AudioUK, Megan Lazovick, and YouTube

March 28, 2025

AudioUK, Megan Lazovick, and YouTube

Podnews Weekly Review

In this episode of the Podnews Weekly Review, James Cridland and Sam Sethi dive deep into the latest podcasting industry trends, featuring an extensive interview with Megan Lazovick from Edison Research about their Infinite Dial and Fandom studies. The research reveals significant growth in podcast consumption, with over 50% of Americans aged 12+ now listening to podcasts monthly, and a remarkable 73% having consumed podcasts either through audio or video.

The episode also features an interview with Chloe Straw from AudioUK, who discusses the organization's mission to advance the audio sector by supporting creators, fostering innovation, and driving sustainable growth. Straw highlights AudioUK's policy work, including efforts to get podcasting recognized as a creative industry and secure a seat on the Creative Industries Council, which could potentially lead to tax relief and IP funding for podcasting.

Additionally, the hosts discuss various technological and industry developments, including YouTube's potential dynamic ad insertion, the launch of new celebrity podcast networks, and challenges with podcast metrics such as plays and downloads. They explore emerging trends like video podcasting, cross-platform content strategies, and the complexities of content moderation across different platforms.

Podcast Title

Podnews Weekly Review

Host

James Cridland and Sam Sethi

Publish Date

March 28, 2025

Categories

Episode Notes

We chat with Megan Lazovick from Edison Research, Chloe Straw from AudioUK, and Podcast Nation - and talk YouTube Send James & Sam a message Support the show Connect With Us: Email: weekly@podnews.net Fediverse: @james@bne.social and @samsethi@podcastindex.social Support us: www.buzzsprout.com/1538779/support Get Podnews: podnews.net
  1. Edison Research's Infinite Dial study reveals over 50% of Americans aged 12+ now listen to podcasts monthly, a significant milestone for podcast mainstream adoption

  2. Video is becoming increasingly important in podcast consumption, with 51% of Americans having watched a podcast and 73% consuming podcasts through audio or video combined

  3. YouTube has emerged as the most used service for podcast listening, indicating a major shift in podcast platform preferences

  4. The podcast industry is experiencing a dichotomy of growing listener numbers while simultaneously facing challenges like advertising revenue stagnation and workforce reductions

  5. Podcast fans develop deep connections with content through four primary pathways: feeling like friends with hosts, identity exploration, emotional regulation, and sense of community

  6. The UK podcast industry is seeking government recognition and support, advocating for inclusion in the Creative Industries Council and potential tax relief for podcast production

  7. Emerging podcast networks are increasingly focusing on cross-platform strategies, integrating podcasts with social media and other content channels

  8. Podcast metrics remain inconsistent across platforms, with issues like play counting and download verification creating challenges for accurate measurement

  1. "The big takeaway is up. Things are up. Digital consumption is up, but especially podcast consumption is up."  - Megan Lazovic

    - Captures the key insight from the Infinite Dial research about podcast growth and provides a succinct, memorable summary of the state of podcasting.

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  2. "71% of fans say that they feel like they're friends with the host, so that it's connection driven."  - Megan Lazovic

    - Reveals an intriguing aspect of podcast fandom, highlighting the deep personal connection listeners feel with podcast hosts.

    Share to:

  3. "One of the things that I love about Audio UK is the ability to bring all these incredible businesses together. And something that I love about the industry is that they're obviously all competitors, but they're also very happy to share insights."  - Chloe Straw

    - Provides insight into the collaborative nature of the UK podcasting industry and the unique culture of podcast creators.

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  4. "If you can afford to get rid of the ads, then that probably says that you've got more disposable income. That probably says that you are therefore a bit richer than a listener that isn't doing that."  - James Cridland

    - Offers a provocative perspective on podcast advertising and audience economics, challenging traditional advertising assumptions.

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  5. "If TikTok were to be banned in the US, which one social network service would you use most often? Most people said that they would go to Instagram or Facebook, but it did vary by age."  - Megan Lazovic

    - Highlights an interesting finding about potential social media platform shifts and generational differences in platform preferences.

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Chapter 1: Edison Research: The State of Podcasting in 2025

Megan Lazovic from Edison Research discusses the Infinite Dial study, revealing groundbreaking insights about podcast consumption in the United States. The study highlights significant growth in podcast listenership, with over 50% of Americans now consuming podcasts and a notable rise in video podcast consumption.

  • Podcast consumption in the US has crossed the 50% threshold, with 70% of Americans having listened to a podcast.
  • Video podcasts are becoming increasingly popular, with 51% of Americans having watched a podcast in addition to traditional audio formats.

Key Quotes

  1. "70% of Americans have listened to a podcast that's up from previous years. And of course, the exciting bit of this year is that we didn't just measure listening, we also asked about watching podcasts. And 51% of Americans have watched a podcast." by Megan Lazovic

    - This quote succinctly captures the key growth metrics for podcast consumption in the US

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  2. "73% of Americans have consumed a podcast either through audio or video. So it's pretty much up any way you look at it." by Megan Lazovic

    - This quote emphasizes the comprehensive growth across audio and video podcast formats

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Chapter 2: The Psychology of Podcast Fandom

Megan Lazovic explores the deep psychological connections listeners form with podcasts, discussing the various ways fans engage with podcast content. The study reveals that podcast fandom goes beyond simple entertainment, touching on personal identity, emotional regulation, and community belonging.

  • Podcast fandom is driven by multiple factors, including personal connection, identity exploration, and emotional support.
  • Listeners view podcast hosts as friends and feel part of a larger community through their podcast consumption.

Key Quotes

  1. "71% of fans say that they feel like they're friends with the host, so that it's connection driven. It could also be identity driven. One of the people we conducted, in addition to a survey, we also conducted in person interviews. One of the people we spoke to said, I think podcasts help me see myself more clearly." by Megan Lazovic

    - This quote illustrates the deep personal connection listeners form with podcast hosts

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  2. "62% are fans because they help them feel like they're a part of something bigger than themselves." by Megan Lazovic

    - This quote highlights the community aspect of podcast fandom

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Chapter 3: AudioUK: Championing the Podcast Industry

Chloe Straw, CEO of AudioUK, discusses the organization's mission to support and grow the UK audio and podcast industry. She highlights efforts to gain government recognition, provide business support for independent creators, and increase international investment in UK podcast content.

  • AudioUK is working to gain government recognition and support for the podcast and audio industry in the UK.
  • There is a significant opportunity for growth in podcast advertising in the UK, with current spending far behind the US market.

Key Quotes

  1. "One of the big things that I've been working on is lobbying around a seat on the Creative Industries Council. And from that flows things like creative audio, tax relief for podcasting and audiobooks, more IP funding for development and IP export overseas." by Chloe Straw

    - This quote outlines AudioUK's strategic goals for industry support and recognition

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  2. "If you look at the podcast ad spend per person in the UK, it's 1.2 pounds per person and if you look at it in the US it's $7 per person." by Chloe Straw

    - This quote highlights the significant disparity in podcast advertising spending between the UK and US markets

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Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.

James Cridland

It's

Friday

28th

March

2025.

Unnamed Announcer

The

last

word

in

podcasting

news.

This

is

the

Pod

News

Weekly

review

with

James

Cridlin

and

Sam

Sethi.

James Cridland

I'm

James

Kridlin,

the

editor

of

Pod

News.

Sam Sethi

And

I'm

Sam

Sethi,

CEO

of

TruePaths.

Chloe Straw

One

of

the

things

that

we

want

to

do

is

make

sure

that

UK

podcasting

is

successful

internationally

and

we're

able

to

tap

into

those

international

markets.

James Cridland

That's

Chloe

Straw

from

Audio

uk.

She's

on

later

and

you

know,

I.

Megan Lazovic

Have

reporters

messaging

me.

Can

you

just

tell

me,

is

it

going

to

be

up?

You

know,

you

don't

have

to

give

me

the

number.

Is

it

going

to

be

up?

James Cridland

Also

later,

Megan

Lazovic

from

Edison

Research.

Unnamed Announcer

And

most

shows

should

think

about

a

video

audience.

James Cridland

The

co

founders

of

Pod

Nation.

Also

in

the

chapters

today,

the

PSP

is

alive

and

meeting

in

Chicago.

A

podcast

movement

are

YouTube

adding

Dai

and

Kai

chucks

it

in

at

YouTube.

See

what

you

did

there,

Sam?

Sam Sethi

Couldn't

resist

that

one.

James Cridland

This

podcast

is

sponsored

by

buzzsprout

with

the

tool

support

community.

To

ensure

you

keep

podcasting,

start

podcasting.

Keep

podcasting

with

BuzzBrown.com

from

your

daily.

Unnamed Announcer

Newsletter,

the

Pod

News

Weekly

Review.

Sam Sethi

Now,

James,

let's

kick

this

off.

Look,

you

did

a

great

job

with

Megan

Lazevic

on

the

Infinite

Dial

last

week.

Did

you

enjoy

it?

James Cridland

Yes,

it

was

great

fun

to

do

that.

Yeah,

absolutely.

It

was

a

dream.

I've

been

using

the

Infinite

dial

for

a

long,

long

time,

so

it

was

a

bit

weird

to

be

actually

presenting

it.

Sam Sethi

Nice.

Now,

what

was

the

big

highlight

for

you

from

of

that

report?

James Cridland

I

mean,

I

think

the

big

highlight

was

podcasting

being

officially

mainstream.

Now,

over

50%

of

of

Americans

age

12

plus

now

listen

to

podcasts

every

month.

So

that's

pretty

good

news.

Also,

I

think

actually

what

was

good

is

that

the

study

is

now

talking

to

many

more

people.

It's

got

a

much

larger

survey

size

and

that's

a

good

thing

too.

But

yes,

some

really

good

numbers

coming

out

of

that.

Sam Sethi

Well,

also

I

thought

what

would

be

good

is

to

get

Megan

back

on

the

now

she's

had

time

to

settle

the

reports

out

and

I

just

wanted

to

get

her

insights

again

to

some

of

the

findings

that

were

in

the

report.

You

know,

stuff

about

the

car,

stuff

about

social

media,

things

to

do

with,

as

you

said,

you

know,

more

Americans

now

using

podcasting.

So

I

started

off

by

asking

Megan,

how

long's

it

been

going?

The

Infinite

Dial.

Megan Lazovic

It

is

the

27th

year

of

the

study

and

it

was

started

by

Edison

President

Larry

Rosenberg

and

the

team

back

then.

And

I

actually

gave

a

shout

out

to

Pierre

Bovard,

who

was

with

Cumulus,

one

of

the

sponsors

of

the

report.

But

he

really

is

the

one

who

came

to

Larry,

way

back

then

to

talk

about

Internet

radio.

And

they

wanted

to

get

a

sense

of

how

Americans

are

using

it.

And

we're

so

lucky

that

we've

been

able

to

find

sponsors

for

the

studies

for

27

years.

So

we've

been

able

to

measure

that

growth

over

time

and

all

of

the

digital

audio

consumption

and

other

consumer

behaviors

over

that

time.

Sam Sethi

You've

also

grown

the

infinite

dial

to

be

in

other

countries

as

well.

Where

are

the

infinite

dials?

Megan Lazovic

We

have

many

different

infinite

dials,

not

necessarily

consistent

every

year

in

every

country.

We've

done

Germany,

we've

done

South

Africa,

Australia.

That

one

is

coming

up.

Actually,

I

don't

know

if

we've

officially

announced

it,

but

you

can

look

for

that

one

this

year.

We've

done

New

Zealand

many

years

ago.

I

think

we

did

Ireland,

uk.

So

really,

we're

trying

to

get

it

anywhere

we

can.

Ideally,

we

can

get

to

a

place

where

we're

doing

it

every

single

year

in

every

country,

so

we

can

get

the

same

benefits

that

we

do

with

the

US

Study,

where

we

see

year

after

year

consistency

and

we're

able

to

see

how

habits

have

grown.

But

it's

also

nice

if

we

can

only

do

the

study

every

two

years

to

look

at

consumer

behaviors

that

way.

Sam Sethi

So

the

study

highlights

crucial

insights

into

podcast

consumption,

online

audio,

trends

in

car

audio

usage,

smart

speaker

usage,

social

media

behaviors,

and

other

digital

media.

Now,

what

was

the

big

highlight?

Megan Lazovic

The

big

takeaway

is

up.

Things

are

up.

Digital

consumption

is

up,

but

especially

podcast

consumption

is

up.

And

that's

the

thing

that

everyone

is

holding

their

breath

for

every

single

year.

You

know,

I

have

reporters

messaging

me.

Can

you

just

tell

me,

is

it

gonna

be

up?

You

don't.

Sean Howard

You

don't

have

to

give

me

the

number.

Megan Lazovic

Is

it

gonna

be

up?

So

that

was

the

great

news

that

every

year

we've

previously

reported

podcast

listening,

that

podcast

listening

is

now

up.

70%

of

Americans

have

listened

to

a

podcast

that's

up

from

previous

years.

And

of

course,

the

exciting

bit

of

this

year

is

that

we

didn't

just

measure

listening,

we

also

asked

about

watching

podcasts.

And

51%

of

Americans

have

watched

a

podc.

You

know

what?

The

majority

of

Americans

are

consuming

podcasts

through

video.

And

then

when

you

sort

of

roll

up

that

information

and

look

at

the

combined

consumption

figures,

we

have

an

even

higher

jump.

73%

of

Americans

have

consumed

a

podcast

either

through

audio

or

video.

So

it's

pretty

much

up

any

way

you

look

at

it.

If

you're

just

looking

at

audio,

we

see

increase.

If

you

roll

in

those

video

numbers,

you

see

even

more

of

an

increase,

which

is

exciting

for

everyone

in

the

space.

They

want

to

be

able

to

say,

look

how

much

we've

grown.

Sam Sethi

Yeah.

And

one

of

the

things

in

the

report

is

that

YouTube

is

a

service

used

most

often

to

listen

to

podcasts,

which,

again,

given

that

they've

only

gone

into

the

market,

that

was

also

a

staggering

standout

for

me.

Megan Lazovic

Well,

of

course,

podcasts

have

been

on

YouTube

for

many

years.

And

actually,

Sam,

I

should

tell

you,

I

know

that

you're

looking

at

from

the

tech

side.

I'm

always

looking

at

it

from

the

consumer

side.

While

I

do

work

with

the

surveys

and

the

quantitative

research,

I

spend

a

lot

of

my

time

in

qualitative

research

where

I'm

talking

to

real

people

about

their

consumption.

And

you

ask

a

real

person

about

their

consumption

to

podcasts,

they

say,

oh,

yeah,

I've

been

listening

to

podcasts,

or

I've

been

watching

this

podcast

on

YouTube

for

years.

So

the

consumers

don't

necessarily

think

about

the

tech

and

the

networks

and

all

of

that.

They

don't

see

it

the

same

way

that

people

in

the

industry

do.

So

we

say,

oh,

YouTube

just

got

in

the

space.

Or

they

finally

just

talked

about

it

in

their

yearly

meeting.

But

no,

they've.

They've

been

in

the

space

because

that's

where

people

are.

They're

heavily

using

YouTube

for

so

many

different

parts

of

their

life.

So

it

makes

sense

that

they're

also

consuming

podcast

content

through

YouTube.

Sam Sethi

So

I

love

the

fact

that

everything's

up,

but

looking

back

over

the

last

six,

seven

months,

maybe

even

last

couple

of

years,

we

talk

about

number

of

redundancies

within

the

industry.

We

talk

about

the

fact

that

advertising

revenue

is

not

going

across

that

2

billion

threshold.

How

do

we

equate

the

two

between

a

growing

audience

that's

listening

and

yet

a

declining

industry

in

terms

of

the

number

of

people?

So

where

do

we

balance

those

two

parts

of

the

conversation?

Megan Lazovic

I

mean,

there's

an

ebb

and

flow

in

every

part

of

business

and

adjustment,

readjustment.

And

I'm

sorry,

I

can't

necessarily

speak

to

all

of

that

again

because

I'm

so

in

the

consumer

world.

But

we

do

know

the

opportunity

is

there,

and

hopefully

having

these

new

numbers

can

help

the

industry

prove

their

case,

prove

that

people

are

consuming,

that

people

are

getting

the

messaging,

and

that

it's

really

valuable

messaging.

In

one

of

the

other

studies,

I

know

we'll

get

to

later

the

Fandom

phenomenon

does

talk

about

the

amazing

relationship

that

listeners

have

with

podcasts

and

how

much

they

value

messaging

through

those

podcasts.

So

the

opportunity

is

absolutely

there,

and

it's

growing

because

more

and

more

people

are

entering

the

space

every

day.

So

how

the

industry

harnesses

that.

I

can't

help

you

there.

I'm

sorry.

The

opportunity

is

there.

That's

what

you

guys

have

to

figure

out.

Sam Sethi

Now,

this

is,

as

you

said,

the

overall

consumption

in

audio

as

well.

Not

just

purely

in

podcasting,

but

you're

also

looking

at

social

media.

You're

looking

at

TV.

You

know,

YouTube

have

talked

about

their

primary

platform

is

now

going

to

be

tv,

which

is,

for

me,

very

weird

because

I've

never

really

looked

at

YouTube

on

a

TV

again.

That's

what

people

are

telling

you.

But

social

media

itself,

where

are

you

seeing

the

changes

occurring

there?

What's

happening

with

people's

behaviors?

Megan Lazovic

Well,

can

I

tell

you

just

related

to

Infinite

Dial,

anecdotally,

we

used

to

have

lots

of

live

conversation

on

Twitter.

Everyone

used

to

watch

Infinite

Dial

and

use

the

hashtag

and

talk

on

Twitter.

And

social

media

usage

has

been

a

lot

more

disjointed.

You

know,

there's

a

big

loss

to

the

X

platform.

People

have

moved

to

other

platforms.

And

for

the

webinar

itself,

it

was

great.

All

of

our

viewers

were

actually

chatting

in

the

zoom

platform

to

each

other

because

there

wasn't

one

platform

that

we

were

all

together.

So

it

was

nice

for

the

webinar.

I

enjoyed

seeing

everyone

chatting.

But

it's

also

frustrating

that

there

doesn't

seem

to

be

one

platform

that

we

are

all

on.

Of

course,

there's

the

meta

platforms,

Facebook,

Instagram,

they're

really

dominating

the

space.

But

Infinite

Dial

and

I

think

the

podcast

world,

when

we're

talking

about

more

business

stuff,

where

has

that

landed?

I'm

not

necessarily

posting

about

Infinite

Dial

on

my

Facebook,

so

it's

very

interesting.

The

space

and

the

Infinite

Dial

does

show

all

of

the

changes

in

where

people

have

left,

what

platforms

are

growing.

And

actually,

my

favorite

question

from

that

section

was

about

TikTok,

because

we

were

fielding

the

study

in

early

January

when

everyone

thought

TikTok

was

going

to

go

away,

and

we

wondered,

what

would

happen?

Where

would

people

go?

So

we

actually

added

that

question

in

the

study.

If

TikTok

were

to

be

banned

in

the

US

which

one

social

network

service

would

you

use

most

often?

So

we

got

to

that

hypothetical

answer,

and

most

people

said

that

they

would

go

to

Instagram

or

Facebook,

but

it

did

vary

by

age.

So

the

younger

people

were

more

likely

to

choose

Instagram.

Older

people

were

More

likely

to

choose

Facebook.

But

there

was

a

good

cohort

across

all

generations

that

said

they

would

use

YouTube

and

YouTube

shorts.

Sam Sethi

So

will

you

be

doing

this

same

presentation

at

Podcast

Movement

in

a

couple

of

weeks

time

or

even

next

week?

Gosh,

next

week?

Megan Lazovic

No.

Infinite

Dial

Lives

on

the

Internet

for

all

to

see

however

many

times

they'd

like.

But

I

will

be

presenting

the

fandom

phenomenon.

That's

a

study

that

we

did

jointly

with

Wondery

and

Zensu,

and

I'm

really

excited

to

talk

about

how

much

people

love

podcasting

and

how

much

podcasting

loves

them

back,

what

it

gives

to

them

in

their

lives,

and

all

of

the

different

ways

that

podcast

enhances

people's

lives.

Sam Sethi

Well,

let's

talk

about

that

report.

I

was

really

interested

in

the

outcome

of

that

report.

You

sort

of

touched

on

it

that

there

is

a

parasocial

relationship

between

the

fan

and

the

creator.

Is

this

something

that

was

unexpected

or

did

we

not

know

this

already?

And

if

we

know

now

that

there

is

that

relationship,

how

can

the

creator

enhance

that

relationship

with

their

fan,

then?

Megan Lazovic

So,

no,

it

was

not

a

surprise.

We

already

knew

that

there

was

something

really

special

about

the

connection

between

a

podcast

consumer

and

the

show.

We

already

knew

that

there

was

this

level

of

fandom

out

there.

And

from

previous

research,

we

knew

that

people

were

more

likely

to

trust

the

messaging

that

came

from

a

host

if

they

were

a

fan.

So

we

already

knew

something

was

special

there.

But

the

intention

of

the

study

was

to

really

break

it

apart

and

understand

it

a

little

bit

more,

to

understand

all

of

the

different

ways

that

fandom

enhances

a

person's

life.

People

talk

about

fandom

in

so

many

different

ways.

Fans

of

artists,

fans

of

sports,

where

people

have

this

crazy

love

for

something

where

it's

not

just,

oh,

I

like

it,

it's

like,

becomes

a

part

of

their

personality.

It

becomes

a

way

that

they

see

themselves.

And

that

exists

in

podcasts,

too.

Sam Sethi

So

is

it

a

funnel

effect?

Is

it

that

you

start

off

with

a

tangential

relationship,

you

might

have

just

heard

of

this

podcast,

then

you

take

five

or

six

episodes

to

gain

a

relationship

with

this

podcast,

and

then

you

move

down

the

funnel.

You

now

are

fully

engaged.

So

is

it

a

state

of

mind

that

you

become

a

fandom?

Is

it

a

badge

of

honor

that

you

reach?

Or

is

it

day

one

you

can

be

in

the

fandom?

Megan Lazovic

Yeah,

it's

not

necessarily

a

certain

path

for

everyone.

Everyone

has

their

own

path

to

fandom.

You

know,

some

people

become

a

super

fan

of

a

podcast,

they

already

love

the

topic

or

they

already

love

the

personality.

Actually,

you

know,

Amy

Poehler

just

came

out

with

her

podcast,

and

I've

loved

her

forever.

She's

released

three

episodes.

I'm

already

a

fan

of

her

podcast.

So

there

are

different

paths

and

there

are

sort

of.

And

that's

one

of

the

things

that

we

try

to

do

with

this

study,

sort

of

understanding

how

listeners

become

fans.

They're

kind

of

four

different

end

points.

There's

sort

of

the

connection

that

stems

from

feeling

like

they're

friends

with

the

host.

71%

of

fans

say

that

they

feel

like

they're

friends

with

the

host,

so

that

it's

connection

driven.

It

could

also

be

identity

driven.

One

of

the

people

we

conducted,

in

addition

to

a

survey,

we

also

conducted

in

person

interviews.

One

of

the

people

we

spoke

to

said,

I

think

podcasts

help

me

see

myself

more

clearly.

They've

helped

me

understand

myself.

So

there's

this

underlying

connection

with

identity.

With

podcasts,

they

can

also

become

a

fan

through

emotional

connection.

Someone

said,

podcasts

help

me

be

more

productive.

They

help

me

regulate

my

attitude.

So.

Or

they

make

me

laugh.

They

71%

said,

of

the

fans,

71%

said

they

are

fans

because

podcasts

help

them

escape

real

life.

So

there's

like

this

emotional

connection,

and

then

finally

there's

the

sense

of

community.

That's

also

one

of

the

four

primary

drivers

for

fandom.

62%

are

fans

because

they

help

them

feel

like

they're

a

part

of

something

bigger

than

themselves.

So

I

am

a

fan

of

this

podcast

called,

you're

about

to

say

Pod.

Sam Sethi

News

Weekly,

weren't

you?

Megan Lazovic

Pod

News

Weekly,

yes.

When

I

meet

another

Pod

News

Weekly

fan,

we

go

crazy

because

we're

like,

oh,

my

gosh,

you

listen

to

Sam

and

James

two,

you

know,

there

is

that

sense.

It's

not

just

you,

it's

bigger

than

you.

So

those

are

four

different

examples,

four

different

touch

points

that

get

people

into

fandom

that

sort

of

drive

the

fandom.

And

it's

great

for

podcasters

to

understand

all

of

these

different

endpoints

to

better

understand,

you

know,

what

they're

doing.

Well,

and

that's

great

for

brands,

too,

to

sort

of

understand

the

different

ways

that

they

can

connect

with

consumers

through

podcasts.

Sam Sethi

Now,

look,

if

everyone

wants

to

go

and

find

more

about

Edison

Research,

go

and

find

more

about

the

Infinite

Dial

or

this

fandom

report.

Where

would

they

go?

Megan Lazovic

Megan

edisonresearch.com

and

because

social

media

is

so

disjointed,

look

on

every

platform

for

us.

We're

there.

Look

for

us.

Sam Sethi

I

think

it's

gonna,

you

know,

like

you

have

with

podcasting,

wherever

you

get

your

podcast,

we

have

to

have

wherever

you

get

your

social

media.

Is

the

next

state.

Right?

Megan Lazovic

Right.

Yeah.

Find

us

on

edisonresearch.com

and

sign

up

for

our

weekly

newsletter.

You

can

find

a

link

to

sign

up

on

edisonresearch.com

as

well

because

we

really

do

make

an

effort

to

deliver

never

before

seen

data

every

Wednesday

in

your

inbox.

Sam Sethi

Megan,

thank

you

so

much

and

thank

you

for

the

Infinite

Dial.

Megan Lazovic

Of

course.

Unnamed Announcer

Thanks.

James Cridland

Megan

Lazovic

from

Edison

Research.

The

good

news

is

I

think

Infinite

Dial

Australia

is

currently

out

in

the

field,

so

we'll

get

some

details

from

Australia

relatively

soon.

Also,

I

gather

that

Infinite

Dial

New

Zealand

is

coming

back

as

well.

It

is

this

year

as

well,

which

is

excellent

news.

So

I'm

hoping

that

we

get

more

from

other

countries

because

it's

really

useful

when

you

can

start

comparing

things.

So

yes,

that's

a

really

useful

thing.

Sam Sethi

I

also

found

the

conversation

that

we

had

about

Wondery's

report

about

fandom

quite

interesting

as

well.

So

yeah,

again

I

think

that's

something

that

we're

going

to

touch

on

later

in

this

show

now.

James Cridland

Indeed.

And

of

course

Wonder

is

report

on

fandom

will

be

at

Evolutions

in

Chicago

next

week.

It's

not

the

only

big

study

though,

is

it?

Sam Sethi

No,

there's

going

to

be

another

one

as

well.

It's

called

the

State

of

video

podcasting

in

2025

by

Coleman

Insights

and

Amplify

Media.

What's

this

one

about,

James?

James Cridland

So

this

is

all

about

video

podcasts,

how

people

consum

and

whether

or

not

video

is

a

helpful

thing.

Now

they

have

released

a

little

bit

of

that

data

a

little

bit

early,

saying

that

only

10%

of

Gen

Z

podcast

consumers

never

consume

video

podcasts.

So

basically

it's

all

about

video

for

them.

Although,

you

know,

about

40%

of

Gen

Z

podcast

consumers

only

or

mostly

consume

audio

podcasts.

So,

you

know,

a

bit

of

a

mixed

bag

there,

but

it

should

be

really

interesting

seeing

that

obviously

Coleman

Insights,

just

like

Edison

Research,

very

large

good

market

research

company

and

yes,

so

a

ton

of

data

there.

Sam Sethi

You're

going

to

be

presenting

something

as

well,

aren't

you,

at

Evolutions?

James Cridland

I

am

indeed.

I'm

going

to

be

presenting

the

POD

News

report

card

and

I've

also

got

some

data

from

PodTrack

which

will

be

an

exclusive

which

I'm

looking

forward

to

breaking

as

well

next

week.

I'd

love

to

tell

you

what

that

data

is.

I've

got

it

emailed

to

me.

Haven't

had

the

chance

to

actually

open

the

email

yet.

Sam Sethi

Right.

So

what

was

it

entitled?

Exclusive

do

not

open

until

next

week.

James Cridland

I

mean,

I

basically

I

contacted

them

a

couple

of

months

ago.

And

I

said,

oh,

I'm

doing

the

report

card

again.

If

you'd

like

a

big.

A

big

logo

on

the

screen

with

some

data,

then

do

you

have

any

interesting

data?

And

they

do.

So

that's

good.

So,

yes,

so

very

much

looking

forward

to

breaking

some

of

that.

I

went

through

the

the

POD

News

report

card

with

Apple

Podcasts

yesterday

and.

And

it

seemed.

Seemed

to

go

down,

you

know,

relatively

well,

which

is

nice.

So

I'm

looking

forward

to

sharing

it

with

other

platforms

as

well

over

the

next

couple

of

weeks

now.

Sam Sethi

Also,

congratulations

to

friend

of

the

show,

Stephen

Goldstein,

who

is

celebrating

10

years

at

Amplify

Media.

So

maybe

you

and

him

can

get

in

a

bar

somewhere

over

in

Evolutions

to

have

a

drink.

James Cridland

Yes,

that

sounds

like

a

good

plan.

He's

a

good

professor,

Goldstein.

Yes,

he

was

the

person.

He

was

the

person

who

came

up

with

the

idea

of

POD

News,

Interestingly.

Sam Sethi

There

you

go.

Well,

maybe

you

own

one

or

more

drinks.

James Cridland

I

think

I

do.

Yes,

exactly.

Right.

Sam Sethi

Now,

moving

on.

When

is

a

play

not

a

play?

James?

Now,

we

know

a

download

is

not

a

listen,

but

when

is

a

play

not

a

play?

Basically,

we

saw

this

week

that

what

counts

as

a

play

in

analytics

in

Apple

Podcasts

can

be

very

weird.

Bumper.

We're

talking

about

it

every

time

you

hit

the

play

button

in

Apple

podcasts.

Tell

me

more

about

this.

James Cridland

Yes,

this

was

a

sort

of

hidden

thing

in

the

middle

of

an

article

from

Bumper

which

shows

how

to

combine

plays,

basically.

So

looking

at

YouTube,

looking

at

Apple,

looking

at

Spotify

and

so

on

and

so

forth

and

going,

okay,

well,

how

many

total

plays

have

we

got?

And

the

quick

answer

is

there's

not

an

easy

way

to

compile

that

at

all.

Apart

from

anything

else,

YouTube

doesn't

tell

us

how

it

calculates

a

play.

It

never

has.

So

that's

a

weird

one,

but

hidden

away

in

this.

And

I

spoke

with

Dan

Meisner

from

Bumper

about

this

was

a

little

thing

that

said

that

every

time

you

hit

the

play

button

in

Apple

podcasts,

it

counts

as

a

play.

So

that

means

that,

for

example,

if

you

pause

a

podcast

and

then

hit

play

again,

well,

that's

at

least

two

plays,

maybe

even

three,

because

you've

hit

that

play

button.

So

if

you.

So

my

guess

is

that

includes

if

you

take

your

AirPods

out

and

you

order

a

coffee

and

then

you

put

your

AirPods

back

in

again

because

that's

paused

it

and

then

played

it.

Maybe

it

includes

as

you're

driving,

you're

listening

to

a

podcast,

and

the

podcast

pauses

ever

so

slightly

to

tell

you

to

turn

left.

Maybe

it

includes

that

as

well.

Who

knows?

Sam Sethi

Who

knows

indeed?

Yeah,

we

don't

know.

James Cridland

Yeah,

who

knows

indeed.

But

I

did,

you

know,

I

mean

I

did

go

into

Apple

Podcasts

Connect

and

find

that

this

show

actually

has,

in

Apple

Podcasts

has

32

listeners

but

232

plays,

which

makes

no

sense

to

me

at

all

actually

if

you

think

about

it,

because,

I

mean,

how

does

that

really

work?

32

listeners

but

232

plays?

Are

we

really

saying

that

most

people

are

playing

it

10

times?

Sam Sethi

No,

I

find

that

very

strange.

James Cridland

But

anyway,

so

yes,

that

was,

that

was

an

interesting.

That

was

an

interesting

thing.

I

thought.

Sam Sethi

So

remind

me,

why

do

we

have

different

metrics

for

play

through

the

main

players?

You

know,

Apple,

Spotify,

YouTube.

Is

it

because

no

one

set

a

standard

or

is

it

because

they

all

want

to

do

it

differently?

James Cridland

Well,

I

think

it's

partially.

Nobody

has

set

a

standard,

or

at

least

nobody

is.

Nobody

cares

about

a

standard

if

even

if

it

is

actually

set.

So

Apple

hasn't

signed

up

to

any

of

the

IAB

guidelines,

nor

have

Spotify,

nor

have

YouTube.

So

IAB,

you

know,

I

mean,

it's

a

useful

thing,

but

if

the

three

big

podcast

apps

don't

actually

use

it,

it's

not

particularly

helpful.

So.

Yeah,

but

you

know,

I

mean

a

play

could

be

a

useful

number

if

it

actually

meant

something.

But

what

I

think

is

pretty

clear

with

this

is

that

it

doesn't

actually

mean

anything

anyway.

Sam Sethi

Yeah,

now

I

think

it

could

be

converted

into

an

aggregated

total

listen

time

and

percent

completed

and

then

the

play

doesn't

really

matter.

The

number

of

times

you

hit

start,

stop,

start,

stop,

start,

stop

wouldn't

actually

have

any

relevance.

It

would

be

actually

what

was

the

total

aggregated

time

you

played

of

that

episode?

So

you

could.

Moving

on,

I

just

wanted

to

have

this

discussion

with

you.

YouTube

pricing.

Last

week

we

talked

about

YouTube

expanding

its

pricing

with

something

called

Premium

Lite.

It's

being

piloted

in

the

US

but

it's

extending

out

weirdly

to

Thailand,

Germany

and

Australia.

I

don't

know

how

they

randomly

pick

those

three

countries,

but

they.

But

what's

very

cool

about

it

is

they're

putting

a

YouTube

ad

free

price

of

799

per

month

dollars.

And

that

means

you

don't

get

music,

but

you

do

get

ad

free

video

and

podcasting.

So

I

thought

that

was

very

cool.

The

thing

I

wanted

to

ask

you,

James,

is

this

puts

a

real

squeeze

on

Spotify

because

Spotify

have

5.99

for

students,

$11.99

for

individuals

and

16.99

for

family.

Spotify

couldn't

put

out

a

799.

No

music

service,

could

they?

James Cridland

No,

not

really.

I

mean,

because

there's

hardly

anything

on

Spotify

that

isn't

music.

I

mean,

yes,

podcasts,

but,

you

know,

but

your

podcast

is

still

going

to

have

ads

in

them.

So,

no,

I

don't

think

that

Spotify

can

offer

this.

And

I

think

it's

probably

just

a

historical

thing

in

that.

I

think

it's

probably

just

a

historical

thing

in

that

YouTube

obviously

came

from

the

video

world,

but

also

had

a

music

service

that's

part

of

YouTube

Premium.

And

they've

all

of

a

sudden

realized,

well,

actually,

you

know

what,

we

should

stop

doing

the

music

service

as

well.

And

then

we

can

offer

a

cheaper

ad,

free

version

of

YouTube.

So

I

think

that,

that,

you

know,

makes

a

bit

of

sense

there.

But

yeah,

I

think

it

will

add

a

squeeze

onto

Spotify.

Clearly

spot

concerned

about

YouTube

because

Spotify

has

spent

the

last

six

months

or

so

talking

about

video

all

of

the

time

and

saying

that

video

is

the

future

for

everything.

And

you

can

also

see,

you

know,

in

certain

countries,

and

I

don't

know

if

you

have

it

in

the

uk,

but

in

certain

countries

Spotify

also

has

music

videos

as

well,

which

they're

trying

to

roll

out

into

the

US

but

they

haven't

yet

managed

to

do

that,

I

believe.

But

obviously

that's

an

addition

there

as

well.

Sam Sethi

We

talked

about

their

price

elasticity.

I

don't

think

they

can

go

much

higher

in

their

price

before

it

snaps

and

then

they

may

have

to

come

down

to

compete

on

this

799

price

point.

But

as

I

said

last

week,

Spotify

is

good

for

music,

but

it's

a

poor

podcast

app.

And

I

don't

know

if

I

would

pay

just

for

podcasting

as

an

app

for

Spotify.

James Cridland

Yeah,

yeah.

No,

indeed.

Sam Sethi

Now,

James,

you

were

on

the

media

Roundtable

this

week

and

you

said

something

quite,

I

thought,

quite.

Really?

Well,

often

you

say

things

interesting.

I'm

not.

I

was

about

to

say

you

said

something

interesting.

James Cridland

Interesting.

Sam Sethi

Once

in

a

lifetime.

Chloe Straw

God.

Sam Sethi

Finally.

No,

let

me

try

rewording

that.

You

were

on

the

media

round

table

and

you

were

talking

about

this

topic

of

advertising

and

what

you

said

was,

but

the

people

who

would

then

listen

to

the

adverts

are

probably

not

the

people

you

want

to

reach.

James Cridland

Yes,

yes.

Because

I

mean,

if

you

can

afford

whether

it's

7.99,

whether

it's

11.99,

whatever

that

money

is

per

month

to

get

rid

of

the

ads,

then

that

probably

says

that

you've

got

more

disposable

income.

That

probably

says

that

you

are

therefore

a

bit

richer

than

a

listener,

that's

that,

that

isn't

doing

that.

And

in

which

case,

surely

you

are

the

people

who

the

advertisers

want.

Surely

the

advertisers

don't

want

just

to

be

advertising

to

people

that

can't

afford

to

get

rid

of

the

ads.

Sam Sethi

So,

yeah,

send

them

an

Aston

Martin

ad

to

somebody

who

can't

afford

7.99.

James Cridland

So

I

always

find

it

very,

I

always

find

it

very

odd

when

companies

say

you

can,

you

can

get

rid

of

the

ads

because

what

does

that

say

about

the

audience

that

hears

the

ads?

So,

yeah,

I

do

think

it's

something

just

to

have

a

think

about.

Sam Sethi

Now,

YouTube

could

be

switching

on

dynamic

ad

insertion.

James,

tell

me

more

about

this.

James Cridland

Yeah,

so

this

is

according

to

a

report

by

Semaphore.

The

report

basically

says

that

YouTube

is

considering

making

dynamic

ads

in

videos.

So

it

would

allow

a

host

red

ad

to

be

dynamically

inserted

and

swapped

out

within

individual

YouTube

videos.

So

of

course

you

can

do

that

in

terms

of

audio

podcasts

using

OpenRSS.

So

that's

all

good.

And

so

the

theory

is

that

you

can

do

that

in

videos

as

well.

What

I

would

say

is

this

sounds

like

a

very

interesting

idea,

but

it

also

sounds

like

an

idea

of

YouTube

going,

ah,

maybe

there's

some

money

in

this

dynamically

switchable

ad

insertions

and

maybe

we

can

get

our

30,

40%

of

that.

And

so

it's

another

parking

their

tanks

on

the

lawn

of

folks

who,

you

know,

who

already

offer

that

particular

service.

So

I'm

not

necessarily

sure

it's

good

news

for

the

podcaster.

I

think

if

anything,

it

might

mean

that

we

see

the

rules

about

host

red

ads

being

changed

in

the

future

for

YouTube

so

that

YouTube

actually

begin

to

get

some

money

from

those

instead

of

just

allowing

those

to

be

in

videos

anyway.

So

I'm

not

sure

sure

that

it's

good

news

for

creators,

but,

you

know,

time

will

tell.

The

only

thing

that

I

would

say

is

this

is

a

report

in

Semaphore.

YouTube

haven't

commented.

And

when

I

did

a

report

on

YouTube's

getting

RSS

ingestion

and

that's

going

to

be

amazing.

YouTube

took

nine

months

to

launch

that

product.

So

I

would

imagine

this

is

very

early

on

and

I

would

imagine

that

YouTube

is

busy

thinking

about

how

it

works,

but

we're

not

going

to

see

that

anytime

soon.

Sam Sethi

No,

but

Semaphore

also

suggested

something

about

Spotify

as

well.

James?

James Cridland

Well,

I

mean

they

say

that

Spotify

already

offers

this

particular

product.

It

doesn't,

it

doesn't

have

dynamic

ad

insertion

in

video.

And

indeed

when

you

add

video

to

your

podcast

episodes

on

Spotify,

you're

getting

rid

of

dynamic

ad

insertion

on

audio

as

well.

So

it's

a

bit

of

a

mess.

So,

you

know,

it's

not

always

fair

to

point

out,

you

know,

inaccuracies

in

other

people's,

you

know,

in

other

people's

coverage.

But

in

that

particular

case,

it's

just

worthwhile

pointing

out

that

nobody

else

offers

this

in.

I

mean,

they

said

that

both

Spotify

and

Apple

Podcasts

offer

it.

Well,

Apple

Podcasts

doesn't

host

shows

anyway,

so.

No,

and

Spotify

doesn't

offer

that

either.

So

always

interesting

just

to,

you

know,

keep

an

eye

on

that

sort

of

thing.

Sam Sethi

Now,

talking

of

Spotify

and

video,

there

was

an

announcement

briefly

on

your

favorite

platform,

LinkedIn,

of

FlightCast,

announcing

the

beta

of

their

video

and

audio

hosting

platform.

Rox,

who

is

the

CTO

building

the

platform,

said,

for

the

past

year,

I've

been

quietly

building

a

video

podcast

hosting

platform

with

Stephen

Bartlett

from

Diary

of

a

CEO.

We're

running

a

closed

beta,

although

Steve

wants

to

hold

off.

I

want

to

add

a

handful

more

beta

testers.

So

if

you

go

onto

LinkedIn,

find

rocks

and

then

type

I'm

in,

he

will

send

you

a

link

to

apply

for

the

beta.

That

doesn't

mean

you'll

get

in,

by

the

way,

but

you

can

apply.

But

what's

very

cool

is

you

can

upload

video

and

audio

everywhere.

So

they're

talking

about

Apple,

YouTube,

but

they've

got

Spotify

video

as

well.

And

I

know

that

they

did

that.

We

talked

about

this

in

December

when

I.

James Cridland

Are

they

talking

about

Apple?

Sam Sethi

Well,

I

assume

they

will

be,

because

if

you're

saying

everywhere,

well,

everywhere

says

Apple,

doesn't

it?

James Cridland

Yeah,

I

was

curious

about

that

because

they

didn't

mention

Apple

at

all

on

the

LinkedIn

post.

I

think

the

interesting

thing

about

this

is

they

appear

to

be

the

first

podcast

hosting

company

to

be

able

to

upload

video

directly

into

Spotify.

I'm

unaware

of

any

other

company.

Maybe

Megaphone

will

do

that

too,

but

I'm

unaware

of

any

other

company

which

has

access

like

that.

You

can

do

that

from

YouTube,

obviously.

But

that

I

thought

was

really

interesting

seeing

that

side

of

it

as

well.

It

would

be

great

if

it

also

supported

video

podcasting

through

OpenRSS.

So,

yeah,

I'd

like

to,

you

know,

I'd

like

to

learn

a

little

bit

more

about

that

bit.

Sam Sethi

Yeah,

I

think

when

we

all

get

on

to

the

actual

product,

we'll

know

more.

Personally,

I

don't

think

it's,

you

know,

hosts

are

going

to

go,

oh,

my

God,

that's

it.

I

think

this

is

a

wake

up

call

to

host

to

actually

get

their

act

together

and

start

to

look

at

this

stuff.

I

mean,

we

had

Apple

giving

them,

you

know,

access

to

Apple

Connect

and

they've

got

Apple

delegated

delivery.

I

think

Spotify

hopefully

will

give

everyone

else

access.

I

mean,

Stephen

B.

Got

it

directly

by

asking

Daniel

Ek.

I

don't

think,

you

know,

everyone

else

can

phone

up

Daniel

and

ask

him

for

direct

access,

but

if

they've

built

it

now

for

FlightCast,

maybe

they

can

give

that

same

access

to

every

other

host.

What

isn't

in

there

though,

is

live.

There's

no

live

capability

yet

within

what

they're

doing

at

the

moment.

James Cridland

Yeah,

yeah,

there

you

go.

Sam Sethi

Watch

this

space

now.

Talking

about

hosts,

talking

about

the

community

working

together.

Surprise,

surprise.

There

was

a

blog

post

from

the

Podcast

Standards

Project.

James,

what

did

they

say?

James Cridland

Yes.

So

the

Podcast

Standards

Project

posted

their

first

thing

since

August

of

last

year

with,

you

know,

what

we've

achieved

and

what

comes

next?

What

we've

achieved

is

that

there

are

five

features

that

the

Podcast

six

features

that

the

Podcasting

Standards

Project

try

and

get

implemented.

And

they

say

that

there

are

427,000

RSS

feeds

out

there

with

all

five

of

those

features,

which

is

nice.

And

basically

saying

that

pretty

well

everybody

supports

all

of

those,

you

know,

so

that

is

good.

And

yeah,

I

think

this

was

very

much

a

post

from

Justin

Jackson

from

Transistor,

basically

trying

to

give

a

different

view

than

the

view

that

we

have

had

on

this

show,

which

is

that

the

Podcast

Standards

Project

is

a

waste

of

time

and

it's

probably

already

closed.

You

know,

there's

a

long

post

here

with

lots

of

celebrations

of

all

of

those

shows,

but

also

talks

about

what

the

future

might

be

and

is

there

a.

Is

there

a

killer

feature,

much

the

same

as

Tom

Webster

has

been

talking

about?

Is

there

a

killer

feature

for

podcast

apps

that

we

can

help

implement

and

all

of

that

kind

of

stuff

and

just

the

problems

that

they've

had

in

terms

of

moving

forward.

Sam Sethi

Not

that

anyone's

ever

asked

and

no

one

ever

will,

but

here's

my

opinion,

for

what

it's

worth,

they

need

to

put

money

into

a

pot.

I

think

the

Podcast

Standards

Project

is

a

lovely

group

of

people.

All

the

people

involved

individually,

we

know

as

friends,

but

in

my

opinion,

don't

just

talk

the

talk,

walk

the

walk.

You

need

to.

The

website

needs

to

be

updated.

You

need

to

pull

in

the

person

taxonomy.

It's

sitting

on

a

remote

site

somewhere,

never

been

updated

or

looked

at

for

three

years.

The

music

licenses

stuff

is

sat

with

Phantom

Power

Media,

the

music

category

list

is

sat

with

Wave

Lake.

Daniel

has

a

website

that's

got

some

other

stuff

on

it.

It's

all

over

the

place.

That

needs

to

all

be

pulled

together.

That's

the

first

thing

I

would

say.

They

need

to

invest

into

seed

money.

Now,

this

is

a

controversial

one,

but

I

think

they

need

to

invest

into

new

apps

and

then

the.

The

more

apps

that

support

more

tags,

the

more

funding

they

get.

The

quid

pro

quo

would

be,

it

would

be

an

equity

investment.

So

the

apps

then,

if

they

got

further

funding

or

in

the

future

sold

there

would

be

money

back

into

the

PSP

pot.

It's

a

bit

like

the

Norway

Wealth

Fund.

You

know,

they

keep

investing

into

it

and

then

they

get

more

and

more

money

into

that

fund.

And

finally,

I

think,

you

know,

the

first

party

data

we

talked

about

earlier,

giving

that

back

to

hosts

from

apps,

I

think

there

would

be

an

incentive.

And

finally

they

need

to

find

someone

who's

going

to

be

an

evangelist.

I

stepped

up,

I

stepped

down.

It

needs

to

be

a

paid,

permanent

role.

Somebody

needs

to

do

it.

They

need

to

be

flying

around

to

all

the

shows,

events,

talking

to

the

agencies,

talking

to

production

companies,

talking

to

just

everyone

in

the

ecosystem

and

building

those

champions.

We

talked

about

last

week,

James,

the

people

who

can

take

on

each

tag

and

become

the

challenger.

There's

so

much

that

can

be

done.

I

really,

really,

really

hope

that

the

Podcast

Dance

project

is

a

success.

It's

the

marketing

arm

of

podcasting

2.0

and

it

needs

to

really

work.

So

I'll

end

it

on

one

thing.

Either

go

big

or

go

home.

The

halfway

house

that

it's

been

is

a

waste

of

time.

And

so

either

do

something

or

just

shut

up

about

it

and

leave

it

alone

and

move

on.

James Cridland

Yes,

I

would

agree

with

all

of

that.

I

think

it's

very

important

that

we

move

forward

with

that

and

actually

get

moving,

you

know,

with

it.

I

mean,

I

think

it's

interesting

seeing

there's

a

big

table

in

that,

in

that

posting,

and

it's

interesting

seeing

that,

you

know,

just

zero

support

from

companies

like

acast,

Libsyn,

podbean,

Spreaker,

Spotify,

obviously,

and

so

on

and

so

forth.

So,

yeah,

it's,

it's,

you

know,

it'd

be

great

if

there

was

more,

more

people

involved.

Buzzsprout,

our

sponsor,

is

involved

with

it,

as

of

course,

is

transistor

captivateredcircle,

RSS.com

and

others

in

there

as

well.

So

it'd

be

good

to

see

more

people

being

involved

with

that

as

well.

Sam Sethi

Now,

talking

of

RSS.com,

they've

been

active,

haven't

they?

And

what

have

they

been

doing?

James Cridland

Yeah,

they

have.

So

they

have

achieved,

for

the

first

time,

they've

achieved

IAB

podcast

measurement

guidelines

version

2.2

compliance,

which

is

exciting.

So

that

is

one

thing,

IB

compliance

obviously

useful

for

you

in

case

you

are

moving

podcast

hosting

companies

and

you

want

to

at

least

make

sure

that

the

analytics

are

going

to

be

roughly

equivalent.

And

similarly,

you

know,

they

are

useful

numbers

because

quite

a

lot

of

people

actually

ask

for

IAB

compliant

numbers

these

days.

You

know,

regardless

of

our

issues

with

the

ip,

you

know,

it

is

useful

to

at

least

have

had

someone

looking

at

your

code,

regardless

of

how

useful

those

numbers

actually

are

at

the

end

of

it.

But

what

also

RSS.com

has

done

is

they

have,

they're

a

bit

late

to

this,

but

they

have

now

added

automatic

Apple

Podcasts

submission.

So

that

feature,

if

you

remember,

was

launched

last

month

from

Apple,

a

bunch

of

people

jumping

in

and

doing

it.

And

it

essentially

means

that

if

you

are

a

brand

new

podcaster,

you

can

just

publish

to

Apple

with,

with

one

button

it

goes

into

RSS.com's

account

and

then

you

can

move

it

over

onto

your

own

account

when

you're

ready

to

sign

up

with

Apple

directly.

So

that's

a

good

thing.

Sam Sethi

They

also,

I

mean

it's

not

a

trade

secret

because

it's

on

there

website.

They're

adding

dynamic

ad

insertion

very

shortly

as

well.

So

again,

something

else

that

they

are

working

on.

James Cridland

Yeah,

indeed.

Sam Sethi

Moving

forward,

Bloomberg.

Ashley

Carmen

had

a

very

interesting

report

this

week

which

was

porn

on

Spotify

is

infiltrating

the

platform's

top

podcast

charts.

Now

that

is

not

a

good

thing.

It's

happened

before

in

the

past

and

they've

taken

it

down.

It's

a

game

of

whack

a

mole

that

Spotify

likes

to

play.

But

what,

what

they

were

worried

about,

at

least

the,

the

implication

was

was

that

because

they've

added

video

to

Spotify's

podcast,

now

that

porn

companies

are

going,

oh

there's

money

there,

let's

stick

some

stuff

up

and

see

what

we

can

get.

But

according

to

Spotify,

our

platform

rules

will

not

allow

sexually

explicit

material.

And

equally

they

say

they

would

not

qualify

for

the

partner

program.

So

I

think

on

that

sense

there

is

no

money

for

them

to

get.

But

strangely

they

did,

according

to

Ashley,

appear

in

the

charts.

James Cridland

Yes,

and

I

would

imagine

that

yes,

there

may

be

no

money

for

them

to

get

directly

from

Spotify,

but

there

may

be

opportunities

and

things

for

them

to

get

money

elsewhere.

If

you

remember,

quite

a

lot

of

people

were

signing

up

with

free

podcast

hosts

to

be

able

just

to

market

sex

workers.

And

that

was

something

that

quite

a

lot

of

people

were

doing.

So

the

podcast

itself

didn't

really

exist,

but

it

was

a

good

and

free

way

for

them

to

get

the

telephone

numbers

of

these

sex

workers

in

various

parts

of

parts

of

the

world

into

big

search

engines

like

YouTube

and

Apple

Podcasts.

So,

yeah,

it

is

interesting.

I've

not

covered

this

and

I'm

not

quite

sure.

It

is,

of

course

an

issue

that

as

soon

as

you

turn

on,

particularly

turning

on

video,

then

you

will

get

adult

content.

But

this

has

always

been

a

problem

with

Spotify.

It's

always

been

sort

of

available

on

there.

And

so

I

was

struggling

a

little

bit

to

work

out

what

the

story

was,

other

than

perhaps

that

it's

the

first

time

that

it's

actually

been

seen

in

the

top

10

charts.

Sam Sethi

I

think

that's

it.

I

mean,

it's,

it's,

it's.

Everyone

knows

it's

sort

of

lingering,

but

when

it

comes

front

and

center,

I

think

that's

when

people

go,

oh,

that's

not

quite

what

we

want.

Because

I

don't

think,

I

mean,

I've

never

tried.

But

I

don't

think

YouTube

has

that

problem.

It

may

well

do,

but

I

don't

know.

I

know

Tick

Tock

and

I

know

X

and

other

platforms,

platforms

do

have

that

problem.

I

mean,

in

fact,

X

have

just

gone

the

other

way

and

said,

yeah,

bring

it

all

on,

we'll

make

money

from

that

as

well.

So

platforms

have

that

problem.

It's

just

how

you

deal

with

it.

And

I,

I

think

Ashley

was

trying

to

say,

was

the

video

incentive

the

reason

that

there

was

an

increase

in

the

amount

of

content

from

porn

companies.

And

the

answer

from

Spotify

seems

to

be

no,

that's

not

what

it

is.

James Cridland

Yeah,

yeah.

Well,

now

let's

dive

around

the

world

if

we

can,

because

we

had

some

news

from

Japan.

There's

that

song,

of

course,

big

in

Japan.

And

podcasting

is,

well,

slightly

less

small

in

Japan.

It's

still

not

very

big.

17.2%

of

Japanese

adults

are

listening

to

podcasts

at

least

once

a

month.

That

figure

is

55%

in

the

US

audio

only

stuff

in

Japan

really

does

not

do

very

well.

Historically.

There's

something

about

the

Japanese

that

means

that

audio

and

radio

doesn't

do

particularly

well.

But

good

to

see

that

data

from

Otonal

and

the

Asahi

Shimbun

Company,

which

I

have

to

say,

apparently,

I'm

not

quite

sure

why.

Sam Sethi

I'm

glad

you

did.

James Cridland

I

couldn't.

So,

so

that's

all

fun.

And

of

course,

happy

100th

anniversary

in

Japan

for

radio,

which

started

100

years

ago

with

the

name

of

a

radio

station

in

Japan

being

said

over

and

over

again

and

over

again

by

a

very

shouty

man.

Anyway,

so,

so

that's

all

good

that's

going

on

in

Japan,

in

India,

Indian

government,

the

Indian

government

is

making

a

$1

billion

investment

in

the

local

creator

economy.

One

more

country

doing

a

big

local

creators.

The

previous

set

of

companies,

previous

set

of

countries

to

do

that

have

been

places

like

Saudi

Arabia

and

Qatar

and

the

uae.

So

interesting

to

see

India

jumping

in

there

and

going.

Actually

the

local

creator

economy

is

really

important

for

the

future

of

our,

of

our

industry.

So

yes,

you

know,

a

ton

of,

a

ton

of

stuff

going

on

there.

And

in

the

UK

there

is

an

event

which

is

going

to

happen.

It's

called

the

Power

of

Podcasting

and

it's

on

Wednesday

23rd

April.

The

event

is

interesting

because

it's

designed

to

connect

brands

and

agencies

with

the

production

houses

and

networks

behind

various

UK

podcasts.

It's

done

by

a

company

called

Audio

uk

and

you

caught

up

with

Chloe

Straw

who's

their

CEO

and

you

asked

firstly

what

Audio

UK

was.

Chloe Straw

So

we've

recently

slightly

updated

our

kind

of

mission

statement

and

that's

very

much

because

the

way

that

the

audio

industry

has

changed

so

rapidly

over

the

last

kind

of

10

years.

So

we

are

an

industry

body

and

we're

dedicated

to

advancing

the

audio

sector.

So

that

includes

podcasts,

radio,

audiobooks

and

that's

by

fostering

innovation,

supporting

creators

and

businesses

and

driving

sustainable

growth,

growth.

So

we've

got

about

130

members,

we're

member

funded

and

I

think

we

have

about

50

in

London,

50

out

of

London

across

the

UK

and

they

include

businesses

like

Sony,

Gohanger

Audio,

always

Persephonica

Novel.

So

a

huge

range

of

amazing

different

businesses.

Sam Sethi

And

when

you

say

all

these

people

are

members,

what

is

it

that

you

are

then

giving

them

guidance?

Are

you

giving

them

regulation?

What

is

it

that

Audio

UK

provides

then?

Chloe Straw

So

we

do

a

huge

amount

of

different

work

and

it

represents

the

huge

range

of

different

members

that

we

have.

So

within

those

lists

we

might

have

one

person

who

is

an

audiobook

producer

and

they

churn

out

audiobooks

every

single

week

in

their

home

studio.

And

then

obviously

you

have

Goal

hanger

who

are

absolutely

massive

and

have

five

out

of

the

top

10

Apple

Podcasts

in

the

charts

every

week.

So

in

the

way

that

our

members

have

a

lot

of

different

needs,

needs,

we

provide

a

lot

of

different

services,

say

one

of

the

biggest

things

that

we

concentrate

on

is

growing

the

industry

and

growing,

I

guess

the

amount

of

money

coming

into

the

Industry

for

our

members.

Our

members

are

largely

independent

and

by

that

I

mean

we

don't

have

the

BBC

as

a

member,

we

don't

have

Global

as

a

member,

but

we

do

have

some

of

the

kind

of

biggest

independent

podcast

companies.

And

so

I

guess

what

we

do

I

split

into

almost

two

sides.

There's

the

tangible

benefits

and

the

less

tangible

benefits

in

terms

of

industry

growth.

Of

our

main

things

this

year

is

we're

doing

a

huge

amount

of

policy

work

which

doesn't

sound

that

exciting

but

is

really,

really

important.

And

the

main

crux

of

that,

without

turning

this

into

a

policy

podcast,

is

around

getting

audio

podcasting

recognized

as

a

creative

industry.

So

there's

something

at

government

level

called

the

Creative

Industries

Council.

It

has

a

huge

amount

of

input

into

where

the

money

goes

for

the

creative

industries

representation

abroad

and

all

different

levels

of

development

around

the

creative

industries.

And

as

it

stands,

there

is

no

seat

for

audio

in

any

form

on

the

Creative

Industries

Council,

which

seems

completely

mad

to

me.

And

so

one

of

the

big

things

that

I've

been

working

on

with

Hannah,

who's

our

policy

and

regulation

lead,

is

lobbying

around

a

seat

on

the

Creative

Industries

Council.

And

from

that

flows

things

like

creative

audio,

tax

relief

for

podcasting

and

audiobooks,

more

IP

funding

for

development

and

IP

export

overseas.

So

I

guess

if

you're

one

of

our

bigger

members,

then

you

are

able

to

directly

feed

into

those

conversations.

I

think

one

of

the

things

I

love

about

Audio

UK

is

I

keep

in

fairly

constant

contact

with

a

lot

of

the

founders

and

CEOs

and

MDs

of

our

companies

who

are

always

very

open

to

talking

to

our

members

about

various

issues

and

that

gives

them

a

really

kind

of

direct

avenue

into

those

massive

industry

decisions.

So

it's

very

much

about

growing

the

industry.

Tangible

benefits,

we

provide

a

lot

of

business

support.

So

we've

just

partnered

with

a

new

insurance

provider

on

behalf

of

our

members

called

Riskbox,

which

is

great.

Have

a

long

running

partnership

with

Minton

Co,

who

provide

as

soon

as

you

join

up

at

any

business

level,

you

get

access

to

30

free

legal

contract

templates.

We

have

a

partnership

with

HR

companies.

All

of

those

things

that

you

might

be

really

focused

as

a

business

on,

like

what's

the

creative,

what's

an

idea?

But

all

the

kind

of

infrastructure

of

running

a

business.

We

also

offer

that

to

all

of

our

our

members.

So.

And

many

other

things,

training,

audio

production

awards

which

we're

going

to

call

the

APAs

from

now

on.

And

yeah,

so

many

different

things.

Sam Sethi

I

don't

know

if

you

saw,

but

in

this

week's

news,

India

has

announced

a

$1

billion

investment

into

its

local

creator

economy.

So

it

sounds

very

similar

to

what

you

were

just

describing

with

what

audio

UK

would

want

from

the

UK

government.

So,

in

Mumbai,

Neil

Mohan,

the

CEO

of

YouTube,

basically

spoke,

and

then

the

Indian

government

minister

has

announced

that

they're

putting

in

$1

billion,

not

rupees,

thankfully.

And

the

goal

is

to

enable

creators

to

scale

their

productions,

upgrade

tech

and

tap

into

the

global

markets.

That

sounds

exactly

what

you

were

just

describing

for

what

Audio

UK

wants

the

UK

government

to

do.

Chloe Straw

Yeah,

I

mean,

that's

very

much

what

we

need

to

happen.

I

think

if

I

have

a

fascinating

spreadsheet

which

looks

at

kind

of

the

different

benefits,

benefits

that

other

creative

industries

get.

So

film,

tv,

gaming,

animation,

theatre,

they

get

a

huge

amount

of

government

support.

Where

historically

we

got

a

bit

of

money

into

training,

but

that

stopped

in

2018.

We're

actually

partnering

with

the

BBC

on

training.

We're

relaunching

Audio

Train,

which

will

be

great,

but

I

feel

like

the

government

should

be

putting

money

into

training

for

audio

as

well.

Absolutely.

We

put

in

a

proposal

for

the

spring

spending

review

around

a

fund

for

IP

development,

development

and

export.

So

obviously,

as

we

all

know,

one

of

the

things

that

we

want

to

do

is

make

sure

that

UK

podcasting

is

successful

internationally

and

we're

able

to

tap

into

those

international

markets

as

well.

And

that's

another

of

our

key

focuses,

is

how

do

we

bring

in

more

international

investment.

The

kind

of

IP

fund

focuses

on

that

at

a

local

level

as

well

as

at

a

global

level.

And

also

the

audio

tax

relief

is

very

much

around.

So

many

of

our

member

companies

use

UK

teams

to

make

podcast

for

the

us

and

if

we

had

a

tax

relief,

you

know,

it

would

just

supercharge

that.

So,

yeah,

we

just

want

to

grow

the

industry,

bring

in

more

money.

We'd

love

a

billion

dollars

for

the.

Sam Sethi

Podcast

industry,

wouldn't

we

just.

Chloe Straw

Yes,

less

than

that

at

the

moment,

but,

you

know,

anything

or

take

anything

right

now

and

then

we'll

work

up

to

a

billion.

Sam Sethi

Now,

this

event

that

you've

got

coming

up,

it's

on

the

23rd

of

April.

Tell

me

more

about

it.

Chloe Straw

So

that's

another

real

focus

for

us

this

year,

actually.

So,

aside

from

policy

effects

and

so

on,

we

obviously

work

with

a

lot

of

the

biggest

and

finest

production

businesses,

production

houses

and

networks

in

the

uk,

as

I've

mentioned,

that's

one

of

the

things

absolutely

love

about

Audio

uk,

it's

the

ability

to

bring

all

these

incredible

businesses

together.

And

one

thing

that

we

do

is

we

have

a

podcast

leaders

lunch.

So

it's

for

Audio

UK

member

companies

they

don't

necessarily

have

to

be

the

biggest.

Obviously

the

biggest

come

along,

but

it's

the

CEOs

and

the

MDs

and

the

CO

founders,

members

of

those

businesses

who

come

along.

And

something

that

I

love

about

the

industry

is

that

they're

obviously

all

competitors,

but

they're

also

very

happy

to

share

insights,

which

I

love

because

I

love

partnerships.

I

think

good

things

happen

out

of

partnerships.

And

so

we

run

these

leaders

lunches

every

quarter

or

so.

We

obviously

put

on

lunch,

get

everyone

who

we

can

together

to

come

along

and

discuss

opportunities

and

challenges

within

the

industry.

And

one

of

the

biggest

challenges

and

opportunities

that

came

up

was

around

advertising

in

podcasting

in

the

uk.

And

I

mean,

you

know

this

as

well,

if

not

better

than

I

do.

You

know,

podcasting

in

the

UK

in

terms

of

ad

spend

still

has

a

long

way

to

go

in

terms

of

being

recognized

as

a

really

good

place

to

put

your

money.

We

all

know

that

it's

a

great

place.

We

know

that

the

statistics

are

good,

we

know

that

audience

engagement

is

good,

we

know

that,

that

the

kind

of

return

on

investment

is

good.

The

kind

of

structure

and

convincing

the

ad

agencies

and

the

media

buyers

of

that

still

needs

a

lot

more

work.

And

I

spend

a

lot

of

time

with

statistics

because

I

love

data.

And

so

we

know

the

obvious

comparison

is

the

US

and

the

uk,

both

primarily

English

speaking

countries.

And

I

think

my

most

recent

calculation

is

if

you

look

at

the

podcast

ad

spend

per

person

in

the

UK,

it's

1.2

pounds

per

person

and

if

you

look

at

it

in

the

US

it's

$7

per

person.

So

it's

not

just

that

the

US

is

bigger

because

population

size,

it's

bigger

per

person.

And

so

one

of

the

priorities

that

came

out

of

those

lunches

was

around

how

do

we

convince

advertisers

that

podcasting

is

a

good

place

to

put

their

money?

We

know

it,

but

there's

obviously

a

bit

of

a

disconnect

there.

And

obviously

there's

great

work

being

done

already

by

Acast,

by

Megaphone

Goal

hang

do

their

own

outreach

around

that.

A

lot

of

the

businesses

that

we

work

with

do

outreach

around

that.

But

I

think

it's

really

powerful

to

bring

all

of

these

businesses

together

and

get

the

brands

and

advertisers

together

to

hear

from

such

an

incredible

bunch

of

businesses

at

the

same

time

as

we'd

come

up

with

that.

I

know

Mira

Kumar

quite

well,

who's

obviously

a

fantastic

producer

and

she

brought

a

similar

idea

to

me.

And

the

beauty

of

Mira

is

if

it

had

been

left

to

me

because

I

have

40,000

things

to

do

anyway,

One

point,

it

probably

would

have

stayed,

oh,

that's

a

good

idea.

Shouldn't

we

do

that?

Whilst

I

answer

all

my

emails

and

she

came

to

me

with

the

idea

and

has

been

really

instrumental

in

just

driving

it

forward,

which

is

fantastic.

We

also

have

Martin,

who

runs

podmasters,

helping

out

and

a

few

other

people.

So,

yeah,

I

think

the

main

point

of

it

is

around

demystifying

advertising

and

I

think

the

reason

we

wanted

to

do

it

is

because.

Because

in

advertising

there's

so

many

different

stakeholders,

isn't

there?

There's

kind

of

the

platforms,

the

production

houses,

the

agencies,

the

media

buyers,

so

many

different

things.

And

I

think,

again,

one

of

the

strengths

of

Audio

uk,

and

one

of

the

things

that

I

love

about

it

is

the

ability

to

hear

straight

from

the

horse's

mouth.

So

we

are

bringing

these

brands

and

advertisers

together

with

the

production

houses

and

the

networks

who

sell

their

content,

make

their

content,

distribute

their

content,

and

we

want

to

talk

to

them

about

why

it's

so

brilliant

and

just

do

a

really

good

job

of

showing

them

why

podcasting

should

be

on

their

buying

plan

for

the

next

year.

I

think

it's

a

difficult

task.

We

are

different

from

the

US

in

how

we're

set

up.

I

was

reading

a

really

interesting

report

recently

and

one

of

the

points

around

it

is

that

podcasting

still

sits

under

audio

in

terms

of

ad

buying.

And

I

think

if

you

look

at

America,

podcasting,

sort

of

its

own

branch

of

buying,

and

I

think

that's

something

that's

really

interesting

for

us

to

look

at.

For

me,

this

is

a

really

good

first

step

in

tackling

and,

you

know,

it's

not

just

us

doing

it,

a

lot

of

people

are

doing

it.

But

if

we

all

tackle

the

need

for

more

money

to

come

into

podcast

advertising

and

sponsorships,

I

think

it

can

only

be

a

good

thing

now.

Sam Sethi

Now,

outside

of

talking

to

government

and

trying

to

change

policy

and

running

events,

what

else

does

Audio

UK

do?

Chloe Straw

So,

yeah,

I

must

give

a

big

shout

out

to

the

APAs,

which

are

our

annual

awards

ceremony.

Katie

messaged

me

beforehand,

was

like,

make

sure

you

mention

the

APAs,

Chloe.

So

they're

at

the

BFI

in

November.

I

think

it's

November,

actually.

I

don't

want

to

give.

I'll

get

the

date

wrong,

which

is

classically

me.

So

I

was

going

to

give

you.

Sam Sethi

An

exclusive

date

reveal

somewhere

in

November.

It's

around

then.

We'll

let

you

know.

Chloe Straw

Go

on

a

Wednesday

towards

the

end.

I

should

have

briefed

myself

a

bit

better

on

that.

Apologies

about

that.

So

we

do

that.

As

you

say,

we

do

a

lot

of

events.

So

I

would

absolutely

say

please

join

Audio

UK

if

you

are

not

sure

if

you're

eligible

to

be

a

member.

We're

broadening

the

membership

more

and

more.

As

I

say,

our

key

driver

is

very

much

about

growing

this

industry,

about

bringing

more

money

into

it

for

our

businesses

is

we

all

do

it

for

the

love,

but

you

need

to

earn

the

money

for

to

keep

going

as

well.

But

we

are

primarily

member

funded

and

so

the

more

people

that

join,

the

merrier.

We

have

a

join

us

button

on

our

website

and

as

part

of

that,

everything

that

I've

spoken

about,

we

are

doing

an

increasing

amount

of

events

because

we

find

that

members

get

a

huge

amount

of

benefit

from

that.

So

we

recently

ran

an

event

with

pact,

who

are

the

TV

and

film

equivalent

of

us,

which

was

a

TV

versus

Podcasting

networking

event.

Obviously,

as

we

all

know,

podcasting's

not

just

audio,

it's

every

single

different

IP

extension

you

could

possibly

know

about.

And

what

was

really

nice

about

that

event

was

we

bought

PACT

members

together

with

Audio

UK

members.

They

were

able

to

network.

We

had

a

presentation

from

Karina

at

Buzz

16

and

from

Tony

Pastor

at

Goal

Hanger.

And

it

was

just

a

great

time

for,

you

know,

people

might

have

a

podcast

idea,

but

they

don't

know

how

to

exploit

the

TVIP

extension

or

people

in

TV

might

want

to

learn

more

podcasting.

So

we're

trying

to

do

more

and

more

of

those

events

that

grow

people's

businesses,

grow

their

opportunities.

I'm

a

huge

collaborator.

We

are

relaunching

our

audio

train

platform

this

year,

which

is

very

much

about

providing

open

access

training

to

the

whole

podcast,

audio,

radio,

audiobook

industry.

It's

in

the

early

stages,

but

will

very

much

be

around

a

couple

kind

of

series

of

training

videos

from

industry

experts.

So

if

you

want

to

know

how

to

story

edit,

you

want

to

know

how

to

monetize

your

podcast,

you

want

to

know

how

to

market

your

podcast,

you

want

to

know

about

audio

drama,

there

should

be

a

video

for

everything.

So

I'm

very

excited

about

that

and

we

also

are

generally

at

most

of

the

events

we

get

around

quite

a

lot.

So

the

Uni

Podfest

is

coming

up

on

the

4th

of

April.

Sam Sethi

See

you

up

there.

Chloe Straw

Yeah,

great.

And

Bernard

Ashton

Pong,

who

is

the

vice

chair

and

obviously

founder

of

Unedited,

he

and

I

are

doing

a

workshop

and

so,

yeah,

we'll

see

you

there.

And

I'm

really

excited

about

the

podcast

show.

I

do

love

the

podcast

show.

An

opportunity

to

see

all

your

work

friends

and

it's

increasingly

international,

which

is

important

for

us.

So

we've

announced

Our

first

panel

there,

which

is

called

2025-2035,

Predictions

for

the

Future

of

Podcasting,

Seat

1,

Row

1.

Sam Sethi

I'll

be

there.

Chloe Straw

I

mean,

it's

a

little

bit

tongue

in

cheek,

but

I'm

looking

forward

to

it.

Sam Sethi

Mystic

Chloe,

that's

the

new

title.

Chloe Straw

I

want

the

audience

to

put

their

predictions

in,

but

I'm

chairing

that.

And

then

there's

gonna

be

Megan

Bradshaw

from

Amazon

Music,

Tiffany

Ashte

from

acast,

and

Jessica

Cordova

Kramer

from

Lemonada

Media.

So

I

think,

incredible

amount

of

knowledge

there.

And

we've

already

made

the

joke

that

we're

going

to

have

a

swear

jar

if

anyone

says

video,

because

obviously

there's

so

much

out

there,

like

every

time

on

LinkedIn

and

so

happy

to

read

about

it.

But

it's

like,

is

video

the

future

podcasting?

And

we

think

we

know

that

video's

got

a

part

in

it

now.

So

our

promise

to

you

on

that

panel

is

if

we

say

video,

we

have

to

put

a

pound

in

the

jar.

Sam Sethi

I

tell

you,

the

drinks

that

evening

are

going

to

be

amazing.

Amazing.

Chloe Straw

And

we've

also

got

a

couple

more

that

I'm

really

excited

about,

but

I

can't

announce

yet,

so

hopefully

they

should

come

and,

yeah,

all

the

other

things.

But

as

I

say,

with

real

focus

on

pushing

really

hard

to

grow

this

industry

that

we

love,

whether

that's

through

bringing

more

money

in

from

advertising,

through

getting

a

seat

on

the

Creative

Industries

Council,

we're

just

sort

of

hammering

away

at

the

moment.

Sam Sethi

Hopefully

more

people

will

hear

this

and

join.

More

people

will

also

ping

you

to

come

along

to

your

event

and

we

will

all

see

you,

hopefully

at

the

London

Podcast

show.

Chloe

Straw,

thank

you

so

much.

Chloe Straw

Thanks

for

having

me.

Sam Sethi

There

you

go.

Chloe

Straw,

the

lovely

Chloe

Straw.

Yes,

I

hope

to

be

going

along

to

that

event

on

the

23rd

of

April.

Chloe

also

talked

about,

as

you

heard,

that

the

UK

government

isn't

making

the

investment

or

even

doing

anything

with

the.

The

podcasting

community,

really.

And

that's

counterintuitive

when

you

see

countries

like

India

making

a

$1

billion

investment.

And,

you

know,

when

will

the

UK

government

wake

up

to

the

creative

industries

that

podcasting

provides?

We've

got

great

companies,

you

know,

Goal

Hanger,

Persephonic,

Crowd

Network.

There's

tons

of

them,

you

know,

in

the

UK

that

are

doing

great,

great

work

around

the

globe,

like

the

music

industry

that

we

have.

Have.

But

I

don't

think

the

UK

government

sees

any

value

right

now.

James Cridland

Yeah,

that

may

be

the

case.

It

may

also

be

the

case

that

the

UK

government

feels

that

because

the

BBC

does

such

a

good

job

of

working

together

with

some

of

these

companies

that

they

don't

necessarily

need

to.

And

of

course,

you

know,

the

UK

is

not

a

rich

country

anymore,

seemingly

has

no

money.

And

I

think

in

the,

in

the

budget

statement

that

was

made

earlier

on.

Sam Sethi

In

Bring

back

the

Empire,

that's

what

I

say.

Bring

back

the

bloody

Empire.

James Cridland

Sorry,

Sam

Sethi.

Yes,

I,

you

would

know

all,

all.

Sam Sethi

About

the

empire

but

strangely,

if

anyone

knows

me

well,

that

is

the

last

thing

I'll

be

talking

about.

James Cridland

But

yes,

yes

indeed.

But

yeah,

I

mean

it

is

interesting

just

different

countries,

attitudes

towards

the

creative

industries.

The

UK

of

course

has

one

of

the,

the

most

successful

creative

industries

in

the

world

in

terms

of

music.

That

does

very

well

indeed.

And

I

guess

there

could

be

an

argument

to

say

we've

already

got

a

fantastic

creative

industry,

they

don't

need

any

handouts

from

the

likes

of

us,

which

may

be

a

different

conversation.

And

finally

in

Canada,

well

this

is

interesting.

Both

in

Canada

and

in

la,

there's

a

women

led

boutique

network

which

is

called

Podcast

Nation

and

it

represents

over

three

dozen

shows

apparently.

We

spoke

to

the

co

founders

behind

Pod

Nation.

We

were

curious

to

find

out

a

little

bit

more

about

how

they

were

considering

YouTube

and

how

they

grew

and

all

of

that.

So

Sean

Howard

for

the

POD

News

Weekly

review

started

off

by

asking

them

what

Pod

Nation

was.

Sean Howard

I'm

Cleo.

I

founded

bouge

media

about

14

years

ago

and

so

it

started

as

a

digital

marketing

agency

and

as

you

know

this,

this

industry

just

changes

so

much

and

so

quickly

and

we've

evolved

with

it

and

with

some

of

the

influencers

that

we

worked

with,

we

really

got

introduced

to

the

podcast

space

and

then

that's

where

the

inception

of

our

sister

agency

Podcast

Nation

came

from.

From.

Unnamed Announcer

Yes,

and

I,

I

came

on

board

back

with

Clio.

I,

I

started

actually

with

Booze

Media

early,

early

days

when

Cleo

first

founded

the

company

and

then

came

back

about

five

years

ago

to

start

the

Podcast

Nation

division

of

Booze.

Because

I

was

just

a

podcast

fan

myself

and

I

think

I

actually

introduced

Cleo

to

start

listening

to

podcasts

back

in

the

day

and

I

oversee

the

operation.

So

I'm

involved

with

everything

from

sales

and

production

and

being.

Unnamed Interviewer

How

would

you

describe

what

your

audience

is

now

or

even

as

you

started

and

where

you

are

now?

What,

how

would

you

sort

of

talk

about

your

audience?

Unnamed Announcer

I

think

really

simply

our

audience

is

millennial

women.

That's

kind

of

our

sweet

spot

and

but

a

millennial

woman

has

lots

of

different

interests

so

they

might

have,

you

know,

listen

to

some

relationship

podcasts,

mental

health

podcasts,

Pop

culture

podcasts,

you

know,

there's

a

lot

of

different

categories

to

touch

within

that

listener

demographic.

Unnamed Interviewer

So

you

were

sort

of

bringing

that

focus

of

representing

like,

like

someone

who

has

other

channels

and

would

expect

to

still

run

those

channels

versus

exactly

right.

Like

a

radio

approach

where

you

now,

this

is

your

format,

you

we're

changing

your

format

now,

blah,

blah,

blah.

Unnamed Announcer

Yeah.

And

I

mean

part

of

it

was

that

we,

we,

I

think

we,

we

thought

from

an

early

stage

that

brands

were

going

to

get

on

board

for

wanting

to

work

with,

you

know,

talent

in

a

multifaceted

way.

Like,

it

didn't,

doesn't

make

sense

for,

you

know,

hellofresh

to

work

with,

you

know,

these

influencers

on

their

social

and

not

be

tied

into

their

podcast.

It

could

only

make

sense

for

it

to

all

be

integrated

from

a

brand's

perspective.

So

I

think

finally

we're

seeing

the

industry

kind

of

come

back

to

that

and

work

and

think

about

like,

hey,

let's

work

with

talents

really

strategically

as

opposed

to

in

this

one

niche

platform.

Sean Howard

Yeah,

we

really

are

so

happy

to

see

that

brands

are

finally

starting

to

find

ways

to

promote

cross

platform

because

we

just

think

it's

a

win,

win

across

the

board.

And

you

know,

coming

from

the

talent

side,

we

understand

the

importance

of

like

your

brand,

like

to

not

dilute

it

or

to

be

as

true

to

that

as

possible

because

consumers

are

getting

smarter

and

smarter

and

they

can

tell

if

it's

not

real.

Unnamed Announcer

And

then

the

other

piece

of

it

on

the,

on

the

execution

side,

I

think,

I

think

it

took

so

long

for

the

industry

to

start

getting

on

board

with

cross

platform

campaigns

with

talent

because

it,

it's

hard

to

execute.

Right.

Like

the

audio

agencies

don't

know

how

to

execute

social.

The

social

agencies

don't

know

how

to

execute

podcasts.

It's,

it

is

a

very

different,

they're

very

different

worlds.

And

so

everyone's

trying

to

navigate

those

differences.

And

I

think

we're,

we

have

the

advantage

because

we

come

from

the

social

side

of

it,

the

talent

management

side

of

it

that

we

already

know.

That

sort

of,

that

was

our

bread

and

butter

for

years.

We

already

know

that

side

of

it.

So

we

can

easily

plug

in

and

it's,

you

know,

it's

seamless

across

our

teams.

Unnamed Interviewer

I

was

just

listening

to

some

of

your

podcasts

today

and

I

started

on

YouTube

because

dear

Shandy

was

there.

And

I

was

really

amazed

how

much

presence

you

guys

have

on

YouTube

because

that's

something

that

a

lot

of

networks

still

are

struggling,

struggling

to

get

that

presence.

Unnamed Announcer

Yeah,

and

I

can

see

why

they're

struggling

because

it

is

a

huge

investment

for

shows

to

go

on

YouTube,

but

we

all

know

that's

where

the

industry

is

headed

is

to

video.

You

know,

there's

still

going

to

be

the

audio

listeners,

of

course,

but

you

also

most

shows

should

think

about

a

video

audience

depending

on

the

content.

Exactly.

But

most

shows

should

think

about

how

to

also

provide

content

to

the

video

consumer

as

well.

Sean Howard

And

if

you

can

be

successful

at

both,

again,

we

always

say

you're

doubling,

let's

say

like

your

revenue.

But

now

you

have

two

platforms

and

if

you're

really

committed

at

creating

good

content,

you

know,

yes,

it's

going

to

take

longer

and

it

might

be

more

work,

but

now

you

also

have

more

opportunity

to

monetize

it.

And

again,

if

you're

looking

at

building

your

brand,

you're

now

tapping

into

new

audience.

Unnamed Interviewer

I

want

to

thank

Nadine

and

Cleo

again

for

joining

me

today.

You

can

find

out

more

about

them

at

PodcastNation

Co

or

Bougie

and

you

can

find

the

entire

article

with

an

amazing

conversation

that

we

had

at

Flightpath.

Unnamed Announcer

Fm

People

News

on

the

POD

News

Weekly

Review.

James Cridland

Yes.

In

People

News,

Greg

Wasserman

has

been

hired

as

head

of

relationships@rss.com

which

will

be

good

to

see

that.

And

I

think

we

covered

the

fact

that

he

had

left

Cast

Magic

Magic

last

year

and

apparently

that

was

what

got

the

two

companies

talking

to

one

another,

which

was

nice.

Sam Sethi

All.

James Cridland

Yeah.

So

that's.

So

that's

a

nice

thing.

Sam Sethi

Where's

our,

where's

our

commission?

James Cridland

Where

is

our

commission?

Indeed.

Exactly

correct,

Correct.

A

bunch

of

things

going

on

at

acast.

There's

now

director

of

Brand

Marketing

Simon

Franklin.

That's

a

promotion

there.

Also

lots

of

promotions

in

Queensland

in

Australia,

where

ACAST

has

moved

into

the

best

state.

Australia's

top

state

is

I

believe

the

phrase

that

I

should

be

using

because

that's

geographically

accurate,

whereas

the

best

state

most

certainly

isn't.

But

anyway,

so

that

is.

So

that

is

all

good.

But

the

big

news

is

that

Kai

Chuck

is

reported

to

have

stepped

down.

He

was,

it

says

in

Tubefilter,

its

first

head

of

podcasts

and

he

has

moved

on.

We

don't

actually

know

too

much

more

other

than

there

has

been

a

statement

from

YouTube

saying

to

better

serve

podcasters

on

YouTube,

we're

bringing

the

podcast

partnerships

team

together

with

the

news

and

civics

partnerships

teams.

Sam Sethi

Oh

great.

James Cridland

We're

grateful

to

Kai

Chuck

for

all

his

contributions

over

the

years.

Well,

that

would

explain

why

lots

of

news

content

is

appearing

in

the

podcast

page

then

on

YouTube.

So

yes.

So

yes,

not

quite

sure

what

is

going

on

there,

but

Tim

Katz

will

continue

to

lead

the

news

and

Civics

Partnerships

team.

And

you

might

remember

that

Tim

Katz,

it

was

the

first

time

that

we

had

actually

heard

anything

about

him.

And,

and

of

course

that

would

now

make

an

awful

lot

of

sense

that,

that

those

two

teams

are

moving

together.

Bad

idea

in

my

idea.

But

still,

there

we

are.

At

least

they've

done

something,

I

suppose.

Sam Sethi

Maybe

Amazon

can

take

a

leaf

out

their

book

anyway.

Maybe

now.

Awards

and

events

James,

what's

going

on

in

the

world

of

awards

and

events?

James Cridland

Well,

there's

tons

of

awards

which

have

just

been

launched.

The

Signal

Awards

open

for

entries.

Todd

Cochran's

People's

Choice

Podcast

Awards

also

open

for

entries

as

well.

Of

course,

the

Ambiz

the

American

Podcast

Awards

are

being

given

out

on

Monday,

which

will

be

fun.

Sam

Sanders

being

honoured

with

the

Podcast

Academy's

Impact

Award

at

that

event.

So

that

is.

So

that

is

all

good.

And

what

else

is

going

on?

Of

course,

Evolutions

is

next

week.

Looking

for

forward

to

being

at

Evolutions.

We

will

doubtless

be

recording

this

show

somehow.

Maybe

from

the.

Maybe

from

somewhere

at

the.

The

event.

Sam Sethi

Sounds

like

a

song.

Somehow,

somewhere

Somehow

somewhere.

James Cridland

It

may

be

from

the

hotel

room.

It

may

be

from

somewhere

better.

Right.

We'll

certainly

find

out.

So

all

of

that

is

good.

There's

a.

There's

south

by

Southwest

London,

which

is

starting

relatively

soon.

Yeah.

How

much

is

it,

Sam?

Sam Sethi

1,300

a

ticket.

Yep.

That's.

That's.

That's

inclusive

and

open

and.

And

really

wanting

lots

of

people

to

come

to.

Yeah.

James Cridland

Yes.

That's

£1,300.

So

that's

even

more

in

American

dollary

dues.

Sam Sethi

Yes.

James Cridland

So,

yes,

a

significant

amount

there.

So

I

don't

think

I'll

be

going

there.

Sam Sethi

No,

not

unless

you're

a

spirit.

Unnamed Announcer

The

tech

stuff

on

the

POD

News

Weekly

review.

James Cridland

Yes,

it's

the

stuff

you'll

find

every

Monday

in

the

POD

News

newsletter.

Here's

where

Sam

talks

technology.

What

have

you

got

for

us,

Sam?

Sam Sethi

Just

very

quickly,

not

much.

Generative

audio

AI

company

AI

Acoustics

has

raised

$5

million,

which

is

really

well

done

for

them.

The

company

aims

to

bring

in

AI

powered

studio

quality

sound.

I

don't

really

understand

these

things.

We

had

a

company

last

week

that

did

one

thing

that

was

then

licensed

to

wonderc.

Have

another

company

here

who

does

one

thing,

I

think

single

function

companies

seem

a

bit

odd

to

me.

James Cridland

Yes,

yes,

I

would

agree

with

that.

But

still,

raising

US$5.4

million

in

funding

is

not

a

bad

thing.

So.

Yes,

they're

based

in

Berlin.

Ghost

is

interesting.

Ghost

is

a

blogging

platform.

It

is

now

doing

things

on

Activity

Pub.

So

if

you

want

to

play

around

with

all

of

that,

then

that

is

definitely

there.

I've

been

reading

all

of

the

information

about

that

for

the

last

year

or

so

as

they've

been

planning

how

they

were

going

to

support

it.

So

yeah,

it's

just

going

to

be

interesting

to

see

whether

or

not

that

has

much

take

up.

I

noticed

that

Mastodon

did

very,

very

badly

in

the

Edison

Infinite

Dial.

But

of

course

if

you

talk

about

Mastodon,

then

you're

not

necessarily

fully

understanding

what

the

Fediverse

is

and

what

Activity

Pub

is.

There's

another

set

of

technology

which

hasn't

really

sorted

out

its

marketing

at

all.

Sam Sethi

I

think

what's

interesting

from

the

Ghost

release,

I

mean,

I

wasn't

going

to

particularly

cover

Ghost

as

a

platform.

I

mean

if

you

like

substack,

then

this

the

open

source,

of

course

equivalent.

But

they

talk

about

the

open

social

web

now.

They

don't

talk

about

the

Fediverse,

they

don't

want

to

talk

about

Activity

Pub,

they

don't

want

to

talk

about

those

terms.

And

I

think

that's

the

right

way

to

go

because

for

the

majority

of

the

mass

market

those

are

too

technical.

And

I

think

the

social

web

as

a

catch

all

is

a,

a

better

term.

I

mean,

it's

the

same

reason

why

I

don't

talk

about

Boosts

or

Booster

grams

or

Zaps

or

Noster

or

Lightning

Network.

Nobody

understands

them.

They're

geeky

words

that

nobody

needs.

I

mean,

as

Ghost

said,

you

know,

people

who

use

email

don't

need

to

know

what

SMTP

has.

Agreed.

And

they

don't

need

to

know

that

it's

a

Activity

Pub

protocol

underlying

it.

Yeah,

that's

so

James,

one

of

the

other

things

that

I

noted

this

week

has

happened

is

there's

been

a

lot

of

new

celebrity

podcast

networks

launching.

Megyn

Kelly

has

launched

a

own

podcast

network

called

MK

Media

Network.

We

talked

about

Alex

Cooper

having

her

network

called

Unwell

Network.

We've

seen

the

Meghan

Markle

and

Michelle

Obama

are

launching

new

podcasts.

One

thing

that

is

missing

from

the

conversation,

and

this

is

more

the

techy

side

of

it,

is

Publisher

Feeds.

Now

Oscar

and

and

Dovidas

came

up

with

the

idea

originally

and

they

were

brilliant

to

do

that.

They

are

the

equivalent

of

pod

rolls,

but

from

a

podcast

production

side.

So

a

podcast

company

can

say

in

an

RSS

feed,

here's

a

link

to

all

the

other

podcasts

that

we

produce.

And

then

apps

like

True

Fans

or

Fountain

can

actually

look

those

up

and

then

create

a

dedicated

page

of

all

of

the

other

podcasts.

But

nobody

seems

to

be

publishing

publisher

feeds.

Even

Adam

and

Dave

with

their

new

app,

created

a

weird

aggregated

new

feed

of

Episodes

rather

than

publisher

feeds.

And

it's

part

of

the

spec,

and

yet

Adam

didn't

even

use

it.

And

I'm

totally

baffled

by

that

one.

But

nobody

else

seems

to

be

using

it

either.

James Cridland

Well,

when

you

do

a

search

for

publisher

feeds,

it's

very

difficult

to

actually

find

the

specification,

as

ever.

There's

a

proposal

which

dates

from

October

2023,

but

it's

quite

hard

to

actually

find

a

publisher

feed.

You

know,

an

example

of

a

publisher

feed.

And

it

all

uses

the

guid.

And

the

guid

as

we

know,

adds

a

dependency

on

the

podcast

index.

And

without

that,

that

we're

a

little

bit,

we're

a

little

bit

stuck.

So

I'm

not

surprised

that

people

aren't

doing

the,

the

publisher

feeds.

I

mean,

I'm

not

doing

them

either.

I

don't

think

maybe

I

am,

who

knows?

But

I'm

not

sure

that

I

am.

Sam Sethi

There

you

are.

Because

we've

got

yours,

right?

Yeah,

you

are.

We've

got

yours.

Yeah,

well,

well,

there

you

go.

James Cridland

But

yeah,

I

mean,

you

know,

if,

if

we

don't

have

the

tools

to

help

people

understand

where

they're

going.

I

mean,

from

my

point

of

view,

the

publisher

feed,

just

like

the

pod

roll

and

everything

else,

should

also

link

to

the

RSS

feed

directly,

not

just

the

guid.

The

GUID

is

useful

if

you

happen

to

be

using

the

podcast

index,

but

if

you,

if

you're

not

using

the

podcast

index,

the

GUID

is

next

to,

is

next

to

useless

because

it's

not

really

supported

by

very

many,

if

any

podcast

hosts.

So,

you

know,

I

mean,

again,

you

know,

I'm

sorry

to

be

the,

the

boring

person

saying

that

it's

not

fit

for

purpose,

but

it's

not

fit

for

purpose

yet.

It's

been,

it

was

signed

off

in

a

hurry

without

actually

any,

any

proper

thought

put

put

down

by

it

in

terms

of

how

the

thing

works.

So

yeah,

you,

you

get

what

you

what,

what

you

deserve

when

that

happens,

unfortunately.

Sam Sethi

Well,

I

hope

they

do

get

implemented

correctly

because

they

are

very,

very

use.

Useful.

James Cridland

Oh

yeah,

I

can

well

see

that.

And

certainly,

I

mean

Apple

Podcasts

of

course

has

channels

which

achieves

a

similar

but

not

quite

the

same

thing.

So

channels

are

sort

of

vaguely

useful,

but

there's

no

API

into

the

channels

unless

you,

unless

you

start

scraping

stuff.

So

yeah,

so

that's,

so

that's

a

thing.

But

yes,

agreed,

it

would

be

a

useful

thing

to

have

Booster

grams,

booster.

Unnamed Announcer

Gram,

booster

Instagram,

super

super

comments,

zaps,

fan

mail,

Fan

mail,

super

chats

and

email.

Our

favorite

time

of

the

week,

it's

the

POD

News

Weekly

review

inbox.

James Cridland

Yeah.

So

many

different

ways

to

get

in

touch

with

us.

There's

fan

mail

by

using

the

link

in

our

show

notes,

which

nobody

uses.

There's

super

comments

on

true

fans

or

boosts

everywhere

else,

which

lots

of

people

use.

Or

of

course,

email

as

well.

We

share

any

money

that

we

make

between

us

as

well.

So

a

ton

of

boosts

and

fan

mail.

One

for

the

pod

news

daily

from

Lyceum.

Row

of

ducks,

222

sats.

He

says,

James,

did

you

record

this

episode

at

Changi

Airport

in

Singapore?

Do

they

have

a

podcast

studio?

Have

a

safe

flight.

All

the

best,

Martin.

Well,

Martin,

I

will

tell

you

that,

yes,

I

did

record

it

at

Changi

Airport,

as

you

would

see

if

you're

using

the

podcast

location

tab.

Sam Sethi

Exactly,

exactly.

James Cridland

Because

I've

been

good,

haven't

I?

You

have,

yes,

yes.

Sam Sethi

Top

of

the

class,

Mr.

Cridlin.

Top

of

the

class.

James Cridland

Yes,

yes,

exactly.

So,

yes,

Changi

Airport,

absolutely.

Do

they

have

a

podcast

studio?

No,

I

was

just

holding

my

microphone

in

the

rather

busy

Qantas

Lounge,

so

that

was

what

was

going

on

there.

And

I

did

have

a

safe

flight,

so

thank

you

for

that.

What

else

have

we

got

here?

Silas

on

Linux.

What

does

he

say?

Sam Sethi

Got

me

there

with

the

Portugal

walk

thing.

Wow.

I'm

so

pissed

off

and

impressed

and

amazed

at

the

same

time.

Thank

you

very

much,

Silas.

Don't

be

impressed.

It's

something

that

it's

going

to

take

a

while

to

do.

But,

yes,

I'm

going

to

do

the

Camino

Way,

which

is

a

lovely

walk.

James Cridland

So,

yeah,

Silas

was

using

Fountain

Bruce,

the

ugly

quacking

duck.

2222

sound.

And

so

a

nice

row

of

ducks

using

podcast

guru.

And

he

says

If

I

add

2.0

and

3.0

together,

I

should

get

5.0.

If

I

divide

that

by

2,

I

should

get

2.5.

All

the

while,

I

still

get

to

podcast.

I

do

enjoy

the

progress

that's

been

made.

I

understand

none

of

that.

Sam Sethi

I

do.

So

I

actually

would

say,

Bruce,

you're

very

right.

I

would

say

we've

gone

past

2.0.

We're

not

quite

at

3.0.

So

2.5

is

probably

where

we

are.

James Cridland

Yeah,

good.

I'm

pleased

that

we're

not

at

3.0.

It's

a

bunch

of

charlatans

at

3.0.

Nobody

wants

to

go

anywhere.

Sam Sethi

Yeah,

he

wants

to

go

anywhere

close

to

there.

James Cridland

And

by

the

way,

Bruce,

Bruce

did

finish

a

message

last

time

with,

I

think,

73

and

I

think

I

said,

Gosh,

is

he

73?

No,

that's

not

what

that

means.

Apparently

73

or

73

or

something

is

ham

radio

for

okay,

Roger

and

out,

or

something

like

that.

So,

yes,

somebody

acquired

radio

futurologist.

Yes,

yes,

somebody

quietly

told

me.

So

there

we

are,

Dave.

Dave

the

pod

sage

using

fountain

48,000

sats.

Yay.

You

earn

one

of

these.

Yes.

So

thank

you

so

much.

He

says

if

we

ever

said

that,

we

named

the

show

podcasting

2.0

to

piss

off

Dave

Weiner.

We

were

just

joking.

Well,

that's

what

Adam

Curry

said

very

clearly.

But

anyway,

he

said

that

didn't

happen.

I

think

Adam

just

came

up

with

the

name

because

it

sounded

fun

and

future

oriented,

by

which

I'm

sure

he

means

orientated.

Thank

you,

Dave,

for

that.

Thank

you

for

your

generous

boost

as

well

and

for

all

that

you

do.

Seth.

358sats

here.

I

adore

Matt

Madeiros.

Ah.

He's

such

a

great

steward

and

educator

in

the

podcasting

space.

Sam Sethi

He

is

indeed.

James Cridland

Yes.

So

that's

a

nice

thing.

And

then

finally,

lots

from

Silas

on

Linux.

So

what

has

he

sent

here?

He

sent

love

listening

to

YouTube

and

Spotify

weekly

review.

Yes,

YouTube

and

Spotify

weekly

review.

Maybe

that's

what

we

should

change

it.

He

then

goes

on

to

say,

I'm

not

surprised

younger

guys

are

going

into

extremer

things.

They

got

locked

into

their

homes,

not

allowed

to

go

to

school

or

do

anything

for

years.

And

pretty

much

the

only

people

against

that

were

extremely

extremist

idiots.

At

least

in

Germany

anyways.

Well,

we

know

what

side

of

the

political

spectrum

you're

on.

And

on

the

question

of

should

the

index

ban

shows?

I

don't

think

so

because

essentially

it's

just

a

database

somewhere

in

the

US

probably.

Morals

and

laws

change

based

on

where

you

are,

and

apps

should

do

it

themselves.

I

just

implemented

a

report

system

in

the

secret

project

I'm

working

on

last

week,

because

you

kind

of

need

that

for

legal

reasons.

Yes,

that's

pretty

well

what

I

was

saying

as

well.

In

terms

of

that,

I

think

it

should

definitely

still

be

in

the

index

and.

But

yes,

but

it

depends

what

you

end

up

doing

with

it.

But

yes.

And

then

he

also

says,

hopefully

the

last

message

for

this

episode,

you

keep

on

sending

them

at

a

thousand

sats

each.

That's

absolutely

fine.

I

think

banning

and

getting

rid

of

content

is

almost

a

last

resource.

What

I

believe

ends

up

happening

is

people

are

going

from

commonly

used

platforms

off

to

weird

websites

and

uncommon

places

with

no

moderation.

Most

things

can

get

resolved

by

talking

it

out.

I

Don't

think

someone

having

his

favorite

show

banned

and

looking

around

and

eventually

landing

on

some

extreme

free

speech

Mastodon

server

or

other

place

is

helping.

If

not

careful,

that

becomes

a

worse

outcome.

I

think

that's

got

some

truth

to

that

and

I

think

it

is

interesting

seeing

as

we

move

away

from

Twitter

and

Facebook

and

we

move

into

lots

of

other

places.

Actually

the

amount

of

moderation

that

is

going

on

on

Bluesky,

for

example,

is

next

to

none.

You

know,

there's

no

moderation

that

goes

on

on

the

Fediverse,

really.

I

mean

there

is

a

bit,

but

you

know,

it's

really

up

to

each

individual

instance.

So

I

think

there

is

something

to

be

said

for

that.

And

it

becomes

much

harder

to

actually,

you

know,

be

clear

of

some

of

these,

of

some

of

these,

you

know,

of

some

of

the

nasty

stuff.

So,

yes,

I

thought

that

was

an

interesting

comment.

Sam Sethi

I

would

just

add,

look,

morals

change,

right?

Tastes

changed.

Mary

Whitehouse

in

the

60s

wouldn't

allow,

allow

Benny

Hill

for

example,

or

try

to

ban

it.

Now

that

seems

tame

by

comparison.

I,

I

think

banning

stuff

is

a

step

that

we

have

to

consider

sometimes.

I

think

when

you're

talking

about

rape

and

prostitution.

And

I,

I

think

that

is

crossing

every

line

that

I

have

as

a

moral

standing

and

I

won't

allow

that

content

from

that

man

on

my

platform.

Platform.

But,

you

know,

everyone's

got

different

morals.

So.

Yeah,

how

do

you

deal

with

that?

James Cridland

Thank

you

so

much

to

our

power

supporters

or

our,

our

fandom,

our

super

fans.

I

think

pick

the

terms.

Sam Sethi

Yes,

exactly.

James Cridland

Yes,

I

think

power

supporters

is

nicer.

But

anyway,

everybody

in

the,

in

the

excellent

18,

including

the

mysterious

star

team

Tempest,

we

still

don't

know

very

much

about,

but

Tempest,

he,

she,

we

don't

know.

Yes,

exactly,

exactly.

He,

she,

they.

So

please

do

get

in

touch

and

tell

us

a

little

bit

more

about

yourself.

That

would

be

fantastic.

But

also

Cameron

Moll,

Marshall

Brown,

Matt

Madeiros,

Mike

Hamilton,

Dave

Jackson,

Rachel

Corbett.

Hi

Jobling.

David

Marzel,

Jim

James,

Rocky

Thomas,

Neil

Velio.

Get

well

sooner.

Neil.

Ms.

Eileen

Smith.

Claire

Wake

Brown.

John

McDermott,

James

Burt

and

David

John

Clark.

And

finally,

Brian

Ensminger.

Thank

you

all

so

much

for

your

support.

Very,

very

much

appreciated.

We

should

get

some

stickers

out

or

something.

That

would

be,

that

would

be

fun.

I

think

so,

yes,

that

would

be

a

good

thing.

If

you

would

like

to

join

them.

Weekly.podnews.net

is

where

you

go

armed

with

your

Visa

Card

or

your

MasterCard

or,

or

your,

I

don't

know,

Diner's

card,

whatever

it

is,

then

that

would

be

all

good.

So

what's

happened

for

you

this

week,

Sam?

Sam Sethi

Well,

as

we

mentioned

earlier,

we

added

support

for

Podlove

Chapters

in

True

Fans,

We've

added

support

for

Bluesky.

Oh,

what

a

waste

of

time.

We

did

all

the

work

for

Social

Interact

Tag,

we

did

all

the

work

for

Blue

sky

and

I

don't

see

anyone

using

it

still.

But

anyway,

we've

done

it.

We're

working.

As

we

talked

about

with

the

conversation

on

the

GitHub

about

activity

streams

for

active

outputs,

I

also

just

wondered,

James,

one

of

the

things

we

want

to

do

is

to

also

export

and

import

your

social

graph.

I

think

that's

one

of

the

big

things

missing

across

social

media.

Every

website

or

every

social

network,

you

go

on,

you

create

your

social

graph

and

then

guess

what,

you

can't

export

it

to

the

next

one

because

they

don't

want

you

to

leave

and

so

they

won't

give

you

that

access

to

your

data.

Fundamentally,

I'm

looking

at.

Because

we

have

a

follow

model

in

Trufans,

a

standard

now.

I

don't

know,

I'm

looking

at

old

technologies

called

XFN

and

FOAF

as

a

way

of

doing

it,

but

I

don't

know

if

that's

the

right

way.

So

again,

one

of

the

things

I'm

looking

at

is

social

graph

exports

of

your

friends.

It'd

be

lovely

to

do

import

as

well.

And

that

would

actually

give

data

portability

across

podcast

apps.

James Cridland

Yes,

that

would

be

interesting,

wouldn't

it?

I

think

always

one

of

the

difficulties

with

this

sort

of

thing

is,

you

know,

it's

fine

being

able

to

export

a

list

of

my,

of

the

Twitter

handles

that

I

follow,

but

that's

not

actually

useful

at

all

to

any

other

app.

So

it's

that

difficulty

of

actually.

Well,

you

want

to,

you

want

to

export

more

information

than

that,

but

does

the

service

have

more

information

and

blah,

blah,

blah.

But

I

think,

yes,

that

would

be

really

good.

I

logged

into

last

FM

for

the

first

time

in

about

5,

5

years

last

week,

just,

just,

just

to

see

if

it

was

still

there.

And

it

is.

Sam Sethi

Oh.

Oh,

I've

got

a

good

one

for

you.

Napster.

Do

you

remember

that

one?

James Cridland

Yes.

Sam Sethi

Napster

sold

for

207

million

this

week.

James Cridland

Wow.

Sam Sethi

Idiot

bought

that?

I

mean.

James Cridland

Yes,

and

that

presumably

is

just

the

name.

It

can't

be

anything

more

than

that,

can

it?

Sam Sethi

Isn't.

James Cridland

They

don't

have

a.

But

they

don't

have

a

product

under

Napster

anymore.

Sam Sethi

No,

but

somebody

told

me

MySpace

is

still

sticking

out

there

somewhere

as

well.

James Cridland

Yes,

I

believe

that

MySpace

is

still

out

there.

And

yeah,

there

are

a

lot

of

these

and

of

course,

Dig

Nation

is

back.

There

are

a

lot

of

these

old

brands

from

20

years

ago.

I

mean,

Napster,

I

remember

I

was

working

at

Virgin

Radio.

We

were

getting

quite

pally

with

the

folks

at

Virgin

Digital,

the,

the

online

music

retailer

that

Virgin

owned.

And

we

were

quite

pally

with

them

and

building

in

integrations

and

all

of

that.

And

then

the

sales

team

comes

upstairs

and

says,

good

news,

we've

just

signed

on

Napster

as

our

exclusive

music

seller.

And

I

thought,

oh,

brilliant.

Not

really

what

I

want

to

do

here,

but

still.

But

there

we

are.

We

were

doing

a

Napster

chart,

I

think

for

a

while.

Not

quite

sure

what

the

point

of

all

of

that

was.

So

that

was

good.

Sam Sethi

And

then

the

last

one

was

I

listened

to

Tom

Webster

last

week

on

podcasting

till

it

O.

It's

a

little

bit

disappointed

in

that

they

didn't

cover

half

the

things

I

hope

they

would,

but

that's

fine.

They

can

choose

what

they

want

to

cover.

But

I

have

to

say,

Tom's

got

a

great

voice.

Never

did

radio,

strangely.

Should

have

done,

he.

He's

very

funny.

I

don't

know

him

as

well

as

you,

but.

And

very

engaging.

So

well

done,

Tom,

but

a

little

bit

annoyed.

He

mentioned

we

need

a

new

reference

app.

That

is

such

an

old

idea

that

was

dismissed

many

years

ago.

We

don't

need

another

reference

app.

Most

of

the

apps

now

support

most

of

the

tags.

We

just

need

to

get

more

support

into

those

apps.

We

talked

earlier

about

a

podfun

psp.

Hello.

Come

on,

you're

the

marketing

arm.

Do

something,

please.

James Cridland

Why

don't

you

say

what

you

think?

Sam Sethi

Yeah,

well,

I'll

try

not

to.

Now,

James,

what's

happened

for

you?

James Cridland

Well,

I'm

talking

to

you

today

from

Dublin

in

Ireland

and

very

nice

it

is

too

here,

so

that's

all

fun.

So

I'm

over

here

for

a

radio

conference

here

before

going

over

to

Chicago

on

Saturday.

I

was

going

to

be

doing

a

15

minute

warm

up

in

front

of

the

Taoiseach,

the

Irish

Prime

Minister.

That

was

going

to

be

very

exciting.

I

was

looking

forward

to

doing

that.

Now

the

Taoiseach

has

had

to

go

to

Paris

because,

you

know,

Ukraine

and

so

there

will

be

some

other

minister

from

the

Irish

Parliament

there

instead

who

is

on

before

me.

So,

yes,

he's

your

warm

up

then.

Sam Sethi

He's

your

warm

up.

James Cridland

He's.

He's

my

warm

up,

perhaps.

So,

yes,

maybe

that's

how

that

works.

Anyway,

so

that's

going

to

be

fun.

Sam Sethi

And

how

was

your

last

night?

Warming

up

for

Ricky

Gervais?

James Cridland

Yes.

So

I'm

in

the

the

hotel

where

this,

this

conference

is

at

is

right

next

to

the

3Arena,

which

is

the

big

arena

in

Dublin.

And

the

downside

is

that

it's

a

bit

out

of

Dublin.

You

have

to,

you

know,

jump

on

a

tram

to

get

into,

into

Dublin

and

everything

else.

But

anyway,

I

thought

to

myself,

I've

finished

my

work

at

about

half

past

five

last

night.

So

I

thought

to

myself,

right,

well,

I'll

go

downstairs,

I've

seen

a

couple

of

nice,

you

know,

restaurants

close

by.

I'll

pop

in

for

a

Thai

meal

or

something

like

that.

So

went

down,

down,

downstairs

and

it

was

really,

really

busy,

Busy

in

the

hotel,

hotel

busy

outside.

There's

one

pub

close

to

us

and

that

was

absolutely

jam

packed,

rammed.

And

I

thought,

what

is

going

on?

Did

a

quick

search

on

my

phone.

Who

is

playing

at

the

3Arena

anyway?

It's

Ricky

Gervais,

isn't

it?

So

Ricky

Gervais

was

on

last

night,

he's

on

tonight

as

we

record

this.

And

so,

and

so

I

know

that

it's

going

to

be

very

difficult

to

get

any,

any

food

or

anything.

So

still

there

we

are.

But

we've

got

dinner

laid

on

for

us

this

evening.

Sam Sethi

I

was

going

to

say

fun,

otherwise

you

could

have

done,

don't

you

know

who

I

am?

James Cridland

As

if

that's

going

to

happen.

Yes.

And

a

couple

of

things

on

my

blog

that

you

might

want

to

go

and

read,

perhaps

theoretically.

That's@james.cridland.net

one

of

them

is

the

definition

of

a

podcast,

which

I

actually

posted

as

a

comment

on

LinkedIn

a

while

ago,

but

I

thought

was

a

good

plan

to

actually

stick

it

on

there.

And

it

was

just

pointing

out

that

in

the

us

the

radio

people

said

that

basically

radio,

the

only

thing

that

counted

as

radio

was

AM

and

FM

radio.

And

so

as

a

result,

radio

is

in

decline

in

the

us.

Everybody

is

losing

their

jobs

because

they're

running

out

of

money

and

blah,

blah,

blah,

because

they

defined

radio

as

being

AM

FM

when

about

20%

of

all

radio

listening

now

happens

on

the

Internet

on

satellite

radio.

It's

also

a

big

thing.

And

of

course

podcasting

is

a

big

thing,

which

quite

a

lot

of

other

markets

have

claimed

as

their

own.

So

I

basically

said,

don't

be

like

us

radio,

but

theoretically

worth

a

read.

And

I'm

still

trying

to

understand

what's

going

on.

On

with

the

podcast

downloads

for

the

Pod

News

Daily,

which

jumps

from

somewhere

around

3,000

downloads

a

day

to,

well,

what

am

I

currently

getting?

I'm

currently

getting

something

like

20,

no,

37,000

downloads,

10x12x

easily

12x

growth

now

it's

all

IAB,

you

know,

verified

downloads

and

everything

else.

But

it's

also

pretty

obvious

that

they're

all

automate

automated

and

that

they're

all

coming

from

something

to

do

with

Google

News.

So

it's

been

a

real

frustration.

I've

raised

this

a

few

times

now

with

Google

and

I've

said

what

is

going

on?

I'm

not

sure

I

can

continue

to

afford

this

extra

bandwidth

because

it

is

costing

me

quite,

quite

a

lot

of

money.

The

file

that

I'm

feeding

them

is

now

a

32k

mono

AAC

file.

It's

not

the

world's

nicest

sounding

file

ever,

but

yeah,

but

even

so,

it's

still

going

to

probably

cost

me

an

extra

$300

this

month

because

of

all

of

this

data.

Anyway,

I'm

now

hearing

from

another

podcast

company

which

is

seeing

similar.

Not

quite

as

obvious

as

me,

but

they

are

seeing

similar

as

well.

So

perhaps

there

is

something

going

on

at

Google

News

that

Google

don't

necessarily

want

to

talk

about.

But

it

seems

to

me

to

be

that

Android

phones

are

randomly

downloading

audio

that

they

shouldn't

be

and

weirdly

downloading

the

Pod

News

daily

podcast

for

some

reason.

Reason

don't

really

understand

why

that

would

be

the

case.

But

anyway,

well,

so

there

was

a.

Sam Sethi

Report

that

open

source

sites

are

under

attack

from

AI

bots

scraping

them.

James Cridland

Yes,

well

that

is

definitely

the

case.

Sam Sethi

Yes.

James Cridland

Yeah,

absolutely.

Sam Sethi

And

I

wonder

whether

yours

is

coming

under

some

sort

of

attack

in

the

similar

way,

because

being

a

three

minute

podcast

and

a

daily

podcast

you

are

a

perfect

test

site

for

many

people

because

you

have

that

consistency

every

day.

But

it's

also

small

enough

a

size

file

not

to

be

a

problem.

I

wonder

whether

that's.

James Cridland

Yeah,

no,

indeed

it

may

be

that.

I

mean

it's

very

clearly

the

Google

News

feed

that

they're

using

because

I

give

Google

News

a

slightly

different

file.

So

it's

very

clearly

that.

But

the

weird

thing

is

that

all

of

the

downloads

are

happening

from

Android

phones.

Definitely,

definitely

from

Android

phones

and

also

all

happening

from

either

Malaysia

or

Indonesia.

And

that's

it.

So

if

I

was

to,

I

mean

I

could

block

Malaysia

and

Indonesia

entirely,

which

would

be

one

way

of

doing

it.

But,

but,

but

yeah,

it's

just,

it's

just

very,

very

strange.

But

the

frustration

is

is

that

Google

say

that

they

are

investigating

but

they

haven't

asked

for

any

of

my

files,

any

of

my

log

files,

any

of

my

information.

They

haven't

asked

me

any

questions

at

all.

So

I

doubt

that

they're

really

investigating.

And

so

I

think

we

just

need

to

put

a

little

bit

of,

you

know,

of,

of,

of,

of,

you

know,

hard

work

on

them

to

actually

get

them

to

understand

what

is,

what

is

going

on.

But

I'm

seeing,

I

mean,

you

know,

some

of

these

downloads

are

just

ridiculous,

you

know,

in

terms

of,

of

the,

in

terms

of

what

I'm

actually

getting

there.

So

anyway,

so

that's

been,

that's

been

fun

to

be

playing

with.

Sam Sethi

Doesn't

it

go

on

to

prove

downloads

don't

matter

as

a

metric

and

it's

listens

that

actually

matter

because

if

you

were

unscrupulous,

what

you

could

do

is

go

back

to

every

one

of

your

sponsors

or

advertisers

and

say,

hey,

look,

we've

got

a

12x

increase.

Can

we

have

more

money

from

you?

And

I

bet

you

many,

many

people

would

have

done,

done

that.

James Cridland

Yes.

No,

I'm,

I'm,

I'm

sure.

I

mean,

I,

I

mean

it's

lovely

for,

for

the

figures.

This

is

the

first

time,

for

example,

that

I've

had

over

a

million

downloads

in

the

last,

in

the

last

month.

And

as

it

stands,

I

think

I'm

going

to

get

over

3

million

downloads

in

the

last

month.

So

I

mean

it's

wonderful

for

the,

for

the

figures,

but

it's,

it's

very

clearly

automated

and

very

clearly

poor

people

in

Malaysia

and

Indonesia

are

paying,

you

know,

data

bills

to

Downlo

show

for

some

reason.

I

think

it's

a

bug,

but

they're

certainly

not,

not

listening

to

it.

So

I,

I

think

it's.

Yeah.

So

anyway,

I

would

like

to

find

out

what's

going

on

there.

If

you

think

you

can

work

it

out

with

me,

then

you'll

find

there's

a

long

blog

post

which

is

called

Odd

Podcast

Downloads

on

my

personal

blog,

james

kridland.net

and

that's

it

for

this.

This

week

all

of

our

podcast

stories

were

Taken

from

the

Pod

News

Daily.

Sam Sethi

Newsletter@Pod

news.net

you

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Sam Sethi

Get

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James Cridland

Yes.

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