I
not?
Yes.
So
ego
is
coming
in
again.
Yes.
He
thinks
that
he
deserves
it.
And
it's
intercut
with
that
same.
My
jacket's
gonna
be
cut,
slim
and
check.
Yes.
So
Roger's
part's
more
subdued,
laid
back
instrumentally,
too,
not
just
lyrically.
And
then
you've
got
Pete
coming
in
with
that.
That
ego
macho
part
as
well.
So
back
and
forth
once
again,
just.
Just
flows
seamlessly.
This.
Yeah.
Can't
say
enough
about
this
album.
So
in
the.
The
bass
and
lead
guitar.
Lead
this
one.
Those
were
my
notes
here
is
that
I.
For
some
reason,
I
really.
I
had
him.
I
had
a
reason
to
write
that
down.
But
that
this
particular
track.
Lead
guitar
really
kind
of
crushes
it.
Oh,
absolutely.
And
John
and
Keith
are
just
hurdling.
I
mean,
just
Freight
Train
is
The
perfect
way
to
describe
the
who,
they're
just
hurtling
along
and
I'm
the
face
if
you
want
it,
like
you
said,
comes
back.
So
earlier
I
referenced
Zoot
Suit
was
their
first
single.
The
B
side
to
Zoot
Suit
was
I'm
the
Face.
And
if
you
listen
to
their
B
side,
it
is
almost
identical
to
I'm
the
face
if
you
want
it,
babe.
And
it's
just.
Check
it
out
after
this
as
well.
But
it's
lifted
from
their
very
first
single,
so
alluding
to
their
mod
beginnings
once
again.
So
pretty
neat.
It's
also
kind
of
funny
that
you
said
this
on
mixtape
to
a
girl,
because
the
last
line
is
a
very
important
line,
which
is
nothing
is
planned
by
the
sea
and
the
sand,
so
you
can't
build
anything
off
of
that
foundation.
That's
the
way
I
took
that.
And
so
he
had
built
this
vision
of
the
mod
life
based
on
this
weekend
there.
And
everything
was
gonna
be
great,
but
it
was
built
on
sand.
And
he's
realizing
that
was
all.
It's
all
gonna
go
away.
Yes.
And
you
sent
that
to
a
girl?
I
did,
yes.
But
it
was.
It
was
Jimmy.
Me.
I
was
Jimmy
at
the
time.
Okay,
yes,
fair
enough.
So.
So
I
was.
I
was
living
out
his.
His
life
and.
Let's
go
back
to
the
movie.
So
in
the
movie,
the
riot
happens
and
he
does
end
up
having
sex
with
the
girl
that
he.
He
does,
yeah.
That
was
his
high
point.
And
it
was
also
then.
Then
right
after
it
was
the
something
that's
not
in
the
album,
but
in
it
is
in
the
movie
where
he
actually
gets
arrested
in
Brighton
and
that
starts
his
downfall
trajectory.
Yes.
Yeah.
So
anyway,
parents
kick
him
out
and
then
he
quits
his
job
and
then
he
sees
we'll
get
to
the
girl
soon.
I'm
not
sure
which
track
that
is.
I
don't
know
what
the
actress's
name
was,
but
she
played
a
fantastic
role.
That
was
a
good
choice
of
actor
for
her
anyway.
All
right,
well,
the
actor
that
played.
Jimmy,
I
thought,
did
a
great
job,
especially
in
his
trajectory
upwards
to
the
peak
where
he's
dancing
on
speakers
and
just
having
a
blast
doing
donuts
in
that
one
yard
with
his
scooter.
Because
he's
all
angry
and
then
his
breakdown.
Yeah,
he's
crazy.
He
did
a
good
job.
Now,
do
you
know
how
old
Jimmy
is
supposed
to
be?
I
know
you
said
early
20s
earlier.
I
mean,
I
don't
know
what
the
drinking
age
and
stuff
was
or
the
legal
ages,
but,
I
mean,
he's
got
an
entry
level
job,
so
I
would
say
20
to
22.
Somewhere
in
there.
Sure.
Yep.
I
believe
it
still
is
to
this
day.
I
believe
18
is
the
drinking
age
over
there.
So
when
I
went
to
Ireland
for.
For
my
senior,
I
graduated
from
Bradley
here
in
Peoria,
so
went
to
Ireland
and
I
was
able
to
drink.
Well,
I
guess
if
I
graduated
from
college.
Never
mind.
So
you
didn't
graduate
from
Bradley
at
18,
did
you?
No,
ignore
that
last
statement.
So.
Oh,
oh,
okay,
this
is
what
I'm
thinking.
My
senior
trip
from
high
school,
we
went
to
Canada.
The
drinking
age
in
Canada
was.
Was
18.
That's
okay.
That's
where
I'm
getting
mixed
up.
So
anyway,
yeah,
my
buddies
and
I
took
a
trip
up
to
Canada
senior
year
and
it
was
a
blast.
So.
But
then
I
went
to
Ireland
when
I
graduated
from
college
and
it
was
18
there
as
well.
So
you
just
went
to
the
Illinois
Valley.
There's
no
drinking
age.
Yeah,
you're
probably
right.
Yeah,
go
to
Crevecore
or
Manitow,
you
know.
All
right,
then
we
go
into
track
13,
which
is
drowned.
Yes,
Drowned.
Another
banger.
Right
after
the
end
of
that
one,
which
was
also
just
rocketing.
So
there's
two
things
that
I
really
love
on
any
album.
One
is
musical
transitions.
So
when
one
track
plays
well
into
another.
And
that's
all
over
this
album.
But
what
I
really
like
is
when
the
lyrics
do
not
match
the
music.
And
when
I
say
that,
I
mean.
So
Drowned
is
a
jam.
Yes.
It's
kind
of,
I
would
say
uplifting,
but
it's
more
of
a
rocking
tune
and
it's
a
piano
guitar
jam.
But
the
lyrics
are
completely
depressing.
Yes.
And
not
even
a
steady
downhill.
I
mean,
dude
is
now
contemplating
suicide.
Yep,
yep.
Drowning.
Yes.
So
hence
the.
The
name
of
the
song.
But
yes,
Pete's
guitars
in
this.
He's
playing
multiple
guitars.
I'm
gonna
say
three
at
any
given
time.
So
they're
just
very
free
flowing,
too
organic.
It's
not
like
it's
his
standard
stabbing
signature
sound.
So.
And
John
actually
does
get
a
bass
solo
too
in
this
one
around
the
two
minute
mark.
So
again,
I'm
going
to
say
he's
their
lead
guitarist,
so
I
wish
they'd
turn
him
up
a
little
bit
sometimes.
I
don't
know
if
it
was
just
the
mix
on
the
cd,
which
was
my
primary
listening
device
before
we
started
this.
So
I
did
read
that
as
Pete
Townsend
is
the
producer
of
this
album,
every
single
thing
to
include
the
Keith
yells.
Everything
is
intentional.
Yes.
There
were
no
happy
accidents.
Everything
is
there
for
a
reason.
Let
me
find
it
real
quick.
I
laughed
pretty
hard
when
I
read
this.
Says
Quadrophenia
in
its
Entirety
by
Pete
Townsend.
That's
what
it
says
in
the
liner
notes.
He
was
not
giving
credit
to
anyone.
In
its
entirety.
In
its
entirety.
Yes.
Sorry,
guys.
Read
directly
off
the
liner
notes.
Yes.
So
anyway,
but
yeah,
like
I
said,
Pete's
gotten
more
organic,
free
flowing
guitars
going
2:47.
Two
minutes
and
47
seconds
in.
You
get
another
callback
to
5:15
with
the
horns.
We
get
another
contradictory
statement
to
Let
me
be
stormy,
Let
me
be
calm.
So,
I
don't
know,
just
thematic
for
sure.
I'm
flowing
under
bridges.
I'm
flying
through
the
sky.
Up
or
down.
Yeah.
So
the
last
minute
or
so
what
I've
written
in
my
notes
is
beautiful
chaos.
It
is
just
so
much
happening.
It's
eargasm.
It's
amazing.
But
it
is.
And
I
read
it
as
he's
wanting
to
just
go
to
the
ocean
and
die.
He
wants
it
all
to
end.
You
know,
Let
me
flow
into
the
ocean.
Take
me
back
to
sea.
You
know,
it's.
It's,
it's
sad.
Let
me
get
back
to
the
sea.
Let
me
be
stormy.
Let
me
be
cold
at
the
tide
and
set
me
free.
It
is.
But
could
you
see
it
also
as
his
baptism,
like,
washing
all
of
his
cares
away
into
the
sea.
Like
is.
Is
he.
Yes,
he
is
contemplating
suicide.
But
could
he
also
be
just
needing
that,
that
release,
that
redemption?
He
could
be,
but
I
don't.
I
don't
see
that
in
the
lyrics.
Sure.
And
also,
here's
another
thing.
Track
one
is
called
I
am
the
Sea.
So
him
becoming
part
of
the
sea,
maybe.
Yeah.
Maybe
that
is
drowning.
So.
Yeah.
And
I
think
that
it
was
meant
to
be
that
that
first
track
was
the
end,
as
far
as,
you
know,
he.
We're,
you
know,
I
am
the
sea.
He's
remembering
everything
in
that.
So
we're,
we're
foreshadowing,
we're
getting
his
recall.
Okay.
As
he's
staring
out
to
sea.
Gotcha,
gotcha,
gotcha.
That's
the
way
I
took
it.
All
right.
Because
things
aren't
done
for
Jimmy.
Yes.
As
we
get
into
the
wonderful
track
14,
Bellboy.
This
is
just
chaos.
I
love
Keith
Moon.
He
was
just
a
character.
And
this
is
Keith's
theme.
Yes,
Keith's
theme.
And
he
just
barrels
in
that
introductory
drum.
I'm
gonna
call
it
a
drum
solo.
It's
amazing.
He
just
is
every
Keith
part
of
drum
solo,
though.
I
think
one
could
argue
that
it's.
Great
to
hear
good
old
Uncle
Ernie
singing
again.
I
love
it.
He
doesn't
have
range
much.
No,
he's
just
basically
talking.
It's
an
exaggerated
cockney
accent.
Yes.
Good
job
and
I'm
newly
born.
I've
got
a
good
job
and
I'm
newly
born.
You
should
see
me
dressed
up
in
my
uniform.
I
work
in
a
hotel.
All
guilt
and
flesh.
Remember
the
gas
when
adorns
we
smashed.
I
gotta
get
running.
I
love
it.
It's
great.
So
Jimmy
runs
into
Ace
Face,
who
is
played
by
Sting
in
the
movie,
and
the
guy
that
he
looked
up
to
during
that
weekend
in
Brighton.
Him
and
Ace
Face
and
the
rest
of
the
group,
they
busted
up
this
hotel,
trashed
it,
and
then
now
he
sees
that
same
guy
working
as
a
bellboy
at
that
same
hotel.
Yep.
And
it
crushes
him.
It
boils.
Just
crushes
him.
His
hero
is
no
longer
a
hero.
So
when
you
watch
this
on
YouTube,
it's
great
seeing
someone,
like,
holding
the
microphone
to
Keith
as
he's
doing
this
cockney
thing.
Then
in
his
left
hand,
he's
not
even
looking.
He's
still
hitting
drums
as
he's
singing
to
the
right
in
a
very,
I
don't
know,
Keith
Moon
fashion.
It's
just
wonderful.
Now,
you
said
that
everything
in
this
album
was
intentional,
and
I'm
sure
Pete
kind
of
succumbed
to
it.
But
he
originally
was
very
adamant
about
him
not
making
this
a
comic
song,
comedic
song.
I
think
it
could
be
argued
that
it's
not
necessarily
comedy,
but
when
you
hear
Keith
doing
that
voice,
you
gotta
laugh.
Oh,
yeah,
absolutely.
But
then
he
has
that
retrospective
moment
where
he's
like
the
higher
pitch.
Some
nights
I
still
sleep
on
the
beach.
So
it
takes
away
from
the
comedy.
And
then
you
start
to
feel
sorry
for
this
guy
now,
too.
Yes.
Spends
his
days
licking
boots
for
his
perks.
And
you
tell
me
if
I'm
crazy
here.
Is
there
a
theremin
used
in
this
song
or
is
it
just
that
exaggerated
guitar
effect
that
I
was
referring
to
earlier?
I
don't
know.
I
couldn't
see
it.
It
almost
sounds
like
he's
got
that
theremin
sound
going.
And
if
not,
then
maybe
he
looped
the.
The
guitar
part
through
his
synthesizer.
But
anyway,
just
very
haunting
noises
happening
all
over
this
one
too,
so.
But
yeah,
and
at
the
end
when
Keith
says
always
running
at
someone,
Pete's
guitar
actually
picks
up
from
there
at
the
same
exact
tone
that
he
was
singing
at.
And
it
just
extends
it
through
for
a
super
long
time.
It's
so
awesome.
Just.
And
for
the
time
1973,
that
was
probably
pretty
unique.
I
don't
know
if
many
other
people
were
experimenting
with
that
kind
of
technique
on
that.
Did
you
notice
the
dig
at
Jimmy
in
those
lyrics,
though?
Always
running
at
someone's
heel.
You
Know
how
I
feel?
Yes.
Automatically
assuming,
like,
yeah,
you
do
this
too.
You're
one
of
us
in
this
class
system.
And,
yeah,
you
know
how
I
feel.
And
I
can
just
feel
that
dig
at
Jimmy.
Yes.
But
it
was
also
hypocrisy
because
Jimmy
was
at
Ace's
heel
and
now
Ace
is
carrying
some
rich
guy's
baggage.
So.
And
I
think
that,
you
know.
And
the
bellboy
was
cool
with
it.
He's
saying,
my
secret
is
I
just,
you
know,
I
keep
it
all
on
the
inside.
So
he's
a
helpless
dancer,
is
what
you're
saying?
Yes.
Okay.
Absolutely.
He's
playing
the
dance,
he's
going
along
with
it.
Bell
boy.
Oh,
go
get
it
right
now.
It's
such
a
great
track.
It
really
is.
It's
fun.
It's
a
blast.
That's
another
note
that
I
made
later
on
for
the
wrap
up.
But
this
album
always
makes
me
happy.
I
always.
It's
kind
of.
He
didn't
want
to
be
comical,
but
it
is
a
moment
of
levity
in
this,
you
know,
dark
second
half
of
the
album.
Sure.
And
credit
to
Keith
Moon
on
that.
If
they
would
have
swapped
it
and
had,
you
know,
Pete
Townsend
singing
as
the
bellboy,
it
wouldn't
have
hit
in
the
same
way.
I'm
curious
to
know.
I
know
they
did
a
concert
in
the
2000s.
I'm
curious
to
know
who
did
Keith's
part
for
that.
I
know
Ringo's
son
is
their
drummer
now,
so
I
don't
know
if
he's
taken
that
part
on.
Really?
I
didn't
know
that.
Yeah.
That's
cool.
Ringo
is
the.
Who's
drummer
now
or
not?
Ringo.
Ringo's
son,
Zack
Starkey.
That's
cool.
Yeah.
So
we
go
from
bellboy
to.
That's
the
end
of
side
three,
by
the
way,
for
the
vinyl
listeners.
So
you
gotta
flip
it.
And
then
we
get
into
track
15.
Dr.
Jimmy,
which
is
John
Entwistle's
theme.
The
part.
The
Is
it
me
part.
Pete
described
Entwistle
as
the
romantic,
so
he.
So
when
the
Is
it
me
Part
comes
in
through
this.
And
we'll
just
throw
this
off
right
off
the
bat.
So
Dr.
Jimmy
is
a
reference
to
Dr.
Jekyll
and
Mr.
Jim
is
a
reference
to
Mr.
Hydra.
I
think
that's
kind
of
what
the
two
parts
are.
So
the
Dr.
Jimmy
part
is
the
mad.
No,
no,
no.
Dr.
Jimmy
would
be
the
calm.
Right.
Mr.
Hyde
is.
Yeah,
by
the.
By
the
literary
reference.
Yeah.
He
only
comes
out
when
I
drink
my
gin.
Yes.
So
that
would
be
Mr.
Jim
coming
out.
Dr.
Jimmy
and
Mr.
Gin.
When
I'm
Filled.
You
don't
notice
him.
He
only
comes
out
when
I
drink
my
gin.
So.
But
anyway,
yeah,
I
think
that's
kind
of
what
they're
going
at,
too,
with
the.
Is
it
me?
For
a
moment.
And
then
you've
got
the
other
part,
which
is
kind
of
chaotic.
And
bitter
is
probably
the
best
word
for
it.
He's
ready
for
a
fight.
He's
ready
for
a
fight.
And
he's
ready
for
all
kinds
of
nefarious
things.
Yes.
Saying
he'll
rape
girls.
I
mean.
Yes.
Yep.
I
mean,
damn.
Yep,
yep,
yep.
You
say
she's
a
virgin.
I'm
going
to
be
the
first
in.
All
right,
then.
Hey,
you
said
it,
not
me.
I'm
just
here.
So.
But
anyway,
at
this
point,
his
parents
threw
him
out.
His
girlfriend
has
chosen
another
guy
now.
And
that
other
guy
was
supposed
to
be
his
best
friend.
Friend.
Yes.
And
he's
drinking
and
using
drugs
heavily
as
well.
So
he's.
He's
on
the
brink
here.
This
is
where
Jimmy
loses
it.
So
heavy,
chaotic
during
the
break
in
the
middle
as
well.
So
another
awesome
bass
line.
I
think
John's
tone,
again,
is
what
all
bass
players
should
strive
for.
If
that
kind
of
tone
was
in
some
other
artist's
repertoire,
I
would
be
much
more
into
the
music.
Hearing
that
on
top
of
adds
a
layer.
So
I
mentioned
music
transitions
earlier
and
this
one
say
when
I.
When
I
listen
to
it
first
time
through,
I
didn't
know
the
tracks,
and
they
have
teased
Love
Brain
over
me
many
times
throughout
the
whole
album.
I
thought
that
was
next.
I
just.
I
felt
that
that
was
gonna
be
the
next
track.
Sure.
The.
As
it
transfers
into
track
16,
the
Rock,
I
was
just.
I
was
expecting.
Because
you
hear
some
ocean
and
I'm
just
in
a
little
bit
of
rain.
And
then
I
was
expecting
those
piano
chords
of
Loving
Over
Me,
but
instead
you're
treated
to
an
outstanding
drum
intro.
Yeah.
It
comes
at
you
just.
We're
not
done
yet.
I
loved
it.
I
think
the
rock
might
be
my
favorite
track
on
the
album.
Well,
I
think
the
reason
they
did
that
was
so
that
they
could
actually
include
Dr.
Jimmy
in
that
song.
Because
it
really.
If
you
end
Dr.
Jimmy
and
just
do
the
three
in
the
rock,
you're
not
going
to
get
that
fourth
track
in
there.
So
in
order
to
get
all
four
in
the
rock,
this
is
the
underture.
Really?
Yeah.
Yep.
This
is
that
other
instrumental
that
encompasses
all
the.
All
the
themes.
It's
starting
to
wrap
everything
up,
I
guess,
in
the
story.
This
is.
Jimmy
steals
a
boat
and
he
starts
heading
out
to
sea
and
he
is
going
towards
this
rock
or
he's
on
the
rock.
Yep.
So
a
rock
in
the
middle
of
the
sea.
So
basically
an
island,
obviously
not
inhabited
by
anyone.
But,
yes,
he's
going
to.
I'm
going
to
call
it
his
happy
place.
The
sea.
I
think
that's
where
I
think
he's
at
this
point.
Clean
is
a
rough
word.
But
he's
detoxed.
Everything
has.
Because
at
the
end
of
Dr.
Jimmy,
he's
looking
for
something
else.
Something
else
stronger,
something
to
hold
me
down,
something.
He
doesn't
have
it.
So
he
goes
out
to
see.
And
then
when
he
gets
there,
he's
no
longer
drunk,
he's
no
longer
high.
It's
just
him
and
his
thoughts
and
that's
it.
Yep,
yep,
yep,
yep.
So.
But
anyway,
yeah,
again,
Pete
uses
the
talk
box
here
too,
so
he's
saying
love
reign
over
me,
actually
over
the
top
of
the
bellboy
riff,
so
really
neat.
And
like
you
said,
this
is
a
good
favorite
to
choose.
Everything
is
in
this
song.
It's.
The
music
goes
over
all
the
range
of
emotions
that
Jimmy
has
felt
all
through
the
album.
Yep.
And
it
ends
super
abruptly.
And
then
the
storm
begins.
And
then
you
get
those
chords.
Yes,
those
piano
chords.
Yeah.
Everyone's
very
familiar
with
the
song,
I'm
sure.
So.
I.
I
can't
think
of
a
better
album
closer
than
Love,
Rain
or
Me.
I.
I
think
it's.
It's
pretty
perfect,
especially
when
you
listen.
To
the
whole
thing
because
it
feels
earned.
It's
not
just
listen.
It's
not
just
a
good
song
on
the
radio.
He's
getting
to
this
point.
And
the
emotion
in
this
song
is
earned
throughout
the
entire
story.
Yep.
It's
definitely
a
Goosebumps
song,
for
sure.
So.
And
we
should
mention
this
is
Pete's
theme
if
he
didn't
remember
that
from
earlier.
But,
yeah,
it
opens
with
that
piano
part
that
has
been
teased
throughout
the
entire
album.
And
then
come
the
violins
that
everyone
knows
and
loves.
And
speaking
of
vocal
delivery
for
Roger,
just
perfection.
He
starts
with
that
sincere
vocal
delivery,
just
almost.
Yeah.
I
don't
know
if
he
does
this
kind
of
delivery
very
often.
Sincere
is
a
good
word
for
it.
It's
just
very.
Yeah.
When
you
think
of
the
who,
you
don't
really
think
of
ballads.
Yeah.
You
think
of
the
band
as
a
whole
in
a
jam
session.
Something
rocking
is.
I
can
see
from
aisles.
Who
are
you?
You
know,
good
old
blues
tunes.
You
know,
stuff
like
that.
You
don't
think
of
a
ballad
where
only
love.
It
starts
out
so
subtle.
Only
love
can
make
it
rain
the.
Way
the
be
gets
kissed
by
the
sea.
But
then,
yes,
we
get
that
gut
scream
again.
His.
His.
It's
heart
wrenching.
His
scream
on
the
word
love.
I
mean,
it
just
in
each.
Each
time
he
does
it,
it
gets
even
more
impactful.
And
I
don't
know
how
he
didn't
ruin
his.
His
voice
throughout
the
years.
I
would
assume
that
he
did
not
go
into
the
studio
the
next
day.
Probably
needed
a
day.
But
doing
it
in
concert
night
after
night
after
night
after
night.
That's
true.
Just
crazy.
Yeah.
Just.
Again,
these
four
dudes.
Something
else.
Anyway,
and
the
guitar
solo
almost
sounds
desperate
as
well.
It's
got.
That's
a
good
word.
Yeah.
It's
got
emotion.
It's
almost
like
it's
telling
you
a
story
so,
so
beautiful.
It
really
is.
Anyway,
I
think
Jimmy
kind
of
lets
go
of
all
those
external
influences
and
desires
and
tries
to
look
internally
to
find
himself
at
this
point.
But
it
does
kind
of
end
ambiguously,
you
know?
How
do
you
think
it
ends?
I
don't
know.
I
don't
think
he
killed
himself.
I
don't
think
he
drowned,
as
referring
to
a
previous
song.
But
I
think
he
found
redemption.
I
think
he
became
one
with
the
ocean.
I
think
he
might
be
on
his
path
to
find
the
real
me.
There's
definitely.
This
is
one
of
the
few
moments
on
the
album
where
there
is
a
little
bit
of
hope
in
the
lyrics.
Yeah.
And
it's
hard
to
say.
I
mean,
they
obviously
left
it
ambiguous
for
a
reason.
And
they
did
in
the
movie,
too.
Also
ambiguous.
Yep.
We
didn't
actually
get
to
see
Jimmy
go
out
to
the
rock
in
the
movie.
He
drove
his
scooter
off
the
scooter
off
the
cliff.
Yeah.
Another
fun.
See,
I
hate
to
break
this
moment
that
we're
having
here
about
the
song,
but
my
favorite
part
was
when
Jimmy
pulled
his
own
keys
out
of
his
and
started
the
scooter
with
it.
It
worked.
Yeah.
So
anyway,
just
another
little
thing
from
the
movie
that
was
quite
humorous.
Let
me
ask
you
this.
Did
you
watch
the
movie
with
subtitles?
No,
I'm
pretty
good
at
deciphering
cockney
accents.
No,
I
needed
that
subtitle.
I'd
like
to
rewatch
it
with
subtitles
because
I'm
sure
I
missed
some
good
parts
there.
But.
Yeah,
the
scene
where
he
wrecks
his
scooter
and
it
gets
hit
by
like
a.
A
truck.
Yes.
And
he's
arguing
on
the
curb
with
the
guy
that
hit
his
scooter.
Man,
that
is
some.
Some
crazy
gibberish.
Get
off.
Get
off
it.
There
are.
There
he
is
on
the
floor
now.
You're
lucky
you
ain't
been
killed
by.
How
lucky.
Anyway,
of
course
you
are,
you're
bastard.
15
years
I've
been
driving.
They
were
in
excellent
they
very
accident.
But
you
got
me,
didn't
you?
Want
to
kill
me.
All
you
pistol
postman.
Off,
off.
Yes,
it
is.
It's
like
Brad
Pitt
in
Snatch.
Yes,
yes,
it
is.
Just.
You
have
no
idea.
You
like
bags?
Yeah.
Why'd
you
say
I
don't
want
to
caravan?
It's
from
your
mom.
Yes.
There
you
go.
So
anyway,
but
yeah,
I
don't
know.
Just
again,
let's
get
back
to
that
beautiful,
beautiful,
beautiful
way
to
end
the
album.
Yeah,
I
mean
we've
definitely
covered
every
aspect
of
this
album
and
it's
just
fantastic.
If
anybody
out
there
has
not
listened
to
this,
please
do
so.
This
is
a
beautiful,
beautiful
album.
Yep.
For
sure.
And
I
don't
know
for
my
closing
notes
here,
I
just.
First
note
I
said
was,
who's
putting
music
out
like
this?
Who
has
since
then
and
who
is
now?
I've
also
got
a
list
over
on
the
other
side
of
my
computer
here
of
other
concept
albums.
What
was
My
Chemical
Romance,
the
Black
Parade.
And
that
is
what
I
was
gonna
say.
And
that
is,
to
me,
that's
the
only
one
that
has
come
close
and
achieved
a
beautiful
concept
album.
It's
not
a
two
disc
one,
it's.
It's.
I
don't
know,
maybe
12
tracks,
but
it's,
it's
definitely
there.
But
through
doing
this
podcast,
I'm
going
to
go
with
also
the
Flaming
Lips,
the
Soft
Bulletin.
Love
that
album
too.
Yes,
that
and
it
was
through
talking
with
Jack,
through
that
album,
I
didn't,
didn't
realize
the
concept
and
talking
with
him
about
it,
like
the
Black
Parade
is
about
death,
but
in
a
more,
oh,
I
don't
know,
depressing
route.
Whereas
the
Flaming
Lips,
they
did
it
in
a
more
uplifting
thing.
Uplifting
point
of
view
on
it.
Yes.
Yep.
So
a
few
that
I
have
on
my
list.
Have
you
heard
of
the
Decemberists?
Yeah,
the
Hazards
of
Love.
If
you
have
not
heard
that
one,
it
is
a
concept
album
to
the
fullest
extent.
There
is
a
whole
play
happening
in
musical
form.
So
fantastic
album.
I
wouldn't
compare
it
to
Quadrophenia
by
any
means.
Love
the
Decembers.
I'm
not
trying
to
bash
them
here,
but
it
doesn't
touch
Quadrophenia
instrumentally.
They
do
a
great
job
too.
They've
just
got
a
different
style
and
I
do
like
the
more
folksy
stuff.
But
yeah,
Quadrophenia
will
always
be
top
three
for
me
for
sure.
So
Mars
Volta
D
Last
in
the
Comatorium
and
Francis
the
Mute,
their
first
Two
albums
were
both
concept
albums
and
Delouse
in
the
Comatorium.
I
could
do
a
show
on
them,
too.
Or
on
that
album,
John
Fruscianti
from
the
Chili
Peppers
was
the
guitarist.
Flea
was
the
bass
player
from
Chili
Peppers
as
well.
But
yeah,
Mars
Volta
just
has
such
a
unique
sound.
So
layer
wise,
I
think
that
one
might
approach
Quadrophenia.
And
you've
referenced
the
Kinks
a
couple
times
in
this
podcast.
So
Village
Green,
Preservation
Society,
LOLA
vs.
Powerman,
Preservation
Acts
1
and
2.
They
had
a
couple
good
ones
too,
and
they
approach
music
with
humor
as
well.
Kind
of
like
Keith.
I
think
from
a
production
standpoint,
you've
got,
you
know,
the
top
three
in
any
random
order.
You
got
Tommy,
Quadrophenia
and
the
Wall.
I
mean,
those
three
set
the
standard
for
a
concept
album,
and
that's
hard
to
beat.
Many
have
tried
and
failed.
I
mean,
as
far
as
a
failure,
Sticks
Kilroy
was
here
comes
to
mind.
Hey.
And
I
wouldn't
call
it
a
complete
failure.
That's
some
good
track.
But
it
definitely
did
not
reach
the
heights
they
were
shooting
for,
or
at
least
Dennis
DeYoung
was
shooting
for.
Domo.
Domo
arigato,
Mr.
Roboto.
Come
on.
I
had
a
friend
in
the
army
who
was
real
big
into.
I
think
it
was
Queens
Reich
and
Operation
Mine
Crime.
Okay,
was
that
Queens
Reich?
Silent
lucidity
is
the
only
thing
I
know
of
them.
And
same
here.
And
I
tried
to
listen
to
Operation
Mind
Crime
and
it
just.
It
didn't
click
with
me
at
the
time.
But
he
swore
up
and
down
that
this
is
better
than
the
Wall.
So
another
one
I
have
on
my
list
loosely,
and
you
can
say
that
about
any
of
his
albums.
Trent
Reznor,
Nine
Inch
Nails,
Downward
Spiral,
Fragile.
Year
Zero
is
one
of
my
all
time
favorites
from.
From
him.
So
that
one,
that's
great
album.
Yeah.
Year
Zero
is
in.
Speaking
of
another
anniversary
coming
up,
so
I
believe
it's
15
years,
so
we
should
be
getting
a
reissue
on
that
one
this
year
as
well.
So.
Got
Pete's
Lifehouse.
See,
I'm
super.
I'm
nerding
out
about
that.
I
can't
wait.
Like
I
said,
who's
Next
Is
fantastic.
But
yeah,
we've
got
Year
Zero
coming
too,
so
two
of
them.
So
you've
already
done
what,
Episodes?
You
gave
us
a
short
list,
but
what's
another
group
of
albums
that
you
would
have
liked
to
talk
about?
What's
another
short
list
for
you?
Oh,
man,
there
are
so
many.
But
I
said
I
could
do
one
on
Delos
in
the
Comatorium
for
sure.
Blind
Melon,
Self
titled
Or
Soup
as
well.
Love,
Love,
Love,
Blind
Melon.
Anything.
Pearl
Jam.
The
reason
I
didn't
choose
Pearl
Jam
from
my
first
episode
was
because
one
of
your
buddies
had
already
done
Verses,
so.
Which
was
a
great
choice.
I
probably
would
have
chosen
Riot
act,
but
that
was
because
that
was
my
formative.
Those
were
my
formative
years
for
music
when
I
discovered
that
one.
And
that
was
really
my
introduction
to
them.
Yes,
I
knew
the
stuff
off
of
10
and
verses
and
Vitalogy,
but
really
got
into
them
during
the
Riot
act
years.
So
I
could
just
babble
all
night.
I'd
come
up
with
50
different
albums
that
I
could
talk
about.
But
Queens
of
the
Stone
Age
Songs
for
the
Deaf,
that's
another
big
one.
Yeah,
that's
a
good
one.
Yeah.
Anyway,
so
I
do
have
a
question
for
you
that
I've
got
here.
I
know
we've
gone
quite
long
here.
So
when
did
you
find
the
real
you?
The
real
me?
When
did
you
find
the
real
me?
When
do
you
really
think
that?
See,
this
goes
back
to
our
previous
conversation
about,
does
everyone
really
go
through
what
Jimmy's
going
through?
Is
he
kind
of
overly
traumatic?
Sighting
is
experience?
I
kind
of
subscribe
to
the
philosophy
that
everyone
lives
three
lives.
You
got
your
childhood,
you've
got
your
adolescence,
and
you
got
your
adulthood.
And
the
transition
points
are
always
different
per
person.
I
kind
of
had
a
weird
one
because
my
childhood
pretty
much
ended
at
basic
training,
forcefully
at
18.
So
that
was
a
completely
new
life,
new
world
that
I
stepped
into.
And
so
my
adolescence,
for
a
good
10
years
of
the
army
was.
I
mean,
at
20,
I
had.
I
was
a
sergeant
and
had
my
own
team.
I
had
people
underneath
me
training
them,
you
know,
to
do
things,
not
to
die.
So
that's
pretty
intense.
Yeah.
And
then,
hell,
less
than
a
year
after
getting
my
stripes,
September
11th
happened,
and
just,
you
know,
shit
got
real.
And
then
you
throw
in
some
trips
to
Iraq
and
stuff
like
that.
So
that
was
my
adolescence.
So
it
was
kind
of
weird.
I
was
forced
into
those
roles
by
choice.
By
choice.
I'm
not
blaming.
I
mean,
I
give
the
army
all
the
credit
in
the
world,
but
definitely
the
current
me
was
when
I
got
out
of
the
military
and
decided
on
Atlanta,
moved
here,
started
my
actual
civilian
career,
met
my
wife,
you
know,
all
that
stuff.
That's
who
I
am
today.
And
so
in
that
Transition
was
around
0607.
Okay.
And
how
old
were
you
at
the
time?
26.
Okay.
See,
I'd
say
later,
20s
is
kind
of
when
I
found
myself,
too,
but.
And
I
don't
have
an
awesome
story
to
tell
like
that,
unfortunately.
So
when
I
turned
20,
I
had
started
drinking
a
lot
and
just.
Well,
that
goes
with
the
army.
That's
kind
of
implied
with
the
army.
But
I
think
you've
kind
of
got
to
go
through
that
kind
of
stuff.
So
getting
your
heart
broken,
I
think
that's
huge.
Like,
really
broken.
I'm
not
talking
about
just
a
bad
little
breakup
that
you
feel
bad
for
a
few
weeks
and
then
you're
on
to
the
next
one.
I'm
talking
like
really,
like
heart
wrenching.
I
can't
do
anything
the
next
day
after
this
kind
of
thing,
you
know,
you
need
your
heart
broken.
You
need
to
get
shit
on
at
work.
You
need
friends
to
betray
you.
I
think
that's
everyday
stuff.
I
mean,
that's
what
kind
of
defines.
And
it
may
sound
negative,
but
those
are
negative
things.
But
I
think
they
do
kind
of
form
what
you
do
become.
And
you
can
either
choose
to
be
bitter
about
it
or
you
can
find
other
ways
to
focus
your
energies.
And
that's
why
I
look
down
on
Jimmy,
because
of
how
he
reacts
to
these
things.
I
mean,
sure,
these,
these
things
are
petty.
Yes.
They're.
They're
things
that
every
kid
goes
through.
You
got
a
shitty
job.
Everyone
does
in
their
20s.
You
got
to
tough
it
out,
man.
You
got
to
move
up
the
ladder.
Your.
Your
girl
is,
is
not
your
girl.
You.
Well,
you
were
trying
too
hard.
The
sounds
of
it.
Sure.
He
made
her
one
too
many
mixtapes.
You
see
Insane.
She
read
the
lyrics.
There
you
go.
The,
all
the
stuff
that
he
experiences.
Everybody
does.
I
mean,
and
if
you
want
to
get
so
like,
you
know,
now
I'm
married
with
kids.
So
the
days
of,
you
know,
pre
marriage
where
me
and
my
buddies
were,
you
know,
out
at
the
bar
a
couple
times
a
week,
you
know,
doing
that
stuff,
that
was
all
fine,
that
was
fun.
I
look
back
on
it
fondly.
But
I
don't
like
regret
having
a
wife
and
kids
now.
I
have
a
whole
new
set
of
adventures.
My
kid
was
just
in
Willy
Wonka
and
it
was
fantastic.
He's
seven
years
old
on
the
stage.
I
loved
every
minute
of
it.
Yeah,
it
was
great.
And
you
know,
he's.
He
wants
to
be
on
Broadway
someday.
Like,
absolutely,
man.
Let's
do
this.
Very
cool.
And
I
wouldn't
give
up
any
of
this,
you
know,
if
just
to
have
someone
early
20s
to
think
that,
oh,
just
because
of
a
few
knocks
of
normal
life,
your
life
is
over
and
the
good
days
are
past.
No,
man,
that's.
That's
just
so.
I
don't
know.
He.
He
needed,
he.
He
was
talking
to
a
doctor
at
the
beginning.
That's
a
Pretty
shitty
doctor.
Yep.
So.
But,
but
yeah,
I
think,
let
me
say
this.
I
don't
think
that
he
had
any
sort
of
mental
illness.
I
think
that.
I
think
that
he
was
just
a
kid
going
through
normal
kids
stuff
and
through
his
own
decisions.
Whether
through
his
own
decisions,
he
just
progressively
made
things
worse.
Sure.
I'd
like
to
think
that
Jimmy
moved
on,
went
to
the
military,
found
himself
a
wife
and
his
kids
in
Willy
Wonka.
That's
how
I
think
the
whole
thing
ended.
He
absolutely
could
have
because
we
talked
about
this
too.
I
think
telling
a
20
year
old
or
someone
in
that
vicinity
telling
them
what
to
do
is
not
going
to
work.
You
can
tell
them
stop
smoking.
Nope.
Screw
you.
Stop.
Stop
drinking
something.
Screw
you.
So
I
think
that
that
ego
he
had,
that
kind
of.
Kind
of.
You
know
what?
My
senior
year
of
high
school
I
had
that
same
attitude.
I
did.
And
I
mean
I
was,
I
was
the
one
going
into
the
computer
system
and
changing
my
grades.
Sure.
Yeah.
That
was.
We
actually
stole
the
paper
that
the
report
cards
came
out
on
and
we
printed
our
own
report
cards.
There
you
go.
Yeah.
So
I
mean.
Yeah,
I
didn't
give
a
shit.
Just
invincible.
Sure.
And
I
will
be
honest,
the
army
knocked
all
that
out
of
me.
Sure.
And
not
through
what
you
see
on
the
movies
and
television
of,
you
know,
just
fall
in
line
or
you
gotta
do
push
ups.
Yeah.
That
stuff's
there.
It
was
more
having
a
team,
having
people
report
to
you.
So
if
you
are
ready
to
deploy
tomorrow,
these
guys,
they
are
your
responsibility.
And
that,
that
stuff
is
definitely
awakening
for
a
20
year
old.
Changed
my
entire
outlook.
So
when
I'm
out
drinking
with
people
in
the
military,
I'm
thinking,
okay,
how
do
I
get
these
guys
home?
Sure.
These
young
idiots.
And
I'm
20.
There
you
go.
Yep.
For
sure.
I'm
still
literally
underage
drinking
with
my
platoon.
And
I'm
thinking
I
gotta
help
get
these
kids
home.
So
that
was
just
weird
thinking
when
you
look
back
on
it,
when
I'm
not
even
old
enough
to
drink
myself.
And
then
I've
made
plenty
of
mistakes
in
those
early
years.
I
don't
know,
I
just
always
think
that
there
is
just
better.
It's
all
about
personal
responsibility
and
the
decisions
you
make.
Agreed,
100%.
But
put
yourself
back
in
those
18
year
old
shoes.
Jimmy
never
had
that
military
training,
so.
But
he
could
have.
Yeah,
he
could
have.
I
mean,
I
don't
know.
He
made
the
wrong
decision.
You're
right.
I
didn't
join
the
military
out
of
any
patriotic
duty
or
esprit
de
corps
or
nothing
like
that.
I
joined
because
I
Didn't
want
to
pay
for
college,
flat
out.
That
was
my
reasoning.
Now,
through
the
military,
I
developed
an
extreme
love
of
my
country,
and
I'm
very
proud
that
I
did
all
that.
But
that
wasn't
the
initial.
I'm
not
going
to
fake
it.
That
wasn't
my
initial
reason.
It
was
just,
holy
shit,
college
cost.
What
are
you,
a
tool
fan?
Yeah.
Maynard
will
admit
that
same
thing
to
a
T,
what
you
just
said.
So
he
joined
the
military
because
he
wanted
to
go
to
art
school.
So
there
you
go.
I
believe
it
was
art
school.
It's
been
a
while
since
I've
looked
at
it.
It
took
me
10
years.
I
finally
used
that
college
money.
So
I've
got
the
degrees
I've
got,
you
know,
I
did
it
all
and
very,
very
happy
with
my
decisions.
And
if
there
is
some
psychologist
out
there
that's
actually,
you
know,
listening
to
this
and
wants
to
come
at
me.
Oh,
mental
illness
is
real.
Of
course
mental
illness
is
real.
People
are.
People
have
legitimate
things.
I.
My
personal
opinion
as
a
network
engineer,
of
all
things.
I
just
think
that
Jimmy
was
overreacting
and
he
couldn't
deal
whether
it
was
through
his
own
bad
decisions
or
the
drugs
and
the
alcohol
that
he
was
just
shoving
down
his
throat
the
entire
time.
Because
you
can't
make
good
decisions
when
you're
doing
that
stuff,
plain
and
simple.
I
can
almost
point
to
alcohol
for
every
bad
decision
I've
made.
I'm
in
the
same
boat,
but
cheers
to
that.
I'm
having
a
coffee
and
whiskey.
Just
coffee
on
my
end.
But,
yeah,
I'm
hopeful
that
he
came
out
of
this
album
on
the
right
side.
I'm
gonna
say
he
did.
We're
gonna
leave
on
a
positive
note
here.
Jimmy's
doing
well.
He's
watching
his
kid
in
the
Willy
Wonka
Theater.
You
know,
he's
just.
He's
grown
up.
He's
realized
the
mistakes
he
made
in
his
youth.
It
is
so
cool
to
see
your
kid
on
stage
doing
a.
A
full
musical.
It
was
great.
Hey,
I
want
him
to
do
Tommy.
That
would
be
great.
You
know
there's
a
theatrical
release
of
that,
correct?
Yeah,
but
I
don't
think
it's
quite
at
the
junior
level.
This
is
Willie
Walker
Jr.
Have
him
bring
it
back
once
he
gets
to
junior
high,
high
school.
I
haven't
even
shown
him
the
movie
yet.
I'm
not
prepared
to
say
because
he's
a
very
inquisitive
thing.
This
kid's
pointing
out
the
plot
holes
in
Harry
Potter.
We're
only
at
the
end
of
book
one,
and
I
don't
want
him
to
start
asking
who's
the
Acid
Queen?
There
you
go.
Who's
Uncle
Ernie?
Let's
fast
forward
this.
Fiddle
about,
fiddle
about.
Yes.
Pete
is
not
afraid
to
touch
those
issues
by
any
means.
I
think
he's
had
his
issues
as
well.
It
was
for
research,
right?
Yes,
yes,
yes,
yes.
We
won't
touch
on
that.
But
he's
still
alive.
Two
of
his
bandmates
can't
say
that.
This
is
true.
This
is
true.
Let's
see.
So
before
we
wrap
this
up,
do
you
want
to
tell
our
listeners
anything
you're
working
on
or
they
could
find
you
or
anything
you
want
to
pitch?
Nope.
But
as
I
did
last
time,
I'm
going
to
leave
you
with
this.
Unlimited
Love
by
the
Red
Hot
Chili
Peppers.
Go
out
and
buy
it.
Holy
crap.
When
did
that
come
out?
Last
month.
Yeah,
just
a
few
weeks
ago.
Maybe
two
weeks
ago.
But
anyway.
Holy
cow.
John
Fruscianti
is
back,
man.
And
one
of
the
few
bass
players
that
approaches
Jon
Entwistle's
greatness.
Flea's
outstanding.
Yeah.
Yes.
Oh,
man.
And
this
is
his
album.
He
shines.
All
of
them
do.
I
mean,
it
is
for
60
year
old
dudes
still
rocking
and
rolling.
It
is
a
stellar,
stellar
album.
Check
it
out.
It
is
awesome.
Is
this
on
the
level
of
Blood
Sugar
Sex
magic?
I
would
say
yes.
They
do
approach
some
of
that
older
funk
and
it's
done
perfectly.
John
has
said
in
interviews
that
he
tried
to
let
his
ego
go
for
this
one.
And
in
the
past,
he
was
doing
10
part
harmonies,
he
was
doing
5
guitar
solos
looped
on
top
of
each
other.
I
mean,
he.
Which
is
what
I
loved
about
those
albums,
by
the
way.
Californication
and
Stadium
Arcadium,
John's
production
on
those
is
why
I
enjoy
those
so
much.
But
he
is
still.
That
attention
to
detail
is
still
there
in
the
new
album.
It's
just
not
as
over
the
top.
So
this
is
kind
of
just
a
straightforward
funk
rock
amazingness.
I
don't
know
how
to
describe
it.
You
just
got
to
give
it
a
shot.
It
is
so
awesome.
Last
time
I
promoted
PJ
Harvey.
What
was
it
called
again?
Unlimited
Love.
Unlimited
Love
by
the
Red
Hot
Chili
Peppers.
All
right,
everyone,
check
it
out.
Yes.
And
speaking
of
it
is
also.
It's
not
a
double
album
on
the
cd,
but
it's
a
double
album
vinyl
wise.
And
that's
how
they're
describing
it.
So
it's.
It's
a.
It's
a
long
one,
17
tracks.
Well,
Luke,
I
would
like
to
thank
you
for
your
time
today.
It
was
a
pleasure
to
sit
and
talk
with
you
about
the
who's
Quadrophenia
Absolute
pleasure.
I
had
a
blast.
Anytime
you
want
to
do
this,
I'm
back.
If
you
want
to
do
a
mixtape,
I
love
song.
Mixtape
podcast.
I'm
in.
You
know
who
to
contact.
I
want
to
recommend
a
podcast
for
you
called
Playlist
Wars.
I've
not
heard
of
this.
Oh,
they're.
They're
good
guys.
The
podcast
community
is
pretty,
pretty
tight.
I've
met
a
lot
of
people
this
way.
A
lot
of
music
podcasters
out
there.
There's
two
podcasts
I've
listened
to
a
lot
with
Podcast
wars
and
Soundtrack
your
life.
Soundtrack
your
life.
He's
actually
going
to
come
on
our
show
and.
And
do
an
album.
He
talks
with
people
about
movie
soundtracks,
Almost
Famous,
Old
Brother,
where
art
thou,
Airheads,
Empire
Records.
Nice.
So,
yeah,
it's
a
enjoyable
show.
And
then
Playlist
wars,
they
have
like,
okay,
we're
gonna
do
a
Red
Hot
Chili
Pepper
show,
and
these
two
guys,
they
bring
their
playlist,
and
then
the
fans
vote
which
one
won.
That
is
a
very
cool
concept.
Yeah,
it's
really
entertaining.
And
you
get
a
lot
of.
You
know,
I
never
heard
that
one.
Let
me
check
that
one
out.
So.
Okay,
I
will
definitely
look
that
up
for
sure.
All
right.
Thank
you
for
listening
to
music.
Rewind.
A
podcast
from
the
Sidereal
Media
Group.
As
I
always
say,
listen
to
the
full
album.
Until
next
time.
A
podcast
from
the
Sidereal
Media
Group.
Back
to
you,
anchors.