In this episode of the Podnews Weekly Review, James Cridland and Sam Sethi dive deep into the latest podcasting industry trends, featuring an extensive interview with Megan Lazovick from Edison Research about their Infinite Dial and Fandom studies. The research reveals significant growth in podcast consumption, with over 50% of Americans aged 12+ now listening to podcasts monthly, and a remarkable 73% having consumed podcasts either through audio or video.
The episode also features an interview with Chloe Straw from AudioUK, who discusses the organization's mission to advance the audio sector by supporting creators, fostering innovation, and driving sustainable growth. Straw highlights AudioUK's policy work, including efforts to get podcasting recognized as a creative industry and secure a seat on the Creative Industries Council, which could potentially lead to tax relief and IP funding for podcasting.
Additionally, the hosts discuss various technological and industry developments, including YouTube's potential dynamic ad insertion, the launch of new celebrity podcast networks, and challenges with podcast metrics such as plays and downloads. They explore emerging trends like video podcasting, cross-platform content strategies, and the complexities of content moderation across different platforms.
Edison Research's Infinite Dial study reveals over 50% of Americans aged 12+ now listen to podcasts monthly, a significant milestone for podcast mainstream adoption
Video is becoming increasingly important in podcast consumption, with 51% of Americans having watched a podcast and 73% consuming podcasts through audio or video combined
YouTube has emerged as the most used service for podcast listening, indicating a major shift in podcast platform preferences
The podcast industry is experiencing a dichotomy of growing listener numbers while simultaneously facing challenges like advertising revenue stagnation and workforce reductions
Podcast fans develop deep connections with content through four primary pathways: feeling like friends with hosts, identity exploration, emotional regulation, and sense of community
The UK podcast industry is seeking government recognition and support, advocating for inclusion in the Creative Industries Council and potential tax relief for podcast production
Emerging podcast networks are increasingly focusing on cross-platform strategies, integrating podcasts with social media and other content channels
Podcast metrics remain inconsistent across platforms, with issues like play counting and download verification creating challenges for accurate measurement
"One of the things that I love about Audio UK is the ability to bring all these incredible businesses together. And something that I love about the industry is that they're obviously all competitors, but they're also very happy to share insights." - Chloe Straw
- Provides insight into the collaborative nature of the UK podcasting industry and the unique culture of podcast creators.
"If you can afford to get rid of the ads, then that probably says that you've got more disposable income. That probably says that you are therefore a bit richer than a listener that isn't doing that." - James Cridland
- Offers a provocative perspective on podcast advertising and audience economics, challenging traditional advertising assumptions.
"If TikTok were to be banned in the US, which one social network service would you use most often? Most people said that they would go to Instagram or Facebook, but it did vary by age." - Megan Lazovic
- Highlights an interesting finding about potential social media platform shifts and generational differences in platform preferences.
Chapter 1: Edison Research: The State of Podcasting in 2025
Megan Lazovic from Edison Research discusses the Infinite Dial study, revealing groundbreaking insights about podcast consumption in the United States. The study highlights significant growth in podcast listenership, with over 50% of Americans now consuming podcasts and a notable rise in video podcast consumption.
- Podcast consumption in the US has crossed the 50% threshold, with 70% of Americans having listened to a podcast.
- Video podcasts are becoming increasingly popular, with 51% of Americans having watched a podcast in addition to traditional audio formats.
Key Quotes
"70% of Americans have listened to a podcast that's up from previous years. And of course, the exciting bit of this year is that we didn't just measure listening, we also asked about watching podcasts. And 51% of Americans have watched a podcast." by Megan Lazovic
- This quote succinctly captures the key growth metrics for podcast consumption in the US
Chapter 2: The Psychology of Podcast Fandom
Megan Lazovic explores the deep psychological connections listeners form with podcasts, discussing the various ways fans engage with podcast content. The study reveals that podcast fandom goes beyond simple entertainment, touching on personal identity, emotional regulation, and community belonging.
- Podcast fandom is driven by multiple factors, including personal connection, identity exploration, and emotional support.
- Listeners view podcast hosts as friends and feel part of a larger community through their podcast consumption.
Key Quotes
"71% of fans say that they feel like they're friends with the host, so that it's connection driven. It could also be identity driven. One of the people we conducted, in addition to a survey, we also conducted in person interviews. One of the people we spoke to said, I think podcasts help me see myself more clearly." by Megan Lazovic
- This quote illustrates the deep personal connection listeners form with podcast hosts
Chapter 3: AudioUK: Championing the Podcast Industry
Chloe Straw, CEO of AudioUK, discusses the organization's mission to support and grow the UK audio and podcast industry. She highlights efforts to gain government recognition, provide business support for independent creators, and increase international investment in UK podcast content.
- AudioUK is working to gain government recognition and support for the podcast and audio industry in the UK.
- There is a significant opportunity for growth in podcast advertising in the UK, with current spending far behind the US market.
Key Quotes
"One of the big things that I've been working on is lobbying around a seat on the Creative Industries Council. And from that flows things like creative audio, tax relief for podcasting and audiobooks, more IP funding for development and IP export overseas." by Chloe Straw
- This quote outlines AudioUK's strategic goals for industry support and recognition
Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.
It's
Friday
28th
March
2025.
The
last
word
in
podcasting
news.
This
is
the
Pod
News
Weekly
review
with
James
Cridlin
and
Sam
Sethi.
I'm
James
Kridlin,
the
editor
of
Pod
News.
And
I'm
Sam
Sethi,
CEO
of
TruePaths.
One
of
the
things
that
we
want
to
do
is
make
sure
that
UK
podcasting
is
successful
internationally
and
we're
able
to
tap
into
those
international
markets.
That's
Chloe
Straw
from
Audio
uk.
She's
on
later
and
you
know,
I.
Have
reporters
messaging
me.
Can
you
just
tell
me,
is
it
going
to
be
up?
You
know,
you
don't
have
to
give
me
the
number.
Is
it
going
to
be
up?
Also
later,
Megan
Lazovic
from
Edison
Research.
And
most
shows
should
think
about
a
video
audience.
The
co
founders
of
Pod
Nation.
Also
in
the
chapters
today,
the
PSP
is
alive
and
meeting
in
Chicago.
A
podcast
movement
are
YouTube
adding
Dai
and
Kai
chucks
it
in
at
YouTube.
See
what
you
did
there,
Sam?
Couldn't
resist
that
one.
This
podcast
is
sponsored
by
buzzsprout
with
the
tool
support
community.
To
ensure
you
keep
podcasting,
start
podcasting.
Keep
podcasting
with
BuzzBrown.com
from
your
daily.
Newsletter,
the
Pod
News
Weekly
Review.
Now,
James,
let's
kick
this
off.
Look,
you
did
a
great
job
with
Megan
Lazevic
on
the
Infinite
Dial
last
week.
Did
you
enjoy
it?
Yes,
it
was
great
fun
to
do
that.
Yeah,
absolutely.
It
was
a
dream.
I've
been
using
the
Infinite
dial
for
a
long,
long
time,
so
it
was
a
bit
weird
to
be
actually
presenting
it.
Nice.
Now,
what
was
the
big
highlight
for
you
from
of
that
report?
I
mean,
I
think
the
big
highlight
was
podcasting
being
officially
mainstream.
Now,
over
50%
of
of
Americans
age
12
plus
now
listen
to
podcasts
every
month.
So
that's
pretty
good
news.
Also,
I
think
actually
what
was
good
is
that
the
study
is
now
talking
to
many
more
people.
It's
got
a
much
larger
survey
size
and
that's
a
good
thing
too.
But
yes,
some
really
good
numbers
coming
out
of
that.
Well,
also
I
thought
what
would
be
good
is
to
get
Megan
back
on
the
now
she's
had
time
to
settle
the
reports
out
and
I
just
wanted
to
get
her
insights
again
to
some
of
the
findings
that
were
in
the
report.
You
know,
stuff
about
the
car,
stuff
about
social
media,
things
to
do
with,
as
you
said,
you
know,
more
Americans
now
using
podcasting.
So
I
started
off
by
asking
Megan,
how
long's
it
been
going?
The
Infinite
Dial.
It
is
the
27th
year
of
the
study
and
it
was
started
by
Edison
President
Larry
Rosenberg
and
the
team
back
then.
And
I
actually
gave
a
shout
out
to
Pierre
Bovard,
who
was
with
Cumulus,
one
of
the
sponsors
of
the
report.
But
he
really
is
the
one
who
came
to
Larry,
way
back
then
to
talk
about
Internet
radio.
And
they
wanted
to
get
a
sense
of
how
Americans
are
using
it.
And
we're
so
lucky
that
we've
been
able
to
find
sponsors
for
the
studies
for
27
years.
So
we've
been
able
to
measure
that
growth
over
time
and
all
of
the
digital
audio
consumption
and
other
consumer
behaviors
over
that
time.
You've
also
grown
the
infinite
dial
to
be
in
other
countries
as
well.
Where
are
the
infinite
dials?
We
have
many
different
infinite
dials,
not
necessarily
consistent
every
year
in
every
country.
We've
done
Germany,
we've
done
South
Africa,
Australia.
That
one
is
coming
up.
Actually,
I
don't
know
if
we've
officially
announced
it,
but
you
can
look
for
that
one
this
year.
We've
done
New
Zealand
many
years
ago.
I
think
we
did
Ireland,
uk.
So
really,
we're
trying
to
get
it
anywhere
we
can.
Ideally,
we
can
get
to
a
place
where
we're
doing
it
every
single
year
in
every
country,
so
we
can
get
the
same
benefits
that
we
do
with
the
US
Study,
where
we
see
year
after
year
consistency
and
we're
able
to
see
how
habits
have
grown.
But
it's
also
nice
if
we
can
only
do
the
study
every
two
years
to
look
at
consumer
behaviors
that
way.
So
the
study
highlights
crucial
insights
into
podcast
consumption,
online
audio,
trends
in
car
audio
usage,
smart
speaker
usage,
social
media
behaviors,
and
other
digital
media.
Now,
what
was
the
big
highlight?
The
big
takeaway
is
up.
Things
are
up.
Digital
consumption
is
up,
but
especially
podcast
consumption
is
up.
And
that's
the
thing
that
everyone
is
holding
their
breath
for
every
single
year.
You
know,
I
have
reporters
messaging
me.
Can
you
just
tell
me,
is
it
gonna
be
up?
You
don't.
You
don't
have
to
give
me
the
number.
Is
it
gonna
be
up?
So
that
was
the
great
news
that
every
year
we've
previously
reported
podcast
listening,
that
podcast
listening
is
now
up.
70%
of
Americans
have
listened
to
a
podcast
that's
up
from
previous
years.
And
of
course,
the
exciting
bit
of
this
year
is
that
we
didn't
just
measure
listening,
we
also
asked
about
watching
podcasts.
And
51%
of
Americans
have
watched
a
podc.
You
know
what?
The
majority
of
Americans
are
consuming
podcasts
through
video.
And
then
when
you
sort
of
roll
up
that
information
and
look
at
the
combined
consumption
figures,
we
have
an
even
higher
jump.
73%
of
Americans
have
consumed
a
podcast
either
through
audio
or
video.
So
it's
pretty
much
up
any
way
you
look
at
it.
If
you're
just
looking
at
audio,
we
see
increase.
If
you
roll
in
those
video
numbers,
you
see
even
more
of
an
increase,
which
is
exciting
for
everyone
in
the
space.
They
want
to
be
able
to
say,
look
how
much
we've
grown.
Yeah.
And
one
of
the
things
in
the
report
is
that
YouTube
is
a
service
used
most
often
to
listen
to
podcasts,
which,
again,
given
that
they've
only
gone
into
the
market,
that
was
also
a
staggering
standout
for
me.
Well,
of
course,
podcasts
have
been
on
YouTube
for
many
years.
And
actually,
Sam,
I
should
tell
you,
I
know
that
you're
looking
at
from
the
tech
side.
I'm
always
looking
at
it
from
the
consumer
side.
While
I
do
work
with
the
surveys
and
the
quantitative
research,
I
spend
a
lot
of
my
time
in
qualitative
research
where
I'm
talking
to
real
people
about
their
consumption.
And
you
ask
a
real
person
about
their
consumption
to
podcasts,
they
say,
oh,
yeah,
I've
been
listening
to
podcasts,
or
I've
been
watching
this
podcast
on
YouTube
for
years.
So
the
consumers
don't
necessarily
think
about
the
tech
and
the
networks
and
all
of
that.
They
don't
see
it
the
same
way
that
people
in
the
industry
do.
So
we
say,
oh,
YouTube
just
got
in
the
space.
Or
they
finally
just
talked
about
it
in
their
yearly
meeting.
But
no,
they've.
They've
been
in
the
space
because
that's
where
people
are.
They're
heavily
using
YouTube
for
so
many
different
parts
of
their
life.
So
it
makes
sense
that
they're
also
consuming
podcast
content
through
YouTube.
So
I
love
the
fact
that
everything's
up,
but
looking
back
over
the
last
six,
seven
months,
maybe
even
last
couple
of
years,
we
talk
about
number
of
redundancies
within
the
industry.
We
talk
about
the
fact
that
advertising
revenue
is
not
going
across
that
2
billion
threshold.
How
do
we
equate
the
two
between
a
growing
audience
that's
listening
and
yet
a
declining
industry
in
terms
of
the
number
of
people?
So
where
do
we
balance
those
two
parts
of
the
conversation?
I
mean,
there's
an
ebb
and
flow
in
every
part
of
business
and
adjustment,
readjustment.
And
I'm
sorry,
I
can't
necessarily
speak
to
all
of
that
again
because
I'm
so
in
the
consumer
world.
But
we
do
know
the
opportunity
is
there,
and
hopefully
having
these
new
numbers
can
help
the
industry
prove
their
case,
prove
that
people
are
consuming,
that
people
are
getting
the
messaging,
and
that
it's
really
valuable
messaging.
In
one
of
the
other
studies,
I
know
we'll
get
to
later
the
Fandom
phenomenon
does
talk
about
the
amazing
relationship
that
listeners
have
with
podcasts
and
how
much
they
value
messaging
through
those
podcasts.
So
the
opportunity
is
absolutely
there,
and
it's
growing
because
more
and
more
people
are
entering
the
space
every
day.
So
how
the
industry
harnesses
that.
I
can't
help
you
there.
I'm
sorry.
The
opportunity
is
there.
That's
what
you
guys
have
to
figure
out.
Now,
this
is,
as
you
said,
the
overall
consumption
in
audio
as
well.
Not
just
purely
in
podcasting,
but
you're
also
looking
at
social
media.
You're
looking
at
TV.
You
know,
YouTube
have
talked
about
their
primary
platform
is
now
going
to
be
tv,
which
is,
for
me,
very
weird
because
I've
never
really
looked
at
YouTube
on
a
TV
again.
That's
what
people
are
telling
you.
But
social
media
itself,
where
are
you
seeing
the
changes
occurring
there?
What's
happening
with
people's
behaviors?
Well,
can
I
tell
you
just
related
to
Infinite
Dial,
anecdotally,
we
used
to
have
lots
of
live
conversation
on
Twitter.
Everyone
used
to
watch
Infinite
Dial
and
use
the
hashtag
and
talk
on
Twitter.
And
social
media
usage
has
been
a
lot
more
disjointed.
You
know,
there's
a
big
loss
to
the
X
platform.
People
have
moved
to
other
platforms.
And
for
the
webinar
itself,
it
was
great.
All
of
our
viewers
were
actually
chatting
in
the
zoom
platform
to
each
other
because
there
wasn't
one
platform
that
we
were
all
together.
So
it
was
nice
for
the
webinar.
I
enjoyed
seeing
everyone
chatting.
But
it's
also
frustrating
that
there
doesn't
seem
to
be
one
platform
that
we
are
all
on.
Of
course,
there's
the
meta
platforms,
Facebook,
Instagram,
they're
really
dominating
the
space.
But
Infinite
Dial
and
I
think
the
podcast
world,
when
we're
talking
about
more
business
stuff,
where
has
that
landed?
I'm
not
necessarily
posting
about
Infinite
Dial
on
my
Facebook,
so
it's
very
interesting.
The
space
and
the
Infinite
Dial
does
show
all
of
the
changes
in
where
people
have
left,
what
platforms
are
growing.
And
actually,
my
favorite
question
from
that
section
was
about
TikTok,
because
we
were
fielding
the
study
in
early
January
when
everyone
thought
TikTok
was
going
to
go
away,
and
we
wondered,
what
would
happen?
Where
would
people
go?
So
we
actually
added
that
question
in
the
study.
If
TikTok
were
to
be
banned
in
the
US
which
one
social
network
service
would
you
use
most
often?
So
we
got
to
that
hypothetical
answer,
and
most
people
said
that
they
would
go
to
or
Facebook,
but
it
did
vary
by
age.
So
the
younger
people
were
more
likely
to
choose
Instagram.
Older
people
were
More
likely
to
choose
Facebook.
But
there
was
a
good
cohort
across
all
generations
that
said
they
would
use
YouTube
and
YouTube
shorts.
So
will
you
be
doing
this
same
presentation
at
Podcast
Movement
in
a
couple
of
weeks
time
or
even
next
week?
Gosh,
next
week?
No.
Infinite
Dial
Lives
on
the
Internet
for
all
to
see
however
many
times
they'd
like.
But
I
will
be
presenting
the
fandom
phenomenon.
That's
a
study
that
we
did
jointly
with
Wondery
and
Zensu,
and
I'm
really
excited
to
talk
about
how
much
people
love
podcasting
and
how
much
podcasting
loves
them
back,
what
it
gives
to
them
in
their
lives,
and
all
of
the
different
ways
that
podcast
enhances
people's
lives.
Well,
let's
talk
about
that
report.
I
was
really
interested
in
the
outcome
of
that
report.
You
sort
of
touched
on
it
that
there
is
a
parasocial
relationship
between
the
fan
and
the
creator.
Is
this
something
that
was
unexpected
or
did
we
not
know
this
already?
And
if
we
know
now
that
there
is
that
relationship,
how
can
the
creator
enhance
that
relationship
with
their
fan,
then?
So,
no,
it
was
not
a
surprise.
We
already
knew
that
there
was
something
really
special
about
the
connection
between
a
podcast
consumer
and
the
show.
We
already
knew
that
there
was
this
level
of
fandom
out
there.
And
from
previous
research,
we
knew
that
people
were
more
likely
to
trust
the
messaging
that
came
from
a
host
if
they
were
a
fan.
So
we
already
knew
something
was
special
there.
But
the
intention
of
the
study
was
to
really
break
it
apart
and
understand
it
a
little
bit
more,
to
understand
all
of
the
different
ways
that
fandom
enhances
a
person's
life.
People
talk
about
fandom
in
so
many
different
ways.
Fans
of
artists,
fans
of
sports,
where
people
have
this
crazy
love
for
something
where
it's
not
just,
oh,
I
like
it,
it's
like,
becomes
a
part
of
their
personality.
It
becomes
a
way
that
they
see
themselves.
And
that
exists
in
podcasts,
too.
So
is
it
a
funnel
effect?
Is
it
that
you
start
off
with
a
tangential
relationship,
you
might
have
just
heard
of
this
podcast,
then
you
take
five
or
six
episodes
to
gain
a
relationship
with
this
podcast,
and
then
you
move
down
the
funnel.
You
now
are
fully
engaged.
So
is
it
a
state
of
mind
that
you
become
a
fandom?
Is
it
a
badge
of
honor
that
you
reach?
Or
is
it
day
one
you
can
be
in
the
fandom?
Yeah,
it's
not
necessarily
a
certain
path
for
everyone.
Everyone
has
their
own
path
to
fandom.
You
know,
some
people
become
a
super
fan
of
a
podcast,
they
already
love
the
topic
or
they
already
love
the
personality.
Actually,
you
know,
Amy
Poehler
just
came
out
with
her
podcast,
and
I've
loved
her
forever.
She's
released
three
episodes.
I'm
already
a
fan
of
her
podcast.
So
there
are
different
paths
and
there
are
sort
of.
And
that's
one
of
the
things
that
we
try
to
do
with
this
study,
sort
of
understanding
how
listeners
become
fans.
They're
kind
of
four
different
end
points.
There's
sort
of
the
connection
that
stems
from
feeling
like
they're
friends
with
the
host.
71%
of
fans
say
that
they
feel
like
they're
friends
with
the
host,
so
that
it's
connection
driven.
It
could
also
be
identity
driven.
One
of
the
people
we
conducted,
in
addition
to
a
survey,
we
also
conducted
in
person
interviews.
One
of
the
people
we
spoke
to
said,
I
think
podcasts
help
me
see
myself
more
clearly.
They've
helped
me
understand
myself.
So
there's
this
underlying
connection
with
identity.
With
podcasts,
they
can
also
become
a
fan
through
emotional
connection.
Someone
said,
podcasts
help
me
be
more
productive.
They
help
me
regulate
my
attitude.
So.
Or
they
make
me
laugh.
They
71%
said,
of
the
fans,
71%
said
they
are
fans
because
podcasts
help
them
escape
real
life.
So
there's
like
this
emotional
connection,
and
then
finally
there's
the
sense
of
community.
That's
also
one
of
the
four
primary
drivers
for
fandom.
62%
are
fans
because
they
help
them
feel
like
they're
a
part
of
something
bigger
than
themselves.
So
I
am
a
fan
of
this
podcast
called,
you're
about
to
say
Pod.
News
Weekly,
weren't
you?
Pod
News
Weekly,
yes.
When
I
meet
another
Pod
News
Weekly
fan,
we
go
crazy
because
we're
like,
oh,
my
gosh,
you
listen
to
Sam
and
James
two,
you
know,
there
is
that
sense.
It's
not
just
you,
it's
bigger
than
you.
So
those
are
four
different
examples,
four
different
touch
points
that
get
people
into
fandom
that
sort
of
drive
the
fandom.
And
it's
great
for
podcasters
to
understand
all
of
these
different
endpoints
to
better
understand,
you
know,
what
they're
doing.
Well,
and
that's
great
for
brands,
too,
to
sort
of
understand
the
different
ways
that
they
can
connect
with
consumers
through
podcasts.
Now,
look,
if
everyone
wants
to
go
and
find
more
about
Edison
Research,
go
and
find
more
about
the
Infinite
Dial
or
this
fandom
report.
Where
would
they
go?
Megan
edisonresearch.com
and
because
social
media
is
so
disjointed,
look
on
every
platform
for
us.
We're
there.
Look
for
us.
I
think
it's
gonna,
you
know,
like
you
have
with
podcasting,
wherever
you
get
your
podcast,
we
have
to
have
wherever
you
get
your
social
media.
Is
the
next
state.
Right?
Right.
Yeah.
Find
us
on
edisonresearch.com
and
sign
up
for
our
weekly
newsletter.
You
can
find
a
link
to
sign
up
on
edisonresearch.com
as
well
because
we
really
do
make
an
effort
to
deliver
never
before
seen
data
every
Wednesday
in
your
inbox.
Megan,
thank
you
so
much
and
thank
you
for
the
Infinite
Dial.
Of
course.
Thanks.
Megan
Lazovic
from
Edison
Research.
The
good
news
is
I
think
Infinite
Dial
Australia
is
currently
out
in
the
field,
so
we'll
get
some
details
from
Australia
relatively
soon.
Also,
I
gather
that
Infinite
Dial
New
Zealand
is
coming
back
as
well.
It
is
this
year
as
well,
which
is
excellent
news.
So
I'm
hoping
that
we
get
more
from
other
countries
because
it's
really
useful
when
you
can
start
comparing
things.
So
yes,
that's
a
really
useful
thing.
I
also
found
the
conversation
that
we
had
about
Wondery's
report
about
fandom
quite
interesting
as
well.
So
yeah,
again
I
think
that's
something
that
we're
going
to
touch
on
later
in
this
show
now.
Indeed.
And
of
course
Wonder
is
report
on
fandom
will
be
at
Evolutions
in
Chicago
next
week.
It's
not
the
only
big
study
though,
is
it?
No,
there's
going
to
be
another
one
as
well.
It's
called
the
State
of
video
podcasting
in
2025
by
Coleman
Insights
and
Amplify
Media.
What's
this
one
about,
James?
So
this
is
all
about
video
podcasts,
how
people
consum
and
whether
or
not
video
is
a
helpful
thing.
Now
they
have
released
a
little
bit
of
that
data
a
little
bit
early,
saying
that
only
10%
of
Gen
Z
podcast
consumers
never
consume
video
podcasts.
So
basically
it's
all
about
video
for
them.
Although,
you
know,
about
40%
of
Gen
Z
podcast
consumers
only
or
mostly
consume
audio
podcasts.
So,
you
know,
a
bit
of
a
mixed
bag
there,
but
it
should
be
really
interesting
seeing
that
obviously
Coleman
Insights,
just
like
Edison
Research,
very
large
good
market
research
company
and
yes,
so
a
ton
of
data
there.
You're
going
to
be
presenting
something
as
well,
aren't
you,
at
Evolutions?
I
am
indeed.
I'm
going
to
be
presenting
the
POD
News
report
card
and
I've
also
got
some
data
from
PodTrack
which
will
be
an
exclusive
which
I'm
looking
forward
to
breaking
as
well
next
week.
I'd
love
to
tell
you
what
that
data
is.
I've
got
it
emailed
to
me.
Haven't
had
the
chance
to
actually
open
the
yet.
Right.
So
what
was
it
entitled?
Exclusive
do
not
open
until
next
week.
I
mean,
I
basically
I
contacted
them
a
couple
of
months
ago.
And
I
said,
oh,
I'm
doing
the
report
card
again.
If
you'd
like
a
big.
A
big
logo
on
the
screen
with
some
data,
then
do
you
have
any
interesting
data?
And
they
do.
So
that's
good.
So,
yes,
so
very
much
looking
forward
to
breaking
some
of
that.
I
went
through
the
the
POD
News
report
card
with
Apple
Podcasts
yesterday
and.
And
it
seemed.
Seemed
to
go
down,
you
know,
relatively
well,
which
is
nice.
So
I'm
looking
forward
to
sharing
it
with
other
platforms
as
well
over
the
next
couple
of
weeks
now.
Also,
congratulations
to
friend
of
the
show,
Stephen
Goldstein,
who
is
celebrating
10
years
at
Amplify
Media.
So
maybe
you
and
him
can
get
in
a
bar
somewhere
over
in
Evolutions
to
have
a
drink.
Yes,
that
sounds
like
a
good
plan.
He's
a
good
professor,
Goldstein.
Yes,
he
was
the
person.
He
was
the
person
who
came
up
with
the
idea
of
POD
News,
Interestingly.
There
you
go.
Well,
maybe
you
own
one
or
more
drinks.
I
think
I
do.
Yes,
exactly.
Right.
Now,
moving
on.
When
is
a
play
not
a
play?
James?
Now,
we
know
a
download
is
not
a
listen,
but
when
is
a
play
not
a
play?
Basically,
we
saw
this
week
that
what
counts
as
a
play
in
analytics
in
Apple
Podcasts
can
be
very
weird.
Bumper.
We're
talking
about
it
every
time
you
hit
the
play
button
in
Apple
podcasts.
Tell
me
more
about
this.
Yes,
this
was
a
sort
of
hidden
thing
in
the
middle
of
an
article
from
Bumper
which
shows
how
to
combine
plays,
basically.
So
looking
at
YouTube,
looking
at
Apple,
looking
at
Spotify
and
so
on
and
so
forth
and
going,
okay,
well,
how
many
total
plays
have
we
got?
And
the
quick
answer
is
there's
not
an
easy
way
to
compile
that
at
all.
Apart
from
anything
else,
YouTube
doesn't
tell
us
how
it
calculates
a
play.
It
never
has.
So
that's
a
weird
one,
but
hidden
away
in
this.
And
I
spoke
with
Dan
Meisner
from
Bumper
about
this
was
a
little
thing
that
said
that
every
time
you
hit
the
play
button
in
Apple
podcasts,
it
counts
as
a
play.
So
that
means
that,
for
example,
if
you
pause
a
podcast
and
then
hit
play
again,
well,
that's
at
least
two
plays,
maybe
even
three,
because
you've
hit
that
play
button.
So
if
you.
So
my
guess
is
that
includes
if
you
take
your
AirPods
out
and
you
order
a
coffee
and
then
you
put
your
AirPods
back
in
again
because
that's
paused
it
and
then
played
it.
Maybe
it
includes
as
you're
driving,
you're
listening
to
a
podcast,
and
the
podcast
pauses
ever
so
slightly
to
tell
you
to
turn
left.
Maybe
it
includes
that
as
well.
Who
knows?
Who
knows
indeed?
Yeah,
we
don't
know.
Yeah,
who
knows
indeed.
But
I
did,
you
know,
I
mean
I
did
go
into
Apple
Podcasts
Connect
and
find
that
this
show
actually
has,
in
Apple
Podcasts
has
32
listeners
but
232
plays,
which
makes
no
sense
to
me
at
all
actually
if
you
think
about
it,
because,
I
mean,
how
does
that
really
work?
32
listeners
but
232
plays?
Are
we
really
saying
that
most
people
are
playing
it
10
times?
No,
I
find
that
very
strange.
But
anyway,
so
yes,
that
was,
that
was
an
interesting.
That
was
an
interesting
thing.
I
thought.
So
remind
me,
why
do
we
have
different
metrics
for
play
through
the
main
players?
You
know,
Apple,
Spotify,
YouTube.
Is
it
because
no
one
set
a
standard
or
is
it
because
they
all
want
to
do
it
differently?
Well,
I
think
it's
partially.
Nobody
has
set
a
standard,
or
at
least
nobody
is.
Nobody
cares
about
a
standard
if
even
if
it
is
actually
set.
So
Apple
hasn't
signed
up
to
any
of
the
IAB
guidelines,
nor
have
Spotify,
nor
have
YouTube.
So
IAB,
you
know,
I
mean,
it's
a
useful
thing,
but
if
the
three
big
podcast
apps
don't
actually
use
it,
it's
not
particularly
helpful.
So.
Yeah,
but
you
know,
I
mean
a
play
could
be
a
useful
number
if
it
actually
meant
something.
But
what
I
think
is
pretty
clear
with
this
is
that
it
doesn't
actually
mean
anything
anyway.
Yeah,
now
I
think
it
could
be
converted
into
an
aggregated
total
listen
time
and
percent
completed
and
then
the
play
doesn't
really
matter.
The
number
of
times
you
hit
start,
stop,
start,
stop,
start,
stop
wouldn't
actually
have
any
relevance.
It
would
be
actually
what
was
the
total
aggregated
time
you
played
of
that
episode?
So
you
could.
Moving
on,
I
just
wanted
to
have
this
discussion
with
you.
YouTube
pricing.
Last
week
we
talked
about
YouTube
expanding
its
pricing
with
something
called
Premium
Lite.
It's
being
piloted
in
the
US
but
it's
extending
out
weirdly
to
Thailand,
Germany
and
Australia.
I
don't
know
how
they
randomly
pick
those
three
countries,
but
they.
But
what's
very
cool
about
it
is
they're
putting
a
YouTube
ad
free
price
of
799
per
month
dollars.
And
that
means
you
don't
get
music,
but
you
do
get
ad
free
video
and
podcasting.
So
I
thought
that
was
very
cool.
The
thing
I
wanted
to
ask
you,
James,
is
this
puts
a
real
squeeze
on
Spotify
because
Spotify
have
5.99
for
students,
$11.99
for
individuals
and
16.99
for
family.
Spotify
couldn't
put
out
a
799.
No
music
service,
could
they?
No,
not
really.
I
mean,
because
there's
hardly
anything
on
Spotify
that
isn't
music.
I
mean,
yes,
podcasts,
but,
you
know,
but
your
podcast
is
still
going
to
have
ads
in
them.
So,
no,
I
don't
think
that
Spotify
can
offer
this.
And
I
think
it's
probably
just
a
historical
thing
in
that.
I
think
it's
probably
just
a
historical
thing
in
that
YouTube
obviously
came
from
the
video
world,
but
also
had
a
music
service
that's
part
of
YouTube
Premium.
And
they've
all
of
a
sudden
realized,
well,
actually,
you
know
what,
we
should
stop
doing
the
music
service
as
well.
And
then
we
can
offer
a
cheaper
ad,
free
version
of
YouTube.
So
I
think
that,
that,
you
know,
makes
a
bit
of
sense
there.
But
yeah,
I
think
it
will
add
a
squeeze
onto
Spotify.
Clearly
spot
concerned
about
YouTube
because
Spotify
has
spent
the
last
six
months
or
so
talking
about
video
all
of
the
time
and
saying
that
video
is
the
future
for
everything.
And
you
can
also
see,
you
know,
in
certain
countries,
and
I
don't
know
if
you
have
it
in
the
uk,
but
in
certain
countries
Spotify
also
has
music
videos
as
well,
which
they're
trying
to
roll
out
into
the
US
but
they
haven't
yet
managed
to
do
that,
I
believe.
But
obviously
that's
an
addition
there
as
well.
We
talked
about
their
price
elasticity.
I
don't
think
they
can
go
much
higher
in
their
price
before
it
snaps
and
then
they
may
have
to
come
down
to
compete
on
this
799
price
point.
But
as
I
said
last
week,
Spotify
is
good
for
music,
but
it's
a
poor
podcast
app.
And
I
don't
know
if
I
would
pay
just
for
podcasting
as
an
app
for
Spotify.
Yeah,
yeah.
No,
indeed.
Now,
James,
you
were
on
the
media
Roundtable
this
week
and
you
said
something
quite,
I
thought,
quite.
Really?
Well,
often
you
say
things
interesting.
I'm
not.
I
was
about
to
say
you
said
something
interesting.
Interesting.
Once
in
a
lifetime.
God.
Finally.
No,
let
me
try
rewording
that.
You
were
on
the
media
round
table
and
you
were
talking
about
this
topic
of
advertising
and
what
you
said
was,
but
the
people
who
would
then
listen
to
the
adverts
are
probably
not
the
people
you
want
to
reach.
Yes,
yes.
Because
I
mean,
if
you
can
afford
whether
it's
7.99,
whether
it's
11.99,
whatever
that
money
is
per
month
to
get
rid
of
the
ads,
then
that
probably
says
that
you've
got
more
disposable
income.
That
probably
says
that
you
are
therefore
a
bit
richer
than
a
listener,
that's
that,
that
isn't
doing
that.
And
in
which
case,
surely
you
are
the
people
who
the
advertisers
want.
Surely
the
advertisers
don't
want
just
to
be
advertising
to
people
that
can't
afford
to
get
rid
of
the
ads.
So,
yeah,
send
them
an
Aston
Martin
ad
to
somebody
who
can't
afford
7.99.
So
I
always
find
it
very,
I
always
find
it
very
odd
when
companies
say
you
can,
you
can
get
rid
of
the
ads
because
what
does
that
say
about
the
audience
that
hears
the
ads?
So,
yeah,
I
do
think
it's
something
just
to
have
a
think
about.
Now,
YouTube
could
be
switching
on
dynamic
ad
insertion.
James,
tell
me
more
about
this.
Yeah,
so
this
is
according
to
a
report
by
Semaphore.
The
report
basically
says
that
YouTube
is
considering
making
dynamic
ads
in
videos.
So
it
would
allow
a
host
red
ad
to
be
dynamically
inserted
and
swapped
out
within
individual
YouTube
videos.
So
of
course
you
can
do
that
in
terms
of
audio
podcasts
using
OpenRSS.
So
that's
all
good.
And
so
the
theory
is
that
you
can
do
that
in
videos
as
well.
What
I
would
say
is
this
sounds
like
a
very
interesting
idea,
but
it
also
sounds
like
an
idea
of
YouTube
going,
ah,
maybe
there's
some
money
in
this
dynamically
switchable
ad
insertions
and
maybe
we
can
get
our
30,
40%
of
that.
And
so
it's
another
parking
their
tanks
on
the
lawn
of
folks
who,
you
know,
who
already
offer
that
particular
service.
So
I'm
not
necessarily
sure
it's
good
news
for
the
podcaster.
I
think
if
anything,
it
might
mean
that
we
see
the
rules
about
host
red
ads
being
changed
in
the
future
for
YouTube
so
that
YouTube
actually
begin
to
get
some
money
from
those
instead
of
just
allowing
those
to
be
in
videos
anyway.
So
I'm
not
sure
sure
that
it's
good
news
for
creators,
but,
you
know,
time
will
tell.
The
only
thing
that
I
would
say
is
this
is
a
report
in
Semaphore.
YouTube
haven't
commented.
And
when
I
did
a
report
on
YouTube's
getting
RSS
ingestion
and
that's
going
to
be
amazing.
YouTube
took
nine
months
to
launch
that
product.
So
I
would
imagine
this
is
very
early
on
and
I
would
imagine
that
YouTube
is
busy
thinking
about
how
it
works,
but
we're
not
going
to
see
that
anytime
soon.
No,
but
Semaphore
also
suggested
something
about
Spotify
as
well.
James?
Well,
I
mean
they
say
that
Spotify
already
offers
this
particular
product.
It
doesn't,
it
doesn't
have
dynamic
ad
insertion
in
video.
And
indeed
when
you
add
video
to
your
podcast
episodes
on
Spotify,
you're
getting
rid
of
dynamic
ad
insertion
on
audio
as
well.
So
it's
a
bit
of
a
mess.
So,
you
know,
it's
not
always
fair
to
point
out,
you
know,
inaccuracies
in
other
people's,
you
know,
in
other
people's
coverage.
But
in
that
particular
case,
it's
just
worthwhile
pointing
out
that
nobody
else
offers
this
in.
I
mean,
they
said
that
both
Spotify
and
Apple
Podcasts
offer
it.
Well,
Apple
Podcasts
doesn't
host
shows
anyway,
so.
No,
and
Spotify
doesn't
offer
that
either.
So
always
interesting
just
to,
you
know,
keep
an
eye
on
that
sort
of
thing.
Now,
talking
of
Spotify
and
video,
there
was
an
announcement
briefly
on
your
favorite
platform,
LinkedIn,
of
FlightCast,
announcing
the
beta
of
their
video
and
audio
hosting
platform.
Rox,
who
is
the
CTO
building
the
platform,
said,
for
the
past
year,
I've
been
quietly
building
a
video
podcast
hosting
platform
with
Stephen
Bartlett
from
Diary
of
a
CEO.
We're
running
a
closed
beta,
although
Steve
wants
to
hold
off.
I
want
to
add
a
handful
more
beta
testers.
So
if
you
go
onto
LinkedIn,
find
rocks
and
then
type
I'm
in,
he
will
send
you
a
link
to
apply
for
the
beta.
That
doesn't
mean
you'll
get
in,
by
the
way,
but
you
can
apply.
But
what's
very
cool
is
you
can
upload
video
and
audio
everywhere.
So
they're
talking
about
Apple,
YouTube,
but
they've
got
Spotify
video
as
well.
And
I
know
that
they
did
that.
We
talked
about
this
in
December
when
I.
Are
they
talking
about
Apple?
Well,
I
assume
they
will
be,
because
if
you're
saying
everywhere,
well,
everywhere
says
Apple,
doesn't
it?
Yeah,
I
was
curious
about
that
because
they
didn't
mention
Apple
at
all
on
the
post.
I
think
the
interesting
thing
about
this
is
they
appear
to
be
the
first
podcast
hosting
company
to
be
able
to
upload
video
directly
into
Spotify.
I'm
unaware
of
any
other
company.
Maybe
Megaphone
will
do
that
too,
but
I'm
unaware
of
any
other
company
which
has
access
like
that.
You
can
do
that
from
YouTube,
obviously.
But
that
I
thought
was
really
interesting
seeing
that
side
of
it
as
well.
It
would
be
great
if
it
also
supported
video
podcasting
through
OpenRSS.
So,
yeah,
I'd
like
to,
you
know,
I'd
like
to
learn
a
little
bit
more
about
that
bit.
Yeah,
I
think
when
we
all
get
on
to
the
actual
product,
we'll
know
more.
Personally,
I
don't
think
it's,
you
know,
hosts
are
going
to
go,
oh,
my
God,
that's
it.
I
think
this
is
a
wake
up
call
to
host
to
actually
get
their
act
together
and
start
to
look
at
this
stuff.
I
mean,
we
had
Apple
giving
them,
you
know,
access
to
Apple
Connect
and
they've
got
Apple
delegated
delivery.
I
think
Spotify
hopefully
will
give
everyone
else
access.
I
mean,
Stephen
B.
Got
it
directly
by
asking
Daniel
Ek.
I
don't
think,
you
know,
everyone
else
can
phone
up
Daniel
and
ask
him
for
direct
access,
but
if
they've
built
it
now
for
FlightCast,
maybe
they
can
give
that
same
access
to
every
other
host.
What
isn't
in
there
though,
is
live.
There's
no
live
capability
yet
within
what
they're
doing
at
the
moment.
Yeah,
yeah,
there
you
go.
Watch
this
space
now.
Talking
about
hosts,
talking
about
the
community
working
together.
Surprise,
surprise.
There
was
a
blog
post
from
the
Podcast
Standards
Project.
James,
what
did
they
say?
Yes.
So
the
Podcast
Standards
Project
posted
their
first
thing
since
August
of
last
year
with,
you
know,
what
we've
achieved
and
what
comes
next?
What
we've
achieved
is
that
there
are
five
features
that
the
Podcast
six
features
that
the
Podcasting
Standards
Project
try
and
get
implemented.
And
they
say
that
there
are
427,000
RSS
feeds
out
there
with
all
five
of
those
features,
which
is
nice.
And
basically
saying
that
pretty
well
everybody
supports
all
of
those,
you
know,
so
that
is
good.
And
yeah,
I
think
this
was
very
much
a
post
from
Justin
Jackson
from
Transistor,
basically
trying
to
give
a
different
view
than
the
view
that
we
have
had
on
this
show,
which
is
that
the
Podcast
Standards
Project
is
a
waste
of
time
and
it's
probably
already
closed.
You
know,
there's
a
long
post
here
with
lots
of
celebrations
of
all
of
those
shows,
but
also
talks
about
what
the
future
might
be
and
is
there
a.
Is
there
a
killer
feature,
much
the
same
as
Tom
Webster
has
been
talking
about?
Is
there
a
killer
feature
for
podcast
apps
that
we
can
help
implement
and
all
of
that
kind
of
stuff
and
just
the
problems
that
they've
had
in
terms
of
moving
forward.
Not
that
anyone's
ever
asked
and
no
one
ever
will,
but
here's
my
opinion,
for
what
it's
worth,
they
need
to
put
money
into
a
pot.
I
think
the
Podcast
Standards
Project
is
a
lovely
group
of
people.
All
the
people
involved
individually,
we
know
as
friends,
but
in
my
opinion,
don't
just
talk
the
talk,
walk
the
walk.
You
need
to.
The
website
needs
to
be
updated.
You
need
to
pull
in
the
person
taxonomy.
It's
sitting
on
a
remote
site
somewhere,
never
been
updated
or
looked
at
for
three
years.
The
music
licenses
stuff
is
sat
with
Phantom
Power
Media,
the
music
category
list
is
sat
with
Wave
Lake.
Daniel
has
a
website
that's
got
some
other
stuff
on
it.
It's
all
over
the
place.
That
needs
to
all
be
pulled
together.
That's
the
first
thing
I
would
say.
They
need
to
invest
into
seed
money.
Now,
this
is
a
controversial
one,
but
I
think
they
need
to
invest
into
new
apps
and
then
the.
The
more
apps
that
support
more
tags,
the
more
funding
they
get.
The
quid
pro
quo
would
be,
it
would
be
an
equity
investment.
So
the
apps
then,
if
they
got
further
funding
or
in
the
future
sold
there
would
be
money
back
into
the
PSP
pot.
It's
a
bit
like
the
Norway
Wealth
Fund.
You
know,
they
keep
investing
into
it
and
then
they
get
more
and
more
money
into
that
fund.
And
finally,
I
think,
you
know,
the
first
party
data
we
talked
about
earlier,
giving
that
back
to
hosts
from
apps,
I
think
there
would
be
an
incentive.
And
finally
they
need
to
find
someone
who's
going
to
be
an
evangelist.
I
stepped
up,
I
stepped
down.
It
needs
to
be
a
paid,
permanent
role.
Somebody
needs
to
do
it.
They
need
to
be
flying
around
to
all
the
shows,
events,
talking
to
the
agencies,
talking
to
production
companies,
talking
to
just
everyone
in
the
ecosystem
and
building
those
champions.
We
talked
about
last
week,
James,
the
people
who
can
take
on
each
tag
and
become
the
challenger.
There's
so
much
that
can
be
done.
I
really,
really,
really
hope
that
the
Podcast
Dance
project
is
a
success.
It's
the
marketing
arm
of
podcasting
2.0
and
it
needs
to
really
work.
So
I'll
end
it
on
one
thing.
Either
go
big
or
go
home.
The
halfway
house
that
it's
been
is
a
waste
of
time.
And
so
either
do
something
or
just
shut
up
about
it
and
leave
it
alone
and
move
on.
Yes,
I
would
agree
with
all
of
that.
I
think
it's
very
important
that
we
move
forward
with
that
and
actually
get
moving,
you
know,
with
it.
I
mean,
I
think
it's
interesting
seeing
there's
a
big
table
in
that,
in
that
posting,
and
it's
interesting
seeing
that,
you
know,
just
zero
support
from
companies
like
acast,
Libsyn,
podbean,
Spreaker,
Spotify,
obviously,
and
so
on
and
so
forth.
So,
yeah,
it's,
it's,
you
know,
it'd
be
great
if
there
was
more,
more
people
involved.
Buzzsprout,
our
sponsor,
is
involved
with
it,
as
of
course,
is
transistor
captivateredcircle,
RSS.com
and
others
in
there
as
well.
So
it'd
be
good
to
see
more
people
being
involved
with
that
as
well.
Now,
talking
of
RSS.com,
they've
been
active,
haven't
they?
And
what
have
they
been
doing?
Yeah,
they
have.
So
they
have
achieved,
for
the
first
time,
they've
achieved
IAB
podcast
measurement
guidelines
version
2.2
compliance,
which
is
exciting.
So
that
is
one
thing,
IB
compliance
obviously
useful
for
you
in
case
you
are
moving
podcast
hosting
companies
and
you
want
to
at
least
make
sure
that
the
analytics
are
going
to
be
roughly
equivalent.
And
similarly,
you
know,
they
are
useful
numbers
because
quite
a
lot
of
people
actually
ask
for
IAB
compliant
numbers
these
days.
You
know,
regardless
of
our
issues
with
the
ip,
you
know,
it
is
useful
to
at
least
have
had
someone
looking
at
your
code,
regardless
of
how
useful
those
numbers
actually
are
at
the
end
of
it.
But
what
also
RSS.com
has
done
is
they
have,
they're
a
bit
late
to
this,
but
they
have
now
added
automatic
Apple
Podcasts
submission.
So
that
feature,
if
you
remember,
was
launched
last
month
from
Apple,
a
bunch
of
people
jumping
in
and
doing
it.
And
it
essentially
means
that
if
you
are
a
brand
new
podcaster,
you
can
just
publish
to
Apple
with,
with
one
button
it
goes
into
RSS.com's
account
and
then
you
can
move
it
over
onto
your
own
account
when
you're
ready
to
sign
up
with
Apple
directly.
So
that's
a
good
thing.
They
also,
I
mean
it's
not
a
trade
secret
because
it's
on
there
website.
They're
adding
dynamic
ad
insertion
very
shortly
as
well.
So
again,
something
else
that
they
are
working
on.
Yeah,
indeed.
Moving
forward,
Bloomberg.
Ashley
Carmen
had
a
very
interesting
report
this
week
which
was
porn
on
Spotify
is
infiltrating
the
platform's
top
podcast
charts.
Now
that
is
not
a
good
thing.
It's
happened
before
in
the
past
and
they've
taken
it
down.
It's
a
game
of
whack
a
mole
that
Spotify
likes
to
play.
But
what,
what
they
were
worried
about,
at
least
the,
the
implication
was
was
that
because
they've
added
video
to
Spotify's
podcast,
now
that
porn
companies
are
going,
oh
there's
money
there,
let's
stick
some
stuff
up
and
see
what
we
can
get.
But
according
to
Spotify,
our
platform
rules
will
not
allow
sexually
explicit
material.
And
equally
they
say
they
would
not
qualify
for
the
partner
program.
So
I
think
on
that
sense
there
is
no
money
for
them
to
get.
But
strangely
they
did,
according
to
Ashley,
appear
in
the
charts.
Yes,
and
I
would
imagine
that
yes,
there
may
be
no
money
for
them
to
get
directly
from
Spotify,
but
there
may
be
opportunities
and
things
for
them
to
get
money
elsewhere.
If
you
remember,
quite
a
lot
of
people
were
signing
up
with
free
podcast
hosts
to
be
able
just
to
market
sex
workers.
And
that
was
something
that
quite
a
lot
of
people
were
doing.
So
the
podcast
itself
didn't
really
exist,
but
it
was
a
good
and
free
way
for
them
to
get
the
telephone
numbers
of
these
sex
workers
in
various
parts
of
parts
of
the
world
into
big
search
engines
like
YouTube
and
Apple
Podcasts.
So,
yeah,
it
is
interesting.
I've
not
covered
this
and
I'm
not
quite
sure.
It
is,
of
course
an
issue
that
as
soon
as
you
turn
on,
particularly
turning
on
video,
then
you
will
get
adult
content.
But
this
has
always
been
a
problem
with
Spotify.
It's
always
been
sort
of
available
on
there.
And
so
I
was
struggling
a
little
bit
to
work
out
what
the
story
was,
other
than
perhaps
that
it's
the
first
time
that
it's
actually
been
seen
in
the
top
10
charts.
I
think
that's
it.
I
mean,
it's,
it's,
it's.
Everyone
knows
it's
sort
of
lingering,
but
when
it
comes
front
and
center,
I
think
that's
when
people
go,
oh,
that's
not
quite
what
we
want.
Because
I
don't
think,
I
mean,
I've
never
tried.
But
I
don't
think
YouTube
has
that
problem.
It
may
well
do,
but
I
don't
know.
I
know
Tick
Tock
and
I
know
X
and
other
platforms,
platforms
do
have
that
problem.
I
mean,
in
fact,
X
have
just
gone
the
other
way
and
said,
yeah,
bring
it
all
on,
we'll
make
money
from
that
as
well.
So
platforms
have
that
problem.
It's
just
how
you
deal
with
it.
And
I,
I
think
Ashley
was
trying
to
say,
was
the
video
incentive
the
reason
that
there
was
an
increase
in
the
amount
of
content
from
porn
companies.
And
the
answer
from
Spotify
seems
to
be
no,
that's
not
what
it
is.
Yeah,
yeah.
Well,
now
let's
dive
around
the
world
if
we
can,
because
we
had
some
news
from
Japan.
There's
that
song,
of
course,
big
in
Japan.
And
podcasting
is,
well,
slightly
less
small
in
Japan.
It's
still
not
very
big.
17.2%
of
Japanese
adults
are
listening
to
podcasts
at
least
once
a
month.
That
figure
is
55%
in
the
US
audio
only
stuff
in
Japan
really
does
not
do
very
well.
Historically.
There's
something
about
the
Japanese
that
means
that
audio
and
radio
doesn't
do
particularly
well.
But
good
to
see
that
data
from
Otonal
and
the
Asahi
Shimbun
Company,
which
I
have
to
say,
apparently,
I'm
not
quite
sure
why.
I'm
glad
you
did.
I
couldn't.
So,
so
that's
all
fun.
And
of
course,
happy
100th
anniversary
in
Japan
for
radio,
which
started
100
years
ago
with
the
name
of
a
radio
station
in
Japan
being
said
over
and
over
again
and
over
again
by
a
very
shouty
man.
Anyway,
so,
so
that's
all
good
that's
going
on
in
Japan,
in
India,
Indian
government,
the
Indian
government
is
making
a
$1
billion
investment
in
the
local
creator
economy.
One
more
country
doing
a
big
local
creators.
The
previous
set
of
companies,
previous
set
of
countries
to
do
that
have
been
places
like
Saudi
Arabia
and
Qatar
and
the
uae.
So
interesting
to
see
India
jumping
in
there
and
going.
Actually
the
local
creator
economy
is
really
important
for
the
future
of
our,
of
our
industry.
So
yes,
you
know,
a
ton
of,
a
ton
of
stuff
going
on
there.
And
in
the
UK
there
is
an
event
which
is
going
to
happen.
It's
called
the
Power
of
Podcasting
and
it's
on
Wednesday
23rd
April.
The
event
is
interesting
because
it's
designed
to
connect
brands
and
agencies
with
the
production
houses
and
networks
behind
various
UK
podcasts.
It's
done
by
a
company
called
Audio
uk
and
you
caught
up
with
Chloe
Straw
who's
their
CEO
and
you
asked
firstly
what
Audio
UK
was.
So
we've
recently
slightly
updated
our
kind
of
mission
statement
and
that's
very
much
because
the
way
that
the
audio
industry
has
changed
so
rapidly
over
the
last
kind
of
10
years.
So
we
are
an
industry
body
and
we're
dedicated
to
advancing
the
audio
sector.
So
that
includes
podcasts,
radio,
audiobooks
and
that's
by
fostering
innovation,
supporting
creators
and
businesses
and
driving
sustainable
growth,
growth.
So
we've
got
about
130
members,
we're
member
funded
and
I
think
we
have
about
50
in
London,
50
out
of
London
across
the
UK
and
they
include
businesses
like
Sony,
Gohanger
Audio,
always
Persephonica
Novel.
So
a
huge
range
of
amazing
different
businesses.
And
when
you
say
all
these
people
are
members,
what
is
it
that
you
are
then
giving
them
guidance?
Are
you
giving
them
regulation?
What
is
it
that
Audio
UK
provides
then?
So
we
do
a
huge
amount
of
different
work
and
it
represents
the
huge
range
of
different
members
that
we
have.
So
within
those
lists
we
might
have
one
person
who
is
an
audiobook
producer
and
they
churn
out
audiobooks
every
single
week
in
their
home
studio.
And
then
obviously
you
have
Goal
hanger
who
are
absolutely
massive
and
have
five
out
of
the
top
10
Apple
Podcasts
in
the
charts
every
week.
So
in
the
way
that
our
members
have
a
lot
of
different
needs,
needs,
we
provide
a
lot
of
different
services,
say
one
of
the
biggest
things
that
we
concentrate
on
is
growing
the
industry
and
growing,
I
guess
the
amount
of
money
coming
into
the
Industry
for
our
members.
Our
members
are
largely
independent
and
by
that
I
mean
we
don't
have
the
BBC
as
a
member,
we
don't
have
Global
as
a
member,
but
we
do
have
some
of
the
kind
of
biggest
independent
podcast
companies.
And
so
I
guess
what
we
do
I
split
into
almost
two
sides.
There's
the
tangible
benefits
and
the
less
tangible
benefits
in
terms
of
industry
growth.
Of
our
main
things
this
year
is
we're
doing
a
huge
amount
of
policy
work
which
doesn't
sound
that
exciting
but
is
really,
really
important.
And
the
main
crux
of
that,
without
turning
this
into
a
policy
podcast,
is
around
getting
audio
podcasting
recognized
as
a
creative
industry.
So
there's
something
at
government
level
called
the
Creative
Industries
Council.
It
has
a
huge
amount
of
input
into
where
the
money
goes
for
the
creative
industries
representation
abroad
and
all
different
levels
of
development
around
the
creative
industries.
And
as
it
stands,
there
is
no
seat
for
audio
in
any
form
on
the
Creative
Industries
Council,
which
seems
completely
mad
to
me.
And
so
one
of
the
big
things
that
I've
been
working
on
with
Hannah,
who's
our
policy
and
regulation
lead,
is
lobbying
around
a
seat
on
the
Creative
Industries
Council.
And
from
that
flows
things
like
creative
audio,
tax
relief
for
podcasting
and
audiobooks,
more
IP
funding
for
development
and
IP
export
overseas.
So
I
guess
if
you're
one
of
our
bigger
members,
then
you
are
able
to
directly
feed
into
those
conversations.
I
think
one
of
the
things
I
love
about
Audio
UK
is
I
keep
in
fairly
constant
contact
with
a
lot
of
the
founders
and
CEOs
and
MDs
of
our
companies
who
are
always
very
open
to
talking
to
our
members
about
various
issues
and
that
gives
them
a
really
kind
of
direct
avenue
into
those
massive
industry
decisions.
So
it's
very
much
about
growing
the
industry.
Tangible
benefits,
we
provide
a
lot
of
business
support.
So
we've
just
partnered
with
a
new
insurance
provider
on
behalf
of
our
members
called
Riskbox,
which
is
great.
Have
a
long
running
partnership
with
Minton
Co,
who
provide
as
soon
as
you
join
up
at
any
business
level,
you
get
access
to
30
free
legal
contract
templates.
We
have
a
partnership
with
HR
companies.
All
of
those
things
that
you
might
be
really
focused
as
a
business
on,
like
what's
the
creative,
what's
an
idea?
But
all
the
kind
of
infrastructure
of
running
a
business.
We
also
offer
that
to
all
of
our
our
members.
So.
And
many
other
things,
training,
audio
production
awards
which
we're
going
to
call
the
APAs
from
now
on.
And
yeah,
so
many
different
things.
I
don't
know
if
you
saw,
but
in
this
week's
news,
India
has
announced
a
$1
billion
investment
into
its
local
creator
economy.
So
it
sounds
very
similar
to
what
you
were
just
describing
with
what
audio
UK
would
want
from
the
UK
government.
So,
in
Mumbai,
Neil
Mohan,
the
CEO
of
YouTube,
basically
spoke,
and
then
the
Indian
government
minister
has
announced
that
they're
putting
in
$1
billion,
not
rupees,
thankfully.
And
the
goal
is
to
enable
creators
to
scale
their
productions,
upgrade
tech
and
tap
into
the
global
markets.
That
sounds
exactly
what
you
were
just
describing
for
what
Audio
UK
wants
the
UK
government
to
do.
Yeah,
I
mean,
that's
very
much
what
we
need
to
happen.
I
think
if
I
have
a
fascinating
spreadsheet
which
looks
at
kind
of
the
different
benefits,
benefits
that
other
creative
industries
get.
So
film,
tv,
gaming,
animation,
theatre,
they
get
a
huge
amount
of
government
support.
Where
historically
we
got
a
bit
of
money
into
training,
but
that
stopped
in
2018.
We're
actually
partnering
with
the
BBC
on
training.
We're
relaunching
Audio
Train,
which
will
be
great,
but
I
feel
like
the
government
should
be
putting
money
into
training
for
audio
as
well.
Absolutely.
We
put
in
a
proposal
for
the
spring
spending
review
around
a
fund
for
IP
development,
development
and
export.
So
obviously,
as
we
all
know,
one
of
the
things
that
we
want
to
do
is
make
sure
that
UK
podcasting
is
successful
internationally
and
we're
able
to
tap
into
those
international
markets
as
well.
And
that's
another
of
our
key
focuses,
is
how
do
we
bring
in
more
international
investment.
The
kind
of
IP
fund
focuses
on
that
at
a
local
level
as
well
as
at
a
global
level.
And
also
the
audio
tax
relief
is
very
much
around.
So
many
of
our
member
companies
use
UK
teams
to
make
podcast
for
the
us
and
if
we
had
a
tax
relief,
you
know,
it
would
just
supercharge
that.
So,
yeah,
we
just
want
to
grow
the
industry,
bring
in
more
money.
We'd
love
a
billion
dollars
for
the.
Podcast
industry,
wouldn't
we
just.
Yes,
less
than
that
at
the
moment,
but,
you
know,
anything
or
take
anything
right
now
and
then
we'll
work
up
to
a
billion.
Now,
this
event
that
you've
got
coming
up,
it's
on
the
23rd
of
April.
Tell
me
more
about
it.
So
that's
another
real
focus
for
us
this
year,
actually.
So,
aside
from
policy
effects
and
so
on,
we
obviously
work
with
a
lot
of
the
biggest
and
finest
production
businesses,
production
houses
and
networks
in
the
uk,
as
I've
mentioned,
that's
one
of
the
things
absolutely
love
about
Audio
uk,
it's
the
ability
to
bring
all
these
incredible
businesses
together.
And
one
thing
that
we
do
is
we
have
a
podcast
leaders
lunch.
So
it's
for
Audio
UK
member
companies
they
don't
necessarily
have
to
be
the
biggest.
Obviously
the
biggest
come
along,
but
it's
the
CEOs
and
the
MDs
and
the
CO
founders,
members
of
those
businesses
who
come
along.
And
something
that
I
love
about
the
industry
is
that
they're
obviously
all
competitors,
but
they're
also
very
happy
to
share
insights,
which
I
love
because
I
love
partnerships.
I
think
good
things
happen
out
of
partnerships.
And
so
we
run
these
leaders
lunches
every
quarter
or
so.
We
obviously
put
on
lunch,
get
everyone
who
we
can
together
to
come
along
and
discuss
opportunities
and
challenges
within
the
industry.
And
one
of
the
biggest
challenges
and
opportunities
that
came
up
was
around
advertising
in
podcasting
in
the
uk.
And
I
mean,
you
know
this
as
well,
if
not
better
than
I
do.
You
know,
podcasting
in
the
UK
in
terms
of
ad
spend
still
has
a
long
way
to
go
in
terms
of
being
recognized
as
a
really
good
place
to
put
your
money.
We
all
know
that
it's
a
great
place.
We
know
that
the
statistics
are
good,
we
know
that
audience
engagement
is
good,
we
know
that,
that
the
kind
of
return
on
investment
is
good.
The
kind
of
structure
and
convincing
the
ad
agencies
and
the
media
buyers
of
that
still
needs
a
lot
more
work.
And
I
spend
a
lot
of
time
with
statistics
because
I
love
data.
And
so
we
know
the
obvious
comparison
is
the
US
and
the
uk,
both
primarily
English
speaking
countries.
And
I
think
my
most
recent
calculation
is
if
you
look
at
the
podcast
ad
spend
per
person
in
the
UK,
it's
1.2
pounds
per
person
and
if
you
look
at
it
in
the
US
it's
$7
per
person.
So
it's
not
just
that
the
US
is
bigger
because
population
size,
it's
bigger
per
person.
And
so
one
of
the
priorities
that
came
out
of
those
lunches
was
around
how
do
we
convince
advertisers
that
podcasting
is
a
good
place
to
put
their
money?
We
know
it,
but
there's
obviously
a
bit
of
a
disconnect
there.
And
obviously
there's
great
work
being
done
already
by
Acast,
by
Megaphone
Goal
hang
do
their
own
outreach
around
that.
A
lot
of
the
businesses
that
we
work
with
do
outreach
around
that.
But
I
think
it's
really
powerful
to
bring
all
of
these
businesses
together
and
get
the
brands
and
advertisers
together
to
hear
from
such
an
incredible
bunch
of
businesses
at
the
same
time
as
we'd
come
up
with
that.
I
know
Mira
Kumar
quite
well,
who's
obviously
a
fantastic
producer
and
she
brought
a
similar
idea
to
me.
And
the
beauty
of
Mira
is
if
it
had
been
left
to
me
because
I
have
40,000
things
to
do
anyway,
One
point,
it
probably
would
have
stayed,
oh,
that's
a
good
idea.
Shouldn't
we
do
that?
Whilst
I
answer
all
my
emails
and
she
came
to
me
with
the
idea
and
has
been
really
instrumental
in
just
driving
it
forward,
which
is
fantastic.
We
also
have
Martin,
who
runs
podmasters,
helping
out
and
a
few
other
people.
So,
yeah,
I
think
the
main
point
of
it
is
around
demystifying
advertising
and
I
think
the
reason
we
wanted
to
do
it
is
because.
Because
in
advertising
there's
so
many
different
stakeholders,
isn't
there?
There's
kind
of
the
platforms,
the
production
houses,
the
agencies,
the
media
buyers,
so
many
different
things.
And
I
think,
again,
one
of
the
strengths
of
Audio
uk,
and
one
of
the
things
that
I
love
about
it
is
the
ability
to
hear
straight
from
the
horse's
mouth.
So
we
are
bringing
these
brands
and
advertisers
together
with
the
production
houses
and
the
networks
who
sell
their
content,
make
their
content,
distribute
their
content,
and
we
want
to
talk
to
them
about
why
it's
so
brilliant
and
just
do
a
really
good
job
of
showing
them
why
podcasting
should
be
on
their
buying
plan
for
the
next
year.
I
think
it's
a
difficult
task.
We
are
different
from
the
US
in
how
we're
set
up.
I
was
reading
a
really
interesting
report
recently
and
one
of
the
points
around
it
is
that
podcasting
still
sits
under
audio
in
terms
of
ad
buying.
And
I
think
if
you
look
at
America,
podcasting,
sort
of
its
own
branch
of
buying,
and
I
think
that's
something
that's
really
interesting
for
us
to
look
at.
For
me,
this
is
a
really
good
first
step
in
tackling
and,
you
know,
it's
not
just
us
doing
it,
a
lot
of
people
are
doing
it.
But
if
we
all
tackle
the
need
for
more
money
to
come
into
podcast
advertising
and
sponsorships,
I
think
it
can
only
be
a
good
thing
now.
Now,
outside
of
talking
to
government
and
trying
to
change
policy
and
running
events,
what
else
does
Audio
UK
do?
So,
yeah,
I
must
give
a
big
shout
out
to
the
APAs,
which
are
our
annual
awards
ceremony.
Katie
messaged
me
beforehand,
was
like,
make
sure
you
mention
the
APAs,
Chloe.
So
they're
at
the
BFI
in
November.
I
think
it's
November,
actually.
I
don't
want
to
give.
I'll
get
the
date
wrong,
which
is
classically
me.
So
I
was
going
to
give
you.
An
exclusive
date
reveal
somewhere
in
November.
It's
around
then.
We'll
let
you
know.
Go
on
a
Wednesday
towards
the
end.
I
should
have
briefed
myself
a
bit
better
on
that.
Apologies
about
that.
So
we
do
that.
As
you
say,
we
do
a
lot
of
events.
So
I
would
absolutely
say
please
join
Audio
UK
if
you
are
not
sure
if
you're
eligible
to
be
a
member.
We're
broadening
the
membership
more
and
more.
As
I
say,
our
key
driver
is
very
much
about
growing
this
industry,
about
bringing
more
money
into
it
for
our
businesses
is
we
all
do
it
for
the
love,
but
you
need
to
earn
the
money
for
to
keep
going
as
well.
But
we
are
primarily
member
funded
and
so
the
more
people
that
join,
the
merrier.
We
have
a
join
us
button
on
our
website
and
as
part
of
that,
everything
that
I've
spoken
about,
we
are
doing
an
increasing
amount
of
events
because
we
find
that
members
get
a
huge
amount
of
benefit
from
that.
So
we
recently
ran
an
event
with
pact,
who
are
the
TV
and
film
equivalent
of
us,
which
was
a
TV
versus
Podcasting
networking
event.
Obviously,
as
we
all
know,
podcasting's
not
just
audio,
it's
every
single
different
IP
extension
you
could
possibly
know
about.
And
what
was
really
nice
about
that
event
was
we
bought
PACT
members
together
with
Audio
UK
members.
They
were
able
to
network.
We
had
a
presentation
from
Karina
at
Buzz
16
and
from
Tony
Pastor
at
Goal
Hanger.
And
it
was
just
a
great
time
for,
you
know,
people
might
have
a
podcast
idea,
but
they
don't
know
how
to
exploit
the
TVIP
extension
or
people
in
TV
might
want
to
learn
more
podcasting.
So
we're
trying
to
do
more
and
more
of
those
events
that
grow
people's
businesses,
grow
their
opportunities.
I'm
a
huge
collaborator.
We
are
relaunching
our
audio
train
platform
this
year,
which
is
very
much
about
providing
open
access
training
to
the
whole
podcast,
audio,
radio,
audiobook
industry.
It's
in
the
early
stages,
but
will
very
much
be
around
a
couple
kind
of
series
of
training
videos
from
industry
experts.
So
if
you
want
to
know
how
to
story
edit,
you
want
to
know
how
to
monetize
your
podcast,
you
want
to
know
how
to
market
your
podcast,
you
want
to
know
about
audio
drama,
there
should
be
a
video
for
everything.
So
I'm
very
excited
about
that
and
we
also
are
generally
at
most
of
the
events
we
get
around
quite
a
lot.
So
the
Uni
Podfest
is
coming
up
on
the
4th
of
April.
See
you
up
there.
Yeah,
great.
And
Bernard
Ashton
Pong,
who
is
the
vice
chair
and
obviously
founder
of
Unedited,
he
and
I
are
doing
a
workshop
and
so,
yeah,
we'll
see
you
there.
And
I'm
really
excited
about
the
podcast
show.
I
do
love
the
podcast
show.
An
opportunity
to
see
all
your
work
friends
and
it's
increasingly
international,
which
is
important
for
us.
So
we've
announced
Our
first
panel
there,
which
is
called
2025-2035,
Predictions
for
the
Future
of
Podcasting,
Seat
1,
Row
1.
I'll
be
there.
I
mean,
it's
a
little
bit
tongue
in
cheek,
but
I'm
looking
forward
to
it.
Mystic
Chloe,
that's
the
new
title.
I
want
the
audience
to
put
their
predictions
in,
but
I'm
chairing
that.
And
then
there's
gonna
be
Megan
Bradshaw
from
Amazon
Music,
Tiffany
Ashte
from
acast,
and
Jessica
Cordova
Kramer
from
Lemonada
Media.
So
I
think,
incredible
amount
of
knowledge
there.
And
we've
already
made
the
joke
that
we're
going
to
have
a
swear
jar
if
anyone
says
video,
because
obviously
there's
so
much
out
there,
like
every
time
on
and
so
happy
to
read
about
it.
But
it's
like,
is
video
the
future
podcasting?
And
we
think
we
know
that
video's
got
a
part
in
it
now.
So
our
promise
to
you
on
that
panel
is
if
we
say
video,
we
have
to
put
a
pound
in
the
jar.
I
tell
you,
the
drinks
that
evening
are
going
to
be
amazing.
Amazing.
And
we've
also
got
a
couple
more
that
I'm
really
excited
about,
but
I
can't
announce
yet,
so
hopefully
they
should
come
and,
yeah,
all
the
other
things.
But
as
I
say,
with
real
focus
on
pushing
really
hard
to
grow
this
industry
that
we
love,
whether
that's
through
bringing
more
money
in
from
advertising,
through
getting
a
seat
on
the
Creative
Industries
Council,
we're
just
sort
of
hammering
away
at
the
moment.
Hopefully
more
people
will
hear
this
and
join.
More
people
will
also
ping
you
to
come
along
to
your
event
and
we
will
all
see
you,
hopefully
at
the
London
Podcast
show.
Chloe
Straw,
thank
you
so
much.
Thanks
for
having
me.
There
you
go.
Chloe
Straw,
the
lovely
Chloe
Straw.
Yes,
I
hope
to
be
going
along
to
that
event
on
the
23rd
of
April.
Chloe
also
talked
about,
as
you
heard,
that
the
UK
government
isn't
making
the
investment
or
even
doing
anything
with
the.
The
podcasting
community,
really.
And
that's
counterintuitive
when
you
see
countries
like
India
making
a
$1
billion
investment.
And,
you
know,
when
will
the
UK
government
wake
up
to
the
creative
industries
that
podcasting
provides?
We've
got
great
companies,
you
know,
Goal
Hanger,
Persephonic,
Crowd
Network.
There's
tons
of
them,
you
know,
in
the
UK
that
are
doing
great,
great
work
around
the
globe,
like
the
music
industry
that
we
have.
Have.
But
I
don't
think
the
UK
government
sees
any
value
right
now.
Yeah,
that
may
be
the
case.
It
may
also
be
the
case
that
the
UK
government
feels
that
because
the
BBC
does
such
a
good
job
of
working
together
with
some
of
these
companies
that
they
don't
necessarily
need
to.
And
of
course,
you
know,
the
UK
is
not
a
rich
country
anymore,
seemingly
has
no
money.
And
I
think
in
the,
in
the
budget
statement
that
was
made
earlier
on.
In
Bring
back
the
Empire,
that's
what
I
say.
Bring
back
the
bloody
Empire.
Sorry,
Sam
Sethi.
Yes,
I,
you
would
know
all,
all.
About
the
empire
but
strangely,
if
anyone
knows
me
well,
that
is
the
last
thing
I'll
be
talking
about.
But
yes,
yes
indeed.
But
yeah,
I
mean
it
is
interesting
just
different
countries,
attitudes
towards
the
creative
industries.
The
UK
of
course
has
one
of
the,
the
most
successful
creative
industries
in
the
world
in
terms
of
music.
That
does
very
well
indeed.
And
I
guess
there
could
be
an
argument
to
say
we've
already
got
a
fantastic
creative
industry,
they
don't
need
any
handouts
from
the
likes
of
us,
which
may
be
a
different
conversation.
And
finally
in
Canada,
well
this
is
interesting.
Both
in
Canada
and
in
la,
there's
a
women
led
boutique
network
which
is
called
Podcast
Nation
and
it
represents
over
three
dozen
shows
apparently.
We
spoke
to
the
co
founders
behind
Pod
Nation.
We
were
curious
to
find
out
a
little
bit
more
about
how
they
were
considering
YouTube
and
how
they
grew
and
all
of
that.
So
Sean
Howard
for
the
POD
News
Weekly
review
started
off
by
asking
them
what
Pod
Nation
was.
I'm
Cleo.
I
founded
bouge
media
about
14
years
ago
and
so
it
started
as
a
digital
marketing
agency
and
as
you
know
this,
this
industry
just
changes
so
much
and
so
quickly
and
we've
evolved
with
it
and
with
some
of
the
influencers
that
we
worked
with,
we
really
got
introduced
to
the
podcast
space
and
then
that's
where
the
inception
of
our
sister
agency
Podcast
Nation
came
from.
From.
Yes,
and
I,
I
came
on
board
back
with
Clio.
I,
I
started
actually
with
Booze
Media
early,
early
days
when
Cleo
first
founded
the
company
and
then
came
back
about
five
years
ago
to
start
the
Podcast
Nation
division
of
Booze.
Because
I
was
just
a
podcast
fan
myself
and
I
think
I
actually
introduced
Cleo
to
start
listening
to
podcasts
back
in
the
day
and
I
oversee
the
operation.
So
I'm
involved
with
everything
from
sales
and
production
and
being.
How
would
you
describe
what
your
audience
is
now
or
even
as
you
started
and
where
you
are
now?
What,
how
would
you
sort
of
talk
about
your
audience?
I
think
really
simply
our
audience
is
millennial
women.
That's
kind
of
our
sweet
spot
and
but
a
millennial
woman
has
lots
of
different
interests
so
they
might
have,
you
know,
listen
to
some
relationship
podcasts,
mental
health
podcasts,
Pop
culture
podcasts,
you
know,
there's
a
lot
of
different
categories
to
touch
within
that
listener
demographic.
So
you
were
sort
of
bringing
that
focus
of
representing
like,
like
someone
who
has
other
channels
and
would
expect
to
still
run
those
channels
versus
exactly
right.
Like
a
radio
approach
where
you
now,
this
is
your
format,
you
we're
changing
your
format
now,
blah,
blah,
blah.
Yeah.
And
I
mean
part
of
it
was
that
we,
we,
I
think
we,
we
thought
from
an
early
stage
that
brands
were
going
to
get
on
board
for
wanting
to
work
with,
you
know,
talent
in
a
multifaceted
way.
Like,
it
didn't,
doesn't
make
sense
for,
you
know,
hellofresh
to
work
with,
you
know,
these
influencers
on
their
social
and
not
be
tied
into
their
podcast.
It
could
only
make
sense
for
it
to
all
be
integrated
from
a
brand's
perspective.
So
I
think
finally
we're
seeing
the
industry
kind
of
come
back
to
that
and
work
and
think
about
like,
hey,
let's
work
with
talents
really
strategically
as
opposed
to
in
this
one
niche
platform.
Yeah,
we
really
are
so
happy
to
see
that
brands
are
finally
starting
to
find
ways
to
promote
cross
platform
because
we
just
think
it's
a
win,
win
across
the
board.
And
you
know,
coming
from
the
talent
side,
we
understand
the
importance
of
like
your
brand,
like
to
not
dilute
it
or
to
be
as
true
to
that
as
possible
because
consumers
are
getting
smarter
and
smarter
and
they
can
tell
if
it's
not
real.
And
then
the
other
piece
of
it
on
the,
on
the
execution
side,
I
think,
I
think
it
took
so
long
for
the
industry
to
start
getting
on
board
with
cross
platform
campaigns
with
talent
because
it,
it's
hard
to
execute.
Right.
Like
the
audio
agencies
don't
know
how
to
execute
social.
The
social
agencies
don't
know
how
to
execute
podcasts.
It's,
it
is
a
very
different,
they're
very
different
worlds.
And
so
everyone's
trying
to
navigate
those
differences.
And
I
think
we're,
we
have
the
advantage
because
we
come
from
the
social
side
of
it,
the
talent
management
side
of
it
that
we
already
know.
That
sort
of,
that
was
our
bread
and
butter
for
years.
We
already
know
that
side
of
it.
So
we
can
easily
plug
in
and
it's,
you
know,
it's
seamless
across
our
teams.
I
was
just
listening
to
some
of
your
podcasts
today
and
I
started
on
YouTube
because
dear
Shandy
was
there.
And
I
was
really
amazed
how
much
presence
you
guys
have
on
YouTube
because
that's
something
that
a
lot
of
networks
still
are
struggling,
struggling
to
get
that
presence.
Yeah,
and
I
can
see
why
they're
struggling
because
it
is
a
huge
investment
for
shows
to
go
on
YouTube,
but
we
all
know
that's
where
the
industry
is
headed
is
to
video.
You
know,
there's
still
going
to
be
the
audio
listeners,
of
course,
but
you
also
most
shows
should
think
about
a
video
audience
depending
on
the
content.
Exactly.
But
most
shows
should
think
about
how
to
also
provide
content
to
the
video
consumer
as
well.
And
if
you
can
be
successful
at
both,
again,
we
always
say
you're
doubling,
let's
say
like
your
revenue.
But
now
you
have
two
platforms
and
if
you're
really
committed
at
creating
good
content,
you
know,
yes,
it's
going
to
take
longer
and
it
might
be
more
work,
but
now
you
also
have
more
opportunity
to
monetize
it.
And
again,
if
you're
looking
at
building
your
brand,
you're
now
tapping
into
new
audience.
I
want
to
thank
Nadine
and
Cleo
again
for
joining
me
today.
You
can
find
out
more
about
them
at
PodcastNation
Co
or
Bougie
and
you
can
find
the
entire
article
with
an
amazing
conversation
that
we
had
at
Flightpath.
Fm
People
News
on
the
POD
News
Weekly
Review.
Yes.
In
People
News,
Greg
Wasserman
has
been
hired
as
head
of
relationships@rss.com
which
will
be
good
to
see
that.
And
I
think
we
covered
the
fact
that
he
had
left
Cast
Magic
Magic
last
year
and
apparently
that
was
what
got
the
two
companies
talking
to
one
another,
which
was
nice.
All.
Yeah.
So
that's.
So
that's
a
nice
thing.
Where's
our,
where's
our
commission?
Where
is
our
commission?
Indeed.
Exactly
correct,
Correct.
A
bunch
of
things
going
on
at
acast.
There's
now
director
of
Brand
Marketing
Simon
Franklin.
That's
a
promotion
there.
Also
lots
of
promotions
in
Queensland
in
Australia,
where
ACAST
has
moved
into
the
best
state.
Australia's
top
state
is
I
believe
the
phrase
that
I
should
be
using
because
that's
geographically
accurate,
whereas
the
best
state
most
certainly
isn't.
But
anyway,
so
that
is.
So
that
is
all
good.
But
the
big
news
is
that
Kai
Chuck
is
reported
to
have
stepped
down.
He
was,
it
says
in
Tubefilter,
its
first
head
of
podcasts
and
he
has
moved
on.
We
don't
actually
know
too
much
more
other
than
there
has
been
a
statement
from
YouTube
saying
to
better
serve
podcasters
on
YouTube,
we're
bringing
the
podcast
partnerships
team
together
with
the
news
and
civics
partnerships
teams.
Oh
great.
We're
grateful
to
Kai
Chuck
for
all
his
contributions
over
the
years.
Well,
that
would
explain
why
lots
of
news
content
is
appearing
in
the
podcast
page
then
on
YouTube.
So
yes.
So
yes,
not
quite
sure
what
is
going
on
there,
but
Tim
Katz
will
continue
to
lead
the
news
and
Civics
Partnerships
team.
And
you
might
remember
that
Tim
Katz,
it
was
the
first
time
that
we
had
actually
heard
anything
about
him.
And,
and
of
course
that
would
now
make
an
awful
lot
of
sense
that,
that
those
two
teams
are
moving
together.
Bad
idea
in
my
idea.
But
still,
there
we
are.
At
least
they've
done
something,
I
suppose.
Maybe
Amazon
can
take
a
leaf
out
their
book
anyway.
Maybe
now.
Awards
and
events
James,
what's
going
on
in
the
world
of
awards
and
events?
Well,
there's
tons
of
awards
which
have
just
been
launched.
The
Signal
Awards
open
for
entries.
Todd
Cochran's
People's
Choice
Podcast
Awards
also
open
for
entries
as
well.
Of
course,
the
Ambiz
the
American
Podcast
Awards
are
being
given
out
on
Monday,
which
will
be
fun.
Sam
Sanders
being
honoured
with
the
Podcast
Academy's
Impact
Award
at
that
event.
So
that
is.
So
that
is
all
good.
And
what
else
is
going
on?
Of
course,
Evolutions
is
next
week.
Looking
for
forward
to
being
at
Evolutions.
We
will
doubtless
be
recording
this
show
somehow.
Maybe
from
the.
Maybe
from
somewhere
at
the.
The
event.
Sounds
like
a
song.
Somehow,
somewhere
Somehow
somewhere.
It
may
be
from
the
hotel
room.
It
may
be
from
somewhere
better.
Right.
We'll
certainly
find
out.
So
all
of
that
is
good.
There's
a.
There's
south
by
Southwest
London,
which
is
starting
relatively
soon.
Yeah.
How
much
is
it,
Sam?
1,300
a
ticket.
Yep.
That's.
That's.
That's
inclusive
and
open
and.
And
really
wanting
lots
of
people
to
come
to.
Yeah.
Yes.
That's
£1,300.
So
that's
even
more
in
American
dollary
dues.
Yes.
So,
yes,
a
significant
amount
there.
So
I
don't
think
I'll
be
going
there.
No,
not
unless
you're
a
spirit.
The
tech
stuff
on
the
POD
News
Weekly
review.
Yes,
it's
the
stuff
you'll
find
every
Monday
in
the
POD
News
newsletter.
Here's
where
Sam
talks
technology.
What
have
you
got
for
us,
Sam?
Just
very
quickly,
not
much.
Generative
audio
AI
company
AI
Acoustics
has
raised
$5
million,
which
is
really
well
done
for
them.
The
company
aims
to
bring
in
AI
powered
studio
quality
sound.
I
don't
really
understand
these
things.
We
had
a
company
last
week
that
did
one
thing
that
was
then
licensed
to
wonderc.
Have
another
company
here
who
does
one
thing,
I
think
single
function
companies
seem
a
bit
odd
to
me.
Yes,
yes,
I
would
agree
with
that.
But
still,
raising
US$5.4
million
in
funding
is
not
a
bad
thing.
So.
Yes,
they're
based
in
Berlin.
Ghost
is
interesting.
Ghost
is
a
blogging
platform.
It
is
now
doing
things
on
Activity
Pub.
So
if
you
want
to
play
around
with
all
of
that,
then
that
is
definitely
there.
I've
been
reading
all
of
the
information
about
that
for
the
last
year
or
so
as
they've
been
planning
how
they
were
going
to
support
it.
So
yeah,
it's
just
going
to
be
interesting
to
see
whether
or
not
that
has
much
take
up.
I
noticed
that
Mastodon
did
very,
very
badly
in
the
Edison
Infinite
Dial.
But
of
course
if
you
talk
about
Mastodon,
then
you're
not
necessarily
fully
understanding
what
the
Fediverse
is
and
what
Activity
Pub
is.
There's
another
set
of
technology
which
hasn't
really
sorted
out
its
marketing
at
all.
I
think
what's
interesting
from
the
Ghost
release,
I
mean,
I
wasn't
going
to
particularly
cover
Ghost
as
a
platform.
I
mean
if
you
like
substack,
then
this
the
open
source,
of
course
equivalent.
But
they
talk
about
the
open
social
web
now.
They
don't
talk
about
the
Fediverse,
they
don't
want
to
talk
about
Activity
Pub,
they
don't
want
to
talk
about
those
terms.
And
I
think
that's
the
right
way
to
go
because
for
the
majority
of
the
mass
market
those
are
too
technical.
And
I
think
the
social
web
as
a
catch
all
is
a,
a
better
term.
I
mean,
it's
the
same
reason
why
I
don't
talk
about
Boosts
or
Booster
grams
or
Zaps
or
Noster
or
Lightning
Network.
Nobody
understands
them.
They're
geeky
words
that
nobody
needs.
I
mean,
as
Ghost
said,
you
know,
people
who
use
don't
need
to
know
what
SMTP
has.
Agreed.
And
they
don't
need
to
know
that
it's
a
Activity
Pub
protocol
underlying
it.
Yeah,
that's
so
James,
one
of
the
other
things
that
I
noted
this
week
has
happened
is
there's
been
a
lot
of
new
celebrity
podcast
networks
launching.
Megyn
Kelly
has
launched
a
own
podcast
network
called
MK
Media
Network.
We
talked
about
Alex
Cooper
having
her
network
called
Unwell
Network.
We've
seen
the
Meghan
Markle
and
Michelle
Obama
are
launching
new
podcasts.
One
thing
that
is
missing
from
the
conversation,
and
this
is
more
the
techy
side
of
it,
is
Publisher
Feeds.
Now
Oscar
and
and
Dovidas
came
up
with
the
idea
originally
and
they
were
brilliant
to
do
that.
They
are
the
equivalent
of
pod
rolls,
but
from
a
podcast
production
side.
So
a
podcast
company
can
say
in
an
RSS
feed,
here's
a
link
to
all
the
other
podcasts
that
we
produce.
And
then
apps
like
True
Fans
or
Fountain
can
actually
look
those
up
and
then
create
a
dedicated
page
of
all
of
the
other
podcasts.
But
nobody
seems
to
be
publishing
publisher
feeds.
Even
Adam
and
Dave
with
their
new
app,
created
a
weird
aggregated
new
feed
of
Episodes
rather
than
publisher
feeds.
And
it's
part
of
the
spec,
and
yet
Adam
didn't
even
use
it.
And
I'm
totally
baffled
by
that
one.
But
nobody
else
seems
to
be
using
it
either.
Well,
when
you
do
a
search
for
publisher
feeds,
it's
very
difficult
to
actually
find
the
specification,
as
ever.
There's
a
proposal
which
dates
from
October
2023,
but
it's
quite
hard
to
actually
find
a
publisher
feed.
You
know,
an
example
of
a
publisher
feed.
And
it
all
uses
the
guid.
And
the
guid
as
we
know,
adds
a
dependency
on
the
podcast
index.
And
without
that,
that
we're
a
little
bit,
we're
a
little
bit
stuck.
So
I'm
not
surprised
that
people
aren't
doing
the,
the
publisher
feeds.
I
mean,
I'm
not
doing
them
either.
I
don't
think
maybe
I
am,
who
knows?
But
I'm
not
sure
that
I
am.
There
you
are.
Because
we've
got
yours,
right?
Yeah,
you
are.
We've
got
yours.
Yeah,
well,
well,
there
you
go.
But
yeah,
I
mean,
you
know,
if,
if
we
don't
have
the
tools
to
help
people
understand
where
they're
going.
I
mean,
from
my
point
of
view,
the
publisher
feed,
just
like
the
pod
roll
and
everything
else,
should
also
link
to
the
RSS
feed
directly,
not
just
the
guid.
The
GUID
is
useful
if
you
happen
to
be
using
the
podcast
index,
but
if
you,
if
you're
not
using
the
podcast
index,
the
GUID
is
next
to,
is
next
to
useless
because
it's
not
really
supported
by
very
many,
if
any
podcast
hosts.
So,
you
know,
I
mean,
again,
you
know,
I'm
sorry
to
be
the,
the
boring
person
saying
that
it's
not
fit
for
purpose,
but
it's
not
fit
for
purpose
yet.
It's
been,
it
was
signed
off
in
a
hurry
without
actually
any,
any
proper
thought
put
put
down
by
it
in
terms
of
how
the
thing
works.
So
yeah,
you,
you
get
what
you
what,
what
you
deserve
when
that
happens,
unfortunately.
Well,
I
hope
they
do
get
implemented
correctly
because
they
are
very,
very
use.
Useful.
Oh
yeah,
I
can
well
see
that.
And
certainly,
I
mean
Apple
Podcasts
of
course
has
channels
which
achieves
a
similar
but
not
quite
the
same
thing.
So
channels
are
sort
of
vaguely
useful,
but
there's
no
API
into
the
channels
unless
you,
unless
you
start
scraping
stuff.
So
yeah,
so
that's,
so
that's
a
thing.
But
yes,
agreed,
it
would
be
a
useful
thing
to
have
Booster
grams,
booster.
Gram,
booster
Instagram,
super
super
comments,
zaps,
fan
mail,
Fan
mail,
super
chats
and
email.
Our
favorite
time
of
the
week,
it's
the
POD
News
Weekly
review
inbox.
Yeah.
So
many
different
ways
to
get
in
touch
with
us.
There's
fan
by
using
the
link
in
our
show
notes,
which
nobody
uses.
There's
super
comments
on
true
fans
or
boosts
everywhere
else,
which
lots
of
people
use.
Or
of
course,
as
well.
We
share
any
money
that
we
make
between
us
as
well.
So
a
ton
of
boosts
and
fan
mail.
One
for
the
pod
news
daily
from
Lyceum.
Row
of
ducks,
222
sats.
He
says,
James,
did
you
record
this
episode
at
Changi
Airport
in
Singapore?
Do
they
have
a
podcast
studio?
Have
a
safe
flight.
All
the
best,
Martin.
Well,
Martin,
I
will
tell
you
that,
yes,
I
did
record
it
at
Changi
Airport,
as
you
would
see
if
you're
using
the
podcast
location
tab.
Exactly,
exactly.
Because
I've
been
good,
haven't
I?
You
have,
yes,
yes.
Top
of
the
class,
Mr.
Cridlin.
Top
of
the
class.
Yes,
yes,
exactly.
So,
yes,
Changi
Airport,
absolutely.
Do
they
have
a
podcast
studio?
No,
I
was
just
holding
my
microphone
in
the
rather
busy
Qantas
Lounge,
so
that
was
what
was
going
on
there.
And
I
did
have
a
safe
flight,
so
thank
you
for
that.
What
else
have
we
got
here?
Silas
on
Linux.
What
does
he
say?
Got
me
there
with
the
Portugal
walk
thing.
Wow.
I'm
so
pissed
off
and
impressed
and
amazed
at
the
same
time.
Thank
you
very
much,
Silas.
Don't
be
impressed.
It's
something
that
it's
going
to
take
a
while
to
do.
But,
yes,
I'm
going
to
do
the
Camino
Way,
which
is
a
lovely
walk.
So,
yeah,
Silas
was
using
Fountain
Bruce,
the
ugly
quacking
duck.
2222
sound.
And
so
a
nice
row
of
ducks
using
podcast
guru.
And
he
says
If
I
add
2.0
and
3.0
together,
I
should
get
5.0.
If
I
divide
that
by
2,
I
should
get
2.5.
All
the
while,
I
still
get
to
podcast.
I
do
enjoy
the
progress
that's
been
made.
I
understand
none
of
that.
I
do.
So
I
actually
would
say,
Bruce,
you're
very
right.
I
would
say
we've
gone
past
2.0.
We're
not
quite
at
3.0.
So
2.5
is
probably
where
we
are.
Yeah,
good.
I'm
pleased
that
we're
not
at
3.0.
It's
a
bunch
of
charlatans
at
3.0.
Nobody
wants
to
go
anywhere.
Yeah,
he
wants
to
go
anywhere
close
to
there.
And
by
the
way,
Bruce,
Bruce
did
finish
a
message
last
time
with,
I
think,
73
and
I
think
I
said,
Gosh,
is
he
73?
No,
that's
not
what
that
means.
Apparently
73
or
73
or
something
is
ham
radio
for
okay,
Roger
and
out,
or
something
like
that.
So,
yes,
somebody
acquired
radio
futurologist.
Yes,
yes,
somebody
quietly
told
me.
So
there
we
are,
Dave.
Dave
the
pod
sage
using
fountain
48,000
sats.
Yay.
You
earn
one
of
these.
Yes.
So
thank
you
so
much.
He
says
if
we
ever
said
that,
we
named
the
show
podcasting
2.0
to
piss
off
Dave
Weiner.
We
were
just
joking.
Well,
that's
what
Adam
Curry
said
very
clearly.
But
anyway,
he
said
that
didn't
happen.
I
think
Adam
just
came
up
with
the
name
because
it
sounded
fun
and
future
oriented,
by
which
I'm
sure
he
means
orientated.
Thank
you,
Dave,
for
that.
Thank
you
for
your
generous
boost
as
well
and
for
all
that
you
do.
Seth.
358sats
here.
I
adore
Matt
Madeiros.
Ah.
He's
such
a
great
steward
and
educator
in
the
podcasting
space.
He
is
indeed.
Yes.
So
that's
a
nice
thing.
And
then
finally,
lots
from
Silas
on
Linux.
So
what
has
he
sent
here?
He
sent
love
listening
to
YouTube
and
Spotify
weekly
review.
Yes,
YouTube
and
Spotify
weekly
review.
Maybe
that's
what
we
should
change
it.
He
then
goes
on
to
say,
I'm
not
surprised
younger
guys
are
going
into
extremer
things.
They
got
locked
into
their
homes,
not
allowed
to
go
to
school
or
do
anything
for
years.
And
pretty
much
the
only
people
against
that
were
extremely
extremist
idiots.
At
least
in
Germany
anyways.
Well,
we
know
what
side
of
the
political
spectrum
you're
on.
And
on
the
question
of
should
the
index
ban
shows?
I
don't
think
so
because
essentially
it's
just
a
database
somewhere
in
the
US
probably.
Morals
and
laws
change
based
on
where
you
are,
and
apps
should
do
it
themselves.
I
just
implemented
a
report
system
in
the
secret
project
I'm
working
on
last
week,
because
you
kind
of
need
that
for
legal
reasons.
Yes,
that's
pretty
well
what
I
was
saying
as
well.
In
terms
of
that,
I
think
it
should
definitely
still
be
in
the
index
and.
But
yes,
but
it
depends
what
you
end
up
doing
with
it.
But
yes.
And
then
he
also
says,
hopefully
the
last
message
for
this
episode,
you
keep
on
sending
them
at
a
thousand
sats
each.
That's
absolutely
fine.
I
think
banning
and
getting
rid
of
content
is
almost
a
last
resource.
What
I
believe
ends
up
happening
is
people
are
going
from
commonly
used
platforms
off
to
weird
websites
and
uncommon
places
with
no
moderation.
Most
things
can
get
resolved
by
talking
it
out.
I
Don't
think
someone
having
his
favorite
show
banned
and
looking
around
and
eventually
landing
on
some
extreme
free
speech
Mastodon
server
or
other
place
is
helping.
If
not
careful,
that
becomes
a
worse
outcome.
I
think
that's
got
some
truth
to
that
and
I
think
it
is
interesting
seeing
as
we
move
away
from
and
and
we
move
into
lots
of
other
places.
Actually
the
amount
of
moderation
that
is
going
on
on
Bluesky,
for
example,
is
next
to
none.
You
know,
there's
no
moderation
that
goes
on
on
the
Fediverse,
really.
I
mean
there
is
a
bit,
but
you
know,
it's
really
up
to
each
individual
instance.
So
I
think
there
is
something
to
be
said
for
that.
And
it
becomes
much
harder
to
actually,
you
know,
be
clear
of
some
of
these,
of
some
of
these,
you
know,
of
some
of
the
nasty
stuff.
So,
yes,
I
thought
that
was
an
interesting
comment.
I
would
just
add,
look,
morals
change,
right?
Tastes
changed.
Mary
Whitehouse
in
the
60s
wouldn't
allow,
allow
Benny
Hill
for
example,
or
try
to
ban
it.
Now
that
seems
tame
by
comparison.
I,
I
think
banning
stuff
is
a
step
that
we
have
to
consider
sometimes.
I
think
when
you're
talking
about
rape
and
prostitution.
And
I,
I
think
that
is
crossing
every
line
that
I
have
as
a
moral
standing
and
I
won't
allow
that
content
from
that
man
on
my
platform.
Platform.
But,
you
know,
everyone's
got
different
morals.
So.
Yeah,
how
do
you
deal
with
that?
Thank
you
so
much
to
our
power
supporters
or
our,
our
fandom,
our
super
fans.
I
think
pick
the
terms.
Yes,
exactly.
Yes,
I
think
power
supporters
is
nicer.
But
anyway,
everybody
in
the,
in
the
excellent
18,
including
the
mysterious
star
team
Tempest,
we
still
don't
know
very
much
about,
but
Tempest,
he,
she,
we
don't
know.
Yes,
exactly,
exactly.
He,
she,
they.
So
please
do
get
in
touch
and
tell
us
a
little
bit
more
about
yourself.
That
would
be
fantastic.
But
also
Cameron
Moll,
Marshall
Brown,
Matt
Madeiros,
Mike
Hamilton,
Dave
Jackson,
Rachel
Corbett.
Hi
Jobling.
David
Marzel,
Jim
James,
Rocky
Thomas,
Neil
Velio.
Get
well
sooner.
Neil.
Ms.
Eileen
Smith.
Claire
Wake
Brown.
John
McDermott,
James
Burt
and
David
John
Clark.
And
finally,
Brian
Ensminger.
Thank
you
all
so
much
for
your
support.
Very,
very
much
appreciated.
We
should
get
some
stickers
out
or
something.
That
would
be,
that
would
be
fun.
I
think
so,
yes,
that
would
be
a
good
thing.
If
you
would
like
to
join
them.
Weekly.podnews.net
is
where
you
go
armed
with
your
Visa
Card
or
your
MasterCard
or,
or
your,
I
don't
know,
Diner's
card,
whatever
it
is,
then
that
would
be
all
good.
So
what's
happened
for
you
this
week,
Sam?
Well,
as
we
mentioned
earlier,
we
added
support
for
Podlove
Chapters
in
True
Fans,
We've
added
support
for
Bluesky.
Oh,
what
a
waste
of
time.
We
did
all
the
work
for
Social
Interact
Tag,
we
did
all
the
work
for
Blue
sky
and
I
don't
see
anyone
using
it
still.
But
anyway,
we've
done
it.
We're
working.
As
we
talked
about
with
the
conversation
on
the
GitHub
about
activity
streams
for
active
outputs,
I
also
just
wondered,
James,
one
of
the
things
we
want
to
do
is
to
also
export
and
import
your
social
graph.
I
think
that's
one
of
the
big
things
missing
across
social
media.
Every
website
or
every
social
network,
you
go
on,
you
create
your
social
graph
and
then
guess
what,
you
can't
export
it
to
the
next
one
because
they
don't
want
you
to
leave
and
so
they
won't
give
you
that
access
to
your
data.
Fundamentally,
I'm
looking
at.
Because
we
have
a
follow
model
in
Trufans,
a
standard
now.
I
don't
know,
I'm
looking
at
old
technologies
called
XFN
and
FOAF
as
a
way
of
doing
it,
but
I
don't
know
if
that's
the
right
way.
So
again,
one
of
the
things
I'm
looking
at
is
social
graph
exports
of
your
friends.
It'd
be
lovely
to
do
import
as
well.
And
that
would
actually
give
data
portability
across
podcast
apps.
Yes,
that
would
be
interesting,
wouldn't
it?
I
think
always
one
of
the
difficulties
with
this
sort
of
thing
is,
you
know,
it's
fine
being
able
to
export
a
list
of
my,
of
the
handles
that
I
follow,
but
that's
not
actually
useful
at
all
to
any
other
app.
So
it's
that
difficulty
of
actually.
Well,
you
want
to,
you
want
to
export
more
information
than
that,
but
does
the
service
have
more
information
and
blah,
blah,
blah.
But
I
think,
yes,
that
would
be
really
good.
I
logged
into
last
FM
for
the
first
time
in
about
5,
5
years
last
week,
just,
just,
just
to
see
if
it
was
still
there.
And
it
is.
Oh.
Oh,
I've
got
a
good
one
for
you.
Napster.
Do
you
remember
that
one?
Yes.
Napster
sold
for
207
million
this
week.
Wow.
Idiot
bought
that?
I
mean.
Yes,
and
that
presumably
is
just
the
name.
It
can't
be
anything
more
than
that,
can
it?
Isn't.
They
don't
have
a.
But
they
don't
have
a
product
under
Napster
anymore.
No,
but
somebody
told
me
MySpace
is
still
sticking
out
there
somewhere
as
well.
Yes,
I
believe
that
MySpace
is
still
out
there.
And
yeah,
there
are
a
lot
of
these
and
of
course,
Dig
Nation
is
back.
There
are
a
lot
of
these
old
brands
from
20
years
ago.
I
mean,
Napster,
I
remember
I
was
working
at
Virgin
Radio.
We
were
getting
quite
pally
with
the
folks
at
Virgin
Digital,
the,
the
online
music
retailer
that
Virgin
owned.
And
we
were
quite
pally
with
them
and
building
in
integrations
and
all
of
that.
And
then
the
sales
team
comes
upstairs
and
says,
good
news,
we've
just
signed
on
Napster
as
our
exclusive
music
seller.
And
I
thought,
oh,
brilliant.
Not
really
what
I
want
to
do
here,
but
still.
But
there
we
are.
We
were
doing
a
Napster
chart,
I
think
for
a
while.
Not
quite
sure
what
the
point
of
all
of
that
was.
So
that
was
good.
And
then
the
last
one
was
I
listened
to
Tom
Webster
last
week
on
podcasting
till
it
O.
It's
a
little
bit
disappointed
in
that
they
didn't
cover
half
the
things
I
hope
they
would,
but
that's
fine.
They
can
choose
what
they
want
to
cover.
But
I
have
to
say,
Tom's
got
a
great
voice.
Never
did
radio,
strangely.
Should
have
done,
he.
He's
very
funny.
I
don't
know
him
as
well
as
you,
but.
And
very
engaging.
So
well
done,
Tom,
but
a
little
bit
annoyed.
He
mentioned
we
need
a
new
reference
app.
That
is
such
an
old
idea
that
was
dismissed
many
years
ago.
We
don't
need
another
reference
app.
Most
of
the
apps
now
support
most
of
the
tags.
We
just
need
to
get
more
support
into
those
apps.
We
talked
earlier
about
a
podfun
psp.
Hello.
Come
on,
you're
the
marketing
arm.
Do
something,
please.
Why
don't
you
say
what
you
think?
Yeah,
well,
I'll
try
not
to.
Now,
James,
what's
happened
for
you?
Well,
I'm
talking
to
you
today
from
Dublin
in
Ireland
and
very
nice
it
is
too
here,
so
that's
all
fun.
So
I'm
over
here
for
a
radio
conference
here
before
going
over
to
Chicago
on
Saturday.
I
was
going
to
be
doing
a
15
minute
warm
up
in
front
of
the
Taoiseach,
the
Irish
Prime
Minister.
That
was
going
to
be
very
exciting.
I
was
looking
forward
to
doing
that.
Now
the
Taoiseach
has
had
to
go
to
Paris
because,
you
know,
Ukraine
and
so
there
will
be
some
other
minister
from
the
Irish
Parliament
there
instead
who
is
on
before
me.
So,
yes,
he's
your
warm
up
then.
He's
your
warm
up.
He's.
He's
my
warm
up,
perhaps.
So,
yes,
maybe
that's
how
that
works.
Anyway,
so
that's
going
to
be
fun.
And
how
was
your
last
night?
Warming
up
for
Ricky
Gervais?
Yes.
So
I'm
in
the
the
hotel
where
this,
this
conference
is
at
is
right
next
to
the
3Arena,
which
is
the
big
arena
in
Dublin.
And
the
downside
is
that
it's
a
bit
out
of
Dublin.
You
have
to,
you
know,
jump
on
a
tram
to
get
into,
into
Dublin
and
everything
else.
But
anyway,
I
thought
to
myself,
I've
finished
my
work
at
about
half
past
five
last
night.
So
I
thought
to
myself,
right,
well,
I'll
go
downstairs,
I've
seen
a
couple
of
nice,
you
know,
restaurants
close
by.
I'll
pop
in
for
a
Thai
meal
or
something
like
that.
So
went
down,
down,
downstairs
and
it
was
really,
really
busy,
Busy
in
the
hotel,
hotel
busy
outside.
There's
one
pub
close
to
us
and
that
was
absolutely
jam
packed,
rammed.
And
I
thought,
what
is
going
on?
Did
a
quick
search
on
my
phone.
Who
is
playing
at
the
3Arena
anyway?
It's
Ricky
Gervais,
isn't
it?
So
Ricky
Gervais
was
on
last
night,
he's
on
tonight
as
we
record
this.
And
so,
and
so
I
know
that
it's
going
to
be
very
difficult
to
get
any,
any
food
or
anything.
So
still
there
we
are.
But
we've
got
dinner
laid
on
for
us
this
evening.
I
was
going
to
say
fun,
otherwise
you
could
have
done,
don't
you
know
who
I
am?
As
if
that's
going
to
happen.
Yes.
And
a
couple
of
things
on
my
blog
that
you
might
want
to
go
and
read,
perhaps
theoretically.
That's@james.cridland.net
one
of
them
is
the
definition
of
a
podcast,
which
I
actually
posted
as
a
comment
on
a
while
ago,
but
I
thought
was
a
good
plan
to
actually
stick
it
on
there.
And
it
was
just
pointing
out
that
in
the
us
the
radio
people
said
that
basically
radio,
the
only
thing
that
counted
as
radio
was
AM
and
FM
radio.
And
so
as
a
result,
radio
is
in
decline
in
the
us.
Everybody
is
losing
their
jobs
because
they're
running
out
of
money
and
blah,
blah,
blah,
because
they
defined
radio
as
being
AM
FM
when
about
20%
of
all
radio
listening
now
happens
on
the
Internet
on
satellite
radio.
It's
also
a
big
thing.
And
of
course
podcasting
is
a
big
thing,
which
quite
a
lot
of
other
markets
have
claimed
as
their
own.
So
I
basically
said,
don't
be
like
us
radio,
but
theoretically
worth
a
read.
And
I'm
still
trying
to
understand
what's
going
on.
On
with
the
podcast
downloads
for
the
Pod
News
Daily,
which
jumps
from
somewhere
around
3,000
downloads
a
day
to,
well,
what
am
I
currently
getting?
I'm
currently
getting
something
like
20,
no,
37,000
downloads,
10x12x
easily
12x
growth
now
it's
all
IAB,
you
know,
verified
downloads
and
everything
else.
But
it's
also
pretty
obvious
that
they're
all
automate
automated
and
that
they're
all
coming
from
something
to
do
with
News.
So
it's
been
a
real
frustration.
I've
raised
this
a
few
times
now
with
and
I've
said
what
is
going
on?
I'm
not
sure
I
can
continue
to
afford
this
extra
bandwidth
because
it
is
costing
me
quite,
quite
a
lot
of
money.
The
file
that
I'm
feeding
them
is
now
a
32k
mono
AAC
file.
It's
not
the
world's
nicest
sounding
file
ever,
but
yeah,
but
even
so,
it's
still
going
to
probably
cost
me
an
extra
$300
this
month
because
of
all
of
this
data.
Anyway,
I'm
now
hearing
from
another
podcast
company
which
is
seeing
similar.
Not
quite
as
obvious
as
me,
but
they
are
seeing
similar
as
well.
So
perhaps
there
is
something
going
on
at
News
that
don't
necessarily
want
to
talk
about.
But
it
seems
to
me
to
be
that
Android
phones
are
randomly
downloading
audio
that
they
shouldn't
be
and
weirdly
downloading
the
Pod
News
daily
podcast
for
some
reason.
Reason
don't
really
understand
why
that
would
be
the
case.
But
anyway,
well,
so
there
was
a.
Report
that
open
source
sites
are
under
attack
from
AI
bots
scraping
them.
Yes,
well
that
is
definitely
the
case.
Yes.
Yeah,
absolutely.
And
I
wonder
whether
yours
is
coming
under
some
sort
of
attack
in
the
similar
way,
because
being
a
three
minute
podcast
and
a
daily
podcast
you
are
a
perfect
test
site
for
many
people
because
you
have
that
consistency
every
day.
But
it's
also
small
enough
a
size
file
not
to
be
a
problem.
I
wonder
whether
that's.
Yeah,
no,
indeed
it
may
be
that.
I
mean
it's
very
clearly
the
News
feed
that
they're
using
because
I
give
News
a
slightly
different
file.
So
it's
very
clearly
that.
But
the
weird
thing
is
that
all
of
the
downloads
are
happening
from
Android
phones.
Definitely,
definitely
from
Android
phones
and
also
all
happening
from
either
Malaysia
or
Indonesia.
And
that's
it.
So
if
I
was
to,
I
mean
I
could
block
Malaysia
and
Indonesia
entirely,
which
would
be
one
way
of
doing
it.
But,
but,
but
yeah,
it's
just,
it's
just
very,
very
strange.
But
the
frustration
is
is
that
say
that
they
are
investigating
but
they
haven't
asked
for
any
of
my
files,
any
of
my
log
files,
any
of
my
information.
They
haven't
asked
me
any
questions
at
all.
So
I
doubt
that
they're
really
investigating.
And
so
I
think
we
just
need
to
put
a
little
bit
of,
you
know,
of,
of,
of,
of,
you
know,
hard
work
on
them
to
actually
get
them
to
understand
what
is,
what
is
going
on.
But
I'm
seeing,
I
mean,
you
know,
some
of
these
downloads
are
just
ridiculous,
you
know,
in
terms
of,
of
the,
in
terms
of
what
I'm
actually
getting
there.
So
anyway,
so
that's
been,
that's
been
fun
to
be
playing
with.
Doesn't
it
go
on
to
prove
downloads
don't
matter
as
a
metric
and
it's
listens
that
actually
matter
because
if
you
were
unscrupulous,
what
you
could
do
is
go
back
to
every
one
of
your
sponsors
or
advertisers
and
say,
hey,
look,
we've
got
a
12x
increase.
Can
we
have
more
money
from
you?
And
I
bet
you
many,
many
people
would
have
done,
done
that.
Yes.
No,
I'm,
I'm,
I'm
sure.
I
mean,
I,
I
mean
it's
lovely
for,
for
the
figures.
This
is
the
first
time,
for
example,
that
I've
had
over
a
million
downloads
in
the
last,
in
the
last
month.
And
as
it
stands,
I
think
I'm
going
to
get
over
3
million
downloads
in
the
last
month.
So
I
mean
it's
wonderful
for
the,
for
the
figures,
but
it's,
it's
very
clearly
automated
and
very
clearly
poor
people
in
Malaysia
and
Indonesia
are
paying,
you
know,
data
bills
to
Downlo
show
for
some
reason.
I
think
it's
a
bug,
but
they're
certainly
not,
not
listening
to
it.
So
I,
I
think
it's.
Yeah.
So
anyway,
I
would
like
to
find
out
what's
going
on
there.
If
you
think
you
can
work
it
out
with
me,
then
you'll
find
there's
a
long
blog
post
which
is
called
Odd
Podcast
Downloads
on
my
personal
blog,
james
kridland.net
and
that's
it
for
this.
This
week
all
of
our
podcast
stories
were
Taken
from
the
Pod
News
Daily.
Newsletter@Pod
news.net
you
can
support
this
show
by
streaming
SATs.
You
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Buzzsprout
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You
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Excellent
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