
December 4, 2024
Teatime with Miss Liz T-E-A Open Discussion Author Tong Ge The House Filler
Teatime with Miss LizThe podcast episode features an interview with Tong Ge, an author who was born and raised in China before coming to Canada in the late 1980s as an international student. Tong Ge shares her life experiences, including her childhood dream of becoming a dancer, her family's struggles during the Cultural Revolution, and the challenges she faced in leaving China to pursue her education.
Tong Ge discusses her debut novel, 'The House Filler,' which is based on her grandmother's story and explores the tradition of foot binding in China. The book delves into the hardships and adversities faced by her grandmother and her family, reflecting the tribulations endured by many Chinese people throughout history.
The conversation also touches on Tong Ge's journey as a writer, her love for literature and storytelling, and her romantic nature. She emphasizes the importance of freedom and dignity, which she found in Canada after leaving the oppressive environment in China. Throughout the interview, Tong Ge shares her resilience, passion, and determination to overcome adversities and share her stories with the world.
Tong Ge's life experiences, spanning from her childhood in China to her journey to Canada, reflect the tribulations and adversities faced by many Chinese people throughout history.
Storytelling and literature played a crucial role in Tong Ge's life, serving as a means of expression, escapism, and conveying deeper truths in oppressive environments.
Tong Ge's debut novel, 'The House Filler,' explores the tradition of foot binding in China and the hardships endured by her grandmother and family, highlighting the resilience and endurance required to overcome such adversities.
Freedom and dignity were significant driving forces behind Tong Ge's decision to leave China, as she sought to escape the oppressive environment and pursue her dreams.
Tong Ge's romantic nature and passion for love, art, and beauty are evident throughout the interview, providing a contrast to the challenges and hardships she has faced.
The importance of having goals, hope, and perseverance is emphasized as a means of enduring tribulations and adversities.
Tong Ge's experiences as an international student and the obstacles she faced in leaving China highlight the sacrifices and challenges faced by many in pursuit of education and a better life.
The podcast episode serves as a platform for sharing Tong Ge's story and promoting awareness of the diverse experiences and perspectives within the literary and immigrant communities.
"Freedom is never free." by Tong Ge
- This quote encapsulates Tong Ge's perspective on the importance of cherishing freedom, as it came at a cost for her and her family over three generations.
"So it was a pretty long story. And this. The president even tried to stop me after I got, you know, I sent every. All the documents to the local police station. That's how you get the passport for. And he tried to stop me. This is a long story, but this part is in my third book because my book there's a trilogy, right. So first book is about my grandmother. Second book is about my parents. And third book is about myself before I came to Canada. So this part is in the third book and it will be a fantastic reading." by Tong Ge
- This quote provides insight into the challenges and obstacles Tong Ge faced in her attempt to leave China, foreshadowing the content of her upcoming third book.
"So I think when you have a goal, it make you endure. We're talking about tribulation, endurance." by Tong Ge
- This quote highlights Tong Ge's perspective on the importance of having goals and hope in overcoming adversities and tribulations.
"I think that's my awakening about you know how beautiful the stories can be and. And those are actually most are fantasies and some horror but the author also uses through these stories to insinuate the real world because in Qingdan State actually it was also something called Wen Ziyu it means like the. The poets, the authors it could be locked up or executed by something they. They wrote so." by Tong Ge
- This quote showcases Tong Ge's passion for storytelling and literature, and how stories can serve as a means to convey deeper truths and realities, even in oppressive environments.
"I probably am still not matured now, but I. I like. Love to me is like water and the bread." by Tong Ge
- This quote reveals Tong Ge's romantic nature and her perspective on love, which she considers essential and vital.
Chapter 1: Tungu's Quest for Freedom and Dignity
This chapter introduces Tungu, the guest speaker, and her journey from China to Canada. Tungu shares her struggles growing up in China during the Cultural Revolution, her desire to become a dancer and writer, and the difficulties she faced as an intellectual in an oppressive society. Despite the hardships, Tungu's love for literature and storytelling kept her going, eventually leading her to leave China in pursuit of freedom and dignity.
- Tungu left China not only for freedom but also to regain her dignity, which was constantly undermined by those in power in an oppressive society.
- The fear of oppression was so deeply ingrained that even bidding farewell to Tungu was a risky act for her parents, highlighting the oppressive environment she grew up in.
Key Quotes
"And that's why I left China. I mean, when people ask me, you know, why you leave China, of course we. I would say for freedom. But it's, it's more than just freedom, you know, it's also about dignity." by Tungu
- This quote encapsulates Tungu's primary reason for leaving China, which was not just for freedom, but also to regain her dignity in a society where anyone with power could abuse and oppress her.
"So when I left my house, my parents house, they were too afraid to even step outside of the door to say goodbye to me because they were afraid the neighbors would say. And then, you know, everybody knew I was leaving. So he Was he was trying to get like a rearranged marriage from you?" by Tungu
- This quote illustrates the oppressive environment Tungu lived in, where even her parents were afraid to bid her farewell openly, and she had to escape China due to the threat of an arranged marriage.
Chapter 2: Foot Binding: A Cruel Tradition
In this chapter, Tungu describes the cruel tradition of foot binding in China, where young girls' feet were tightly bound to prevent growth, resulting in tiny, deformed feet that were considered desirable. Tungu's grandmother, Golden Phoenix, was a victim of this practice, and her large feet made it difficult for her to find a suitable marriage partner until she was 26 years old. Foot binding caused immense suffering for Chinese women, who couldn't run, jump, or climb, and the practice persisted until the 1950s in some remote areas.
- The cruel practice of foot binding, which involved breaking and binding young girls' feet to prevent growth, persisted in China for over a thousand years, causing immense suffering for generations of women.
- Despite the agony inflicted by foot binding, it was a deeply rooted cultural tradition that was widely accepted and perpetuated, even though it severely limited women's mobility and freedom.
Key Quotes
"So in China, for about a thousand, more than a thousand years, that little girl like their, their parents would bend their feet with using like basically bend the four toes underneath their Feet only leave the big toe and then wrap it up really tight so stop the foot growing. And also like those four, four toes, if they were lucky, they're just dislocated, but sometimes they're just broken." by Tungu
- This quote provides a vivid and brutal description of the foot binding process, highlighting the cruelty and suffering inflicted upon young girls in the name of cultural tradition.
"And that's just the way it was. So there's a saying, something said with every pair of bump feet there's a bucket of tears." by Tungu
- This quote effectively captures the immense pain and suffering associated with the foot binding tradition, which was widely accepted and perpetuated in Chinese society for centuries.
Chapter 3: The Power of Storytelling
This chapter delves into Tungu's love for storytelling and how it became a means of survival and entertainment during her childhood. Despite facing bullying due to her family's status, Tungu found solace in sharing stories with her friends, which not only provided entertainment but also protected her from harm. Her father's recitation of classic Chinese tales during the Cultural Revolution ignited her passion for literature and storytelling, shaping her into the writer she is today.
- Storytelling was not only a means of entertainment but also a survival tool for Tungu, who used it to gather friends around her for protection during her childhood.
- Her father's recitation of classic Chinese tales during the Cultural Revolution ignited Tungu's passion for literature and storytelling, shaping her into the writer she is today.
Key Quotes
"So I would gather a few girls around me and tell them stories so everybody want to walk with me so they will put me in the center so that's how I felt I was. I was protected." by Tungu
- This quote illustrates how Tungu used storytelling as a means of survival, gathering friends around her for protection by entertaining them with stories during her childhood.
"So in the evening evening those evenings my dad would take out the book and we would huddle around the candle and he would read it to us. I think that's my awakening about you know how beautiful the stories can be and." by Tungu
- This quote highlights the profound impact her father's storytelling sessions had on Tungu, awakening her appreciation for the beauty of literature and stories, which ultimately shaped her into a writer.
Chapter 4: Embracing Romanticism
In this chapter, Tungu discusses her romantic nature and how it has shaped her life and writing. Despite the hardships she endured, Tungu maintained a deep appreciation for beauty, love, and the natural world. Her romantic inclinations influenced her poetry, and she found solace in the vastness of the sky and ocean, which symbolized freedom and possibility. While her romantic pursuits often led to heartbreak, Tungu's unwavering romanticism remains an integral part of her identity as a writer and an artist.
- Despite the hardships she faced, Tungu maintained a deep appreciation for beauty, love, and the natural world, embracing her romantic inclinations as a writer and artist.
- While her romantic pursuits often led to heartbreak, Tungu's unwavering romanticism remains an integral part of her identity, finding solace in the vastness of the sky and ocean, which symbolize freedom and possibility.
Key Quotes
"I like. Love to me is like water and the bread." by Tungu
- This quote eloquently expresses Tungu's profound view of love as a fundamental necessity, akin to water and bread, highlighting her deep romantic inclinations.
"Color blue is my favorite color because it's made me think about sky and ocean. Both are vast and there's unlimited life, there's no boundaries. Like you, you can have total freedom, you can do whatever." by Tungu
- This quote reveals Tungu's association of the color blue with the vastness of the sky and ocean, symbolizing freedom and limitless possibilities, reflecting her romantic and artistic nature.
Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.
One
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at
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difference.
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sure
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grab
your
tea,
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seat
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tune
in
to
Ms.
Liz
L.
Making
a
difference.
One
cup
at
a
time.
Time,
time.
Well,
welcome
to
tea
time.
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know
what
time
that
is?
It
is
story
time
and
words.
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right.
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serve
a
different
type
of
tea
on
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Liz's
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time
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this
house.
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guy.
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think,
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it
right
and
she's
nodding
her
head
so
I
think
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done
it
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Liz,
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tee
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Time,
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Times.
And
tonight
we
have
a
surprise
tea
time
in
the
house.
So
a
little
bit
on
Tung
Gu
Born
and
raised
in
China,
Tungu
came
to
Canada
in
the
late
80s
as
an
international
student.
She
has
obtained
a
Master
of
Science
degree
from
University
of
Saskatchewan
in
1992.
Since
2012,
she
has
written
under
both
her
real
name
and
the
pen
name
Tungu,
publishing
poems,
prose
and
short
stories
in
both
English
and
Chinese
across
North
America,
England
and
Taiwan.
Her
work
can
be
found
in
publications
such
as
Prims
International,
Canadian
Stories,
Rice
Paper,
Academy
of
the
Heart
and
Mind
Flow
Magazine,
Vineyard
Poetry
Quarterly,
Plug
Magazine,
Alaka
Magazine,
Magnets
and
Ladders.
With
four
liter
literacy
prizes
already
received,
she
is
also
a
finalist
for
four
others.
Her
Dubai
Dubai
book
the
House
Filler
was
published
in
Canada
in
2023
and
is
among
the
five
finalists
worldwide
for
the
2023
Island
Historical
Fiction
and
Memoir
category
and
is
the
winner
of
the
2024
Independence
Press
Awards
for
the
New
Fiction.
Let
me
get
her
in
here
and
let's
spill
some
tea
together
and
see
where
we
go
tonight.
Welcome.
Thank
you.
Did
I
get
it
right?
I
tried
so
hard.
Yeah,
99%.
So
welcome
to
the
show.
It's
an
honor
to
have
you
here.
It's
honor
for
me
to
be
here.
So
let
me
take
you
down
the
road
of
who
you
were
as
a
little
girl
and
who
you
are
now.
I
was
very
talkative,
very,
I
would
say
pretty,
smart
little
girl.
And
I
wanted
to
be
a
dancer
when
I
was
a
little
girl.
So
however,
I
was
born
in
the
early
1960s
and
when
I
was
four
years
old
China
had
something
called
the
Cultural
Revolution.
So
we
lived
in
a
small
town,
university
town,
so
there
was
no
professional
training
opportunity
for
dancers.
There's
no
dance
studios,
there's
no
just
no
opportunities.
But
way
back
when,
when
during
the
Cultural
Revolution,
there's
lots
of
propaganda
teams.
They
do
loyalty
dance,
you
know,
like
a
Young
people,
Young
Red
Guards,
they
do
loyalty
dance.
Everybody's
supposed
to
do
loyalty,
loyalty
dance.
That's
my
first
dance
license.
So.
So
I'm
so
glad
you
brought
up.
The
dancing
because
I
found
out
about
you.
Yeah.
So
I
always
wanted
to
be
a
dancer,
but
when
I
went
to
school,
to
grade
school,
I
was
too
tall.
I
was
one
head
taller
than
all
the
other
kids.
So
every
time
they
have
a
dance
rehearsal
or
performance
in
the
school,
I
was
excluded
because
I
was
too
tall.
And
so
that's
pretty
much
the
end
of
my
dancer's
dream.
Today.
I'm
a
writer.
I'm
also
a
financial
planner.
That's
for
my,
you
know,
for
my
livelihood.
I
have
to
fit
myself
right.
So
that's
how
I
make
a
living.
But
in
the
heart,
I'm
an
artist.
And
I
wanted
to
be
a
writer
when
I
was
in
junior
high.
It
is
a
long
journey.
But
finally
I'm
here,
see,
and
you're.
Bringing
up
all
the
goodies
that
I
found
about
you
because
I
was
just
like,
oh.
Because
I
just
seen
your
interview
that
you
did
with
shooting
at
Raw
with
a
good
friend
of
mine
from
Japan.
Yeah.
Small
world,
isn't
it?
It
is
a
small
world.
I'm.
I'm
surprised.
Wow.
Oh,
my
guess
is
with
Ram
and
Ram
forgot
to
tell
me.
I
will
reach
out
to
Ram
and
let
him
know
that
I've
seen
it.
But
no,
I
found.
I
found
that
you
were
a
dad,
that
you
wanted
to
be
a
dancer
and
when
he
was
doing
the
interview
with
you,
you
were
a
Broadway.
Broadway
dancer.
Not
a
Broadway
dancer,
but
a
ballroom
dancer.
Ballroom.
Yes.
Yeah.
So
that's.
So
what
was
it
about
the
ballroom
dancing
that
you
liked?
It's
just
a
dream
like
I
had
when
I
was
a
child.
I
never
had
a
chance.
So
when
I
was
in
my
30s,
I
found
out
actually
ballroom
dance
studios
in
Calgary.
I
love
the
music
and
I
love
the
movement.
I
just
love
to
dance.
But
I
could
never
be
a
professional
dancer.
I
was
too
old.
But
just
for
my
own
entertainment
and
satisfaction.
And
also
I
found
when
people
dance,
they
are
generally
happy.
So
I
have
this
weird
ideas.
So
if
we
have
some
kind
of
organization,
organize
the
World
Dance
Conference
or
something.
Dance.
Not,
not
a
competition,
but
every
country
will
dance
with
every
other
country.
Like
then
I
think
the
world
peace
will
be
achieved
because
when
people
are
dance,
they're
happy.
You
don't
say
people,
you
know,
angry
when
they
dance.
They're
generally
happy.
Yeah.
So
we
have,
we
have
a
guest
in
the
house.
We
have
Shadow
God
joining
us.
And
he
says,
hello,
Ms.
Liz
and
Tongu.
I
Am
happy
to
be
here
with
you
this
evening.
And
I'm
here
to
listen
and
learn.
So
thank
you.
Really
get
into
Hui.
Yeah.
So
Tungu,
I
want
to
get
into
the
dancing
more
because
that
was
part
of
growing
up
as
well.
You
had
to
learn
that
loyalty
dance,
correct?
Yeah.
Loyalty
dance,
yes.
Yeah.
Because
in
China,
like
during
the
Cultural
Revolution,
we
have
to
express
our
loyalty
to
Chairman
Mao
pretty
much.
So
that's
a
loyalty
dance.
There's
not
much
technical,
there's
not
real.
Most
of
those
dances
are
that
were
done
by
amateurs.
They're
not
professionals.
But
to
me,
still
that
was
eye
opening
because
every.
Every
once
in
a
while,
like
a
pretty
actually
pretty
often
the
dance
troops
will
travel
to
our
college
and
present
the
dance.
When
I
was
four
years
old,
I
think
four
or
five
one
time
when
there's
a
dance
troupe
came,
but
because
we
were
living
in
a
university,
on
a
university
campus.
So
some
college
students,
they
knew
me
because
I
was
really
good
at
reset
Chairman
Mao's
quotation.
So
I
got,
I
became
famous
research.
They
knew
me.
So
they
brought
me
with
like
I
was
playing
outside.
They
just
brought
me
to
the
theater
waiting
for
the
show
to
start.
But
the
show
was
started
really,
really
late.
Like
over
time
and
people
get
restless,
you
know.
Then
I
just
decided
to
step
onto
the
stage
and
start
my
own
dance.
Solo
dance
and
singing
and
dance.
And
by
then
all
the
entrance
were
blocked
by
people.
Actually
people
were
like
layers
of.
Layers
of
people.
They
all
the
seats
were
taken.
Then
people
like
stood
at
the
back
and
blocked
all
the
doorway.
So
my
family
thought
I.
Because
I
was
out
the
whole
day,
I
didn't
come
home
for
supper.
So
they
basically,
the
child
was
missing,
so
they
didn't
know
where
to
find
me.
And
somebody
said
at
the
time,
in
China
we
also
have
this
underground
tunnel
to
be
prepared
to
be
ready
for
the
nuclear
war.
Because
at
the
time
Russia
or
Soviet
Union,
it
seems
like
the
border
tension
was
very
high.
And
it
was
a
possibility
they
will
launch
a
nuclear
war
at
us.
So
every
work
we
call
work
units,
right?
Work
unit
is
university,
factory,
manufacturer,
villages,
military
units
is
called
work
units.
Every
work
unit
were
required,
was
required
to
dug
underground
tunnel.
So
that
day
then
my
parents
learned
that
that
was
a
tunnel
open
house
day.
Like
the
tunnel
was
open
for
people
to
visit.
Right
then
they
were
afraid
I
was
in
the
tunnel.
Then
by
the
night,
you
know,
the,
the
gate
was
locked.
Then
I
was
stuck
inside.
They
were
about
to
call
the
security
to
open
the
tunnel.
Then
somebody
said,
well,
there's
a
show
actually
in
this
university
theater.
Maybe
your
kid
is
there,
is
there
right
and
then
go
check
it
out.
So
my
dad
went
to
the
theater,
couldn't
get
into
inside.
So
eventually
he
went
to
the
side
door.
That
side
door
was
directly
to
the
backstage
and
through
the
gap
he
saw
me
was
at
the
time
I
was
back,
I
was
backstage.
So
he
waved
this
young
person
to
the
door
and
said
that's
my
little
kid.
She
has
ad
for
the
whole
day.
So
that's
my
like
a
debut
kind
of
debut
show.
Why
was
I
think
it
was
a
little
bit
over
four,
four,
four
years
old.
So
we
have
a
couple
questions
here
for
you
about
Dance
from
Shadow.
So
I'm
just
going
to
bring
them
up
for
the
viewers
and
so
they
can
see
the
question
as
well.
Mr.
Have
you
ever
done
the
sword
dance
or
the
rose
dance?
No.
And
then.
Or
the
dragon
dance
or
the
lion
dance?
No,
no.
We
were
doing
a
totally
different
kind
of
dance.
For
example,
there's
one
very
famous
solo
dance
from
the
ballet.
The
title
was
the
White
Haired
Woman.
So
it's
a
story
about,
you
know,
how
this
young
woman
became
a
ghost
or
forced
to
became
a
ghost,
become
a
ghost
in
old
society.
Old
society
means
before
1949,
before
the
Communists
took
over
the
chat
took
over
power
and
then
in
a
new
society
she,
you
know,
returned.
Well
she
was
a
human
but
because
in
the
old
society
she
suffered
so
much,
all
her
hair
turned
white
and
she
was
in
the
mountains
and
people
thought
she
was
a
ghost.
So
this
cuddle
white
hired
woman,
there's
a
ballet
and
it
was
also
made
into
a
movie
and
the
opening
dance
was
a
solo
dance
by
this
young
girl
when
she
was
still
in
the
village
with
her
dad.
And
that
was
such
a
beautiful
dance
and
everyone
want
to
learn
it.
And
I
knew
how
to
do
it
just
by
watching,
watching
it
for
so
many
times.
Yeah,
we
didn't,
we
didn't
have
like
a
line
dance
or
sword
dance.
That's
more
like
probably
in
the
fiction.
So
in
China
growing
up
Changu
was
dance
used
to
tell
stories.
Yeah.
Well
when
I
grew
up
again
because
of
the
Cultural
Revolution,
many
shows,
dances,
movies,
books
were
banned.
So
we
were,
we
only
had
eight
operas
were
allowed
and,
and
also,
and
also
two
ballets.
One
is
this
white
haired
woman.
Another
one
is
also
about
the
women,
you
know,
later
liberated
themselves
and
they
joined
the
revolution.
So
sorry,
what
was
your
question
before?
This
is
dance
used
to
tell
stories
in
China.
Oh
yeah,
yeah.
Those
dancers
always
tell
story
loyalty
dance.
No,
you
just,
it's
just
your
loyal
express
your
loyalty.
I
think
it's
right
just
stretch
your.
Arms
and
go
like
I
know,
I
know.
It's
more
like
Exercise.
Well,
that's
more
like
exercises.
Well,
ballroom
dancing
is
actually
used
as
an
exercise
to
lose
weight
as
well
because
of
the
movement.
Oh
yeah,
yeah.
And
you
took
some
ballroom
dancing.
So
what
was
your
favorite
in
ballroom
dancing?
My
first
love
was
tango,
but
then
I
also
after
that
I
fell
in
love
with
waltz
and
samba.
So
those
are
those
four.
These
three
are
my
favorite
dances.
The
tank
was
pretty
good.
I've
done
that.
I
like
the
salsa
and
I
like
the
foxtrot.
Oh
yeah,
yeah.
Is
they're
all
beautiful,
right?
All
the
bomb
dances.
I
think
all
the
dance
are
beautiful.
Even
the
fog
dances,
folk
dances,
any,
you
know,
place
you
go,
any
nationality,
any
minority
group.
Like
I.
I
think
the.
Their
dance
is
all
beautiful.
I
couldn't
even
find
some
dancers
not
right.
Which
it
just
so
impressed
me.
Every
dance,
every
kind
of
dancer
are
beautiful,
basically.
So
let's
get
into
your
book,
the
book
that
Mickey
sent
me,
and
it's
called
the,
the
House
filler.
So
what's
the
House
Filler
about?
The
House
Filler
is
actually
based
on
my
grandmother's
story.
So
in
China
in
old
time,
a
woman
who
marries
a
widower
is
called
a
house
filler.
So
that's
the
title
because
the
protagonist,
the
Golden
Phoenix,
she
missed
her
ideal
marriage
age,
which
was
between
16
and
18
typically.
So
she
didn't
marry
until
she
was
26.
There's
two
reasons.
One
was
because
her
feet
were
too
large.
Like
at
that
time,
Chinese
women,
they
like
their
parents
bound
their
daughter's
feet
because
of
value
of
a
woman
is
measured
by
the
size
of
her
feet.
The
tinier
the
feet,
the
more
she
would
be
desirable.
So
all
the
parents
bend
their
daughter's
feet
so
they
can
marry
off
well.
But
Golden
Phoenix
was
a
motherless
child
and
her
father
delayed
her
food
binding
process
until
she
was
six,
so
it
was
a
little
bit
too
late.
So
her
feet
was
not
ideal
size,
which
is
three
twin
golden
water
lily
size,
three
Chinese
twins,
about
4
inches
long.
And
her
feet
was
bigger
than
that.
The
second
reason
that
she
was
trained
as
a
seamstress
and
became
a
breadwinner
of
the
family.
So
her
father
delayed
her,
arranged
the
marriage
until
she
was
26
and
she
had
no
choice
but
to
marry
a
waiter.
And
her
husband
was
20
years
older
than
her.
So
that's
where
the
title
of
the
book
came
from.
So
Jungu,
the
people
that
don't
know
my
listeners,
what
is
foot
bonding?
Oh,
so
in
China,
for
about
a
thousand,
more
than
a
thousand
years,
that
little
girl
like
their,
their
parents
would
bend
their
feet
with
using
like
basically
bend
the
four
toes
underneath
their
Feet
only
leave
the
big
toe
and
then
wrap
it
up
really
tight
so
stop
the
foot
growing.
And
also
like
those
four,
four
toes,
if
they
were
lucky,
they're
just
dislocated,
but
sometimes
they're
just
broken.
And,
and
so
because
tiny
feet
is.
Is
supposed
to
be
sexy.
And
this
came
from
in
Song
dynasty,
there's
a
emperor
who
just
loved
the
tiny
feet
woman.
And
that's
how
the
tradition
started.
So
even
ordinary
people
would
buy
their
daughter's
feet
because
like
at
that
time,
if
your
fate
is
too
large,
nobody
would
want
to
marry
you
except
for,
let's
say
peasants
or
kuli,
the
hard
labor.
But
everyone
want
their
daughter
to
marry
off
like
mar.
Right.
So
they.
It's
become
a.
A
tradition
lasted
for,
you
know,
more
than
a
thousand
years.
And
the
Chinese
women
suffered
tremendously
from
that.
You
know,
once
they're
fer
bound,
they
couldn't
run,
they
couldn't
jump,
they
couldn't
climb.
So
in
the
book
when
Japanese
invaded
China,
like
Golden
Phoenix
and
her
children
were
like
escaping,
but
with
bump
feet,
it
was
extremely
hard.
And
that's
just
the
way
it
was.
So
there's
a
saying,
something
said
with
every
pair
of
bump
feet
there's
a
bucket
of
tears.
So
most
Chinese
women
suffered
that
before,
like
pretty
much
like
before.
I
think
as
a
tradition
would
start
to.
That
people
start
to
call
for
abolish.
Abolish
of
the
tradition
in
the
early
20s,
the
20th
century.
Yeah,
probably
like
about
1910,
1920.
But
like
the
big
city
like
Shanghai,
Right.
With
the
family,
the
wealth,
the
wealthy
and
the
progressive.
Their
daughter
stopped
binding
their
daughter
feet.
But
for
average
people,
they
still
do
that.
I
think
the
last
case
of
the
foot
banding
was
in
the
1950s.
Oh,
wow.
Yeah.
50s
in
a
village,
a
remote
village
in
China,
because
they
were
too
isolated,
they
did
not
know
what
was
going
on
outside.
So
they're
still.
Last
case
was
in
the
50s.
Yeah.
Wow.
And
it
was
only
done
to
the
daughters.
Yeah.
Only
women.
Yeah.
Oh,
wow.
Did
you
have
that
happen
to
you?
No,
I
was
born
in
the
60s.
No.
Even
my
mom,
she
didn't
have
the
bound
feet.
Her
mother
like
my.
Both.
My
grandmother
from
both
side,
they
had
their
feet
bound.
Yeah.
So
when
did
you
come
to
Canada?
1988.
1988.
So
what?
That
must
have
been
a
big
transition
for
you
to
come
to
a
different
country
and
see
the
different
traditions
in
that
as
well,
right?
Yeah.
Do
you
want
to
share
a
little
bit
about
that?
Yeah.
I
came
here
as
an
international
student,
you
know,
in
China
when,
after
1949,
China
pretty
much
closed
its
door
to
the
World
until
Chairman
Mao
passed
away.
So
Chairman
Mao
passed
away
in
1976.
By
the
1980s,
Deng
Xiaoping.
Deng
Xiaoping
was
a
guy
who
took
over,
pretty
much
run
the
country.
And
he
decided
because
the
economy
was
at
the
brink
of
collapse
class
and
there's
so
many
problems
with
this,
with
the
economy,
with
the
society,
with
the,
you
know,
the
system,
educational
system
and
political
system.
So
then
the
leaders
at
the
time
decided
to
carry
out
economic
reform
which
include
open
the
door
to
the
Western,
Western
world
so
we
can
have,
you
know,
export,
we
can
sell
our
goods
to
the
world.
And
also
at
the
same
time,
for
the
first
time,
we
had
opportunity
to
come
out
as
an
international
student
to
study.
But
that
was
way
back
when
that
was
pretty
much
the
only
way
for
us.
For
most
of
Chinese
in
southern
China,
traditionally
they
came
out
way
back
when.
This
railway
workers
is
goat
rash
time.
That
is
from
southern
China
along
the
coast.
But
for
most
part
of
China,
people
didn't
have
that
opportunity.
But
in
the
80s,
all
of
a
sudden
we
had
opportunity.
But
I
still
need
to
study
English
and
pass
the
exam
English
exam
for
foreign
students
and
need
a
good
grades
from
my
college
and
really
good
reference
letter.
But
I
was
able
to
get,
you
know,
I
was
accepted
by
four
graduate
schools
in
North
America,
two
in
Canada,
two
in
the
United
States
and
the
two
out
of
four
provided
a
scholarship.
So
I
choose
Canada,
University
of
Saskatchewan
because
ufs
their
semester
started
like
one
semester's
earlier
than
the
US
one.
So
at
the
time,
because
the
policies,
Chinese
policy
could
change
at
any
time.
So
you'll
come
out
at
your
earliest
opportunity.
But
at
the
time,
actually
after
I
graduate
from
college,
I
went
to
the
same
university
my
dad
was
teaching.
I
went
back
there
to
work
as
a
teacher.
And
then
the
son
of
the
president
was
pursuing
me
and
I
didn't,
I
didn't
like
him.
I
didn't.
I
just
think
he
was
stupid.
Anyway,
so
his
family
found
a
matchmaker
and
proposed,
you
know,
to
our
family.
That's
how
it's
supposed
to
be
done.
You
know,
the
parents
taught,
right?
But
my
parents
knew
I
didn't,
I
didn't
want
to
do
anything
with
this
guy.
So
they
turned
the
proposal
down.
Ever
since
then
his
father
started
to
make
my
life
miserable.
So
tried
everything
to
stop
me
from
coming
to
abroad.
So
even
though
everything
I
had
was
legal,
I
was
like,
escaped
from
China.
Like
when
I
left
my
house,
my
parents
house,
they
were
too
afraid
to
even
step
outside
of
the
door
to
say
goodbye
to
me
because
they
were
afraid
the
neighbors
would
say.
And
then,
you
know,
everybody
knew
I
was
leaving.
So
he
Was
he
was
trying
to
get
like
a
rearranged
marriage
from
you?
Yeah,
yeah.
The
president
wanted
me
to
marry
his
son
and
I
pretty
much
like
my
family
turned.
Turned
him
down.
Like
I
turned
him
down.
So
then
it
was
like
a.
He
was
taking
revenge
on.
Revenge
on
me.
And
at
the
time,
without
the
approval,
approval
from
the
university,
from
like
my
work
unit,
I
couldn't
even
get
a
passport.
So
it
was
a.
It's
a
pretty
long
story.
And
this.
The
president
even
tried
to
stop
me
after
I
got,
you
know,
I
sent
every.
All
the
documents
to
the
local
police
station.
That's
how
you
get
the
passport
for.
And
he
tried
to
stop
me.
This
is
a
long
story,
but
this
part
is
in
my
third
book
because
my
book
there's
a
trilogy,
right.
So
first
book
is
about
my
grandmother.
Second
book
is
about
my
parents.
And
third
book
is
about
myself
before
I
came
to
Canada.
So
this
part
is
in
the
third
book
and
it
will
be
a
fantastic
reading.
And
the
people
usually
don't
realize
what
we
were,
you
know,
going
through.
Yeah.
It
doesn't
mean
if
you
do
everything
legally
you
can,
you
can
get
it
done.
There's
still.
Yeah.
I.
I
was
almost
like
escaped
from
China.
Like
I.
In
a
train
station
in
Xi'an
because
my.
My
parents
didn't,
you
know,
say
goodbye
to
me.
But
after
Richard
arrived
the
Xi'an,
which
is
a
big
city
next
to
this
college
town,
then
my
dad
went
to
Xi'an
to
see
me
for.
For
the
last
time,
like
before
I
leave.
That
was
the
last
time
I
saw
him.
That
was
the
last.
Have
you
been
back
to
China
since
coming
to
Canada?
Yeah,
I
have.
But
after
I
left,
then
I
came
here
in
1988.
My
father
passed
away
in
1991.
So
when
he
was.
When
he
passed,
when
he
was
dying,
I
couldn't
go
back
to
visit
for
two
reasons.
Because
I
had.
I
was
holding
like
I
had
a
student
visa,
international
student
visa.
So
I
was
a
visa
student.
But
at
the
same
times,
all
the
Chinese
students
applied
for
land
immigrant
after
1918
and
massacre
happened.
So
then
we
were
like.
I
was
in
Saskatoon,
right.
We
were
told,
because
we
were
this.
It
was
a
special
case.
We
were
not
limited
by
the
immigration
quota
and
everybody
will
be
landed
within
a
year.
So
we
all,
we
were
all.
We
all
applied
in
1989,
summer
of
1989.
But
Saskatoon
was
only
city
took
Saskatoon
two
and
a
half
years
to
land
us.
Like
every
single
city
in
Canada
landed
those
foreign
students,
Chinese
students.
In
a
year.
It
took
us
to
two
and
a
half
years.
During
that
time,
my
father
passed
away.
So
I
was
told
If
I
leave
Canada,
I
could.
You
know,
I
couldn't
come
back
because
I
have
something
called
the
view
status.
And
also
I
knew
and
my
family
knew,
if
I
go
back
to
China,
that
president
will
stop
me.
I
couldn't
come
back.
Right.
In
Canada,
it's
not
like
in
the
States.
In
the
States
at
the
time,
what
they
did
for
Chinese
students
were
if
they.
If
Chinese
didn't
need
to
go
back
to
visit
during
that
time,
before
their
London
immigrant
was
approved,
the
United
States
will
give
them
something
called
a
return
visa,
which
means
they
stamp
on
their
passport
before
they
leave.
Right.
So
they
don't
have
to
go
through
the
Chinese
system
to
guide
the
visa
to
come
back.
But
Canada
didn't
do
that
for
us.
So
that's
why
it
was
the
last
time
in
a
train
station
in
1988.
Last
time
I
saw
my
father,
I
never
saw
him
again.
And
I
think
it's
important
to
have
this
conversation,
you
know,
in
Tungu
and
you
sharing
your
story
with
us,
because
there
are
so
many
things
that
you
have
to
go
through,
becoming
an
international
student
and
stuff
like
that,
that
you
may
not
ever
see
your
family
again.
You
know,
different
visas
for
different
countries.
You
know,
like
you
said,
like,
the
United
States
is
completely
different
than
Canada.
And
these
are
conversations
that
we
don't
even
bring
to
the
table
that
people
don't
even
know
about.
You
know,
we
hear
of
international
students
coming
and
taking
education,
but
the
transformation
that
you
guys
go
through
and
that
with
the
sacrifices
that
you
make
to
come
and
get
the
education,
too.
Yeah.
And,
you
know,
in
the
summer
of
1991,
my
father
had.
He
had
liver
cancer.
But
at
first,
my
family
didn't
tell
me
that
they.
Because
they
didn't
want
me
to
risk
going
back.
So
they
lied
to
me.
They
said
that
he
had
a
kidney
stone.
And
until
like
a
few.
Like
a
few
months
later,
I
really
finally
learned
the
truth.
I
went
to
the
immigration
office
in
Saskatoon
and
asked
if
they
can
grant
me
a
return
visa
or
if
they
can
speed
up
my
application
because
of
this
special
reason.
You
know
what
that
officer
said?
He
said,
why,
every
time
you
guys
have
a
problem,
you
come
to
us.
At
the
time,
I
was
too
inexperienced.
I
didn't
know
what
to
say.
Like,
now
I
would
have.
I
would
have
said,
well,
it's
for
the.
For
the
sake
of
humanity.
But
at
the
time,
I
did
not
know.
Yeah.
And
then
he
also
said
something
because
what
happened
in
Saskatoon
was
those
graduate
students,
Chinese
graduate
students,
those
who
were
graduated,
they
couldn't
work
because
they
don't
have
a
land
immigrant
status.
They
were
still
students.
So
they
went
to
they
sent
a
few
representatives
and
went
to
the
immigration
office
and
asked
if
they
can
do
something
to.
Because
we
were
already
delayed.
Every
city
already
landed
other
students
in
the
year.
We
at
the
time,
we
were
like
over
two
years.
So.
But
I
was
not
involved
in
that.
I
was
not
a
part
of
it.
I
was
just
too,
too
sad,
too
miserable
about
what
happened
to
my
father.
So.
And
also
that
was
the
time
I
was
writing
my
thesis.
And
anyway,
so
when
I
was
visiting,
like
say
this
immigration
officer,
he
also
said
something.
He
said,
you
guys
send
some
students
to
us
and
because
you
can't
find
a
job,
as
far
as
that
concern,
if
you
guys
go
sweep
the
street,
it's
not
our
problem.
This
is
a
immigration
officer.
When
I
saw
there's
a
two
pictures
on
his,
you
know,
the
desk,
there's
a
glass
top,
you
know,
old
time,
you
put
the
pictures
underneath
and
there
were
two
teenager
girls,
very
pretty.
I.
So
I
asked
him,
I
said,
are
those
your
daughters?
He
said,
yeah.
And
that
was
the
only
time
he
was
like
smiling.
I
wanted
to
ask
him,
well,
suppose
you're
dying
and
your
daughter
want
to
see
you
for
the
very
last
time.
But
I
didn't
dare
to,
you
know,
because
I
carry
the
baggage
of
when
I
came
from
China,
what
those
in
power,
what
they
could
do
to
you.
So
I
was
afraid
if
I
say
that
then
he
would
take
my
application
out
and
just
never
grant
my
application
approval.
Like
I
did
not
know
I
thought
he
could
do
something
like
that,
just
like
in
China,
I
did.
So
it
was
totally
like
he
was
powerful,
I
was
powerless
and
I
couldn't
do
anything
about
it.
So
that's
how
eventually
my
father
died
and,
and
his
last
word
to
me
was
study
hard.
And
the
inheritance,
I
said,
so
called
legacy
I
inherited
from
him
was
a
pen.
That's
everything
he
left
to
me.
So
I
guess
I'm
writing.
I
become
a
writer
for
a
reason.
You
know,
people
ask
me
why
I
write.
Like
I
said,
actually
I
heard
about
this,
I
read
about
this
or
heard
about
this
a
few
weeks
ago.
There's
a
survey,
right,
to
all
the
writers,
to
a
group
of
writers,
like
why
you
write.
So
people
like
a
number
one
reason
we
could
think
about.
Okay,
it's
a
passion,
it's
an
interest,
it's
a
hobby,
it's
a,
you
know,
for
the
fame
or
money
or
whatever.
But
actually
the
number
one
reason
is
none
of
those.
The
number
one
reason
is
to
write
a
wrong.
So
thank
you
for
sharing
that.
You
know,
these
are
stories
that
we
need
to
get
out
there.
These
are
things
you
made
a
sacrifice
to
come
to
a
country
to
learn.
And
you
were
treated,
you
know,
like
the
same
as
back
home.
Like
you,
you
were
on
your
tippy
toes
walking
on
eggshells
all
your
life.
Yeah.
That
fear
of,
I,
I
can't
speak
up,
I
can't
have
a
voice
because
if
I
voice
that
they're
going
to
send
me
back.
They're
gonna,
they're
gonna
take
this
from
me.
Yeah.
And
Liz,
you
know,
the
most
heartbroken
thing
was
my
father
passed
away
because
I
was
told
by
the
immigration
officer,
nobody
is
a
special
case.
Everybody's
special
case.
Basically,
we're
not
going
to
do
anything
for
you.
I
called
the
Foreign
Affair
Department
and
ask,
you
know,
I
was
just
trying
to
ask
where,
where
was
my
application?
And,
and
I
got
a
flat.
No,
like,
say,
we're
not
going
to
tell
you
anything.
We're
not
going
to
check
anything
for
you.
So
my
father
passed
away
on
November
13,
before
Christmas
of
1991.
All
of
a
sudden,
all
of
us,
like
Chinese
students
in
Saskatoon,
we
got
the
notice
that
we
need
to
be
landed
before
Christmas
because
suddenly
they
found
out
the
foreign
affair
or
immigration
department,
they
found
out
that
they
couldn't
fulfill
that
year's
data
quota.
Immigration
quota.
Well,
even
though
we
were
told
we
had
nothing
to
do
with
the
quota,
it
seems
like
a
Saskatoon
put
us
as
a
regular
immigrant,
not
the
special
case.
So
before
Christmas
they
found
out
they
couldn't
fulfill
the
quota.
So
we
were
notified
to
go
and
go
to
the
office
and
get
our
paper
and
we
were
landed.
So
I
remember
I
was
in
the
office
and
this
time
it's
a
different
immigration
officer.
So
after,
you
know,
he
hand
me
the
certificate
and
we
shake
hand
and
she,
he
said,
congratulations.
I
just
said
thank
you.
Then
I
came
out,
I
rushed
to
the
washroom.
I
was
cry
in
a
wash,
washroom
like
a
puddle
of
water.
So.
And
then
later
I
found
out,
you
know,
actually
my
immigration
was
approved
on
October
30th.
October
30th.
My
father
passed
away
in
November.
On
November
13th.
If
somebody
just
checked
it,
if
somebody
just
checked
it
could,
you
know,
let
me
get
me
landed
before
that.
I
could
still
fly
home
and
say
him
for,
for
the
last
time.
But
nobody
did.
So,
Tanku,
when
you're
writing,
I'm
sure
your
father's
spirit
is
with
you
and
he's
giving
you
that
strength
to
stay
strong.
Right.
So
how
have
you
stayed
strong
since
then?
Well,
I
think
when
you
have
a
goal,
it
make
you
endure.
We're
talking
about
tribulation,
endurance.
She's
going
into
her
tea.
Look
at
that.
We're,
we're
going
to
start
spilling.
Yeah.
Adversity.
I
think
you
have
to
have
a
goal,
you
have
to
have
hope.
Without
hope.
I
don't
know
how
one
could
take
all
this.
Like
my
suffering.
It's
just
not
my
suffering.
Like
the
three
generations
from
my
family
which
represent
basically
Chinese
people,
like
what
we
suffered
are
so
much.
My
grandmother
suffered
through
the
worst
poverty,
political
regime
changes.
And
you
know,
like
my
generation
at
least
were
alive.
Like
we're
like.
Even
like
my
father
died
of
diseases,
right?
But
in
my
grandmother's
generation,
my
actually
the
husband
of
my
aunt,
which
was
like
a
daisy
in
the
book,
and
he
was
executed
in
1950
by
the
communist.
He
was,
he
was
not
even
a
counter
revolutionary.
You
know
why?
Because
they
need
to
fill
the
quota
of
5%.
Because
Chairman
Mao
said
5%.
The
Chinese
are
counter
revolutionary.
So
at
the
lower
level,
the
leaders
the
cartridge
at
the
card.
At
the
lower
level,
they
felt
they
need
to
have
5%.
So
when
this
village
didn't
have
5%,
counter
revolution,
the
village
had
approached
my
aunt's
husband
the
basically
said,
you
know,
would
you
please
come
forward?
Just
help
me
out.
Just
help
me
just
fill
this
quota.
Nothing
will
happen.
And
as
ignorant
as
he
was,
he
said,
okay,
sure,
I
like
to
help
you.
Just
put
my
name
in.
So
for
the
first
six
months,
nothing
happened.
Then
all
of
a
sudden
there's
a
like
a
order
from
above.
Every
single
one
was.
Was
executed.
That's
how
he
died.
That
was
a
truth
that
was
not
fictional.
But
that's
what
it
is,
right?
There's
so
much
truth
that
hasn't
been
shared
with
the
world,
you
know,
because
it's
covered
up,
right?
Yeah.
By
the
higher
ups,
by
the
people
that
have
the
control
and
the
power
and
that,
you
know,
sharing
your
story
and
expressing
the
hurt
and
sacrifices
and
fight
that
you
had
for
your
life
and
becoming
this
incredible
author
and
writer
and
poet
is
really
inspiring.
It
really
gives
people
hope
and
the
listeners
out
there.
I
just
want
to
share
a
little
couple
of
the
comments
that
are
coming
in
shadow
Put.
Wow,
that's
a
pretty
impressive
of
story.
I
commend
you
for
migrating
to
Canada
and
making
a
great
success
out
of
your
life.
I
am
so
sorry
for
your
father's
passing.
You
are
such
a
sweetheart,
Tungu.
Study
hard.
That's
right.
It's
hard
to
be
shunned
being
told
to
shut
up
and
sit
down.
That's
wrong.
I've
been
treated
that
like
that
too.
Be.
Be
cannot
control
how
others
think
and
respond.
But
for
us
it's
a
must.
It's
hurt
to
be
shunned.
Being
told
to
be
quiet,
you
know,
being
shunned
be
making
the
sacrifices
coming
for
education.
Learning
that
human
race
is
not
being
treated
equally
is
why
is
sorry
is.
Is
why
I
do
these
tea
times
and
why
I
love
having
stories
like
yours
on
tea
time,
Tungu
is
because
you
open
those
doors
of
true
and
the
truth
needs
to
get
out
there.
These
stories
need
to
be
heard,
you
know.
And
the
house
filler,
you
started
with
your
grandma,
then
you
shared
with
your
parents
and
you
shared
your
story.
So
tell
us
a
little
bit
about
your
parents
story
and
your
story.
Can
people
get
that
book
or
is
those.
Are,
are
those
upcoming
books
that
are
coming?
Those
are
not
out
yet.
The
second
book,
the
title
is
called
the
Pin
in
the
Bird.
The
third
one,
the
working
title
is
the
Dream
Chaser.
So
my
parents,
they
were
both
intellectuals.
And
intellectuals
in
China
had
never
been
treated
fairly.
So
even
like
way
back
when,
I
think
in
Qing
Dynasty
they
have,
in
China
they
have
a
class
system.
So
the
intellectuals
were
like
nice
class,
they
were
only
above
beggars,
but
they
are
still
below
the
prostitutes.
So
intellectuals
was
a
nice
class.
So
that's
why
in
China
there's
a.
They
call
like
Internet
intellectuals
number
nine,
which
means
they're
in
ninth
class.
But
the
Chairman
Mao,
he
disliked
intellectuals
so
much,
he
called
intellectuals
the
sticky
stinky
old
man.
So
when
I
was
a
child,
I
know
my
father
was
a
stinky
old
man,
but
you
know,
during
the
Cultural
Revolution,
he
was
locked
up
with
all
his
colleagues
in
the
car
shed.
Well,
COD
is
a
general
term
for
a
place
to
lock.
You
know,
it's
not
a
jail,
it's
never.
Those
people
were
locked
up.
They
never
gone
through
the
legal
system,
There
was
no
legal
system.
So
it's
just
a
place
to
lock
people
up.
So
it's
called
car
shed.
So
my,
like
in
the
college,
the
first
lockup,
all
the
professors,
My,
my
dad
was
an
associate
professor.
So
when
they
locked
up
all
the
professors,
then
they
start
to
lock
up
the
associate
professors.
You
know
why?
Because,
because
like
my
dad,
all
these
professors,
they
were,
they
obtained
their
university
degree
in
old
society
like
before
1949.
So
China
was
against
the
capitalism.
And
we
were
told
that
knowledge
is
a
type
of
capital.
So
anybody
had
knowledge
was
also
a
capitalist.
So
that's
why
they
were
locked
up
just
for
their
occupation.
Right.
But
you
know,
some
people
died
in
that
culture.
Not
everybody
survived.
My
dad
survived,
but
not
everybody
survived.
And
so
like
I
had,
I
have
a
sister
who
is
much
older
than
me.
It's
very
strange.
We're
from
same
family.
You
know
why
I
knew,
I
admire
my,
my
dad
so
much.
So
I,
you
know
what
I
said?
I
said,
oh,
so
first
of
all,
what
she
decided
when
she
was
young,
right.
She
said
not
only
she
didn't
want
to
become
a
stinking
old
nan,
which
means
she
didn't
want
to
go
to
university,
she
didn't
even
want
to
marry,
marry
someone
who
has
a
university
degree
because
she
didn't
want
to
have
anything
to
do
with
stinky
old
man.
You
know
what?
I,
I
was
only
like
a
5
or
6
years
old.
I
said,
you
know,
I
want
to
be
a
stinking
old
man
because
my
dad
was.
You
were
daddy's
girl.
Yeah,
exactly.
You
know,
sometimes
we
got
to
be
daddy
girls
and
we
got
to
be
for
the
stinky
old
man.
Yeah,
that's
right.
Somebody
has
to
stand
up
for
that
man.
Right,
exactly.
Yeah.
So
that's
my
parents
story.
But
they
had
dreams.
Like
my
dad
was
a
scientist
and
my
mom
too,
but
because
of
all
these
political
campaigns
and
they
never
achieved.
Like
my,
my
dad
was
well
known
in
his
field,
but
my
mom
never
achieved
anything.
So
I
think
that's
made
her
better.
Very
bitter
later
because
she
was
very
smart,
extreme
like
she
had
a
very
high
iq,
I
believe,
very
smart
and,
but
she
never
achieved
her
dream
become
a
great
scientist.
So
she
put
all
her
hope
on
me.
So
like
when
I
was
a
child,
I,
I
shoulder
like
a,
two
generations
of
hope
on
my
shoulders.
I
have
to
be
like
number
one
on
like
a
study
grade
all
the
time
because
I
knew
that's
what
I
was
expected
of.
Yeah.
Anyway.
And
that
also
took
a
toll
on
you
as
well.
Yeah,
but
I
was,
I
love
to
study.
I'm,
I'm
a
person.
Like
I,
I,
my
true
passion
is
the
literature.
But
I,
I'm
disciplined
enough
to
study
things
I
don't
like
and
still
get
really
good
marks
like
win
the
competitions
and
all
that.
Even
though
I,
I
don't
like
it.
I
could
do
it.
Yeah.
But
tango,
let's
get
into
your
tea.
Because
you
got
into
a
little
bit
of
the
endurance.
She
jumped
in
the,
into
the
middle
of
the
tea.
Let's
talk
about
the
beginning
of
the
tea.
The
tribute.
Tribulations,
endurance
and
adversaries.
Adversary
adversity.
Let's
talk
about
those
three
words.
Why
you
gave
me
those
three
words.
Well,
I
think
they're
all
related,
right?
Tribulations.
Both
my
grandparents,
generation
and
my
parents
generation
and
myself,
we
all
went
through
that,
we
all
suffered
that.
But
for
my
grandmother,
she
didn't
just,
you
know,
at
first
she,
she
just
took,
took,
you
know,
got
those
punches,
you
know,
took
those
punches
in
life
and
got
knocked
down
and
suffered
and
endured.
But
eventually
she
started
to
Fight
back.
So
that's
what
I
admire
her
so
much.
And
as
I
said,
sometimes
I
joking
with
my
friend,
I
said,
you
know
what?
As
a
writer,
I
don't
have
too
rich
of
imagination,
but
because
I
have
so,
like
so
much
good
materials,
I
don't
need
a
lot
of
imagination.
You
got
the
truth
story
girl.
You
don't
need
to
imagine
anything.
You've
seen
a
lot
and
you've
been
through
a
lot.
So
you
have
that
knowledge,
right?
To
come
to
the
table
and
express
yourself.
Yeah.
So
my
grandmother,
she
indeed
joined
the
underground
resistance,
the
communist
underground
network
to
fight
Japanese.
She
did
that
as
an
in
illiterate
person
with
bomb
feet,
a
little
old
lady.
She
did
all
that
as
I
described
in
the
book.
You
know,
sew
the
clothes,
make
the
clothes
for
the
ace,
rules
armies
and
carry
messages,
which
was
extremely
dangerous.
If
she
was
discovered
that
she
could,
she
could
die,
she
could
be
executed,
and
she
did
all
that.
So
I
admire,
I
really
admired
her
for
that.
That
and
for
my
parents,
I
think
they,
they
just
suffered.
They.
I
don't
think
they
could
fight
back.
I
mean,
my
mom
fought
back
in
a
small
ways.
Right.
But
if
somebody.
You
spied
on
her.
Yeah.
She
would,
she
would
report
that
person
back.
So
she
did
this
in
a
small
ways,
but
it
was
just.
The
oppression
was
like,
overwhelmingly
like
they
were.
How
do.
How
do
I
put
it?
They
were
against
the
overwhelming
odds
to,
to
not
like,
to
success
in
life
or
even
to
be
free
in
life.
They.
They
never
really
truly
got
that.
And
that's
why
I
left
China.
I
mean,
when
people
ask
me,
you
know,
why
you
leave
China,
of
course
we.
I
would
say
for
freedom.
But
it's,
it's
more
than
just
freedom,
you
know,
it's
also
about
dignity.
Like
in
China,
like,
doesn't
matter
like
the
one
was
growing
up
or
not.
The
problem
is
that
anybody
who
has
power
over
you,
this,
this
person
will
abuse
you
and
use
that
power
to
benefit
himself.
It
could
be
your
supervisor,
it
could
be
the
university
president,
it
could
be
a
doorman.
It
could
be
somebody
just
hold
that.
Something
like
you
couldn't
get.
It's
just
the,
the
whole
system
is
like
that.
Yeah.
And
if
you
don't,
don't
want
to
be
a
part
of
it,
what
do
you
do?
You,
you,
you
know,
sometimes
even
in
case,
if
you're
not
part
of
it,
you,
you'll
be
you.
They
will
make
you
suffer
because,
you
know,
you'll
be
alienated
and,
and
even
attacked.
So
just.
So
just
for
the
freedom,
for
the
dignity,
for
everything.
That's
why
I'm
here.
Yeah.
I
think
I
Just
lost
my
mic.
My
back.
Yeah,
you're
back.
Now.
See,
we're
getting
the
truth
out
and
Ms.
Liz
is
getting
miked.
They're
blocking
my
mic.
They
don't
want
me
to
talk.
But
Tungu,
I
really
just
appreciate
you
sharing
your
story,
writing,
writing
the
truth
and
getting
the
three
generations
out
there
because
I
think
people
can
see
the
challenges
and
sacrifices
that
were
made
through
the
generations.
So
you,
you've
been
in
Canada
since
1988.
So
how
did
you
get
to
be
the
romantic
poet
that
you
are?
Well,
I
start
to
write
poems
when
I
was
in
college,
but
I
just.
But
I
could
only
write
in
Chinese.
Right.
Like,
poems
are
very
hard
to
translate.
When
you
translate,
you
lose
like
so
much,
basically.
But
you
know,
in
the
80s,
because
China
opened
the
door
to
the
world,
all
of
a
sudden
we,
we
were
able,
like,
we
have
access
to
the
following
books
like
Shirley
Le
Baring,
you
know,
pushing
all
these
great
point
poets
and
also
the
novels,
you
know,
the
Tolsto,
Victor
Hugo,
Balzac.
Balzac.
All
these
great
writers
in
the
world.
So
it
was
a.
Eye
opening.
I
was
so
hungry.
You
know,
we.
In
the
dormitory,
in
the
college
dormitory,
because
we're
supposed
to.
The
light
was.
Had
to
light.
We
must
turn
off
the
light
at
11pm
that's,
that's
the
rule,
right?
The
rule
was
very
strict,
but
I
remember
I
was
reading
books
under
the
COVID
with
a
flashlight.
You
were
the
little
rebel.
Yeah,
it's
just
we
were
so
hungry
and
all
of
a
sudden
we're
so
hungry
for
the
books.
And
I'm.
I
think
I'm
a
romantic
poet
because
I
think
I'm
influenced
by
my
father.
I
think
he,
he
was
one,
but
he
also,
he.
He's.
He
was
very
knowledgeable
about
Chinese
literature
and
the
history
as
well
as
classic
poems.
So
I
got
influence
from
him.
My
mom
is
a
scientist.
My
dad
is
actually,
I
think
my
dad
by
heart.
She.
He
was
an
artist.
And
also
I,
you
know,
as
I
mentioned
in
this
other
show
about
the
book,
my
dad
read
for
us
during
the
Cultural
Revolution
when
we
had
a
power
outage
then
he
didn't
have
to
go
to
political
meetings
in
the
evening.
So
we
were
drawn
our
window
curtains.
We
let
light
one
single
candle.
Mom,
dad
and
I
will
huddle
around
and
dad
would
read
from
this
book.
It's.
It's
called
the
Strange
Stories
from
a
Chinese
Studio,
or
it's
translated
as
Strange
Tales
from
a
Chinese
Studio.
Written
by
an
author
in
Qing
Dynasty.
His
name
was
Kusong
Lin.
He
spent
all
his
life,
40
years
to
write
this,
nearly
500
short
stories.
So
that
book
was
considered
as
a
poison
weeds
like
it
was
banned
supposed.
You
know,
you're
supposed
not
to
have
it
but
I
didn't
know.
I
don't
know
how
that
book
survived
because
our
house
were
rated
twice
but
that
book
actually
has
two
volumes
first
volume
one,
volume
two
survived
so.
But
we
need
to
hide
the
book.
So
in
the
evening
evening
those
evenings
my
dad
would
take
out
the
book
and
we
would
huddle
around
the
candle
and
he
would
read
it
to
us.
I
think
that's
my
awakening
about
you
know
how
beautiful
the
stories
can
be
and.
And
those
are
actually
most
are
fantasies
and
some
horror
but
the
author
also
uses
through
these
stories
to
insinuate
the
real
world
because
in
Qingdan
State
actually
it
was
also
something
called
Wen
Ziyu
it
means
like
the.
The
poets,
the
authors
it
could
be
locked
up
or
executed
by
something
they.
They
wrote
so.
So
P.
Songling
you
know
he
couldn't
just
speak
out
loud
okay
this.
This
society
something's
wrong.
It's
not.
It's
injustice,
you
know,
it's
corrupted.
He.
He
couldn't
say
that
so
he
wrote
into
those
stories
actually
you
know
it's
a
really
beautiful
collection
of
stories
because
actually
way
back
when
I
think
in
the
19
like
a
long,
long,
long
time
ago
I
forgot
the
18
something
somebody
translated
the
part
of
the
book
but
I
think
it
was
only
160
short
stories
were
translated
into
English.
This
year
2024
the
whole
book
is
translated
into
English
you
can
actually
find
on
Amazon.
Oh
well
you'll
have
to
give
it
to
me
because
I
want
to
check
that
out.
Yeah,
I
will.
It's.
It's
really
really
beautifully
writing
written
and
anyway
so
that's.
I
got
my.
I
got
my
nutrition
from
when
I
was
a
child
right
like
a
literature
nutrients
from
and
it's
then
I
started
to
tell
my
friends
the
stories
I
heard
and
later
when
I
could
read
I
would
have
found
some
folk
tales
and
then
I
tell
my
friends
because
when
my
diet
was
classified
as
a
black
class
during
the
Cultural
Revolution
I
become.
I
became
a
target
of
bullying
so
there's.
There's
other
kids,
boys
they
would
bully
me
on
my
way
to
school
and
back
so
I
would
gather
a
few
girls
around
me
and
tell
them
stories
so
everybody
want
to
walk
with
me
so
they
will
put
me
in
the
center
so
that's
how
I
felt
I
was.
I
was
protected.
So
telling
story
become
not
just
the
entertainment
but
became
a
surviving
tool.
That's
how
I
survived
those
initial
years
in
a
great
school
actually
I
think
in
the
entire
we
call
primary
school
yeah
that
was
at
the
time.
We
only
have
five
years,
not
six
years.
Five
years
in
primary
school.
That's
how
I
survived.
And
that's
what
I
mean.
Like
storytelling,
it's
survival,
it's
overcoming
adversity,
you
know,
challenges
and
struggles
in
life.
This
is
why
I
find
storytelling
to
be
the
new
way
of
living.
You
know,
if
we
don't
tell
our
stories,
how
do
we
continue
the
pat.
The.
Continue
the.
The
truth
out
there
and
keep
the
truth
out
there.
You
know,
we
all
have
to
be
a
little
rebel
once
in
a
while.
Exactly.
I
think.
I
think
we
all
need
a
little
rebel
in
us.
Yeah.
You
know,
actually,
human
being.
Human
species
is
the
only
one
we
talk
about
like
we
tell
stories.
You
don't
say
that
in
any
other
species.
Right?
Only
human.
Well,
they.
They
haven't
shown
that
yet.
Yeah,
that's
right.
T.
I,
you
know,
I
really
appreciate
you
sharing
your
story
and
sharing
your
journey
in
Canada
and
China
and
your
family's
history
and
all
that
as
well
by
sharing
this
story
of
your
grandma,
the.
The
house
filler.
Were
you
scared
to
share
that
story?
No.
No.
I
mean,
I.
I'm
pretty
safe
in.
In
Canada.
Right.
Well,
if.
If
you're
not,
come
and
get
me
because
I'm
in
Canada
too.
We.
We'll
do
some.
You
got
a
Canadian
Guard
here?
There.
I'll
coming.
I'll
come
and
save
you.
Good.
I
want
to
get
into
the
word
romantic
before
we
wrap
up
because
I
asked
you
to
give
me
one
word
to
describe
yourself,
and
you
gave
me
the
word
romantic.
What
does
romantic
mean
to
you,
Tungu?
Well,
I
think
that's
a
really
good.
Question
because
you've
been
through
so
much.
So
romantic.
Like
when
you
gave
me
that
word
and
now
you're
telling
me
this
story
and
I'm
just
like,
she
still
has,
you
know,
hope
for
romance.
Yeah,
Yeah.
I,
I
mean,
if.
If
I'm
falling
in
love,
I'm
hopeless.
I.
I
don't
really
consider
anything
like
wealth
or
position
or
class
or
social
status
or
that.
So
I
think
in
a
way
I
was
also
not
mature.
I,
I
probably
am
still
not
matured
now,
but
I.
You're
the
rebel.
Yeah.
I
like.
Love
to
me
is
like
water
and
the
bread.
I.
You
know,
I
wrote
so
many
romantic
poems
and,
and
the
pearls
in
Chinese
are
so
beautiful,
but
I.
I'm
not
very
good
at
the
judge.
People
like.
I'm,
I'm.
I
read
people
wrong.
So
that's
why
actually
my
romantic
history
is
a
tragedy.
You
go
for
the
bad
boys
instead
of
the
good
boys.
I
know
I
gave
all
my
heart,
all
my
soul
out.
Then
I
Was
hurt
so
much.
It's
become
a
pattern.
Right.
It's
like
from
college
time.
I
think
all
us
romances
have
always
gone
for
the
bad
boys
and
we.
We
forget
about
the
good
boys
over
on
the
other
side.
Exactly.
Yeah.
But
in
a
bigger
sense,
I
think
this
world
is
beautiful.
And
when
you
look
at
the
sky
and
the
ocean.
And
there's
another
question
about
the
color.
Right.
Color
blue.
So
it's
related
because
the
color
blue,
white
color
blue
is
my
favorite
color
because
it's
made
me
think
about
sky
and
ocean.
Both
are
vast
and
there's
limited
life,
there's
no
boundaries.
Like
you,
you
can
have
total
freedom,
you
can
do
whatever.
Like
if
you're
a
fish
in
the
ocean
or
a
bird
in
the
sky,
that
is
how
like
I
relate
to
this
blue
with
freedom,
with
possibility.
And
so.
And
I
think,
you
know,
the
person
who
loves,
you
know,
trees,
flowers,
ocean,
sky,
birds,
has
to
be
romantic.
It
has
to
be.
Right.
We
have
to
have
some
hope
in
something.
Right?
Yeah.
If,
you
know,
there's
a
big
beautiful
tree,
it's
cut
off.
I
will
be
sad
like
for.
For
weeks
over
that.
It's
almost
like
morning
for
that
tree.
I.
I'm
just
like
that.
Yeah.
You
know,
when
we
have,
when
life
gets
heavy,
we
have
to
have
a
little
bit
of
laugh.
Right.
We
have
to
lighten
it
up
a
little.
Yeah.
You
know,
and
Tungu,
that's
what
you've
done
tonight
is,
you
know,
you
shared
a
heavy
story
and
we're
ending
it
with
laughter.
Because
life
is
laughter,
right.
It's.
It's
like
water.
Right.
It's
a
good
flow,
it's
a
good
spill.
Just
like
tea
is.
Yeah.
What
final
message
would
you
like
to
leave
everybody
with
tonight?
Freedom
is
never
free.
So
I
think
when
we
have
our
freedom,
either
we
fought
of
it,
we
paid
for
it,
or
somebody
else
fought
for
us
and
paid
for
it
for
us.
So
in
my
case,
it
took
three
generations
for
me
to
eventually
gain
freedom.
It's
really.
It
takes
three
generations.
So
I
think
we
need
to
treasure
it.
Don't
take
it
as
granted
because
you
could
lose
it
at
any
moment,
in
blink
of
eye,
you
could
lose
your
freedom.
Look
what
happened
during
the
COVID
you
know,
like,
I
thought
I
would
travel
when
I
retire.
Then
Covid
hit
I
thinking,
gee,
had
I
knew
I
would
do
it
before.
You
only
lose
it.
You
only
realize
how
precious
it
is
when
you
lose
it.
When
you
have
it,
you
don't.
Most
of
us
don't
even
realize.
Right.
It's
something
precious.
So.
Yeah.
So
guard
your
freedom
and
be
aware
of,
you
know,
that
you
could
lose
it.
And
Tungu,
if
anybody
wanted
to
reach
out
to
you
to
have
you
on
their
podcast
or
share
your
books
with
them,
how
could
they
reach
you?
I
have
a
website.
It's
my
name,
but
there's
a
dash
in
between
tong-gu.com.
so
I.
I
archived
those
interviews,
like
as
many
as
I
as
I
could
there.
And
I
also
have
a
X
account.
I
think
it's
A.D.
yeah,
I
forgot
I
or
something.
But
yeah,
website
is
a
good
place.
People
can
also
reach
me
there
because
I
have
an
address
there.
And
as
of
my
book,
it's
available
on
Amazon,
Indigo,
Barnes
and
Noble,
Kobo,
Walmart,
and
some
local
Canadian
bookstores
and
some
local
Canadian
libraries.
But
just
when
people
search
on
Amazon,
I
found
that
if
you
put
a
type
in
the
house
filler,
you
still
need
my
name
hyphen
or
something
tongue.
Because
otherwise
you'll
say
a
whole
bunch
of
house
items.
You're
gonna
get
lamps.
You're
gonna
get
couches.
Exactly.
Things
to
fill
the
house.
Exactly.
Yeah,
yeah,
I
didn't.
I
didn't
expect
that
until
too
late.
Right,
But.
But
I
probably
wouldn't
change
the
book
title
because
this
is
such
a
unique
title.
I
probably
wouldn't
change
it
either,
but
just
to
be
beware.
Yeah.
Well,
Tungu,
thank
you
so
much
for
sitting
and
having
tea
with
me
tonight
and
sharing
your
story
with
my
listeners.
And
that
out
there
for
all
the
listeners
and
supporters
who
tuned
in
tonight
and
left
your
comments
and
your
support.
Thank
you.
I
could
not
do
this
without
you
guys.
We
have
10
tea
times
left
before
Ms.
Liz
closes
the
podcast
up.
Five
years
is
a
long
time
and
there's
over
400
interviews
to
check.
So
be
sure
to
check
out
Ms.
Liz's
YouTube
channel.
Check
out
Ms.
Liz's
tea
times.
You'll
find
me
on
YouTube.
You'll
find
me
on
all
major
platforms.
If
you'd
like
to
know
more
about
Ms.
Liz,
check
out
WW
Ms.
Liz's
tea
time
with
no
s
dot
com.
And
you
can
see
the
other
stuff
that
Ms.
Liz
is
doing
besides
the
podcasting.
But
I
encourage
you
to
check
these
podcast
episodes
out
from
all
seasons,
season
one,
two,
three,
four,
and
five,
because
there's
a
story
I
guarantee
that
will
resonate
with
all
of
you
guys
out
there.
If
you'd
like
to
know
more
or
you'd
like
to
get
a
topic
on
there
before
Ms.
Liz
wraps
up.
Ms.
Liz
can
do
a
little
tweak
once
in
a
while
and
we
can
get
another
surprise
tea
time
in
there.
I
want
to
give
a
special
shout
out
to
Mickey
Mickelson
again.
From
Creative
Edge
for
tuning
for
sending
me
all
these
incredible
guests
in
the
last
three
years
I've
been
working
with
Mickey.
So
thank
you
for
that.
Thank
you
Shadow
for
tuning
in
and
being
in
the
house
with
us
tonight.
And
I
want
to
thank
everybody
that's
tuning
in
on
Instagram.
I
see
you
guys,
a
couple
shout
outs.
We
have
some
local
supporters
from
Mr.
Puffs
Cornwall
has
joined
Crave
Chicago
in
NSA
and
End
Violence
and
Encounters
has
joined
tonight.
So
thank
you
guys
for
tuning
in
again.
Let's
keep
stirring
our
teeth,
keep
being
true
and
we're
gonna
make
a
difference
with
tea
by
storytelling
and
words.
Ms.
Liz
guarantees
it.
I'm
not
giving
up,
guys.
I'm
only
gonna
take
a
little
break
and
we'll
figure
it
out.
Until
then,
I
will
see
everybody
on
Thursday,
same
time,
same
place,
3pm
and
7pm
Eastern
Standard
Time
where
we
have
two
more
incredible
guests
coming
in
and
sharing
their
teas
with
Ms.
Liz.
So
again,
thank
you
all
and
I
wish
you
guys
all
a
good
night
and
stay
true
to
who
you
are.
And
we
have
one
final
comment.
I
want
to
get
up
here.
Tongu,
I
love
you
and
thank
you.
So
that's
from
Shadow
God
and
he's
also
the
voice
of
Ms.
Liz's
intro
video.
So
if
anybody
wants
to
know
who
Shadow
God
is,
check
him
out
as
well.
He
does
some
incredible
work.
So
thank
you
guys
and
stay
tuned.
We're
gonna
get
this
done.
We
got
10
shows
to
go
and
we'll
see
everybody
on
the
19th
of
December
at
7pm
Eastern
Standard
Time
with
the
reunion
show
where
we
have
over
60
guests
that
are
coming
back
from
five
seasons.
So
it'll
be
a
house
and
we
have
some
cool
entertainment
and
all
that
good
stuff.
So
until
then,
I'll
wish
you
guys
all
a
good
night.
Stay
tuned
and
Ms.
Liz
will
be
back
with
more
guests
of
for
the
month
of
December,
December.
And
we're
going
to
be
doing
Monday,
Tuesday,
Thursdays
and
who
knows,
maybe
we'll
throw
in
a
Friday.
We
just
never
know.
So
thank
you
again,
Tungu
for
joining
me
tonight
and
again
thank
you
everybody.
I
will
see
you
on
Thursday,
3pm
7pm
Eastern
Standard
Time.
We'll
do
it
all
over
again.
Thank
you
Ms.
Liz
for
having
me.