
March 20, 2025
Round 1 - South Bracket: 1970s Best Movie Tournament
Cinema Decon - Overthinking Cinema Classics and Cult FavoritesIn this episode of Cinema Decon, the panel explores the South Bracket of their 1970s Best Movie Tournament, featuring eight matchups where classic films are pitted against each other in a March Madness-style competition. The panelists watch and critically discuss each movie pairing, offering personal insights, historical context, and their unique perspectives on films ranging from 'The Godfather' to 'Cheech and Chong's Up in Smoke'.
The voting process reveals some clear favorites and surprising outcomes. Movies like 'The Godfather', 'Robin Hood', 'Chinatown', and 'Patton' advance easily, while more nuanced discussions emerge around films like 'Close Encounters of the Third Kind', 'Network', and 'The Wicker Man'. The panelists delve into each film's cinematic qualities, cultural significance, rewatchability, and personal memories associated with the movies.
Throughout the episode, the hosts share personal anecdotes, critique filmmaking techniques, and provide historical context for each movie. Their discussions range from technical aspects like cinematography and acting performances to broader themes of cultural representation, genre conventions, and the evolving landscape of filmmaking in the 1970s. The episode concludes with the panelists advancing eight films to the next round of the tournament, each bringing their unique strengths and cultural significance.
The Godfather easily defeated Cheech & Chong's Up in Smoke in the first matchup, advancing with a unanimous 5-0 vote
Young Frankenstein narrowly defeated The Exorcist, with panelists praising its humor, clever storytelling, and black-and-white cinematography
Disney's Robin Hood was a clear winner against Cabaret, with panelists praising its memorable characters, music, and nostalgic appeal
Chinatown defeated Monty Python's Life of Brian, with panelists highlighting the film's complex narrative, cinematography, and Jack Nicholson's performance
Close Encounters of the Third Kind advanced past The Wicker Man, despite criticisms about the film's pacing and narrative inconsistencies
The panel's voting process involved subjective criteria like rewatchability, cultural impact, and personal nostalgia
Many 1970s films explored complex themes like media sensationalism (Network), war (Apocalypse Now), and social tensions
The tournament format mimics March Madness, with 16 films competing in a bracket-style elimination tournament
Chapter 1: Tournament Introduction and Ground Rules
The podcast hosts introduce their 1970s movie tournament, explaining the South Bracket competition and setting ground rules for their discussion. They acknowledge the historical context of the films and prepare to evaluate movies from a nuanced perspective.
- The podcast is conducting a March Madness-style tournament to determine the best movie of the 1970s.
- The panel aims to evaluate films based on their artistic merits rather than personal controversies surrounding their creators.
Key Quote
"These movies we are about to debate were made over 45 years ago. Many involved in the making of these films have taken a dark path in life. We will try not to focus on that and instead focus on the movies as they are." by Steve
- Highlights the podcast's approach to discussing older films with sensitivity and objectivity
Chapter 2: The Godfather vs. Up in Smoke
The panel discusses the first matchup between the iconic drama The Godfather and the stoner comedy Up in Smoke, quickly determining that The Godfather is the clear winner.
- The Godfather is unanimously considered superior to Up in Smoke.
- The matchup represents a significant mismatch in cinematic quality and cultural impact.
Chapter 3: The Exorcist vs. Young Frankenstein
The panel debates between the horror classic The Exorcist and the comedic film Young Frankenstein, with a close vote ultimately favoring Young Frankenstein. The discussion highlights the films' unique qualities and cultural significance.
- Young Frankenstein won by a narrow margin, appreciating its humor and loving tribute to classic horror films.
- The panel valued the film's intelligent comedy and respectful approach to its source material.
person
movie
Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.
The
entire
movie
saying,
what
does
it
all
mean,
Basil?
Every
time
I
saw.
Over.
Did
you
say
over?
Nothing
is
over
until
we
decide
it
is.
Was
it
over
when
the
Germans
bombed
Pearl
Harbor?
Hell,
no.
He's
not
as
tough
as
he
thinks.
Neither
are
we.
Before
we
dock,
I
think
we
ought
to
discuss
the
bonus
situation.
This
is
the
business
we've
chosen.
It's
only
a
problem.
We
do
have
to
make
certain
concessions
to
the
war.
We're
three
miles
from
the
front
line.
Prove
that
you
wealthy
college
boys
don't.
Have
the
education
enough
to
admit
when
you're
wrong.
Forget
it,
Jake.
It's
Chinatown.
Stop.
Don't.
Come
back.
Don't
you
ever
interrupt
me
while
I'm
conducting
business
over
your
little
chicken
ass.
But
don't
ever
take
sides
with
anyone
against
the
family.
We.
A
silly
place.
Welcome
back
to
CinemaDecon.
Hello,
everyone,
and
welcome
back
to
CinemaDecon.
Deconstructing
and
overthinking
the
movies
of
our
younger
years.
My
name
is
Steve,
and
I'm
joined
again
by
our
panel
of
elite
film
historians
and
our
special
series
to
find
the
best
movie
of
the
decade,
starting
Here
in
the
1970s,
March
Madness
bracket
style.
In
this
episode,
we
will
turn
our
attention
to
the
south
bracket
of
our
decade
tournament.
Our
last
episode,
going
through
the
north
bracket,
took
a
very
long
time.
So
let's
do
some
quick
intros
of
our
elite
film
historians
and
then
dive
into
some
movies.
Our
returning
panel
today
is
Bud.
Yo,
yo,
yo,
Mike.
What's
up,
Steve?
Tony.
Hey,
guys.
What's
going
on?
Jamal?
Oh,
yeah,
Jamal
can't
make
it.
Guys,
Jamal
is
actually
not
gonna
make
it
tonight.
He
is
without
power.
Atlanta
is
having
some
wicked
storms
right
now,
and
we're
gonna
press
on
without
him.
But
we
have
a
contingency
plan
of
a
tiebreaker
is
needed.
Welcome
back,
gentlemen.
Let's
have
some
fun.
Usual
big
disclaimer
right
off
the
bat.
These
movies
we
are
about
to
debate
were
made
over
45
years
ago.
Many
involved
in
the
making
of
these
films
have
taken
a
dark
path
in
life.
We.
We
will
try
not
to
focus
on
that
and
instead
focus
on
the
movies
as
they
are.
Plus,
obviously
some
spoilers
for
some
very
old
movies.
Starting
us
off
in
the
south
bracket,
we
have
number
one,
the
Godfather
versus
number
16,
Cheech
and
Chong's
up
in
Smoke.
It's
not
personal,
Sonny.
It's
strictly
business.
What?
I
almost
gave
you
the
wrong.
Yeah.
Hey,
man,
I
already
took
them,
man.
I
mean.
Well,
let's
look
at
this
ranking
real
quick
here.
I
was
like,
is
this,
like,
the
number
one
overall?
Yeah.
Versus
16.
Oh,
no.
This
is
number
one
in
the,
like.
I'm
talking,
like,
the
bracket.
The
full
Monty
here.
Well,
the.
The
four
number
one
seeds
were
Alien,
Godfather,
Godfather
2,
and
Taxi
Driver.
So
it's
either
one
or
two.
So
it's
fourth
overall.
Those
four
were
fourth
overall
behind
Alien
and
Taxi
Driver.
This
is
not
a
Virginia
one
seed.
Yeah,
this
is
like.
This
is
like
duke
in
the
90s
type
stuff
here.
Yeah.
Godfather
over.
4th
overall,
up
in
smoke.
61st
overall.
I
can't
believe
it's
4th.
It's
not
even
fair.
It's
just
the
way
the.
The
scores
felt,
guys.
Number,
like,
number
1
1.
The
whole
thing
is
Alien.
It
was.
Yes.
By
the
composite
score.
Get
wheeling.
How
many
Oscars
did
that
movie
win?
I
honestly,
I
like
both
movies,
obviously.
I
love
both
movies.
Up
and
Smoke
is
a
good
movie,
but
it's
pretty
funny.
I
mean,
especially
the
car
made
of
weed.
Like,
that's
classic.
I
think
I
first
washed
up
in
smoke
when
I
was
too
old,
so
I
didn't
have
the.
The
nostalgic,
you
know,
attachment
to
it.
I
didn't
see
it
in
high
school
version
of
it.
I.
I
just.
If
I
wasn't,
you
know,
when
I
first
saw
it,
I
was
well
into
my.
My
boring
twenties.
Not
even
the
fun
twenties,
but
yet.
You
find
Monty
Python
funny
old,
because
that's
intelligent.
This
is
just
stoner
humor.
Well,
yeah.
Dave's
not
here,
man.
Steve,
I
didn't
even
smoke
weed
the
first
time
I
saw
this,
and
I
still
laughed
my
ass
off.
But
then
I
hated,
like,
Sublime,
so
it
was
like
a
whole
thing,
you
know?
Like,
I.
I
don't.
I
don't
smoke
weed
at
all.
And.
And
I'm
a
big
Pink
Floyd
fan,
so.
But
the.
I
don't
know,
the
stoner
humor
just
never
hit
with
me.
I
could
see
why
it's
funny,
and
I
would
chuckle
at
times.
I
do
not
think
it
should
be
in
this
tournament.
But
the
numbers
put
it
there.
What
was.
What
was
their
plan
against
their
plane
Was
against.
There
was.
There
was
a
play
in.
Right.
Yeah.
Tommy
up
in
Smoke.
Dude,
Tommy,
you're
the
one
who
put
Quadrifini
in
the.
In
the.
I
didn't
put
it
through.
The
numbers
put
it
there.
I
tried
to
be
as
honest
as
I
could
so
that,
you
know,
this
is,
you
know,
irrefutable.
I
was
honest.
I
could
have
fudged
the
numbers.
Sure.
That
wouldn't
have
been
easy.
No
one's
got
a.
Neither
one
of
those
two
are
going
to
the
championship.
They're
a
fun
Cinderella
team,
but
no
one
cares.
So
for
these
two
movies,
I
have
Seen
them
both
in
the
past.
Godfather
many
times.
No
recent
watch.
It's
obviously
an
all
time
great
film.
I
didn't
watch
it
this
week,
but
I
did
want
to
watch
Cheech
and
Chong
and
I
made
a
mistake.
I
watched
the
wrong
Cheech
and
Chong.
I
watched
Still
Smoking
and
I
laughed
my
ass
off.
And
then
today
I
realized
I
watched
the
wrong
one
and
I
started
watching
up
in
Smoke.
I
just
ran
out
of
time,
but
I
was
laughing
my
ass
off.
You
know,
I
find
that
humor
funny.
I
have
smoked
weed
in
the
past.
I
thought
the
humor
hit
and
I
thought
it
was,
you
know,
on
point
for
the
70s.
I
was
like,
this
is
like,
to
me,
this
is
Broken
Lizard
before
Broken
Lizard.
You
know,
this
is
Super
Troopers
before
Super
Troopers.
Okay,
that,
that
humor.
Yeah,
Half
Baked
Finn
there
too.
I
find
that
humor
funny,
and
I'm
not
a
big
comedy
person,
but
it's
going
up
against
Godfather,
it's
just,
it's
a
tough
beat
for
them,
you
know,
but
it's,
it's
nice
to
see
them
here
get
here
because
I
think
that
Tommy
Chong
and
Cheech
Martin
are,
are
funny
guys
and
they've
made
their
career
off
of
doing
that
type
of.
Type
of
stuff.
And
I
think
it
deserves
a,
A
mention.
But
it's,
it's
going
up
against
the
Godfather,
as
I
already
said.
So.
Yeah,
this
is
like
a
sub
500,
like
mid
level
conference
coming
in
against
like
Cooper
Flag
and
Duke.
Yeah,
like,
cool.
Thanks
for
showing
up.
There's.
They
have
like
a,
A
mascot
that's
like
the
Anteaters
or
some.
That
nobody
cares
about,
but
it's
like
fun,
you
know.
And
Duke
beats
him
by
30.
Like.
Steve,
Steve.
Yes.
Hear.
Hear
me
out.
For
science.
Okay.
All
right.
For
science,
I
think
you
should
definitely
get
high
and
re.
Watch
up
in
Smoke
so
that
way
you
can
make
a
valid.
I
think
Steve
should
get.
You
just
gotta
wait
for
Georgia
to
make
medical,
and
then
you
can
get
medical
science.
Have
a
gummy
wait
for
science,
but.
For
science,
if
in.
Up
in
spoke,
they
got
the
whole
van
made
out
of
weed,
don't
they?
Yep.
Yeah.
Yes.
Listen,
Officer
Science
George
didn't
even
have.
Sir,
put
your
clothes
back
on,
Bible
belt.
Man.
They.
They.
Well,
they
do
have
a
form
of
it,
but
it's,
it's.
It's
oil.
That's
all.
Mike,
you
can't
even
buy
alcohol
on
Sundays.
I
know.
Alabama's
like
that
too.
Well,
you
couldn't
do
that
in
Princeton
either.
I
don't
think
you
could
buy
alcohol
on
Sundays.
Princeton,
Illinois.
Sorry,
folks,
not
Princeton,
New
Jersey.
Well,
I
think,
I
think
we
all
know
which
way
this
one's
going
to
go.
I
mean,
I.
We'll
save
the
deeper
Godfather
conversation
for
a
future
round,
especially
when
Jamal's
here,
who
I
know
he
is
a
big
fan
of
the
movie.
Yeah,
this
is
an
easy
one.
So
we'll.
We'll
go
ahead
and
call
a
vote
here,
bud.
What's
your.
What's
your
vote?
Godfather.
Tony.
Godfather.
Mike.
The
Godfather.
And
I
am
voting
up
and
a
Godfather.
I
would
say
this
one's
probably
5
0.
Because
if
you
said
Jamal's
like
a
big,
bad
father.
Yeah,
this.
This.
This
one's.
This
one's
an
easy
unanimous.
Absolutely.
I
feel
like
this
next
one
is
a
much
longer
discussion.
Do
you
want
us
to
have
AI
Jamal
give
you
a
vote
as
well,
or.
No,
no,
no,
we're
good.
We're
good.
Let's
save
AI
Jamal.
That's
our
contingency
plan,
everybody.
We
have
an
AI
bot.
So
if
one
of
us
can't
make
it,
you
know,
could
be
AI
Jamal,
AI
Tony,
AI
anyone.
And
we
will.
That
person
will
cast
the
tiebreaker
vote
if
needed.
So,
speaking
of,
next
on
our
list,
we
have
number
eight,
the
Exorcist,
versus
number
nine,
Young
Frankenstein.
If
you're
the
devil,
why
not
make
the
straps
disappear?
That's
much
too
vulgar.
Display
of
power.
Carris.
You
must
be
Igor.
No,
it's
pronounced
Igor.
It's
Frankenstein.
Frankenstein,
like
doing.
I
see
who's
leading
us
off.
This
is
Tony.
You
can.
You
could
start
off
your
thoughts
on
this.
Yeah.
So
you
got.
I
think
this
is.
This
is
very
close.
I
watched
both
these
movies
this
week.
Exorcist,
I
think,
is
a
great
movie.
I
thought
the
performances
across
the
board
were
good.
Even
though
I
think
it,
from
what
I
read
it
messed
up
that.
That
girl
pretty.
Pretty
bad
from
her
time,
but,
you
know,
for
being
her
age
and
things
she
had
to
do
that
was,
you
know,
she
said
some
vulgar.
So
that
was
a
great
performance.
And
I
thought
both
the
Priests
were
pretty
good.
If
you
were
looking
at
horror,
I
would
think
this
is,
you
know,
categorize
them
into
sub
genres.
You
know,
there
hasn't
really
been
movies
that
have
hit
this
sub
genre
of
horror
correctly.
I
mean,
you
could
say
the
Conjuring
series,
which.
Which
did
a
good
job.
But
I
know
a
lot
of
the
Possession
type
movies
are
pretty
awful.
Even.
Even
the.
Some
of
them
in
the
Conjuring
series
aren't
very
good.
Young
Frankenstein,
fun
movie.
You
know,
I
think
that
this
is
probably
the
best
of,
you
know,
that
trio
of
Mel
Brooks
movies
right
there
in
the.
In
a
row
there.
It's
fun
that,
that's
arguable,
but
I
mean,
it's
definitely
possible.
It's
my
mother's
favorite
movie
of
all
time.
Yeah,
that's
just
my
opinion.
They
know
they
did
the
whole
thing
in
black
and
white.
The
story,
the
story
made
sense
even
for
a
comedy,
you
know,
you
know,
Blazing
Saddles
will
get
to
there.
The
story
doesn't
really
make
too
much
sense,
but
you
know,
Young
Frankenstein,
it
makes
sense,
you
know,
and
it
was
funny.
I
thought
the
characters
were
funny,
you
know,
rolling
the
hay.
She's
a
pretty
good
looking
woman.
Terry
Gar.
Which,
know,
I
think
we're
going
to
talk
about
her
later
too,
but
it's,
it's
very
close.
I,
I
think
both
of
these
movies
are
on
equal
footing
with
their,
you
know,
subsection
of,
of,
of
what
they
were
trying
to
be.
I,
I
agree.
For,
for
the
Exorcist,
it,
it
wasn't
as
scary
as
everybody
made
it
out
to
me,
but
when
I
first
saw
it,
you
know,
everyone
that
I
had
heard
talk
about
it,
it
was
just
this
great
horror
movie.
It
didn't
really
scare
me
like
I
was
expecting,
but
I
enjoyed
it.
As
for
the
movie,
it
is,
I,
I
love
some
good
religious,
you
know,
you
know,
Vatican
intrigue
sort
of
things.
You
know,
the
inner
workings
of
priests
in
their.
Sometimes
when
they
have
a
crisis
of
faith,
how
things
work.
Good
Exorcist
movie
always
brings
those
elements
in,
like
the
recent
Russell
Crowe
one.
I
enjoyed
that
a
lot,
I
think.
I
can't
remember
what
that
was
called,
where
he's
riding
the
little
Vespa
around
Italy.
But
I
do
love
a
good
movie
that
brings
those
exorcism
elements
in.
It's
always
just
interesting.
Linda
Blair's
performance,
the
priest,
was
it
Father
Karras?
I
don't
know
who
played
him,
but
he
did
an
excellent
job
as
well.
The
young
one
or
the
old
one?
I
can
never.
The
young
one,
yeah,
he's
good.
He's
a
good
actor.
The
practical
special
effects
as
well,
pretty
fantastic.
And
that
alone
puts
it,
you
know,
well
into
this
tournament
though.
That
was
all
just
really
amazing.
Young
Frankenstein.
Well,
let
me
step
back
on,
on
the
Exorcist,
though.
It's
not
really
rewatchable
for
me
though.
I
don't
really.
When
did
you
see
it
for
the
first
time,
Steve?
Oh,
I
was
like,
I
was
probably
early
20s
in
the
army.
Okay,
so
you
saw
it
when
you're
more
of
an
adult.
Yes,
like
as.
Because
I.
You're
Catholic,
right,
Steve?
Or
you
grew
up
Catholic?
Yep,
like
growing
up
Catholic.
And
I
think
that's
the
first
time
I
saw
it.
I
might
have
been
like,
12.
And
when
you
see
that
as,
you
know,
what
your
parents
say
about,
you
know,
Jesus
and
all
that,
it
was
a
hell
of
a
lot
scarier.
I
think
when
you
see
I'm
trying
not
to
bash,
like,
religion
on
this
one.
I'm.
I'm
just
saying,
like,
when
you,
like
when
you're
younger,
you
believe
stuff
more,
and
to
you
for
something
like
that,
you're
like,
holy.
That's
real
life
stuff,
man.
I
better
not
swear
and,
like,
pick
up
my
sister
or,
like,
you
know,
say
Lord's
name,
you
know
what
I
mean?
Like
that
it
scares
you
more.
Stay
away
from
those
Ouija
boards,
man.
You
never
know
what
could
happen.
Right.
I
think
if
you
saw
it
earlier,
I
think
it
would
have
been
more
impactful
as
a
scarier
movie.
Yeah.
It
wasn't
one
that
was
just
available
in
our
house
growing
up
at
all,
Steve.
It
wasn't
supposed
to
be
available
in
my
house,
but
when
my
mom
left,
my
dad,
as
we've
discussed
before,
would
be
like,
hey,
let's
watch
horror
movies.
And
we're
like,
I'm
six.
Why
am
I
watching
Jaws.
Now?
Young
Frankenstein,
I
also
love
quite
a
bit.
This
is.
This
is
actually
a
really
difficult
one
for
me,
and
this
is
the
conversation
I've
been
looking
forward
to.
But
Young
Frankenstein
is
just
fantastic.
Gene
Wilder
just
knocking
it
out
of
the
park,
and
obviously,
you
know,
Mel
Brooks.
But
then
that
supporting
cast,
Cloris
Leishman.
Gene
Hackman
in
a
fantastic
role
as
the
fine
dude.
That's
just
so
fun.
I
didn't
even
know
it
was
him
the
first
time
I
saw
it.
Quotable
left
and
right,
you
know,
with
the,
you
know,
walk
this
way.
It's
pronounced
Igor.
Frau
Brucker.
Who
plays
the.
Who
plays
the
monster.
Yeah,
that's
the
dad
from
Everybody
Loves
Raymond.
I've
seen
him
before.
I
just
couldn't
today.
But
I
just
know
him
as
the
dad
from
Everybody
Loves
Raymond.
Putting
on
the
Ritz.
He.
He
hooks
up
with
his
wife.
And
when
she
starts
singing,
when
she
starts
hitting
those
high
notes.
Oh,
yeah,
I
forgot
Madeline
Khan
as
well.
Madeline
Khan.
Singing
those
high
notes
is
just
classic.
And
then
at
the
end,
when,
like.
They'Re
all
Peter
Boyle,
by
the
way.
Peter.
Yeah,
when.
When
they're
at
the
end,
she's
like,
well,
I
put
your
poopoo
poo
poo
poo
undies
in
the
one
basket,
and
it
would
not
with
the
regular
laundry.
And
he's
like,
reading
a
book,
you
know,
this
is.
I
mean,
the
way
they
ended
that
movie,
like,
it's
just.
It's
such
A
good
movie.
Like,
it
really
is.
Like,
I
mean,
I.
I
ain't
gonna
have
any
qualms
about
it.
Like,
I
think
the
Exorcist
is
a
great
movie,
but,
like,
Young
Frank
seems
like
it's
a
movie
I
grew
up
with
because
my
mom
loved
it
so
much
that
we
watched
it
all
the
time.
I
mean,
probably
shouldn't
have
watched
it
at
a
certain
age,
but,
like,
I.
Didn'T
see
this
until
I
was
in
my
20s.
I
saw
Spaceballs
first
and
then.
So
Spaceballs,
then
Men
in
tights.
And
I
thought
that
was,
you
know,
just
Mel
Brooks
being
awesome.
This,
he's.
Are
great
to
my.
Yeah.
You
know,
childhood
mind.
And
then
I'm
in
my
20s,
like
blazing
saddles,
Young
Frankenstein.
Let's
watch
these.
You
know,
History
of
the
World.
Like,
oh,
my
God,
this
man
is
a
genius.
Yeah,
I
just.
It
just
kept
getting
better
and
better
the
further
back
in
time
you
went.
This
one
I
thought
was
impressive.
You
know,
he's
able
to
hit
all
of
his,
you
know,
comedic
notes
while
doing
a
good
story.
The
story,
I
mean.
Yeah.
I
mean,
you're
adapting
a
story,
you
know,
satirically
that
has
been
around
for
a
long
time,
obviously.
I
mean,
this
is
like
the
first.
The
first
sci
fi
monster
that
was
ever
created.
But
you're
also
adding
all
this
stuff.
You
know,
they
get
dancing,
you
know,
a
musical
number.
There's.
There's
a
whole
bunch
going
on
there.
And
it.
I'm
not
a
huge
fan
of
it,
but
it
worked.
You
know,
everything
kind
of
just
worked.
And
I
thought
that
this
movie
was.
Was
pretty
good.
I
think
that
is
the
one
up
that
it
has
over
Blazing
Saddles
is.
It
has
an
ending,
Steve.
The
ending
from
Blazing
Saddles.
Well,
we'll
get
to
that
in
another
bracket,
but
yeah,
it'll
get
discussed.
The
ending
of
Blazing
Saddles,
but
also
I'll
leave
that
one
there.
What
do
you
think?
Here's.
Here's
my
dilemma,
and
I'll
kind
of
roll
through
this
as
quickly
as
I
can.
So
when
we're
talking
about
the
Exorcist,
whenever,
when,
whenever
I
see
that,
that
name,
the
first
thing
I
roll
to
isn't
the
Exorcist.
It's
Scary
Movie.
With
James
Wood,
huh?
Yes.
Yeah.
How
did
he
start
making
out
with
the
Possessor?
That's
ridiculous.
So
that's
where
my
head
goes
every
single
time.
And
I'm
like,
ah,
okay,
all
right,
that
was
funny.
But
when
we're
looking
at
Young
Frankenstein,
however,
I
mean,
nod
to
Mel
Brooks.
I
mean,
the
guy
is
a
genius.
Spaceballs
is
and
always
will
be
forever.
My
One
of
my
favorite
movies.
I
think
it
was
done
beautifully.
Well,
and
probably
safely
say,
I've
seen
that
one
probably
over
a
thousand
times.
When
Mel
Brooks
spoofs
something,
he
does
it.
He
doesn't
mock
it.
He
does
it
with
such
reverence
for
the
original.
Yes.
And
that
really
comes
out,
whether
it's
a
Western,
the
old
Universal
Hollywood
monster
movies,
or
Star
Trek
and
Star
Wars.
There's
just
such
a
love
of
the
original,
and
it
shows.
Yep.
I
agree
with
that.
Like,
and
with.
Especially
when
we're
talking
about
his,
like,
artistic
tastes
is
as
well.
I
mean,
he.
He
opted
to
do
this
in
black
and
white,
obviously,
for
the
dramatic
effect
of
it.
And
it
worked.
Like,
they
had
to
fight.
Like,
it
works.
It.
It
definitely
changed
the
entire,
you
know,
the
entire
kind
of
mood
of
the
movie.
Right.
So
their
first
company
said,
well,
just
film
it
in
color,
and
we
super
duper
promise
we'll
release
it
in
black
and
white.
And.
And
then
Melon
and
Gene
were
like,
no.
So
they
shopped
it
around.
And
I
want
to
say
it
was
Fox
that
picked
it
up,
but
don't
quote
me
on
that.
They
said,
oh,
yeah,
whatever.
You
want.
Black
and
white.
Sure.
Because
the
black
and
white
nature
is
a
character
itself
within
the
story
that
puts
it
in.
That
feels
like
it's
one
of
those
old
Universal
monster
movies.
Yeah,
exactly.
Yeah,
exactly.
Exactly.
Yeah.
So,
I
mean,
that.
That's
how
I
kind
of
go
back
and
forth
on
it.
And
I
mean,
if
we're
talking
like,
you
know,
what
did
the.
You
know,
from
a
public
perspective,
you
know,
what
do
the
public
think
about
it?
I
mean,
let's.
We
know
it
made
a
ton
of
money.
Yeah.
400
million
adjusted,
obviously,
but.
And
got
10
Oscar
nods
when
winning
two
Oscars.
Really?
I
mean.
Yeah.
The
Exorcist.
Yeah.
Yeah,
yeah.
You
could.
That's.
It's
gonna
be
on
pretty
much
every
list
of,
you
know,
top
10
greatest
horror
movies
of
all
time.
Yep.
I
mean,
it
must
have
been
an
Oscar
now
for,
like,
screenplay.
Right.
Probably
Special
effects
and
Special
effects.
I
was
gonna
say
special.
Best
Adapted
because
it
was
a
book
originally
and
because
the
same
guy
that
wrote
the
book
wrote
the
screenplay.
I
can't
remember.
William
Friedrich
or.
It's
kind
of
the
way
that
should
go.
Your
Benchley,
maybe.
I
don't
know.
It's
one
of
those
guys.
Are
we
ready
to
vote
for
this
one?
Let's
do
it.
Yeah.
All
right.
Tony,
lead
us
off.
Yeah.
Still.
Still.
Tough
call.
I'm
gonna
continue
my
comedy
bashing,
and
I'm
gonna
vote
the
Exorcist.
All
right,
Mike.
Yeah.
Young
Frankenstein.
For
me,
like,
I
enjoy
the
Exorcist,
but,
like,
the
Young
Frankenstein,
like,
is
near
and
dear
to
my
heart
because
of,
like,
it
was
my
mask.
It's.
Well,
my
mom's
still
alive,
so
it's
her
favorite
movie
of
all
time.
And
it's
still,
My
mom
still
quotes
it,
my
parents
still
quote
it,
you
know,
and
I
quote
it.
My
brother,
my,
you
know,
my
family,
we
always
talk
about
it.
Even,
like,
my
cousin
Danny,
like,
you
know,
we'll
bring
up
gifts,
and
Steve,
you're,
like,
on
checkers
with
us,
and
we'll,
you
know,
we'll
bring
that
up,
you
know,
because
it's,
it's
an
important
movie
to,
like,
my
entire
family,
which
is
crazy
to
say
because
it's
a
movie.
Right.
So
who's
me?
So
I
am
going
to
vote
Young
Frankenstein.
I
went
back
and
forth
on
this
quite
a
bit,
you
know,
from
cultural
impact
to,
you
know,
cinematic
quality,
rewatchability,
everything.
But
just
Young
Frankenstein
is
one
that
I'm
going
to
go
back
to
many
times
over.
And
I
have
no
desire
to
go
watch
the
Exorcist
again.
And
that,
that
is
a
big
part
of
how
I,
you
know,
vote
in.
This
is
the
rewatch
ability
of
some
of
these.
And
also
a
shout
out
to
the
Young
Frankenstein
musical
if
it
comes
your
way.
It
is
hilarious.
They
have
a
whole
song
called
Rolling
the
Hay.
It's
great.
Yeah,
they
transfer
over
the
horses
gag
with
Frau
Bruker,
so
it's
great.
It
is
really
good.
So,
Bruka.
Yeah.
So
my
vote
is
Young
Frankenstein,
bud.
All
right,
all
right,
all
right,
all
right.
So,
so
I'm,
I
know
that
this
is
what
goes
through
my
head.
I
know
that
if
I
vote
for
what
I,
I'm
pretty
sure
what
I
want
to
vote
for,
then
that's
going
to
put
us
in
a
position
to
where
AI
Jamal
is
going
to
have
to
get
involved.
I
think
I
know
how
that's
going
then.
So
I'm
trying
to
decide
am
I
gonna,
am
I
gonna,
am
I
just,
just
gonna
stop
the
bleeding
or
am
I
gonna
allow
this
to
go
all
the
way?
That,
that's
where
my
head's
at
right
now.
That's
what
I'm
trying
to
figure
out,
which
one
I
want
to
do.
Gotta
vote
for
what
you
think
is
the
best
movie,
man.
Honestly,
like,
I,
I,
I
am
gonna
say
Young
Frankenstein.
Yeah,
for
sure.
Yeah.
No,
I
mean,
it's,
it's,
honestly,
between
the
two
movies,
it's,
it's
the
one
I
think
that
I
always,
I
go
back
to
the
most
out
of
the.
Two,
and
that's
A
pretty
close.
Like
overall
number
29
and
36.
Is
that
the
closest?
8.
9,
Steve,
as
far
as
the
overall
listing?
Yeah.
Yeah.
Oh,
carrying
Kramer
versus
Kramer
is
31.34.
Did
I
send
you
guys
that
full
list?
I
don't
remember,
but
it's.
It's
on.
It's
on
the.
It's
on
the.
Yeah,
it's
on
the
bracket
and
it
says
it
on
the
side.
Okay.
Yeah,
that's.
Oh,
yeah,
yeah.
So
it's
within
seven,
but
it's
not
the
closest
out
of
the
eight.
Nine.
I
didn't
look
at
any
of
that
stuff.
I
just
watched
the
two
movies
this
week
and.
And
I'm
just
on.
On
Vape.
They're.
They're.
They're
right
there,
neck
and
neck.
Yeah.
Yeah,
this
was.
This
was
not
an
easy
decision.
So
it's.
It's.
Either
way,
it
would
have
gone.
It's
like,
okay,
good
with
it,
but.
Great
to
get
your
ass
kicked
by
the
Godfather
second
round.
We
talked
about
you
now.
All
right,
so
moving
on,
we've.
Next
we've
got
number
five,
Patton
versus
number
12,
dawn
of
the
Dead.
Where
you
going,
General
Berlin?
I'm
going
to
personally
shoot
that
paper.
Hanging
son
of
a.
When
there's
no
more
room
in
hell.
The
dead
will
walk
here.
Yeah,
this
was.
This
is
an
interesting
matchup.
Like,
you
know,
you
got
like
a
World
War
II
general
that
everybody
in
the
world
knows,
you
know,
story
against,
you
know,
zombies.
And
it's
a
tough
one,
I
think,
for
me,
because
it's
like,
well,
they're.
They're
so
different.
Like,
it's
not
even
close
to,
like,
it's
not
like
it
was
Young
Frankenstein
versus,
like
Exorcist
because,
like,
yeah,
it's
a
comedy
versus
a
horror
movie.
But
like,
they're
both
like
kind
of.
They're.
They're
kind
of
like,
kind
of
dark.
You
know,
this
is
just
like
the
original.
This
is
the
George
Romero
one,
right?
Like,
okay,
you
know,
this
guy
created
like
the
genre
against,
you
know,
one
of
the
greatest.
Like,
you
know,
acting
as
a.
As
a
military
person,
like,
ever.
I
mean,
you
know,
personally,
I.
I'm
always
like
a
big
zombie
guy,
so
it's
kind
of
tough
for
me.
But
I
also
love
World
War
II
and
like,
war
movies
and
historic
fiction,
if
you
want
to
call
it
that,
you
know,
like
historic
non
fiction.
So
it's.
That
it's
tough.
Like,
I
mean,
I'm
not
gonna
give
my
vote
away
or
anything,
but
I
feel
like
as
a
grandson
of
two,
you
know,
Army
World
War
II
vets,
that
one
was
at
D
Day.
Another
one
took
on
Rommel
in
Africa.
It's
a
tough,
there's,
it's
kind
of
like
I
feel
like
my
grandfathers
would
come
out
of
the
grave
if
I
voted
for
zombies.
Which
is
kind
of
funny
in
a
way.
You
know.
How
real
do
you
want
this
decision
to
be?
So,
yeah,
I
mean
they're
just,
they're
so.
This
one's
so
different.
I
kind
of
went
in
the
same
way.
I
mean,
I'm
a
big
fan
of
the
patent
movie.
I've
loved
it
for
years.
You
know,
ever
since
I
was
obviously
in
the
service.
I've,
I
had
seen
the
Zack
Snyder
dawn
of
the
Dead
and
I
enjoyed
it
several
years
ago.
Yeah,
I,
I,
with
the,
with
the
mall
and
stuff,
but
I
had
never
seen
the
original.
I'd
only
seen
Night
of
the
Living
Dead,
the
black
and
white
one,
which
I
enjoyed.
So
I,
I
did.
I
was
able
to
get
dawn
of
the
Dead,
watch
it
on
YouTube
and
I
was
impressed.
It
was
so.
It's
making
my
decision
much
harder
on
this
one
to
touch
on
Patton.
I've
always
loved
it
for
one.
George
C.
Scott's
portrayal
of
the
man
is
how
I
will
always
see
him.
It's
one
of
those.
That
is
how
I
know
Patton.
If
I
read
it.
Yeah.
If
I
read
it
in
a
book,
I'm
visualizing
George
C.
Scott
in
the
role.
100.
It's
so
weird,
ain't
it?
And
not
just
standing
in
front
of
the
American
flag.
I
mean
just
there's
so
many
different
scenes
and
one
liners
that
are
honest
to
the
time.
Like
where
he's
the,
the
shell
shock
soldier
and
he's
slapping
him,
calling
him
a
coward,
saying,
get
out
there,
I'm
going
to
shoot
you
myself.
You
know,
today
we
have
a
much
different
perception
of
PTSD
and
what
can
happen,
but
at
the
time
that,
I
mean
it's,
it
was
a
real
scene.
So
you
can
view
that
as,
I
don't
know,
he's,
he's
almost
like
the
Ty
Cobb
of
generals.
It's
like
he
was
just
so
good
at
it.
But
yes,
he
was
an.
And
it
was
portrayed
so
well
in,
in
that,
by
that
actor.
And
I
can't
remember
the
guy's
name,
but
the
guy
that
played
Omar
Bradley
loved
him
too.
But
I,
I
loved,
you
know,
the,
the
race
through
Sicily,
the,
you
know,
this,
the
saving
of
the,
the
Battle
of
the
Bulge.
All
this,
all
that
stuff
was
done
so
well.
And
the
hinting
that
he
might
have
been
assassinated.
It's,
it's
a
long
movie.
It's
not
short.
You
gotta,
you
gotta
commit
to
it.
But
it
is
really
A
great
movie
if
you're
a
World
War
II
history
buff,
especially
if
you
know
the
timeline
of
World
War
II
before
you
go
in.
If
you
don't,
they're
not
gonna
catch
you
up.
You
gotta
know
how
things
go.
Dawn
of
the
Dead,
the
zombie
makeup
today
is
obviously
much
better.
Putting
that
flat
out
there.
But
what
this
movie
does
really
well,
almost
better
than
a
lot
of
the
Walking
Dead,
is
the.
The
real
enemy
is
not
the
zombies
thing.
It's
people.
It's
how
people
act
and
how
they,
you
know,
like,
they
find
that
super
not
supermarket
shopping
center,
the
mall,
and
they
take
it
over.
But
then
the
bikers
come
and
the
bikers
really
mess
things
up
and,
you
know,
just.
It's
so
the.
The
real
danger
is
actually
the.
The
factions
of
people,
how
people
are
reacting
to
society
collapsing.
I
mean,
there's.
They're
like
mocking
the
zombies
at
some
points
in
the
movie
and
you
almost
feel
sorry
for
the
zombies
despite,
you
know
that.
So
they
do
a
good
job
of
film
making
and
showing
and
making
you
feel
sympathy
for
these
monsters.
It's
really
kind
of
neat
in
that.
Aspect,
I
will
say,
Steve.
Like
that,
you
know,
like,
that's
what
makes
like
the
Last
of
Us
such
a
good
show
in
game
is
it's
not
about
the
mushroom
people.
It's
about,
like,
how
instantly
people,
like,
turn.
And
I
do
like
that
you
brought
up
Ty
Cobb
because
Patton's
the
same
way
as
Ty
Cobb.
Because
anytime
I
read
anything
about
Ty
Cobb,
all
I
can
in
my
mind
is
Tommy
Lee
Jones.
Yeah,
like,
from
the
Ty
Cobb
movie.
Like,
and
he
is
a
God.
Is
he
a
motherfucker?
Like,
and
you're
like,
you
know,
he's
one
of
the
best
baseball
players
of
all
time.
But
if
you
just
wanted
to
punch
him
in
the
face
and
he.
That's
what.
Tommy
Lee
Jones
did
such
great
job
in
that
movie.
Because
if
you
got
pissed
at
somebody
by
acting
as
that
person,
like,
that's
a
good
job.
Like,
to
me.
And
then
when
you
brought
that
up,
I
was
like,
that's
such
a
great
point.
Like,
it's
a
good
tie
in
to
t.
To
Ty
Cobb
too.
Both
of.
So
the
actual
people
themselves
that
they
were
playing
so
good
at
their
jobs.
Ty
Cobb,
fantastic
baseball
player.
Patton,
one
of
the
best
generals
America
has
ever
had.
But
both
of
them
were
very
flawed
individuals
on
the
personality
and
humanity
side.
I'll
say.
I
think
there's
several
people
in
history
we
can.
We
can
relate
that
to
as
well.
True.
Let's
see.
I
mean,
I
do
like
myself
a
good
war
movie.
And
Patton
was.
Was
well
done.
I
thought
it
was
a
good
movie.
But
then
we
got
dawn
of
the
Dead,
and
I'm
a
huge
zombie
movie
show
fan.
I
think
it's
great.
But
then
at
the
same
time,
I
feel
a
little.
A
little
bougie
about
it.
And
so
you
go
to
watch
a
70s
zombie
movie,
it's
not
quite
the
same.
That
gray
face
paint.
Yeah.
It
doesn't
quite
give
you
the
horror
when
the.
The
makeup,
like
what
Night
of
the
Living
Dead
in
black
and
white
looked
better
because
it
was
in
black
and
white.
It
was
exactly.
Yeah.
So
when
you
got
it
in
color,
that's
why
the
movie
gets
more
interesting
when
the
people
start
fighting.
Right,
right.
So,
yeah,
I
mean,
to
me,
at
the
end
of
this,
I.
I
like
my
war
movies,
so
that's
probably
where
I'm
gonna
go.
What
do
you
think,
Tony?
Okay.
First
time
watch
of
both
of
these
movies.
I
had.
Like
you,
I
had
seen
Night
of.
But
not
this
one
with
Patton.
I
think
it's.
You
know,
I'm
a
big
World
War
II
buff.
I'm
a
big
war
movie
buff.
Having
never
seen
this
is
kind
of
embarrassing,
but
it
was
interesting
to
have
it,
you
know,
from
an
officer
perspective.
You
don't
see
too
much
of
that.
There's
not
a
whole
lot
of
battle
going
on
there.
But
it's
a
story
told
from
an
office
perspective.
You
know.
You
know,
Band
of
Brothers
Dick
Winters
is.
Is
driving
this.
The
plot.
You
know,
here
you've
got
Patton's
whole
story,
but,
you
know,
is
it
historically
accurate?
I
don't
know.
I
mean,
his.
This
portrayal
is,
you
know,
extreme
narcissist.
And
from
what
I've
read,
he
was
a
complete
diva
on
set.
So
maybe
that
fits,
maybe
it
doesn't.
I
don't
know.
I
mean,
at
one
point,
he's
jumping
out
of
a
window,
shooting
a
pistol
at
an
airplane.
Come
on.
He's
talking
about
reincarnation.
Like,
come
on.
He
was
a
big
believer
in
reincarnation.
Which
is
fucking
odd.
So
fine
movie.
And
the
guy
you
were
thinking
of
is
Karl
Martin
Malden.
I
knew
him
immediately
from
his
nose,
from
West
Wing.
He
was
the
priest
in
one
of
the
West
Wing
episodes
in
a
Chelsea
Steal
where
he
has
to
pardon
the
guy.
And
he
doesn't
pardon
the
guy.
He's
his
hometown
priest.
And
I
thought
he
acted
better.
I
actually
thought
he
was
better
than
George
C.
Scott.
But
that's.
It'll
be
a
bad
take
on
that.
I
know
I'll
be
in
the
minority
there.
Dawn
of
the
Dead.
So
back
to
what
I
said
about
the
Exorcist,
about
horror,
you
know,
chopping
them
up
into
subplots.
You
can
chop
this
in
into
a
zombie
subplot.
Romero
gets
a
lot
of
credit,
you
know,
the
time
and
when
it
was
made.
But
what
I
would
say
that
differentiate.
Differentiates
this
from
the
Exorcist
is
when
I
said
the
Exorcist.
Possession
movies
haven't
really
hit
the
way
the
Exorcist
did.
I
would
say
that
the
zombie
genre
has
been
hit
and
exceeded
this
many
times
over.
You
know,
whether
it's
The
Walking
Dead,
28
days
later,
last
of
Us,
you
know,
all.
I
mean,
I
think
even
the
World
War
Z,
the
remake,
I.
I
prefer
the
remake
over
this
version.
Not
to
say
that
this
version's
bad.
The
whole
first
act
is.
Is
kind
of
bizarre
with
the.
I
don't
know
if
you
want
to
call
them
low
risers
or
low
income.
You
know,
there's
some
weird
scenes
in
there
in
the
beginning
where
they're
messing
up,
you
know,
people
in
the
building.
Which
is
okay.
I
was
bored,
honestly.
You
know,
I
didn't
think
that
the
pop.
The
plot
was
driving.
But
both
are
okay
movies.
I'm
not
a
big
fan
of
either
one.
That's
just
what
I
see.
That's
what
I
got.
Are
we
ready
to
vote?
Let's
do
it.
All
right,
so
leading
us
off
on
this
one
is
Mike.
I
gotta
vote
for
Patton.
I
am
going
to
vote
Patton,
bud.
Oh,
Patton
all
the
way,
Tony.
Yeah,
I'm
voting
Patton.
Sorry,
AI
Jamal,
but
I
think
this.
Would
be
a
5,
0.
What
do
you
think
Adriamal
thinks?
I
think.
I
think
it's
gonna
be.
You
know,
when
was
Night
of
the
Living
Dead?
That's
in
the
60s.
Was
it?
Oh,
because.
Because
that
was
better.
All
right,
so
next
up
we
have
number
four,
Apocalypse
now
versus
number
13.
Shaft.
Horror
and
moral
terror
are
your
friends.
If
they
are
not,
then
they
are.
Enemies
to
be
feared.
Hey,
where
the
hell
are
you
going,
Chef?
To
get
laid.
Where
the
hell
you
going?
Bad.
Right
there.
See
Now.
Apocalypse
Now.
I.
I
don't
go
fly
to
the
Valkyries.
I
always
think
of
the
doors.
This,
that
beginning.
Yeah,
this
is
the.
The
end.
Yeah,
with
the,
the
helicopter
blades
and
then
the
ceiling
fan
of
the.
Of
the
hotel
room.
I
always
love
the
beginning
of
that.
Yes,
with
Martin
Sheen
going
nuts
and
then
like
breaking
a
mirror
and
just
wiggin
out
in
that
hotel
room.
It's
crazy
beginning
to
that
movie.
This
is
Apocalypse
now
has
always
fascinated
me.
I've
seen
it
several
times
over
the
years.
And
you
know,
whether
it's
Martin
Sheen,
young
Martin
Sheen,
you
know,
his,
his
performance.
Weird
ass
Marlon
Brando
at
the
End
because
you,
you
don't
get
much
Marlon
Brando.
It's
only.
No,
he's
like
second
billing
on
like
imbd
for
the
movie.
I
always
love
Dennis
Hopper
in
this
movie.
He
was
absolutely
just
out
of
his
gourd
on,
on
something
there.
But
he
does.
Well,
then
you've
got
like
a
young,
young
Morpheus
in
there.
I
think
he
like
a
light
about.
His
like
me
just
naming
what
the
movie
that
you
know
them
from.
He
will
always
be
Morpheus.
It
doesn't
matter
what
else
he
does.
You
know,
Wayne's
Wayne
from
Wayne's
World.
Rather
be
Morpheus
than
Cowboy
Curtis
from
Peewee's
Playhouse.
Yeah,
that
is
true.
I
forgot
that
he
was
there.
But
it's
just,
it's
a
fascinating,
very
slow
descent
into
madness
for
everyone
involved
inside
of
this,
you
know,
war
movie.
That's
not
even
to
mention
Robert
Duvall,
Charlie
Surf.
That's
just
Everybody
loves
the
smell
of
napalm
and
Bud.
You
can
back
me
up
on
this.
When
you're
overseas
next
to
a
cav
unit,
if
you
say
anything
about
like,
you
know,
Charlie,
Charlie.
I
mean,
just.
They're
so
stupid
about
repeating
that
stuff.
Anyone
in
a
cav
unit
loves
that.
Yep.
But
I,
I,
I
do
enjoy
that
movie.
It's,
it's
one
that
is
hard
to
revisit
because
it's
so
long
and
it's
so
deep.
But
it,
I,
I
do.
It's,
it's,
it's
just
kind
of
hard
to
watch
sometimes.
But
Shaft,
I've
tried
to
watch
it.
I
haven't
seen
the
whole
thing.
I've
seen
bits
and
pieces.
I
am
not
the
best
one
to
say
whether
or
not
it's
a
good
movie
or
a
bad
movie.
The
scenes
I've
seen
are
enjoyable,
but
I
don't
think
it's
gonna
come
to
the
level
of
apocalypse.
He's
just
a
bad
mother.
Who's
the
black
Friday
dick
that's
a
sex
machine
dollar
Chicks.
You're
damn
right.
That
is
probably
one
of
the
best
theme
songs
for
a
movie.
And
what's
crazy
is
like,
I
as
a
Pearl
Jam
fan,
there's
a
song
called
Dirty
Frank
by
Pearl
Jam.
It's
a
bside.
And
the
lyric
of
the
song
goes
that
Dirty
Frank
is
a
bad
mother.
Shut
your
mouth.
I'm
just
talking
about
Dirty
Frank.
And
it's
like
a
grunge
band
from
like
the
90s
is
like
kind
of,
you
know,
taking
that
song
from
a
movie
that
I,
maybe
those
guys
watched
it.
You
know
what
I
mean?
Like,
it's
not
like
something
you
could
have
grabbed
real
quick
at
like
blockbuster
back
in
the
day.
Like,
it's
black
exploitation,
I
think,
is
what's
called.
Right.
Like,
that
was
a
whole
sub
genre.
That
was
just
the
most
famous.
All
that.
Yeah.
Like,
it
started
all
that,
like,
and
then,
like,
you
know,
it
eventually
has
its
ties
to,
like,
you
know,
I
always
think
of
Jack
Brown,
the
Quentin
Tarantino
movie,
like,
from
the
90s,
and
without
that,
there's
no
Jackie
Brown.
You
know
what
I
mean?
And.
But
still,
like,
it's
Apocalypse
Now.
It's
really
hard.
It's.
It's
one
of
the
best
Vietnam
movies,
like,
of
all
time.
It's.
It's
a
hard
movie
to,
like,
not
be
a
fan
of.
It's.
Especially
growing
up
in,
like,
rural,
you
know,
Illinois.
It's
not
like
you're
watching
Shaft
like
you're
watching
Apocalypse
now.
And
not
saying
that.
Like,
you
had
people
that,
you
know,
your
parents
were
kind
of
directly
in
Vietnam,
even
if
they
weren't
in
the
war,
they
grew
up
in
that
era.
So
you
kind
of
learned
about
it.
So
it
was
kind
of
something
that
you
always
knew
about,
you
know,
more
than
pimps,
I
guess.
You
know,
that's.
It's
hard
out
there
for
a
pimp
sometimes.
Pimping
ain't
easy.
Which
Hot
Shots
movie
was
it
where
you
had
Charlie
Sheen
and
Martin
Sheen
on
the
riverboat
going
past
each
other,
and
they
both
yelled
at
each
other?
I
loved
you
in
Wall
Street.
That
wasn't
the
first
one,
because
it.
Was
either
the
first
one
or
part.
Part
due.
Yeah.
Wasn't
he,
like,
a
Rambo
type
character?
I
want
to
say
it
was
the
second
one.
Dude.
I
feel
like
it
is
the
second
one.
Second
one.
Yeah.
Yeah,
I
feel
that
it
definitely
is
the
second
one.
Like,
they
made
it
more
meta
to
bring,
like.
I.
I
just
love
that
scene
because
it's
a
throwback,
obviously,
to
Apocalypse
now
in
the.
The
voiceover
from
Martin
Sheen
that
he
does
throughout
the
whole
movie.
And
so
you
have
Charlie
Sheen
doing
it
on
that
patrol
boat,
and
then
they
start
hearing
Martin
Sheen's
voice
over
him,
and
he
looks
around,
what
the
hell?
He
stands
up,
I
loved
you
in
Wall
Street.
I
mean,
that's.
That's.
That's.
That's
what
makes
comedies
funny.
And
I
know,
Tony,
you're
not
your
comedy
guy,
but,
like,
a
lot
of
times,
that's
what
comedies
can
do.
They
can
bring
that,
like,
crossover
meta
shit
that
you
don't
get
from
other
genres
of
movies.
You
know,
like,
you
can
sit
there
and
make
fun
of
a
movie
like
Apocalypse,
like,
and,
you
know,
like.
Or
Rambo
or,
like,
you
know,
serious
movies.
And
be
like,
it's
not
that
serious,
guys.
Calm
down.
Like
Apocalypse
Now.
I
did
a
lot
of
research
trying
to
figure
out
what
the
hell
went
wrong
with
this
movie.
Lots.
This
was
a
great
first
act.
The
beginning.
And
then
the
air
cab
I
thought
was.
Was
pretty
cool.
After
he
steals
a
surfboard.
I
mean,
it's
just.
To
me,
it's
just
straight
downhill.
And
then
from
what
I,
you
know,
found
out
is
240
hours
worth
of
film
they
used
on
this
movie.
Four
years
of
editing.
Yeah.
So
Laurence
Fishburne
was
14
when
they
shot
it.
He
was
18
when
it
was
released.
Wow.
And
they
had
a
typhoon.
And
apparently
they
were
borrowing
helicopters
from
the
country
they
were
filming
in,
who
was
also
fighting
a
civil
war.
So
they
had
to
give
them
back
twice.
And
it
was
just
a
massive,
you
know,
way
behind
budget,
way
behind
time.
You
know,
didn't
Martin.
She'd
have
a
heart
attack,
too.
He
did.
And,
you
know,
Martin
Sheen.
They
fired
Harvey
Keitel
six
weeks
into
shooting.
He
was
cast.
Harvey
Keitel
was.
And
then
Martin
Schumer
placed
him.
That
would
have
been
different.
Very
weird
character
interactions
towards
the.
I
mean,
the.
The
puppy.
Just
Laurence
Fishburne
shooting
up
that
boat.
I
just.
It.
Why?
I
mean,
what.
Descent
into
madness.
Any
Martin
Sheen's
reaction?
He
walks
over
and
shoots
a
girl
because
his
mission
matters
more.
You
know,
that's.
That
part
made
sense.
But,
I
mean,
why
are
we
even
stopping
this
boat?
Which
is
what
Martin
Sheen
said.
And
then
the
surfer
guy
is
completely
involved
with
the
puppy
now,
and
he's
doing
Purple
Grenade,
and
it
ends
up
getting
one
of
them
killed.
And
then
you
get.
You
finally
get
to.
Oh,
Marlon
Brando's
in
this
movie.
Oh,
there
he
is
two
hours
later.
And
you
know
who
the.
The
guy
who
had
the
mission
before
Martin
Sheen's
character
had
the
mission
is
he
plays
Snake
in
Daredevil.
I
can't
think
of
his
name.
Daredevil
Defenders.
He
plays
Snake,
the
blind
guy
who
taught
him
how
to
fight
in
the
mar.
Oh,
Scott
Glenn.
Yeah,
Scott
Glenn.
He's
the
guy.
He
doesn't
have
any
speaking
lines,
but
he's
standing
there
and
he
walks
up,
he
goes,
Colby.
Oh,
yeah.
Stick,
Not
Snake.
My
bad.
But,
yeah,
his.
He
was
Colby.
He
had
the
mission
beforehand.
Martin
Sheen,
obviously,
he's
carrying
this
mission,
whether
he's
narrating
or
he's
acting.
The
beginning,
the
first
act
is
a
war
movie.
The
middle
act
is
just
a
bunch
of
rant,
like
the
uso,
like,
how
can
you
be
fighting
people
with
air
cab
downriver
here?
But
you
go
further
up
river
and
we
can
fly
us.
Oh,
poor
Playboy.
Playback.
So
I.
I
have
often
wondered
that
myself.
Playmates,
Tony.
I
wondered
that
myself.
But
I,
you
know,
it
was
Playboy
Bunnies,
so
he's
kind
of
gotta
let
it
go.
I
mean,
that's
what
I
would
be
doing.
Like,
sorry.
And
then
you
get
into
the
third
act
where
it's.
It's
not
a
worm
movie,
it's
a
romance.
You
know,
Marlon
Brando
is
reading
poetry
for
45
minutes,
and
he
is
begging
Martin
Sheen
to
kill
him.
But
yet
you
go
to
his
boat
and
chop
off
the
head
of
his
other
guy.
So
I.
It's
very
strange.
And
I.
And
maybe
it
poor
editing.
Shaft.
I
watched
it
this
morning.
It's
a
decent
movie.
It
has
very
poor
acting.
Outside
of
the
Bumpy
and
Shaft
characters,
those
two
guys
on
screen
are
great.
I
think
if
you
were
to
do
that
today,
you
know,
not
with
Samuel
L.
Jackson,
I
would
think
you're
gonna
find
similar
to,
like
a
Luke
Cage
without
the
superpowers.
You
know,
that
would
be
a
better,
you
know,
representation
of
the
black
community
in
that,
you
know,
statute.
Because
he
really
didn't
need
to.
Isaac
Hayes,
I'm
a
Love
Maker
or
whatever.
You
know,
that
whole
thing,
you
know,
you
didn't
need
that.
The
Bad
mother.
Cinematography
was
actually
good,
so
if
you
watch
it,
there's
a
lot
of
POVs,
a
lot
of
good
camera
angles.
The
writing
is
not
very
good,
but
that's
what
I
got.
When
you
talk
about
the
characters
and
the
music,
I
just.
In
the
back
of
my
head,
I
just
hear,
yeah,
I'm
done.
My.
He's
a
complicated
man,
but
no
one.
Understands
him
but
his
woman.
I.
Yeah,
it's
hard
not
to
hear
that
song.
Like,
I.
Right,
Chef?
He's
a
lady,
man.
A
bad
mother.
Shut
your
mouth.
I'm
just
talking
about
Chef.
Where
you
going?
I'm
going
to
get
laid.
All
right,
well,
I'm
gonna
call
a
vote.
I
will
lead
this
off
for
Apocalypse
now.
And
my
vote
is
Apocalypse
Now.
So,
Bud.
Apocalypse
now.
For
sure,
Tony.
Yeah.
I
mean,
the
votes
gotta
go
for
Poplar
Snow.
I.
I
just.
I
think
it
has
many,
many
flaws.
You
know,
for
the,
you
know,
kind
of
accolades
that
it
kind
of
gets
or
the
personification
that
it
gets.
It's
just.
Just
sheer
scope
of
the
movie
and
the.
The,
you
know,
the
challenge
of
it.
It's
better
than
Shaft.
I
will
admit
it's
a
flawed
movie.
Yes.
And
it'll
be
interesting
to
see
what
it
goes
up
against.
Mike,
what
was
your
vote
going
to
be?
I.
I
would
say
apocalypse
Now.
Yeah.
100.
All
right.
Four
down.
Next
up,
we
have
number
six,
network
versus
number
11,
escape
from
Alcatraz.
There
is
only
one
holistic
system
of
systems.
One
vast
and
humane,
interwoven,
interacting,
multivariate,
multinational
dominion
of
dollars.
Sometimes
I
think
that's
all
this
shithole
is,
one
long
count.
We
count
the
hours.
The
bulls
count
us
and
the
king.
Bulls
count
the
counts.
What
do
you
got,
bud?
Back
to
me
again
already.
Only
four
of
us,
so
I've
never
seen
Network.
Sorry
for
failing
you.
I'm
mad
as
hell,
and
I
will
not
take
it
anymore.
You
have,
because
I.
I
had
not
seen
Network
until
a
few
days
ago,
and
I'm
still
thinking
about
it.
Oh,
help.
Help
me
understand,
then.
Help.
Help
me,
like,
absorb
quickly
with
what
it's
about.
I
am
completely
on
the
fence
on
this
one.
And.
And
this.
This
is
a
6
versus
11
here.
And
because
I've.
I've
known
Escape
from
Alcatraz
for.
For
years.
And
same
always
been
a
great
movie.
I
love
the
fact
that
you
don't
even
hear
Clint
Eastwood
for,
like,
the
first
15
minutes.
It's
right.
His
entry
into
Alcatraz
is
almost
as
good
as
the.
The
escape
process.
Right.
Network
I
always
kind
of
threw
off
as
some
weird
70s
movie
about
a
news
anchor.
Didn't
really
care.
But
I
finally
watched
it,
and
like
I
said,
it's
still
sitting
with
me.
I
Is
so
much
to
think
about
because
it
is
a
long
transition
of
events
at
this
news
company.
Not
newscomp.
This
television
company
called
UBS
in
the
70s.
And
it
starts
off
with
this
news
anchor
being
told,
hey,
you're.
You're
gonna
be
fired.
Like,
oh,
well,
that
sucks,
you
know,
because,
like,
his.
He
used
to
be
like
a
Walter
Cronkite,
but
his
ratings
have
gone
down.
And
it's
the.
It
was
the
start
of
a
transition
of
where
the
news
programs
were
a
prestigious
net
loss
for
these
television
companies.
It's.
You
know,
they're
gonna
lose
money.
That's
okay.
They
all
do.
It's
just
no
part
of
the
part.
Part
of
the
thing.
You
know,
there's
no
sensationalism.
There's
no,
hey,
the
world
might
end.
Find
out
at
11.
You
know,
there's.
There's
none
of
that.
It
was
just
the
Walter
Cronkite
style
of
old.
And
this
guy's
ratings
were
starting
to
slip
and
they
wanted
to
do
something
different.
So
they
let
him
know,
hey,
you've
been
with
us
for
like,
30
years.
But
you
know
what?
We're
gonna
let
you
go.
You've
only
got
two
weeks
left.
So
in
his
next
broadcast,
he
actually
says,
next
Tuesday
on
This
show
I
am
going
to
shoot
myself
live
on
the
air.
Thank
you
and
good
night.
And
people,
they,
they
flip
out.
And
then
so
now
there's
a
talk
like,
like
did
you.
Did
he
have
a
moment
or
what
the
hell
was
that?
Was
it
a
joke?
And
his
best
friend
is
the
news
programming
director
guy.
He
gets
the
higher
ups
to
convince
him
to
do
another
like
a.
A
proper
dignified
send
off.
Hey,
I'm
retiring,
going
to
the
sunset,
whatever.
In
between
that
agreement
and
the
next
broadcast,
the
dude,
the
program
director,
finds
out
that
they
are
actually
moving
the
network
news
off
of
him
because
it's
because
they
want
to
make
money
now.
Now
you
got
the
anchor
and
the.
Director,
Rupert
Murder
came
in
and
bought
it.
Who
want
the.
Well,
they
want
to.
He
finds
that
out
that
he's
being
replaced
too.
So
the
next
one,
he.
They
kind
of
have
this
understanding
of
say
whatever
the
hell
you
want.
And
that's
when
he
starts
saying
this
is,
that's
the
government's,
the
corporations,
what.
He
just
starts
going
off
on
this
rant
and
their
ratings
skyrocket
and
people
are
looking
at
this
guy
like,
should
we
shut
him
down?
And
the
guy
that,
the
director
that
knows
he's
going
to
get
fired
is
like,
why
would
I
do.
I
don't
give
a.
Anymore.
Right?
Still
say
whatever
the
hell
you
want.
So
now
all
these
vultures
come
in
like
in
the
Faye
Dunaway,
who's
the
upstart
girl
who
wants
to
say,
hey,
we
have
a
gold
mine
here,
we
need
to
exploit
it
all
to
hell,
right?
She's
like,
I
want
to
bring
in
a
psychic
for
the
new
show
who
could
predict
the
news.
I
want
pyro,
I
want
wrestlers,
I
want.
She
wants
to
make
it
all
like
spectacular.
Like,
you
know,
all
the
news
places
are
today
and
they
never
go
left
or
right.
This
is
all
just
news
in
general.
Make
it
flashy,
make
it
Cairo.
Yeah,
you
know,
like
Terror
on
the
beach
or
something.
You
know
those
big
headlines.
Anyway,
then
he,
that's
when
the
guy
has
his
next
breakdown.
That's
not
mad
as
hell.
I'm
not
going
to
take
anymore.
And
he
gets
this
following
and
he
is
on
a
trajectory,
but
he's
not
well
behind
the
scenes.
I
mean
he,
this
guy
is
having
a
mental
breakdown,
then
the
company's
exploiting
it
for
money.
And
then
he
finally
says
something
on
air
that
he
shouldn't,
which
is
the.
And
say
we're
getting
into
spoilers
here.
But
he
mentions
that
the
company,
the
network
is
being
bought
by
a
Middle
Eastern
Company.
It's
1970s,
there's
no
spoilers.
True.
But
He.
He
rants
about
this
on
air.
And.
And
so
the
people
that
are,
you
know,
paying
his
salary,
like,
whoa,
you
ranted
about
the
wrong
thing.
And
he.
So
he
gets
taken
to
this
long
conference
room
with,
of
all
people,
Ned
Beatty
from,
like,
you
know,
Deliverance.
He
grows
a
hell
of
a
mustache.
He
comes
down
hard
on
this
guy
and
just
gives
this
wild
speech
about,
you
will
atone.
You
know,
you're.
This
is
the
almighty
dollar.
The
world
revolves
around
the
autumn
of
the
speech
by
heart.
But
the
camera
angle
is.
Is
fantastic.
It's
a
very,
very,
very
well
done
scene.
And
then
they
get
to
the
end,
and
to
spoil
the
end.
I
mean,
everything
that
they've
kind
of
done
on
this
is
what
the
news
is
today.
Except
for
the
very
final
scene,
which
is
where
they
blew
his
brains
out.
No,
close,
though.
The
company
executives
in
a
room
which
includes
Robert
Duvall,
though
I
forgot
to
mention,
Robert
Duvall
is
like
the
head
of
the
company.
And
they
like,
what
do
we
do
about
this
guy?
You
know,
we.
We
can't.
We
can't
fire
him
because
he's
got
a
following,
but
he.
We
can't
let
him
keep
talking.
So
Faye
Dunaway
is
like,
well,
let's
just
kill
him.
So
she's
been
doing
this
whole
sideshow
plot
thing
with
some
communists
trying
to,
like,
getting.
Giving
the
communist
cameras
and
having
them,
you
know,
guerrilla
their
abductions
and
robberies.
And.
And
so
she
gets
them
to
go
to
a
taping
of
the
guy's
next
show,
and
on
live
tv,
they
stand
up
and
shoot
him
in
the
head.
Whoa.
The
end.
Whoa.
This
movie
was
wild,
and
it
was
not
what
I
was
expecting
at
all.
First
of
all,
Robert
Duvall
is
not
the
head
of
the
company.
He's
the
head
of
the
George
Soros
faction
of
the
company
that
purchased
majority
rights.
The
BlackRock
of
the
70s.
Yeah.
Executives
upon
executives.
I
didn't
know
who
was
actually
in
charge.
It's
very,
very
good
acting.
You're
getting
career
performances
here
from
a
couple
guys.
The
guy
who
played
Max
and
then
the
guy
who
ended
up
winning
the
Oscar,
the
guy
who's
having
the
mental
breakdown.
It.
It's
fantastic
writing.
It's
intelligent
writing.
You
know,
this
is.
I.
I
would
just
picture
that
Sorkin
is,
you
know,
growing
up
on
this,
and
Sorkin
is
pulling
all
this
stuff.
I
can
see.
Yeah.
Oh,
yeah.
It
definitely.
It
goes
off
the
deep
end,
though.
First
two
acts
are
fantastic.
Way
too
much
run
time,
you
know,
way
too
much
fade
done
away.
Daddy
issues.
There's.
There's.
I
didn't
get
into
the
love
story.
No.
I
mean,
it's
almost
three
hours
long.
I
mean,
there's
a
lot
of
good
things.
And
I.
I
thought
they
missed
at
the
ending.
Yeah,
they
come
out
and
shot
him.
I
would.
I
would
have
entertained,
you
know,
like.
Like
one
last
monologue
from
him.
And
then
they
shoot
him,
which
is
what
I
thought
was
gonna
happen.
And
they
just
shot
him,
like,
while
he
was
talking.
Yeah.
As
he
did.
He
walked
out
and
they
shot
him.
To
me,
that
was
a
poor
finish.
It
didn't
make
a
whole
lot
of
sense,
grand
scheme
of
things.
The.
Oh,
we're
just
here
to
make
money.
But,
you
know,
today
you're
not.
Today
if
you
say
the
wrong
thing
on
t.
Because
the
whole
idea
is.
Oh,
it's
foreshadowing,
you
know,
modern
media.
But
today
you
say
the
wrong
thing,
you're
fired.
Like
Tucker
Carlson,
you
know,
you
just
can't
do
those
kind
of
things.
It's
not
real
foreshadowing
as
far
as
what
people
think
it
is.
But
you
are
getting
fantastic
performances
even.
Even
from
Faye
Dunaway,
who
I
didn't
really
like
in
this
movie.
She
was
great.
Both
actors
were
great.
The
one
scene
which
you
mentioned
at
the
table
with
what
was.
Is
Ned
Bed
Beatty.
No
relation
to
Warren.
He.
That
was
great.
It's.
It's
the
complete
opposite
of
Escape
from
Alcatraz.
You
have
a.
A
true
story
that
you
have
ace
the
story,
start
to
finish.
It
was
a
very
enjoyable
watch.
I
had
watched
it
once
a
long
time
ago,
and
I
watched
it
recently.
You
know,
what
was
pretty
interesting
is,
is
the
start
of
the
movie,
like,
nobody
talks
for
like
10
minutes.
The
whole.
In
processing.
And
Clint
Eastwood
doesn't
speak
till
13
minutes
into
the
movie.
It
was.
It
was
cool
the
way
they
did
that.
And
I
don't.
This
is
what
I
say
about
Patent
is
I
don't
know
about
the
historical
accuracy.
And
in
this
movie,
you
know,
you're
banking
it
off
three
guys
that
we
don't
even
know
if
they're
alive.
We
don't
know
if
they
made
it
off.
So
all
these
side
things
that
are
happening,
they
made
it
up.
Yeah.
You
know.
No,
they
did
not,
because
no
one's
really
ever
really
escaped
from
it.
Like,
there's
been
rumors,
but
I
think
those.
Those
guys
probably
got.
Well,
they
definitely
escaped
the
building,
you
know,
but
did
they
survive
the
water?
I
think.
I
think
the
final
record,
according
to
Alcatraz,
is
that
they.
They
all
drowned.
But
they
did
find.
Yeah,
because
they
were
sharp.
Yeah.
But.
But
they've.
I
guess
the
Coast
Guard
did
find
like,
one,
you
know,
heavily
decomposed
body
in
prison
garb.
That
they
couldn't
identify,
but
that
was
it.
Yeah,
I
will
say,
Tony,
that
you're
saying
like
for
network,
that
it
didn't
foreshadow,
but
it
really
kind
of
did
because
news
networks
were
not
about
sensationalizing
and
like
making
you
be
like
on
the
edge
of
a
seat
type.
Like
it
was
like
soap
operas,
you
know,
new.
Like
the
news
was.
This
is
what
happened
today.
Crow
Kite
and
Merle.
That's
it.
I
got
it.
I
think
what
network
did
was
made.
Like
how.
Even,
like,
even
like
local
news.
Like,
local
news
still
has
that.
Like,
hey,
we.
We.
Credit
card
scams
and
like,
we.
We're
the
ones
who
got
them
out
of
it
and
all
this.
And
they
make
it
like
so
sensationalized.
And
I
mean,
that's
why
reality
TV
sells.
Like,
it's
this
drama
that
like,
people
just
eat
up
for
some
reason.
And
I
don't
get
it.
I
mean,
I'm.
I'm
a
person
that
just
wants
to
know
what
the.
Is
going
on.
I
don't
care
what
happens.
Like,
I
mean,
that's
why
it's
like,
you
know,
you're
like
American
Idol.
Like,
and
we'll
come
back
to
see
if
this
person
can
actually
sing.
Like,
just
sing.
Like,
if
this
person's
a
good
singer,
it's
a
good
singer.
Like,
I
don't
need
like
the
drama
and
who
the
to
vote
for
it.
Like,
and
I
think
that's
what
network
did.
Like,
network
kind
of
showed
that,
yeah,
this
might
be
kind
of
where
this
shit's
gonna
go.
And
then
it
really
did.
No,
and
it's
way
worse.
It's
way
worse
than
what
network.
That's
what
I
say.
The,
the
dignified
loss
lead
of
news
that
where
it
was
okay,
that
they
didn't
make
some
money,
that
went
to
the
wayside,
like
even
in
the
90s.
Like
with
like
Walter
Jacobson
from
like,
like
the
Chicago.
I
want
to
say
he
was
like
Channel
5
news
or
whatever,
you
know,
or
Lester
Holt
was
on
Channel
5
news.
Like,
those
were
guys
that
like,
when
they
said
the
news,
like,
they
just
gave
you
the
news.
Like
Barbara
Walters,
like,
you
know,
back
before
60
minute,
like,
they
gave
you
the
news.
Like
Tom
Brokaw.
Like,
he
would
come
on
and
be
like
this
just
in
that,
you
know,
O.J.
simpson
isn't
a
slow
white
van.
Like,
because
it
was
legit
a
slow
white
Bronco.
Like,
he
was
there,
he
was
talking
about
it.
It
wasn't.
Maybe
it
was
a
Bronco.
But
I
think
that
all
started
there
was
the,
the
gradual
change.
But
then
with
the
24
hour
news
networks,
from
CNN
to
Fox
and
beyond.
That's
where
it
really.
Yeah,
because.
Yeah,
because
CNN
was
gonna
fall
apart,
and
then
they
were
like,
hey,
I
bet
if
we
start
making
this
a
little
nuts.
And
then,
like,
Rupert
Murdoch,
like,
to
be
fair,
the
only
reason
that
that
man
still
has
money
is
because
five
yellow
people
that
were
drawn
on
a
cartoon.
Because.
Because
Simpsons
saved
their
ass
multiple
times.
Because
they
would
have
never
gotten
Madden.
They
would
have
never
gotten
the
football.
They
would
have
never
gotten
anything.
There
was
nothing
on
that
show
when
we
were
kids,
Steve.
There
was
nothing
on
Fox
besides
the
Simpsons,
Married
With
Children
and
Cops.
That
was
it.
And
Living
Color,
man.
And
Living
Color
was
awesome.
Yes.
But
think
about
it,
though.
Like.
And
honestly,
the
Simpsons
made
that
joke,
like,
several
times.
And
granted,
they're
full
on
past
their
prime,
but
they're
like,
it
wouldn't
be
the
first
time
we
saved
your
ass.
And
they
did.
They.
They
kept
that
network
afloat.
I
did
not
pay
attention
to
the
news
until
the
early
20s.
My
early
20s.
And
I'm
just.
I'm
being
honest
here.
It
was
September
11,
100,
because
they.
Well,
we
had
to.
I
was
in
the
service,
and
we
had
to
mobilize,
and
we
were
doing
things.
And
in
our
QRG
rooms,
there
was
a
tv.
It
was
always
on
the
news.
And
whether
it
was
CNN
or
Fox
or
whatever,
it
was
always,
you
know,
terror
in
the
skies,
you
know.
Yep.
Fire
on
the
skyline.
I
mean,
just
the.
The
intros.
And
that's
when
I.
That's
when
my
young
brains.
It
clicked
with
me.
It's
like,
oh,
that's
what
they're.
That's
what
they're
doing.
Shocking
on.
I
think
that
you're
now
entirely
hitting
on
my
point,
but
you're
not
wrong.
As
you
know,
I
agree
with
you
that
news
networks
have
definitely
made
it
more
entertainment,
as
in
news,
But
I
was
speaking
specifically
on
the
content
from
this
movie.
If
a
guy
goes
on
the
network
and
says
he's
gonna
kill
himself
next
Tuesday,
he's
not
going
back
on
the
air.
It's
not
going
back
on
the
air.
That's
what
I
meant
by
it
was.
A
drama
back
on
the
air.
Yeah.
They
would
be
like,
maybe
we
shouldn't
let
him
buy
sharp
knives.
Like,
I
mean,
and
they
even
have
moments
where,
hey,
like,
they're
all
in
a
room.
The
network
wants
you
to
go
on
again.
Like,
and
the
guy's
like,
wait,
what?
Seriously?
Me?
The
guy
that
just,
you
know,
went
on
a
tirade
saying
10
times
in
a
minute,
you
know,
and
the.
The.
The
vultures
with
the
network.
The
Faye
Dunaway
is
like,
yeah,
well,
have
you
seen
the
numbers?
They're
up.
So
they're
bringing
in.
What
was
it?
A
psychic
fortune
teller.
Yeah.
You
know,
even
in
the
90s,
who.
They
had
the.
The
African
lady
on
the.
Ms.
Cleo.
Yeah,
on
the.
But
that
was
at
midnight.
That
was
midnight
to
3:00am
you
know,
you
didn't
get
that
at
prime
time.
Ms.
Clear.
There's
a.
There's
a
documentary
about
her
too,
actually.
I
don't
doubt
it.
Overall,
it
was
very
prophetic
in.
In
several
of
the
things
that
got
right.
And
all
of
them
in
a
bad
way,
in
my
opinion,
because
it.
Because
it
is
a
satire.
It's
a
satire
in
a
dark
comedy
of.
Of
that
nature
about
that
entire
environment
and
then
with
a
tragic
ending.
So
it
was.
It
was.
It
was
not
what
I
expect.
That's.
That's
really.
It
was
just
a
nice
surprise
for
me.
I
was
just
expecting
some
old
fuddy
duddy
thing.
I
do
think
it
could
have
been
a
lot
shorter
and
cut
out
a
lot
of
the.
Like
the
communism
side
stories.
That
was
kind
of
the
daddy
issues.
Yes,
probably
the
daddy
issues.
Yeah.
I
mean,
he's.
I
mean,
he's
not
older
than
her.
He
is
30,
40
years
older
than
her.
It's
very
weird,
but
I
would
say
that
the
communism
thing
is
like
the
sign
of
the
times
type
thing.
Like
60s
and
70s
movies,
like
Red
Scare
type.
Like,
I
think
they
just
probably
always
add
that
to
me.
They
just
devoted
too
much
time
to
showing
us,
hey,
we're
gonna
go
to
the
communists
compound
and
sign
contracts
with
them
and
talk
about.
But,
you
know,
talk
about
the
log
lines
stuff.
It's
like
that's.
It's.
It
was.
That
was
like
a
good
five
to
10
minutes
that
could
have
been
spent
elsewhere
or.
Cut.
Yeah.
It
gave
them
a
means
to
the.
End,
at
the
very
end
would
ever
really
happen.
Red
Dawn.
You
think
they
would
have
got
that
close
to
the
airspace
and.
And
like
only
the
Wolverines
can
stop
them.
Bunch
of
high
school
kids
with
the
shotgun.
Get
out
of
here.
There's
no
stopping
Patrick
swayze
in
the
80s.
I
like
to
think
that
they
did
escape
Alcatraz
and
then
Fred
Ward
relocated
to
perfection
and
fought
Tremors.
I
like
that
theory.
You
know
what?
Tony
alone,
that
made
me
just
switch
my
vote.
Escape
from
Alcatraz
is.
It's
a
very
complete
movie,
a
great
script.
I
can't
remember
who
made
that
movie,
but
it's.
It's
not
so.
That's
right.
But
it's.
Yeah,
it's
a
excellent
movie.
You
know,
they
walk
you
through
the
entire
thing.
I
did
read
that
they
had
a
Hell
of
a
time
filming
it
because
tourists
were
all
over
the
place
at.
While
there,
they
had
to
film
a
lot
of
scenes
at
night
on
the
inside,
so
the
tourists
weren't
there.
But
during
the
day,
like,
the.
The
yard
scenes
and
stuff
with,
you
know,
all
the.
All
the
black
inmates
and
the
bleachers,
and
Clint
Eastwood
has
to
go
up
and
talk
to
him
and
stuff.
They
had
to.
Actually.
Clint
Eastwood
would
promise
the
tourists.
If
you
are
just
quiet
for
while
we
film
these
scenes,
I
will
come
and
answer
your
questions
and
sign
autographs.
Just
be
quiet.
Was
that
close
to,
though,
when
the
time
when
the
Native
Americans
went
on
to
Alcatraz
and,
like,
it
was
pretty
close.
It
was
after
that,
wasn't
it?
And
because
that
was
in
the
60s.
Yeah,
I
was.
I
couldn't
remember
it
was
the
60s
or
70s.
They
had
to
cover
up
the
graffiti
where
it
says,
like,
this
is
Indian
country
and
stuff,
and
this
is
that
graffiti.
That
graffiti
is
still
there.
Yes.
And
they.
It's
a
historical
moment
that
they
won't.
Wouldn't
let
them
paint
over
it
or
anything.
So
all
that.
All
that
graffiti
is
there.
And
during
filming,
they
had
to,
like,
camouflage
it
in
special
ways
so
that
when
they
were
done
filming,
they
could
remove
it.
And
the
graffiti
is
still
there?
Well,
yeah,
because.
To
make
it
more
like
a
correct
period
piece,
like,
it's
not
on
there,
but,
like,
because
Marissa
and
I
were
in
Oakland
to
go
see
Pearl
Jam,
and
we
went
and
did
the
tour
around
Alcatraz,
and,
like,
it
was
there,
and
she
was
just
like,
what
the
hell
does
that
mean?
I
go.
And
then
I'm
like,
well,
strap
in,
because
I'm
about
to.
You
know,
like,
it
is
fun
to,
like,
sometimes
to,
like,
be
with
somebody
who
doesn't
know
like,
a
lot
about
history.
Like,
we
went
to
the
World
War
II
Museum
in
New
Orleans,
and
her
and
her
sister
were
like,
this
all
happened.
I
go,
where
the
were
you
guys
at
in
your
history
class?
It's
like,
did
you
miss
everything?
Like,
what
just
happened?
I
was
like,
I'm
on
the
edge
of
my
seat
the
whole
time.
I'm
listening
to
my
grandfather
tell
stories,
and
it's
like,
you
two
are
like,
wait
a
second.
They
bombed
Pearl
Harbor.
What
just
happened
here?
I'm
joking.
That
did
not
happen.
I'm
obviously
joking.
Yeah,
it
was
the
Germans
that
bombed
Pearl
Harbor.
Remember?
Yeah.
Over.
Did
you
say
over
anything
else?
We
want
to
talk
about
these
two
movies.
Well,
let's
call
a
vote
here.
All
right.
Who's.
Who's
voting
on
this
one?
That's.
It's
Bud.
Bud
leads
us
off
network
or
I'll
escape
from
Alcatraz.
Network
sounds
very
appealing
based
off
of
your
description.
However,
it
would
be
kind
of
dumb
of
me
to
vote
that
way
on
a
movie
I've
never
even
seen.
So
I'm
gonna
go
with
Alcatraz.
Tony,
this
is
very
close.
I'm
gonna.
I'm
gonna
vote
us
escape
from
Alcatraz.
Mike,
I
think
we're
getting
an
11.
I'm
gonna
go
with
Alcatraz.
Oh.
My
vote
would
have
been
network
as
you
guys
probably.
I
talked
myself
into
network.
Damn.
I
tried.
It
was
compelling.
I
think
Alcatraz
is
such.
Just
like
a.
It's
such
an
interesting.
I
think
prison
escape
movies
are
just
so
interesting,
though,
to
me.
Like,
that's,
like,
how
I
feel
about
the.
Oh,
yeah.
It's
like
almost
a
reversed
heist
kind
of
thing.
Yeah.
Yeah,
you're
right.
Yeah,
exactly.
And
you're
kind
of
like.
Well,
I
kind
of
like
heist
movies
type
thing.
I
mean,
it's
not
as
good
as
smoking
a
bandit,
but
that's
a
whole
other
thing.
Well,
the
network,
you
know,
kind
of.
And
similar
to
one.
Another
one.
We'll
talk
in
a
couple
minutes
here.
But
the.
It
was
just
such
a
surprise
to
me.
I.
I
did
not
expect
that
from
that
movie.
I
mean,
it
is
one
of
the
top
movies,
you
know,
but
it's.
I
really
enjoyed
the
experience.
I
watched
it
today.
I
just
was
left
unfulfilled,
and
I.
I
thought
that
they.
It
was
too
long,
and
they.
They
didn't
stick
it.
No,
that's.
You
know,
and
when
you're
going
up
against
a
movie
that
I
think
is.
Is.
Is
very
well,
point
A
to
point
B,
everything
in
the
middle
is
almost
perfect,
in
my
opinion.
You
know,
that's
why
I.
It's
a
tough
matchup
for
network.
I
have
nothing
against
it.
It's
just
the
movie
for
me
will
be
Escape.
Well,
speaking
of
tough
matchups,
next
up,
we
have
number
three,
cabaret
versus
number
14,
Disney's
Robin
Hood.
Where
are
your
troubles
now?
Forgotten.
I
told
you
so.
We
have
no
troubles
here.
Here,
life
is
beautiful.
Besides,
you
broke
your
mother's
mirror.
Mommy,
I've
got
a
dirty
thumb.
This
might
be
the
easiest
vote
ever
for
me.
Yep.
It's
not
even
a
question.
I
don't
even
have
to.
I
didn't.
You
know
what,
Steve?
I
did
not
watch
Cabaret
because
I
didn't
have
to.
I
will
say
you're
missing
out.
All
right.
I
mean,
Tony,
you
can
lead
off
this
conversation,
but,
I
mean,
a
thousand
times,
I.
I'll.
I
will
defend
Cabaret
when
it's
my
turn.
Man,
coming
off
of
the
two
movies
we
just
talked
about,
which
both
were
very
enjoyable,
I.
I've
never
cared
less
about
characters
in
a
movie
than
I
have
about
Cabaret.
It
was
an
awful
movie.
See,
Steve,
I
told
you
I
need
to
watch
it.
I
knew
I
didn't
have
to.
I
mean,
I
let
totally
watch
them.
And
then
tell
them
good
couple
songs
there.
I
just
found
myself
the
entire
movie
saying,
what
does
it
all
mean,
Basil?
Every
time
I
saw.
That's
all
I
kept
saying.
Twins.
Twins.
It
is
hard
to
watch.
Yes,
it
is
hard
to
see
him
not
in
Austin
Powers.
I
agree.
The
cheeks.
I
think
it's
the
cheeks.
He's
got
these
big
cheeks.
Oh,
Cabaret.
Having
known,
you
know,
I
was
musical
theater
background,
you
know,
I've
known
these
numbers.
The
movie,
I
again,
I
just
didn't
care
about
them
at
all.
I
was
really
just
waiting
for
the
Nazis
to
come
in
and
round
them
up
and,
you
know,
do
what
they
do.
Robin
Hood.
That.
That
is
the
goat
of
anime
animation.
That
is
a
great
ledger
clarified.
A
great
fucking
movie.
And
then
I
grew
up,
you
know,
I
had
this
movie
on
vhs.
You
know,
I
know
all
the
songs,
I
know
all
the
words.
I
love
that
movie.
To
give
it.
I'll
just
give
it
away.
It's
not
even
close.
It's
Robin
Hood
all
the
way
on.
On
Robin
Hood.
It
was
one
of
the
greatest
Disney
movies
ever
made.
They
just,
they
hit
it
out
of
the
park
with
the
casting.
You
know,
you
got
Roger
Miller
as
Alan,
Adele
and
Phil
Harris
is
Little
John.
They're
just
so
damn
lovable.
Every
single
one
of
those
characters.
The
music
is
phenomenal.
I
had
it
on
today.
And
at
many
points,
all
of
a
sudden
you
look
around
and
my
entire
family's
sitting
on
the
couch
watching
this
movie
from
the
70s.
And
that
wasn't
my
intent.
It
was
just.
That's
how
damn
good
this
is.
My
entire
family
just
somehow
gravitated
to
it
on
a
random
Saturday.
I
love
the
archery
contest.
It's.
It's
great.
I've
never
understood
the
scoring
of
the
archery
contest
though.
I
don't
care.
But
it
goes.
I,
I
love,
love
the
scene
with
the
phony
king
of
England.
That's
wonderful.
Written
by
Johnny
Mercer,
by
the
way.
That
song,
very
cool.
The
song
Love
is
like
the
low
point
for
me.
That's.
That's
a.
You
know,
kind
of
doze
off
during
that
song,
but
just
so
many
one
liners.
Prince
John,
fantastic.
You
know,
it's.
It's
just
so
quotable
and
yeah,
like
you
said,
it's
the.
One
of
the
greatest
movies.
The
sheriff
is
Good.
He's
playing
the,
the
blind
dude
and
he
goes
in
the
classroom.
Oh,
the,
the
hen
dude.
She
like
pile
drives
the
rhinos.
Yes.
Oh,
yeah.
Then
they
cut
into
like
football
music
as
she
takes
them
all
out.
Yeah.
To
put
my
defense
of
Cabaret
up
though,
so
this
is
a
fascinating
movie.
It's
very
weird
that
it's
going
up
against
Disney's
Robin
Hood.
I
mean,
this
is
probably
the
most
far
parallel
movies
we've
had
yet.
So
in
my
defense
of
Cabaret,
defending
the,
the.
The
already
loser.
It's
a
fascinating
movie
that
everyone
should
at
least
give
a
chance
to
because
it,
it
handles
so
many
different
things
in
a
weird
nature
regarding
1930s
Germany
and
the
subculture
behind
what's
happening,
you
know,
with
the,
the
dramatic
irony
in
that
the,
the
viewer
knows
the
Nazis
are
rising
and
everything
that's
happening.
And
in
this
club,
the
KitKat
Club,
you've
got
debauchery,
you've
got
craziness,
and,
you
know,
things
that
we
know
are
not
going
to
be
tolerated
in
the
1930s
Germany,
you
know,
government,
I'll
say,
trying
to
use
all
the
buzzwords
that,
you
know,
might,
you
know,
get
this
thing
suppressed,
but
we
know
what's
happening
and
it's
fascinating
to
see
these,
these
things,
you
know,
eventually
it's
a
train
wreck
waiting
to
happen.
That,
that
alone
is
fascinating
because
they.
Because
there's
a
lot
of
denial.
Oh,
it'll
be
fine.
Oh,
it'll
be
fine.
It's
not
going
to
be
fine.
We
know
it's
not.
The
viewer
knows
it's
not
going
to
be
fine.
The
lead
girl,
Liza
Minnelli's
Sally
Bowles,
is
bad
decision
after
bad
decision
after
bad
decision.
And
you
just,
you
know
where
this
woman's
trajectory
is
headed.
And
then
you've
got
also
on
the
side
where
the
musical
stuff
happens,
which
is
the
club,
the
mc,
Joel
Gray,
who
got
an
Oscar
and
a
Tony
for
this.
He
is
fantastic.
That
is
just,
you
know,
of.
In
a
performance
for
the
ages.
And
I've
been
a
fan
of
Joel
Gray
for
a
long
time,
whether
it's,
you
know,
Wicked
or
Cabaret
or
other
things.
And
he
is
just
an
immensely
talented
man
and
he
does
a
great
job.
It's
a
really
fascinating
movie.
Yeah,
but
it's
not
the
best
Robin
Hood
movie
out
of
all
the
Robin
Hood
movies.
Amen.
Like,
this
is
better
than
really
any
of
them.
Like
it.
I
mean,
you
could
say
Robin
Hood.
Ben
Tight's
funny.
Whatever.
You
could
say
Kevin
Castro's
movie.
You
have
to
hear
that
dumb
Brian
Adams
song.
Like,
this
is
the
best
Robin
Hood
movie.
And
it's
one
of
the
best
Disney
movies
of
all
time.
And,
and
I'm
not
defending
it
because
my
brother
watched
it
on
vhs.
I
want
to
say,
like,
three
or
four
times
a
day
when
he
was
a
kid.
Like,
my
mother,
my
mother
was
on
this
show.
She
would
probably
vote
for
Cabaret
because
she
could
not
watch
Robin
Hood
one
more
time.
But
my
brother
and
I
talked
about
this
today
and
he.
And
it
was
probably
the
nicest
thing
I've
ever
done
because
I'm
really
not
like,
super,
I'm
not
the
nicest
guy.
Well,
I'll
be
honest
with
you.
And
I'm
not,
like,
super
sentimental
when
it
comes
to,
like,
stuff.
But,
like,
I
bought
him
the
DVD
of
Robin
Hood,
like,
for
Christmas
one
year,
and
I
almost
got
him
to
cry.
It
was
so
close.
I
feel
like
he
was
close.
My
mom
cried
like
a,
like,
you
know,
she's
like,
oh,
my
God,
I
can't
remember
that
movie.
But
there's
so
many
funny
things.
And
yes,
the
archery,
the,
that
event
when
he
splits
the
other
arrow
to
do
it.
And
you're
like,
well,
I
guess
if
you
split
the
arrow,
you
win.
Yeah,
yeah.
What
is
the
actual
scoring
of
this?
I
just
would,
I'd
like
to
know
that
they
don't,
they
need
to
lay
out
the
rules.
It's
the
bullseye
of
the
bullseye,
you
know?
And
when
I
saw
it
in
this
list,
I
could
not
believe
it
was
from
the
70s,
like,
because
it
was
just
like
my
entire
life
I
thought
for
sure
it
was
like
an
80s
movie,
you
know,
like,
it
just.
And
because
animation
for
Disney
was,
like,
dead
in
the
70s.
Yeah.
You
know,
like,
and
it
really
was
dead
in
the
80s
too.
Like,
I
mean,
it
took
like,
Little
Mermaid
to
kick
Disney's
animation
back.
Was
that
89?
And
then
it
took
like,
Pixar
to,
like,
buy
Pixar
to
do
what
they
do
now.
It's,
it's
crazy
that
now
that,
like,
Disney
owns
Marvel
and
Star
wars
and
like,
all
this,
because
when
you're
a
kid,
it
was
like
Disney
Channel
was
something
you
got
for
free
like,
once
a
year
on,
like,
that
one
weekend.
Yeah.
And,
yeah,
the
weekend
preview.
The
weekend
preview.
And
I
think
that's
where
my
dad
recorded
this,
that
and
the
Sword
in
the
Stone
was,
I
think,
another
Disney
movie
from
the
70s,
a
cartoon.
And
that
one,
I
just
remember
it
because
it
was
back
to
back
on
the
VHS
tape,
my
brother,
so.
And
I
know
life
is
a
cabaret,
but
it's
not
Robin
Hood.
That's
all
I
can
say.
I,
I,
I,
I,
I
just
gotta
say
more.
I
Liza
Minela's
Character
is
so
just
an
awful
person.
I.
She's
admittingly
saying
how
bad
she
is,
and
then
you
get
this
guy
who's
like,
you
know
what?
I
think
I
like
men.
Wait,
no.
I
like
women.
So
he
likes
women,
and
he
wants
to
treat
you.
You
then
cheat
on
him
and
then
say,
I
don't
know
who's.
Who's
the
father?
And
then
what
happens
is
she
aborts
it.
I.
She's
just
an
awful
person.
Her
mother
was
Dorothy
Gale.
If
she
was
alive
today,
she'd
just
be
living
on
Onlyfans.
I.
It
is
the
most
unlikable
person
I've
ever
seen
in
the
movie.
So
you're
saying
you
didn't
like
her?
Apparently,
she's
Judy
Garland's
daughter.
Oh,
yeah.
Eliza
Minelli.
Yeah.
Didn't
know
that.
But
any.
Any
thoughts
on
these
two
movies?
I'm
gonna
keep
it
simple.
Robin
Hood
for
life.
Yo,
let's
go.
All
right,
so
who's.
Who's
leading
off
the
voting
on
this
one?
Who
was
that?
Tony.
Tony
is.
Go
for
it,
Tony.
Me?
Oh,
well,
it's
Robin.
All
right,
Mike.
Yeah,
the
Hood.
Are
we
gonna
get
a
5014
over
three?
That's
pretty
good.
We
are.
We
are.
Yeah.
Yeah.
Steve,
I
defended
Cab.
I
defended
Cabaret.
But,
I
mean,
Robin
Hood
is
just
great.
This
is
sweet
16
team.
I'm
telling
you.
I'm
seeing
it,
I'm
feeling
it.
It
might
even
be
Elite
eight,
like,
with
Close
Encounters
sitting
there.
I
know
Chinatown
and
mighty
Pythons
there,
but.
Well,
speaking
of,
next
up,
we
have
number
seven,
Chinatown
versus
number
ten,
Monty
Pythons.
The
Life
of
Brian.
Politicians,
ugly
buildings
and
all
get
respectable.
If
they
last
long
enough.
You
turn
off.
Baby,
please
don't
you
oppress
me.
I'm
not
oppressing
you,
Stan.
You
I'm
gonna
wound.
So
this
one
stuff,
because
this
is
actually
the
mighty
Python
movie
that
I
prefer
is
Life
of
Brian.
I
know
it's
like
the.
You
know,
it's.
It
is
the
opposite
for
most
people.
Like,
it.
It's
kind
of
saying
that,
like,
you,
like.
You
like
Black
Sheep
better
than,
like,
Tommy
Boy,
right?
You
know,
like,
you
know,
it's.
They're
both
decent
movies,
but
everybody
knows
Time
Boy
and
Chinatown
is
just
a
classic
classic
movie.
And
honestly,
even
before,
like,
I
saw
this,
I
was
like,
I
know
exactly
how
I'm
gonna
vote
this.
So
it's.
I
don't
know
if
I'm
the
best
person
to
even,
like,
start
this
out
because,
like,
I
know
that
Chinatown
is,
like,
the
one
that
I
would
vote,
and
I'm
giving
my
vote
away
early,
even
Though
I
love
Life
of
Brian
and
it's
fucking
classic
Monty
Python.
But
by
the
way,
I
think
I
got
both
Monty
Pythons
as
the
intro.
I
don't
know
how
that
worked
out,
but
I
got
both
of
them,
I
think.
And.
But
yeah,
Chinatown
is.
It's
a
good
movie.
And
I
don't
know.
I
can't
do
more
about
that.
I
can't
just
say
more
because
I'm
for
some
reason
having
my
brain
being
broke
from
green
beer
yesterday.
Sometimes
words
don't
do
well
for
me.
But,
like,
that
is.
That.
That
is
definitely,
you
know,
top.
You
know,
it's.
It's
Chinatown,
baby.
I
caught
Chinatown
for
the
first
time
while
on
the
Peter
Pan
tour
in.
On
an
Airplane.
Interesting.
Like
you
picked
it
out
or
it
was
there?
Well,
I
just
ran
out
of
things
to
watch.
It
was
one
of
the
options
on
the
Delta
flight.
And
so
tiny
little
screen
in
front
of
me
and
just
watch
Chandel.
It's
interesting
that
that
would
be
on,
like,
compared
to,
like,
usually
it's
newer
movies.
It's
also
weird
whenever
you
pick
a
random
movie
on
an
airplane
and
there's,
you
know,
some
boobs
in
there.
It's
like,
why
had
that
happen
with
the
Mule?
I
watched
the
Clint
Eastwood
movie
the
Mule,
and
I
was
like,
oh,
it's
Clint
Eastwood.
He's
old.
I'm
like,
there
can't.
There
can't
be
anything
around.
Then
all
of
a
sudden
there's
like,
boobs
in
the
screen.
I'm
like,
trying
to
hide.
I
think
it's
interesting
you
haven't
watched
Chinatown
until
now.
I
just
never
got
around
to
it.
It's
one
of
those
classics
that
never
presented
itself
to
me.
And
so
I
was
there.
I
had
several
hours
to
kill
and
love
a
good
Jack
Nicholas,
blah,
blah,
blah,
Jack
Nicholson
flick.
And
I
threw
it
on
there
and
loved
it.
It
was
great.
You
know,
I
like
a
good
mystery
and
obviously
I
see
the
inspiration
for
who
Framed
Roger
Rabbit
Number
One.
I
could
see
that
from
the
very
beginning.
But
the.
I
was
trying
to
figure
out
what
the
hell's
going
on,
who
did
it,
who's
how,
what's
connected
to
who,
you
know,
the
dots
were
trying
to
connect
in
my
brain.
I
did
not
expect
the
incest
storyline
kind
of
came
out
of
nowhere
for
me,
but
it,
you
know,
it
works.
But
I
liked
the
whole
water
LA
thing.
A
little
too
on
the
nose
here
of
recent
events
regarding,
you
know,
wildfires
and
stuff.
But
it
was
really
a
great
mystery
in
the
background.
And
I
love
a
good
film
noir
as
well.
Like
when
we
get
to
the
90s,
LA
Confidential
is
one
of
my
favorite
movies.
It's
a
good
book,
too.
It
was
in
that
vein,
and
I
just.
I
really
enjoyed
it.
Life
of
Brian,
also
one
of
my
favorite
favorite
comedies
out
there.
I.
I
can't.
Couldn't
tell
you
which
one
I
like
better.
Life
of
Brian
or
Holy
Grail.
It's
just
too
hard
to
pick
one
or
the
other.
If
I.
If
you,
you
know,
force
me
to.
Life
of
Brian
has
more
of
a
story,
more
of
a
linear
story
to
it
and
several
vignettes
over
the
years
of
Brian,
whether
he's,
you
know,
and.
And
it's
always
the
current.
The
running
joke
of
being
mis.
Misinterpreted
as
Jesus.
It's.
It's
great,
you
know,
and,
you
know.
He
was
that
one
first.
Steve.
I'm
not
sure.
Oh,
no,
it
was
second.
It
was
79.
And
Holy
Grail
was
75.
75.
I
almost
feel
like
Life
of
Brian's
like
a.
It's
like
more
of
like
what
they
wanted
to
do
type
of
like,
you
know,
like
they
got
some
clout
by
doing
the
first
movie
and,
like,
all
the
show.
And
then
they
did
Life
of
Brian
was
like,
this
is
kind
of
what
we
really
want.
Well,
I
think
George
Harrison
actually
helped
finance
Life
of
Brad.
Brian,
too.
George.
George
Harrison's
a
beetle.
I
mean,
Life
Brian
is
one
of
my
favorite
Mon
movies.
So
I
mean,
the.
The
whole,
you
know,
people's
front
of
Judea,
the
Judean
people's
front.
And
then
obviously,
like,
the
Brian
stuff,
like,
I'm
not
the
Messiah.
Well,
the
true
Messiah
wouldn't
admit
he's
the
Messiah.
Okay,
then
I'm.
Then
I
am
the
Messiah.
He's
the
Messiah.
That
stuff
is.
That
stuff's
fantastic.
And
the
stoning
scene.
I
love
the
stoning
scene.
Yes.
So
I
am
completely
on
the
fence
on
this
one
and
hope
that
I'm
not
a
tiebreaker.
Chinatown.
It's
cool.
Chinatown's
cool.
Don't
mind
it.
I
don't
know.
I.
I
liked
it,
but
at
the
same
time,
like,
the
only
time
I
ever
think
about
it
is
if
I
ever
see
it,
like,
on
the
COVID
of
a.
Of
a.
For,
you
know,
the
movie
cover
or
something
like
that.
I
mean,
it
rarely
does
it
ever
come
up
in
conversation
anymore.
So
it's
just
like.
It
just
hasn't
really
aged
well
in
the
grand
scheme
of
things.
Great
flick.
But,
like,
how
often
do
we
really
think
about
it?
And
then
we
look
at
Mon's
movies,
obviously,
and
they're.
They.
They've
aged
incredibly
well.
So
I
think
now
more
than
ever.
It's
a
good
point.
So,
yeah,
I
Mean,
that's.
At
the
end
of
the
day,
you
know,
I.
I
think
money's
the
overall
pick
for
me,
so.
Well,
I
was
gonna
keep
it
brief,
but
it
sounds
like
I
need
to
make
a
pitch
here.
I
didn't
watch
Life
of
Brian
because
I
don't
need
to
watch
any
more
of
Monty
Python,
that's
for
sure.
Chinatown
is
great
in
all
aspects.
Acting,
writing,
the
scores,
cinematography,
they're
the
use
of
props.
You
pick
up
things
that
you
don't
really
realizing.
The
glasses,
the
ring.
He's
always
got
a
camera.
I
mean,
the
whole
time
they're
doing
pov,
you
know,
Jack
is
walking
in
front
of
the
camera
and
you're
seeing
it
from
his.
You
know,
you're.
You're.
You're
trying
to,
you
know,
solve
this
mystery
from
his
perspective.
A
negative
would
be.
I
would
have
taken
the
thing,
the
bandage
off
his
nose
a
couple
scenes
earlier.
It's
on
there
a
little
too
much.
And
then
you
realize,
oh,
he
didn't
even
need
it
at
all.
I
don't
know
if
that
was
for
dramatic
effect
or
not,
but
it's
very
interesting.
You
know,
this.
The.
The
story
with
the
water.
I
still
do
not
understand
the
title.
What
the
hell
happens
in
Chinatown?
I
don't
know.
Some.
Some.
Something
happens
in
Chinatown,
apparently.
So
I
had
to
look
that
up
and.
And
I
can
give
you
an
answer
there.
And
it's
a
reference
to
Hollywood
in
general
in
that
Dirty
Happens.
There's
nothing
you
can
do
about
it.
Let
it
go
and
move
on.
That's
why
I
say
forget
it,
Jake.
It's
Chinatown.
That
just
means
forget
it.
It's
just
the
dirty.
Nothing
you
can
do
about
it.
That.
That's
what
it
means.
That's.
That's
the
slang.
Maybe.
Maybe
it
would
have
made
sense
in
the
night
in
the
70s.
I
just
changed
the
name
in
the
movie.
But
as
far
as
the
actual
movie,
it's
well
done.
Jack
Nicholson
is.
Is.
Is
carrying
the
movie.
The
incest
was
a
little
strange,
but
it
was,
I
would
say
it's,
you
know,
a
shocker
in
the
70s.
Like,
oh,
wow,
right?
It
set
up
a
good
motive,
and
it
was
the
motive,
missing
motive
that
you.
You
didn't
catch
unless,
you
know,
you
on
that
till
that
second
watch.
And
it.
And
it
makes
the
final
scene
heavy
because
you're
looking
in
Faye
Dunaway's
eyes.
She's
saying,
if
he
gets
a
hold
of
her,
he's
gonna
do
the
same
thing
that
he
did
to
me.
I
thought
it
was
a
pretty
damn
good
ending.
I
guess
they
ended
it
in
Chinatown
to
make
Chinatown
make
sense,
but
it's
not
even
close.
It's
Chinatown
all
the
way.
Okay,
let's
call
a
vote
on
this
one.
Let's
move.
Move
it
along
here.
And
who
was
that?
That
was
Mike.
Mike
Evo.
First
for
Chinatown.
I
think
I
kind
of
gave
it
away
earlier.
I
mean,
I
do
like
the
Life
of
Brian.
Like
I
said,
it's
my
favorite
Monty
Python,
but
that's
the
one
I'm
going
with.
I
am
voting
Chinatown
as
well,
bud.
Really?
Okay,
Life
of
Brian,
obviously.
Come
on,
come
on.
I
know
I'm
gonna
lose
here,
but.
Come
on,
Tony,
what's
the
score?
So
you're
saying
there's
a
chance.
China
down.
Chinatown
wins
3
to
1.
I
was
prepared
to
lose
there.
I.
I
didn't
know
which
way
Mike
was
leaning.
Honestly,
expecting
an
AI
Jamal
to
go
Life
of
Brian
over
me
and
Tony's
Chinatown.
I
was
prepared
for
it.
All
right,
so
our
final
movie
matchup
of
this
particular
episode
is
going
to
be
the
one
I've
actually
been
waiting
to
talk
about.
So
number
two,
Close
Encounters
of
the
Third
Kind
versus
number
15,
the
Wicker
Man.
Do
sit
down,
Sergeant.
Sharks
are
so
much
better
absorbed
with
the
knees
bent.
And
I'm
gonna
leave
this
one
off.
Oh,
I
wish
it
was
me.
I
have
watched
both
of
these
movies
recently,
and
all
I
gotta
say
is,
wow.
And
not
necessarily
for,
you
know,
you
know,
fantastic
cinematic
reasons
to
start
off
with
Close
Encounters.
I
have
reaffirmed
my
original
assumption
about
this
movie
of
why
I
never
got
through
it.
There's
a
lot
of
boring
in
there.
I
get
what
it
was
trying
to
do.
I
really,
really
appreciate
and
enjoy
the
cinematography
of
it.
The
shots
are
gorgeous.
The
sound
is
gorgeous.
Richard
Dreyfus
does
a
great
job
playing
a
man
gradually
going
insane
because
no
one
believes
him.
I
do
like
all
that
stuff.
It's
really
long.
The
scenes
are
really
slow.
I
just
think
he's
done
better.
There's
better
Steven
Spielberg
movies,
in
my
opinion.
Whether
it's
Jaws
or
Jurassic
park
or
whatever,
there's
plenty
out
there.
I
don't
personally
have
the
reverence
for
this
one
that
other
people
do.
I
know
that
a
lot
of
people
say,
like,
oh,
he,
you
know,
Richard
Dreyfus
abandons
his
wife
and
kids.
Like,
no,
he
went
insane
and
his
wife
and
kids
left
him.
So
they
were
already
gone
by
that
point.
Before
he's
making
out
with
the
mom
from
A
Christmas
Story.
You
know,
that's,
you
know,
two
separate
things.
And
I
was
talking
with
Tony
on
the
side,
like,
somehow
it's
a
physically
capable
to
scale
the
Devil's
tower
in
just
a
matter
of
hours.
It
was,
you
know,
so
I
don't
know
the
logistics
on
that
one.
But
not
only
does
he
go
insane,
but
he
leaves,
you
know,
Terry
Garr
in
her
prime.
So
don't
agree
with
that.
Now,
the
Wicker
man,
that
was
a
fascinating
watch.
I.
I
was
expecting
very
Nick
Cage
style
movie.
Not
what
it
is.
It
was
so
much
better
than
the
Nick
Cage
version.
Christopher
Lee
is
the
bad
guy,
obviously,
but
the,
just
the
overall
trajectory
of
the
main
guy
and
for
the,
the
sacrifice
that
he
ends
up
being
you,
you
have
a
feeling
it's
coming,
but
you
don't
know
it's
coming.
And
there's
just
so
much
creepiness
throughout
the
whole
thing
that
it
was
really
an
interesting
watch
for
me
and
not
what
I'm
going
to
watch
again
anytime
soon.
But
it
was
quite
fascinating.
And
I.
You
probably
know
where
my
vote's
going
to
go.
But
I
did
enjoy
it
much
more
than
Close
Encounters.
Good
deal.
I'm
kind
of
surprised
that
you
guys,
the
way
you
guys
were
talking
about
Wicker
man
forever,
that
you
were
so
happy
about
it.
I
don't
know.
Close
Encounters
is
just
both
of
them.
I
don't,
I
don't
really
like
either
one
movie,
honestly.
Like,
I
mean,
Close
Encounters,
like,
yeah,
it's
slow
and
it
just.
I
mean,
nobody
looks
at
mashed
potatoes
the
same
way.
Besides.
And
the
fact
that
you
brought
up
the
mom
from
Christmas
Story,
it
makes
me
think
of
Ralphie's
little
brother
eating
the
mashed
potatoes
on
his
nose.
Like,
it
all
kind
of
ties
together
and.
But
like,
I
don't
know,
it's
kind
of
close.
The
kind
of
kind
of
reminds
me
like
Signs
in
a
little
way.
Like,
you
never
see
anything.
It
just
kind
of
keeps
going.
You're
like,
yeah,
I
mean,
but
it
doesn't
bring
the
dumb
ending
like
Signs
does,
where,
like,
oh,
my
God,
water.
We
landed
on
a
planet
with
80%
water,
right?
And
now
we're
gonna
be
murdered
by
water
like
dipshits.
Like,
how
are
you.
You're
smart
enough
to
do
interstellar
travel,
but
not
figure
out
that
an
entire
planet
that's
blue
has
water
on
it.
And
I
feel
like
Close
Encounters
is
just
like,
yeah,
this
is
a
double.
I
mean,
for
like
a
vote.
And
I
don't
care
if
either
one
wins.
Honestly,
I.
Who
won
the
last
one?
Because
I
feel
like
that's
the
sweet
sixteen.
Chinatown.
Be
honest.
Yeah,
I
feel
like
Chinatown.
That's
why
I'm
telling
you.
Robin
Hood
Elite.
Here
it
comes.
We're
all.
It's
coming,
baby.
It's
coming.
So
for
these
two
movies,
I
think
for
Close
Encounters,
if
you
want
to
enjoy
it,
you
need
to
smoke
a
joint,
watch
the
pretty
lights
and
John
Williams
score,
which
is
pretty
good
for
Wicker
Man.
It's
not
a
joint.
You
need
to
drop
acid
if
you
want
to
enjoy
this
movie.
It
is
one
of
the
most
bizarre
things
I've
ever
seen.
I.
I
don't
know
if
it's
sci
fi.
Is
the
woman
humming
through
the
walls
naked?
Sci
fi.
I.
Was
that
a
thing?
Or
was
he
hallucinating?
I.
I
was
confused.
Or
was
it
all
just,
you
know,
faux
religion,
you
know?
Or
was
there
a
sci
fi
aspect?
I
don't
know.
Having
watched
it
only
once.
Close
Encounters,
it's.
I
love
the
movie
Arrival.
I
mean,
if
you
were
to
take
all
the
good
aspects
out
of
Close
Encounters
and
say,
this
is
what
the
movie
Arrival
is,
which
is
what
it
is,
you
know,
they
don't
know
how
to
communicate.
Are
they
communicating?
But
the
problem
with
Close
Encounters
is
it's
two
hours
of
nothing
in
between
that.
The
scenes
with
Richard
Driver
and
his
wife
where
he's
going
insane,
you
can.
You
can
sit
there
and
empathize
with
him
because
you've
seen
what
he
saw
and
she
didn't
see
it.
So
you
can
understand
both
characters
there
as
to
why
he's
losing
his
mind.
And
she's
like,
he's
losing
his
mind.
I
have
to
get
the
kids
out
of
here.
So
that
scene,
those
scenes
worked
for
me.
Like
you
said,
oh,
we're
gonna
travel
across
the
country
in
half
a
day,
and
then
we're
gonna
scale
Devil's.
Devil's
Peak
in
an
hour
and
a
half.
Know.
Doesn't
make
any
sense.
I
don't
know
how
that
gets
through,
you
know,
the
writing
period.
You
know,
that
that's
actually
a
thing.
Then
the
entire
scene
where
the
kid
gets
kidnapped
is
just.
If
you're.
I.
I
don't
have
any
children,
but
the.
You're
locking
all
the
doors
and
windows,
and
then,
oh,
the
kid
opens
the
front
door.
Like,
okay.
And
then
you
grab
the
kid
and
then
you
let
him
go
and
he
escapes
through
the
dog
door.
And
you
don't
even
have
a
dog.
And,
you
know,
why
aren't
you
holding
him?
Like,
there's
an
alien
ship
outside.
Like,
why
don't
you
have
your
arms
around
him?
It
was
very,
very
strange
to
me.
It
didn't
make
a
whole
lot
of
sense,
but
it
wasn't
like.
It
wasn't
like
she,
like,
tripped,
it
couldn't
reach
him.
Like,
he.
He
literally
just
walks
away
from
her,
and
she's.
Multiple
times.
She.
He
just
walks
away
and
crawls
through
the
doggy
door
while
she
sits
there.
Once
these
legs
are
out
the
door,
then
she
moves.
I
will
say
some
good
things
about
Wicker
Man.
I
thought
the
acting
was
pretty
good,
you
know,
for
how
weird
and
strange
it
was.
Who's
the
guy
who
plays
Salman?
Christopher
Lee.
Yeah.
Yeah.
He's
good.
It's.
He's
good.
And
even
the
main
protagonist
is
good.
I
don't
know
what
his
name
is
either.
It's
just
still
very,
very
weird.
It's
a
very
strange
movie.
You
can't
watch
that
with
anybody
because
you're
just
gonna
be
looking
at
what
do
they
think
about
this?
Because
I
don't
know
what
I
think
about
this.
It's
very
strange.
Close
Encounters
is
just
too
long.
Wicker
man
is
just
too
weird.
That's
what
I
got,
Tony.
I.
I
watch
Euphoria
with
my
wife,
so
I'm
pretty
sure
I
could
have
handled
Wicker
man
weird.
I'd
watched
Euphoria
and
I
don't
know,
man.
Euphoria.
Oh,
you.
So
it's,
it's
more
uncomfortable
than
Euphoria?
It's
uncomfortable.
Okay.
It
is.
I
mean,
there's
really
no
way
around
it.
I
mean,
the
guy's
supposed
to
be
a
virgin,
but
then
the
bar
girl
tries
to
seduce
him
and,
you
know,
it's
like,
I.
So
I
was
wondering,
like.
Well,
at
the
end
when
you
find
out,
you
know,
the
twist
and
all
that,
you
wouldn't
wonder.
It's
like,
what
if
she
had
succeeded?
Could
he
still
have
been
a
sacrifice?
So
I
don't
know.
It's.
There's
a
lot
of
weirdness
in
there
also.
It
is
like
Midsommar.
Yeah,
Yeah.
I
think
Midsummer
is,
is
a
modern
twist
on
it.
But
Midsummer's
good.
No,
I'm
talking
more
about
like.
But
is
it
sci
fi?
Like,
because
there's
a
part
where
she.
I
would
call
it
horror
fantasy,
but.
She'S
calling
him
through
the
wall
and
he's
like
sweating
and
I
don't
know
if
it's
affecting
him
or,
you
know,
if
there's
some
sort
of,
you
know,
religious
science
fiction
going
on
there.
Yeah,
I
was
confused,
bud.
You
got
any
takes
on
these
two?
I
mean,
Close
Encounters,
let's
face
it,
it's
a
long
ass
movie,
but
it's
an
iconic
movie.
There's
a
lot
of
really
good
stuff
in
there.
But
you're
right,
Steve.
You're
right,
Tony.
There's
a
lot
of,
like,
a
lot
of
slowness.
Slowness
to
the
movie.
Wicker
Man.
Tony.
Nailed
it.
It's
weird.
It's.
It's
just
a
weird
movie.
I
mean,
at
least
Nicholas
Cage
made
it
look
at
least
a
little
cooler.
But
I
don't
know.
Close
Encounters,
all
the
people
that
got
touched
or
have
the
sight
of
Devil's
Peak,
you
know,
there's
like
a
handful
of
people,
all
of
them
are
drawing
pictures
of
Devil's
Peak,
but
not
Richard
Strife.
He
has
to
build
a
model
of
something
completely
incorrect
and
then
break
it.
And
then
all
of
a
sudden,
now
it's
correct,
which
I
thought
was
weird.
Oh,
now
it's
right.
Now
it
all
makes
sense.
But
everyone
else
is
drawing
pictures
of
Devil's
Peak.
He's
drawing
like
a
mountain
with
a
pin
top
and
then
he
breaks
it
on
accident.
Now
it's
correct.
You
know,
didn't
really
fit
that
plot.
Narrative
if
some
of
it
felt
a
little
ham
fisted
and
coincidental.
Yeah,
I
did
love
that
scene,
though,
where
he's
like
kind
of
going
nuts
and
he's
like
throwing
dirt
and
plants
through
the.
It's
the
best
scene.
Yeah,
that.
That
is
the
best
scene
in
the
movie.
And
then
he
like
steals
the.
The
fence
around
his
neighbor's
duck
pond.
And
it's
just.
It's
that.
That
scene
is.
I
don't
think
she
had
the
permits
for
those
ducks
anyways.
All
right,
we
ready
to
vote?
All
right,
I'll
start
it
off.
And
my
vote
is
the
Wicker
Man.
Close
Encounters.
Tony
Close.
I'm
gonna
say
Close
Encounters.
Man,
that
sucks.
You
wanted
that
15.
I
did.
I.
I
thought
that
we
were
gonna
get
it
too,
by
the
way
the
conversation
was
going.
And
y'all
disappoint
me.
I
also
wanted
to.
I
did,
too.
I
wanted
y'all
to
go
watch
the
Wicker
man
so
you
can
feel
that
uncomfortableness.
I
watched
it.
I
don't
need
to
watch
it
again.
I
did,
too,
Steve.
I
honestly,
I
was
kind
of
thinking,
oh,
well,
I'm
just
gonna
say
it.
Maybe
just
to
give
it
like
a
four
one
or
something.
Three,
two.
All
right,
so
advancing
for
the
south
bracket,
we
have
the
Godfather,
Young
Frankenstein,
Patton,
Apocalypse
Now,
Escape
from
Alcatraz,
Disney's
Robin
Hood,
Chinatown,
and
Close
Encounters
of
the
Third
Kind.
Couple
of
three
upsets,
so
I
was
pretty.
Pretty
eventful.
Pretty
eventful.
To
close
out
our
episode
today,
we'll
do
some
Q
and
A.
I
only
got
one
question.
I
am
allowed
a
little
piece
from
Foolish
Questions.
Clear
your
mind
of
question.
I'll
answer
the
question,
see
if
we
can
get
through
one
or
two
questions
here.
I'm
going
to
start
off
with
what
is
a
sports
movie
mistake
so
egregious
that
it
always
takes
you
out
of
the
movie?
That's
easy.
You
know,
as
much
as
I
love
Mighty
Ducks,
you
know,
the
Flying
V
just
breaks
all
the
rules
of
hockey.
It
doesn't
make
sense.
I
love
Mighty
Ducks,
too.
It's
just.
You
can't
do
that.
Aaron
always
gets
pissed
about
that,
too.
That
and
the
knuckle
puck.
He's
like,
you
can't
do
that.
Isn't
it,
like,
offsides,
like,
right
away?
Yes,
it's
offsides
for
sure.
Right
away.
Offside.
If
it
was
me,
it
would
be
Billy
Madison.
That's
a
sports
movie.
Or
are
you
talking
about
business
ethics?
No.
Are
you
thinking
Happy
Gilmore?
Thank
you.
What's
your
Happy
Gilmore
reason?
Because
that's
one
of
mine.
Oh,
okay.
Well,
I
mean,
look
at
how
he
plays
golf.
I
mean,
it's.
It's.
Well,
no,
you
can
actually
golf
like
that.
I
have.
Well,
yes,
but
who
really
does
that
professionally?
That's
the
point.
I
think
the.
I
think
the
biggest
blunder
in
that
movie
is
the.
Is
the
putter.
Like,
I
don't.
I
don't
think
that's
a
legal.
The
hockey
stuff.
Yep.
And
the
way
he.
And
the
way
he
hits
it,
like,
there's.
That
ball
would
have
flown
out
of
that
greens.
See.
Well,
mine
is
the
fact
that
he
gets
hit
by
a
Volkswagen
on
the
fairway.
Yeah,
yeah.
Like,
out
of
nowhere.
365
more
days
of
trials.
You
think
they
would
have,
you
know,
I
don't
know,
stopped
the
tournament
at
that
point?
You
know,
let's
put
a
pause
on
this.
No,
no,
just
walk
it
off.
He
got
really
hit
by
a
Volkswagen.
I
know.
I.
I
know
it's
not
a
movie,
but
I
will
say
this.
The.
Originally,
I
didn't
finish
the
series
because
of
it,
but
then
I
went
back
to.
It
was
Friday
Night
Lights.
He
breaks
his
neck
going
for
the
tackle
in,
like,
the
second
or
third
episode.
And
I
was
like,
there's
no
way
that
that
kid
would
have
made
a
tackle.
And
first
of
all,
broke
his
neck
on
that
tackle.
The
quarterback
on
a
pick
six.
Like,
it.
It
infuriated
me
as
a
guy
who.
Like,
it's
somebody
who
ever
played
football.
There's.
It
would
never
happen.
And
I
stopped.
I
stopped
watching
the
show
because
of
it.
And.
And
then
I
obviously
went
back
to.
It's
a
pretty
good
show.
Enjoy
the
show.
No,
it's.
It's.
It's
literally
one
of
my
favorite
shows
of
all
time.
Like,
I
love
that
show,
but
that.
It
was.
The
football
aspect
of
it
was
just
kind
of
like
a
lot
of
football
movies.
What's
the
guy's
name?
The
coach.
I
can't.
The
Billy
Bob
Thornton.
No,
from
this,
from
the
series.
He's
talking
from
the
series.
He
was
in
We
Are
Mar.
No,
not.
We
Are
Marshall.
He
was
in
Bloodline.
He's
actually.
He
was
pretty
good.
He
was
in
Waffle.
Netflix.
He
was
like,
Netflix
is
like
second
show.
Second
or
third
show.
It's
a
good
movie.
So
to
talk
about.
You
played
football?
I
play
golf.
I'm.
Right
now
I'm
probably
about
a
two
or
three
handicap.
The.
The
problem
with
Happy
Gilmore
is
I
don't
care
how
far
you
can
hit
it.
There's
20
other
different,
you
know,
clubs
in
your
back.
You
know,
you
can't
just
hit
driver
and
putter.
It
just
doesn't
work
like
that.
It
doesn't
matter
how
accurate
you
are,
you
know,
oh
man,
he
can
hit
it.
What
if
he
hits
one
bad
shot,
you
know,
and
they
do
show
it
later
in
the
montage.
He
hits
the
ball
out
of
a
sand,
like,
oh,
now
he
can
hit
the
ball
out
of
the
sand.
All
of
a
sudden,
you
know,
there's
a
whole
linear
bunch
of
shots
that
you
can
hit
from
golf.
You
just
can't
drive
it
to
the
green
and
putt.
It
just.
It
doesn't
work.
And
if
you
think
about
it,
you
know,
he,
his
whole
thing
was
he
could
drive
the
green,
you
know,
400
plus
yards,
but
he
couldn't.
His
short
game
and
putting
were.
He
couldn't
do
anything
after
that.
But
then
once
he,
once
he
fixes
that
at
the
end,
he
should
be,
you
know,
hitting
every
hole
in
two,
two
shots.
Not
even
close.
You're
27
under
every
round.
Yeah.
So
how
is,
how
is
he
on
pace
with
shooter
McGavin
at
the
end?
Shooter's
not
good.
Right.
Well,
because
he
got
hurt.
Happy
look
out.
Was
like
every
football
movie.
The
football
in
it
is
like
Varsity
Blues.
I
mean,
I
get
it,
it's
a
high
school
movie,
but.
Oh
my
gosh,
that
was
a
great
movie.
25
year
old
people
like
playing
football,
but
like
the
way
the,
like
goes
down
in
it,
like
it.
Even
the
like
top
tier
Texas
football
like
that
never
looks
like
that.
Like
the
Replacements,
Friday
nights.
The
movie's
pretty
damn
accurate.
Well,
it
is
because
it's
based
off
the
book.
Like
they.
That
is
correct.
Like
the
way
they
did
that.
But
the
series
is.
No,
yeah.
You
know,
but
I'm,
I'm
talking
like,
I'm
talking
like
replacements.
I'm
talking
like
any
given
Sunday,
like.
Not
another
good
one.
You
know
what
I
mean?
Like
I
like
me
some
Shane
Falco.
And
is
what's
the.
Is
it
any
of
Sunday
or
what's
the
One
that
he's
like
running
and
he
shoots
everybody.
That's
the
last
boy
scout.
Oh
yeah,
yeah,
yeah.
Not
every
movie
can
be
necessary
roughness.
Yeah.
Girl
kicker.
No.
Welcome
to
football.
Kathy
Ireland
alone
like
90s
cafe.
Yeah.
What
a
great
that
movie.
Now
that's
funny.
Like
if
you're
making
fun
of
it,
great.
But
if
you're
trying
to
make
it
realistic
like
remember
the
Titans.
And
I
know
it's
like
based
off
a
true
story
but
the
football
in
it
is
just.
It's
bad.
That
it
is.
Yeah,
it's
bad.
All
right,
well
let's
go
one
more
question
here
before
we
call
it
a
night.
What's
a
movie
quote
or
meme
that
you
constantly
use
in
everyday
life?
I'm
going
to
go
ahead
and
throw
mine
out
there.
It's
from,
from
don't
be
a
menace
to
South
Central
while
drinking
your
juice
in
the
hood.
Steve.
Are
you
talking
about
one
of
my
top
five
favorite
movies
of
all
time?
Anytime
we
can
at
work
or
home
or
wherever.
I've
done
this
with
Bud
and
Aaron.
We'll
just
pop
in
message.
Love
it.
Message,
message,
message.
But
a
fucking
great
God
that
movies
next
year.
I
think
it's
30th
anniversary.
Is
it
really?
Yeah,
for
the
20
for
the
20th
anniversary.
Me
and
Kevin
Wilson
watched
it
and
drank
40s
at
my
house.
And
we
tweeted
out
to
the
Waynes
brothers
and
like
they
responded
back
to
Kevin.
That
is
such
an
Illinois
valley
thing
to
do.
It
was
like,
hey,
how
about
two
middle
aged
white
guys
watching
movie
about
being
in
the
hood?
Man,
that's
tough.
Because
like
I,
I
quote
a
lot
of
Tommy
Boy
in
Wayne's
World
and
even,
well,
let's
just
say
for
today
like
we
went
to
Costco
and
Marissa
was
her
first
time
there
and
she
was
telling
everybody
at
work
she's
like
going
to
Costco.
Like
we
have
swim
lessons
going
to
Costco.
I'm
like,
so
it
was
a
nice
little
Saturday,
you
know
Frank
to
take
welcome
to
coffee.
The
older
you
get,
the
more
it's.
Like,
I
thought
you
were
gonna
say
that.
Welcome
to
Costco.
Welcome
to
Costco.
I
love
you.
Funny
you
mention
it
because
like
mine
is,
it's
got
electrolytes.
That's.
It
got
electrolytes.
That's
on
a
grass
grow.
I
say
it,
you
know,
all
the
time.
Anytime
I,
you
know,
at
work
I
see
someone
drinking
anything,
I'll
just
whatever
they're
drinking,
it
doesn't
matter.
I'll
just
be
like
Big
Gulp,
huh?
All
right,
see
you
later.
I
will
say
this.
I
do
quote
that
like
anytime
Talking
about
the
Rocky
Mountains
or
anything.
You're
like
that
John
Denver's
full
of,
man.
I'll
quote
anything.
Also
Ace
Ventura
all
the
time.
Or
Ace
Ventura
style,
you
know?
You
know.
Oh,
yeah.
That
is
not
the
right
way
to
do
it.
You
know,
just
in
that
delivery
or.
Or
I'll
call
my.
My
son.
You
know,
little
equinsu
ocho.
What?
You
know
what?
I
quote
from
that
one
a
lot
is
the
mom
Einhorn's
mom.
What
a
sportsnet,
huh?
So,
like
anytime,
like,
anytime
there's
sports.
Because
Marissa's
like,
she
loves.
She.
She
loved
me,
so
she
deals
with
my
sports.
And
then
she'll
just
be
like.
I'll
be
like,
what
a
sports.
Not
hot.
That's
good.
Reed
doesn't
watch
these
yet,
does
he?
No,
he
wants
to
be
on
one.
Well,
I
play
video
games
a
lot.
And
when.
When
people,
they'll.
A
lot
of
my
friends
will
just
say.
And
I'll
just
go
right
into.
Let's
see,
who
could
come
back
with
it.
You.
You,
You.
You're
cool.
You.
I
don't
even
speak
Spanish.
I
think
I
got
the
black
lung.
Pop.
I
think
you
could
just
sit
and
like.
Do
I
though.
Even
though
it's
not
a
movie.
Like,
I
think
Steve.
Like,
I
think
we.
I
was
telling
you,
like,
Marissa
and
I
always
do
the.
The
coffee
commercial
with
Farley.
And
it's
like,
how
are
you
feeling
about
it?
Angry.
Yeah.
So
like,
that's
like,
we'll
be
driving
in
the
car
and
I'll
be
like.
And
she'll
be
like,
how
you
doing?
I'm
like,
angry.
I'm
surprised
none
of
you
guys
used
any
Zoolander
references.
Is.
It's
a
walk
off.
So
my
finger.
My
back.
Missile
will
say,
my
back
hurts.
I
go,
now
your
fingers
kind
of
hurt
because
you
pulled
landscaping
duty.
He's
supposed
to
be
in
the
new
one
too.
I
like
to
go
all
Hitchhiker's
Guide
and,
oh
yeah,
Alan
Rickman's
Android.
You
know,
he's
like,
life.
Don't
talk
to
me
about
life.
And
then
he
cheated
on.
They
almost
cheated
on
his
wife
in
love,
actually.
Or.
Or
whenever
I'm
talking
to
Aaron
out
of.
We'll
randomly
just
yell
out
Magrathea
for
no
reason
whatsoever.
Magathea.
Remember
the
one
that
we
always
used
to
do?
Walk
by
each
other
and
go,
doctor,
doctor,
daughter.
Spies
like
us.
Yeah.
Huh.
Good
times.
All
right,
I
think
that
is
it.
I
think
we've.
We've
rambled
enough
for
today.
Any
final
thoughts
on
today's
events,
gentlemen?
Went
exactly
how
I
thought
it
would.
Not
me
lowercase
t
time
for
bed.
I
don't
even
remember
who
won.
I
thought
we
were
gonna
get
network
in
there,
but
in
wicker
man.
But
I'm
okay.
I'm
okay.
Network
was
my
fault.
I
am
not
as
upset
as
I
was
about
the
sting.
It
felt
like
this
bracket
was
pretty.
Like,
I
kind
of
felt
like
how
it
was
gonna
go,
like,
I'm
with
you,
Steve.
I
kind
of
thought
network
was
gonna
get
there,
but,
like,
I
was
on.
The
fence
with
a
lot.
But
that's
the
whole
point
of
the
panel,
you
know,
just
because
I'm
on
the
fence
doesn't
mean
the
panel's
on
the
fence.
Well,
I
got
one
wrong.
I
voted.
I
just
voted
for
that.
I.
When
I
filled
out
the
bracket,
I
just
filled
it
out
the
way
I
want.
Exactly.
Not
like
how.
All
right,
well,
thank
you
everyone
for
listening
and
please
stick
us
out
of
the
socials
to
give
us
your
thoughts.
You
can
always
see
the
updated
bracket
over@challonge.com
and
cinemadecon.com
and
put
your
own
predictions
over
there.
Link
will
be
in
the
description.
Join
us
next
time
time
as
we
continue
on
our
quest
to
find
the
best
movie
of
the
decade,
1970s.
So
we'll
see
you
next
time
on.
Good
Enough.
A
podcast
from
the
Sidereal
Media
Group.
Back
to
you,
anchors.
Message.
Steve
can
cut
this.
I
don't
like
either
one
of
them.
So
I've
been
chatting
with
AI
Jamal.
I'm
just
getting
jazzed
for
the
next
round.
She
just
texted
me
the
emergency
notice
that
she
got,
you
know,
telling
us
to
take
shelter.
Oh,
boy,
what
a
sports
night,
huh's
here.
I'm
so
tired.
We
get
up.
At
first
I
thought
they'd
handed
me
the
wrong
dossier.
I
couldn't
believe
they
wanted
this
man
dead.
Third
generation
West
Point,
top
of
his
class,
Korea,
airborne,
about
a
thousand
decorations,
etc,
etc.
I
left
you
in
Wall
Street.
Message.