Teatime with Miss Liz T-E-A Open Discussion Author Tong Ge The House Filler

December 4, 2024

Teatime with Miss Liz T-E-A Open Discussion Author Tong Ge The House Filler

Teatime with Miss Liz

The podcast episode features an interview with Tong Ge, an author who was born and raised in China before coming to Canada in the late 1980s as an international student. Tong Ge shares her life experiences, including her childhood dream of becoming a dancer, her family's struggles during the Cultural Revolution, and the challenges she faced in leaving China to pursue her education.

Tong Ge discusses her debut novel, 'The House Filler,' which is based on her grandmother's story and explores the tradition of foot binding in China. The book delves into the hardships and adversities faced by her grandmother and her family, reflecting the tribulations endured by many Chinese people throughout history.

The conversation also touches on Tong Ge's journey as a writer, her love for literature and storytelling, and her romantic nature. She emphasizes the importance of freedom and dignity, which she found in Canada after leaving the oppressive environment in China. Throughout the interview, Tong Ge shares her resilience, passion, and determination to overcome adversities and share her stories with the world.

Podcast Title

Teatime with Miss Liz

Host

"Miss Liz" Elizabeth Jean Olivia Gagnon Women Making a Difference with One Cup

Publish Date

December 4, 2024

Categories

Episode Notes

**Exciting Teatime Alert!** Join us on **December 3rd** for a delightful session of Teatime with Miss Liz, featuring the talented **Tong Ge**, who will be discussing her incredible book, *The House Filler*! **Date:** December 3rd **Where:** Live on Miss Liz’s YouTube Channel [Join the Live Stream Here!](https://youtube.com/@misslizsteatimes?si=NgHQg1l5B6ZRfKGx) **Meet My Guest: Tong Ge** Born and raised in China and making her way to Canada in the late 1980s, Tong Ge brings a wealth of knowledge and experience. With a Bachelor of Commerce in Finance and Banking and a Master of Science in Agricultural Economics, she is an accomplished writer, passionate reader, and lifelong learner. Since 2012, her works have graced publications across North America and Taiwan, earning her multiple literary awards. Her debut novel, *The House Filler*, has already made waves, winning the 2024 Independent Press Award for New Fiction! **How You Can Participate:** Have questions for Tong Ge or want to share your thoughts on her book? Join the live chat during the stream! Your comments and questions could be featured in the discussion! Let’s raise our teacups and celebrate literature together! #TeatimeWithMissLiz #TongGe #TheHouseFiller #LiteraryChat #BookDiscussion #LiveStream #SupportAuthors #LiteraryAwards #BookCommunity #CalgaryAuthors #CanadianLiterature #joinus

  1. Tong Ge's life experiences, spanning from her childhood in China to her journey to Canada, reflect the tribulations and adversities faced by many Chinese people throughout history.

  2. Storytelling and literature played a crucial role in Tong Ge's life, serving as a means of expression, escapism, and conveying deeper truths in oppressive environments.

  3. Tong Ge's debut novel, 'The House Filler,' explores the tradition of foot binding in China and the hardships endured by her grandmother and family, highlighting the resilience and endurance required to overcome such adversities.

  4. Freedom and dignity were significant driving forces behind Tong Ge's decision to leave China, as she sought to escape the oppressive environment and pursue her dreams.

  5. Tong Ge's romantic nature and passion for love, art, and beauty are evident throughout the interview, providing a contrast to the challenges and hardships she has faced.

  6. The importance of having goals, hope, and perseverance is emphasized as a means of enduring tribulations and adversities.

  7. Tong Ge's experiences as an international student and the obstacles she faced in leaving China highlight the sacrifices and challenges faced by many in pursuit of education and a better life.

  8. The podcast episode serves as a platform for sharing Tong Ge's story and promoting awareness of the diverse experiences and perspectives within the literary and immigrant communities.

  1. "Freedom is never free." by Tong Ge

    - This quote encapsulates Tong Ge's perspective on the importance of cherishing freedom, as it came at a cost for her and her family over three generations.

  2. "So it was a pretty long story. And this. The president even tried to stop me after I got, you know, I sent every. All the documents to the local police station. That's how you get the passport for. And he tried to stop me. This is a long story, but this part is in my third book because my book there's a trilogy, right. So first book is about my grandmother. Second book is about my parents. And third book is about myself before I came to Canada. So this part is in the third book and it will be a fantastic reading." by Tong Ge

    - This quote provides insight into the challenges and obstacles Tong Ge faced in her attempt to leave China, foreshadowing the content of her upcoming third book.

  3. "So I think when you have a goal, it make you endure. We're talking about tribulation, endurance." by Tong Ge

    - This quote highlights Tong Ge's perspective on the importance of having goals and hope in overcoming adversities and tribulations.

  4. "I think that's my awakening about you know how beautiful the stories can be and. And those are actually most are fantasies and some horror but the author also uses through these stories to insinuate the real world because in Qingdan State actually it was also something called Wen Ziyu it means like the. The poets, the authors it could be locked up or executed by something they. They wrote so." by Tong Ge

    - This quote showcases Tong Ge's passion for storytelling and literature, and how stories can serve as a means to convey deeper truths and realities, even in oppressive environments.

  5. "I probably am still not matured now, but I. I like. Love to me is like water and the bread." by Tong Ge

    - This quote reveals Tong Ge's romantic nature and her perspective on love, which she considers essential and vital.

Chapter 1: Tungu's Quest for Freedom and Dignity

This chapter introduces Tungu, the guest speaker, and her journey from China to Canada. Tungu shares her struggles growing up in China during the Cultural Revolution, her desire to become a dancer and writer, and the difficulties she faced as an intellectual in an oppressive society. Despite the hardships, Tungu's love for literature and storytelling kept her going, eventually leading her to leave China in pursuit of freedom and dignity.

  • Tungu left China not only for freedom but also to regain her dignity, which was constantly undermined by those in power in an oppressive society.
  • The fear of oppression was so deeply ingrained that even bidding farewell to Tungu was a risky act for her parents, highlighting the oppressive environment she grew up in.

Key Quotes

  1. "And that's why I left China. I mean, when people ask me, you know, why you leave China, of course we. I would say for freedom. But it's, it's more than just freedom, you know, it's also about dignity." by Tungu

    - This quote encapsulates Tungu's primary reason for leaving China, which was not just for freedom, but also to regain her dignity in a society where anyone with power could abuse and oppress her.

  2. "So when I left my house, my parents house, they were too afraid to even step outside of the door to say goodbye to me because they were afraid the neighbors would say. And then, you know, everybody knew I was leaving. So he Was he was trying to get like a rearranged marriage from you?" by Tungu

    - This quote illustrates the oppressive environment Tungu lived in, where even her parents were afraid to bid her farewell openly, and she had to escape China due to the threat of an arranged marriage.

Chapter 2: Foot Binding: A Cruel Tradition

In this chapter, Tungu describes the cruel tradition of foot binding in China, where young girls' feet were tightly bound to prevent growth, resulting in tiny, deformed feet that were considered desirable. Tungu's grandmother, Golden Phoenix, was a victim of this practice, and her large feet made it difficult for her to find a suitable marriage partner until she was 26 years old. Foot binding caused immense suffering for Chinese women, who couldn't run, jump, or climb, and the practice persisted until the 1950s in some remote areas.

  • The cruel practice of foot binding, which involved breaking and binding young girls' feet to prevent growth, persisted in China for over a thousand years, causing immense suffering for generations of women.
  • Despite the agony inflicted by foot binding, it was a deeply rooted cultural tradition that was widely accepted and perpetuated, even though it severely limited women's mobility and freedom.

Key Quotes

  1. "So in China, for about a thousand, more than a thousand years, that little girl like their, their parents would bend their feet with using like basically bend the four toes underneath their Feet only leave the big toe and then wrap it up really tight so stop the foot growing. And also like those four, four toes, if they were lucky, they're just dislocated, but sometimes they're just broken." by Tungu

    - This quote provides a vivid and brutal description of the foot binding process, highlighting the cruelty and suffering inflicted upon young girls in the name of cultural tradition.

  2. "And that's just the way it was. So there's a saying, something said with every pair of bump feet there's a bucket of tears." by Tungu

    - This quote effectively captures the immense pain and suffering associated with the foot binding tradition, which was widely accepted and perpetuated in Chinese society for centuries.

Chapter 3: The Power of Storytelling

This chapter delves into Tungu's love for storytelling and how it became a means of survival and entertainment during her childhood. Despite facing bullying due to her family's status, Tungu found solace in sharing stories with her friends, which not only provided entertainment but also protected her from harm. Her father's recitation of classic Chinese tales during the Cultural Revolution ignited her passion for literature and storytelling, shaping her into the writer she is today.

  • Storytelling was not only a means of entertainment but also a survival tool for Tungu, who used it to gather friends around her for protection during her childhood.
  • Her father's recitation of classic Chinese tales during the Cultural Revolution ignited Tungu's passion for literature and storytelling, shaping her into the writer she is today.

Key Quotes

  1. "So I would gather a few girls around me and tell them stories so everybody want to walk with me so they will put me in the center so that's how I felt I was. I was protected." by Tungu

    - This quote illustrates how Tungu used storytelling as a means of survival, gathering friends around her for protection by entertaining them with stories during her childhood.

  2. "So in the evening evening those evenings my dad would take out the book and we would huddle around the candle and he would read it to us. I think that's my awakening about you know how beautiful the stories can be and." by Tungu

    - This quote highlights the profound impact her father's storytelling sessions had on Tungu, awakening her appreciation for the beauty of literature and stories, which ultimately shaped her into a writer.

Chapter 4: Embracing Romanticism

In this chapter, Tungu discusses her romantic nature and how it has shaped her life and writing. Despite the hardships she endured, Tungu maintained a deep appreciation for beauty, love, and the natural world. Her romantic inclinations influenced her poetry, and she found solace in the vastness of the sky and ocean, which symbolized freedom and possibility. While her romantic pursuits often led to heartbreak, Tungu's unwavering romanticism remains an integral part of her identity as a writer and an artist.

  • Despite the hardships she faced, Tungu maintained a deep appreciation for beauty, love, and the natural world, embracing her romantic inclinations as a writer and artist.
  • While her romantic pursuits often led to heartbreak, Tungu's unwavering romanticism remains an integral part of her identity, finding solace in the vastness of the sky and ocean, which symbolize freedom and possibility.

Key Quotes

  1. "I like. Love to me is like water and the bread." by Tungu

    - This quote eloquently expresses Tungu's profound view of love as a fundamental necessity, akin to water and bread, highlighting her deep romantic inclinations.

  2. "Color blue is my favorite color because it's made me think about sky and ocean. Both are vast and there's unlimited life, there's no boundaries. Like you, you can have total freedom, you can do whatever." by Tungu

    - This quote reveals Tungu's association of the color blue with the vastness of the sky and ocean, symbolizing freedom and limitless possibilities, reflecting her romantic and artistic nature.

Note: This transcript was automatically generated using speech recognition technology. While we will make minor corrections on request, transcriptions do not currently go through a full human review process. We apologize for any errors in the automated transcript.

Unknown

One

cup

at

a

time.

Unknown

Yeah.

Listless

tea

time.

Unknown

Making

a

difference.

Unknown

One

cup

at

a

time.

So

be

sure

to

grab

your

tea,

grab

a

seat

and

tune

in

to

Ms.

Liz

L.

Unknown

Making

a

difference.

Unknown

One

cup

at

a

time.

Time,

time.

Unknown

Well,

welcome

to

tea

time.

You

know

what

time

that

is?

It

is

story

time

and

words.

That's

right.

We

serve

a

different

type

of

tea

on

Miss

Liz's

tea

time

in

this

house.

But

before

we

get

started,

we're

going

to

get

you

Ms.

Liz's

YouTube

channel.

We're

going

to

get

you

to

subscribe

to

Ms.

Liz,

ring

that

little

doorbell

and

you'll

be

notified

when

we're

streaming

live.

Or

you

can

watch

the

replays

of

over

400

different

interviews

from

all

walks

of

life

for

the

last

five

years.

I

want

to

thank

everybody

for

tuning

in

and

joining

me

tonight.

I

have

the

incredible

tongue

guy.

I

think,

I

think

I'm

saying

it

right

and

she's

nodding

her

head

so

I

think

I've

done

it

right.

She's

in

the

house

and

we're

going

to

be

sharing

her

book

and

her

work

and

her

life

story

a

little

bit

because

I

got

some

little

that

I

found

on

her

and

we're

going

to

bring

those

to

the

table

tonight.

So

before

we

get

started,

we're

going

to

get

the

disclaimer

out

there,

we're

going

to

get

a

bio

out

there

and

then

we're

going

to

get

her

in

the

house

and

we're

going

to

spill

a

tea.

And

tonight's

tea

is

tribulations,

endurance

and

adversities.

That's

the

type

of

tea

that

we're

going

to

be

serving

tonight.

And

that's

the

tea

that

I

was

given

by

her.

So

let's

get

started

with

the

disclaimer.

Disclaimer

for

Ms.

Liz's

Tea

Time

Live

Show.

Ms.

Liz

myself

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using

Streamyard.

Before

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Hosted

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Ms.

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lizmail.com

Moving

forward,

should

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voluntarily

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tonight's

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in

any

Aspect,

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myself,

Ms.

Liz,

welcomes

you

and

should

you

decide

that

the

show

is

not

made

for

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this

time,

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respect

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wishes

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will

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at

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later

show

at

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later

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in

time

and

again.

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Time

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regular

shows

are

done

on

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Thursday,

3pm

and

7pm

Eastern

Standard

Time.

If

you

see

a

tee

time

on

a

Monday,

Tuesday,

Wednesday

and

Friday

now

they

are

rescheduled.

Tea

Time,

Specialty

Times

or

surprise

Tea

Times.

And

tonight

we

have

a

surprise

tea

time

in

the

house.

So

a

little

bit

on

Tung

Gu

Born

and

raised

in

China,

Tungu

came

to

Canada

in

the

late

80s

as

an

international

student.

She

has

obtained

a

Master

of

Science

degree

from

University

of

Saskatchewan

in

1992.

Since

2012,

she

has

written

under

both

her

real

name

and

the

pen

name

Tungu,

publishing

poems,

prose

and

short

stories

in

both

English

and

Chinese

across

North

America,

England

and

Taiwan.

Her

work

can

be

found

in

publications

such

as

Prims

International,

Canadian

Stories,

Rice

Paper,

Academy

of

the

Heart

and

Mind

Flow

Magazine,

Vineyard

Poetry

Quarterly,

Plug

Magazine,

Alaka

Magazine,

Magnets

and

Ladders.

With

four

liter

literacy

prizes

already

received,

she

is

also

a

finalist

for

four

others.

Her

Dubai

Dubai

book

the

House

Filler

was

published

in

Canada

in

2023

and

is

among

the

five

finalists

worldwide

for

the

2023

Island

Historical

Fiction

and

Memoir

category

and

is

the

winner

of

the

2024

Independence

Press

Awards

for

the

New

Fiction.

Let

me

get

her

in

here

and

let's

spill

some

tea

together

and

see

where

we

go

tonight.

Welcome.

Unknown

Thank

you.

Unknown

Did

I

get

it

right?

I

tried

so

hard.

Unknown

Yeah,

99%.

Unknown

So

welcome

to

the

show.

It's

an

honor

to

have

you

here.

Unknown

It's

honor

for

me

to

be

here.

Unknown

So

let

me

take

you

down

the

road

of

who

you

were

as

a

little

girl

and

who

you

are

now.

Unknown

I

was

very

talkative,

very,

I

would

say

pretty,

smart

little

girl.

And

I

wanted

to

be

a

dancer

when

I

was

a

little

girl.

So

however,

I

was

born

in

the

early

1960s

and

when

I

was

four

years

old

China

had

something

called

the

Cultural

Revolution.

So

we

lived

in

a

small

town,

university

town,

so

there

was

no

professional

training

opportunity

for

dancers.

There's

no

dance

studios,

there's

no

just

no

opportunities.

But

way

back

when,

when

during

the

Cultural

Revolution,

there's

lots

of

propaganda

teams.

They

do

loyalty

dance,

you

know,

like

a

Young

people,

Young

Red

Guards,

they

do

loyalty

dance.

Everybody's

supposed

to

do

loyalty,

loyalty

dance.

That's

my

first

dance

license.

So.

So

I'm

so

glad

you

brought

up.

Unknown

The

dancing

because

I

found

out

about

you.

Unknown

Yeah.

So

I

always

wanted

to

be

a

dancer,

but

when

I

went

to

school,

to

grade

school,

I

was

too

tall.

I

was

one

head

taller

than

all

the

other

kids.

So

every

time

they

have

a

dance

rehearsal

or

performance

in

the

school,

I

was

excluded

because

I

was

too

tall.

And

so

that's

pretty

much

the

end

of

my

dancer's

dream.

Today.

I'm

a

writer.

I'm

also

a

financial

planner.

That's

for

my,

you

know,

for

my

livelihood.

I

have

to

fit

myself

right.

So

that's

how

I

make

a

living.

But

in

the

heart,

I'm

an

artist.

And

I

wanted

to

be

a

writer

when

I

was

in

junior

high.

It

is

a

long

journey.

But

finally

I'm

here,

see,

and

you're.

Unknown

Bringing

up

all

the

goodies

that

I

found

about

you

because

I

was

just

like,

oh.

Because

I

just

seen

your

interview

that

you

did

with

shooting

at

Raw

with

a

good

friend

of

mine

from

Japan.

Unknown

Yeah.

Unknown

Small

world,

isn't

it?

Unknown

It

is

a

small

world.

I'm.

I'm

surprised.

Wow.

Unknown

Oh,

my

guess

is

with

Ram

and

Ram

forgot

to

tell

me.

I

will

reach

out

to

Ram

and

let

him

know

that

I've

seen

it.

But

no,

I

found.

I

found

that

you

were

a

dad,

that

you

wanted

to

be

a

dancer

and

when

he

was

doing

the

interview

with

you,

you

were

a

Broadway.

Broadway

dancer.

Not

a

Broadway

dancer,

but

a

ballroom

dancer.

Unknown

Ballroom.

Yes.

Yeah.

Unknown

So

that's.

So

what

was

it

about

the

ballroom

dancing

that

you

liked?

Unknown

It's

just

a

dream

like

I

had

when

I

was

a

child.

I

never

had

a

chance.

So

when

I

was

in

my

30s,

I

found

out

actually

ballroom

dance

studios

in

Calgary.

I

love

the

music

and

I

love

the

movement.

I

just

love

to

dance.

But

I

could

never

be

a

professional

dancer.

I

was

too

old.

But

just

for

my

own

entertainment

and

satisfaction.

And

also

I

found

when

people

dance,

they

are

generally

happy.

So

I

have

this

weird

ideas.

So

if

we

have

some

kind

of

organization,

organize

the

World

Dance

Conference

or

something.

Dance.

Not,

not

a

competition,

but

every

country

will

dance

with

every

other

country.

Like

then

I

think

the

world

peace

will

be

achieved

because

when

people

are

dance,

they're

happy.

You

don't

say

people,

you

know,

angry

when

they

dance.

They're

generally

happy.

Yeah.

Unknown

So

we

have,

we

have

a

guest

in

the

house.

We

have

Shadow

God

joining

us.

And

he

says,

hello,

Ms.

Liz

and

Tongu.

I

Am

happy

to

be

here

with

you

this

evening.

And

I'm

here

to

listen

and

learn.

So

thank

you.

Really

get

into

Hui.

Yeah.

So

Tungu,

I

want

to

get

into

the

dancing

more

because

that

was

part

of

growing

up

as

well.

You

had

to

learn

that

loyalty

dance,

correct?

Unknown

Yeah.

Loyalty

dance,

yes.

Yeah.

Because

in

China,

like

during

the

Cultural

Revolution,

we

have

to

express

our

loyalty

to

Chairman

Mao

pretty

much.

So

that's

a

loyalty

dance.

There's

not

much

technical,

there's

not

real.

Most

of

those

dances

are

that

were

done

by

amateurs.

They're

not

professionals.

But

to

me,

still

that

was

eye

opening

because

every.

Every

once

in

a

while,

like

a

pretty

actually

pretty

often

the

dance

troops

will

travel

to

our

college

and

present

the

dance.

When

I

was

four

years

old,

I

think

four

or

five

one

time

when

there's

a

dance

troupe

came,

but

because

we

were

living

in

a

university,

on

a

university

campus.

So

some

college

students,

they

knew

me

because

I

was

really

good

at

reset

Chairman

Mao's

quotation.

So

I

got,

I

became

famous

research.

They

knew

me.

So

they

brought

me

with

like

I

was

playing

outside.

They

just

brought

me

to

the

theater

waiting

for

the

show

to

start.

But

the

show

was

started

really,

really

late.

Like

over

time

and

people

get

restless,

you

know.

Then

I

just

decided

to

step

onto

the

stage

and

start

my

own

dance.

Solo

dance

and

singing

and

dance.

And

by

then

all

the

entrance

were

blocked

by

people.

Actually

people

were

like

layers

of.

Layers

of

people.

They

all

the

seats

were

taken.

Then

people

like

stood

at

the

back

and

blocked

all

the

doorway.

So

my

family

thought

I.

Because

I

was

out

the

whole

day,

I

didn't

come

home

for

supper.

So

they

basically,

the

child

was

missing,

so

they

didn't

know

where

to

find

me.

And

somebody

said

at

the

time,

in

China

we

also

have

this

underground

tunnel

to

be

prepared

to

be

ready

for

the

nuclear

war.

Because

at

the

time

Russia

or

Soviet

Union,

it

seems

like

the

border

tension

was

very

high.

And

it

was

a

possibility

they

will

launch

a

nuclear

war

at

us.

So

every

work

we

call

work

units,

right?

Work

unit

is

university,

factory,

manufacturer,

villages,

military

units

is

called

work

units.

Every

work

unit

were

required,

was

required

to

dug

underground

tunnel.

So

that

day

then

my

parents

learned

that

that

was

a

tunnel

open

house

day.

Like

the

tunnel

was

open

for

people

to

visit.

Right

then

they

were

afraid

I

was

in

the

tunnel.

Then

by

the

night,

you

know,

the,

the

gate

was

locked.

Then

I

was

stuck

inside.

They

were

about

to

call

the

security

to

open

the

tunnel.

Then

somebody

said,

well,

there's

a

show

actually

in

this

university

theater.

Maybe

your

kid

is

there,

is

there

right

and

then

go

check

it

out.

So

my

dad

went

to

the

theater,

couldn't

get

into

inside.

So

eventually

he

went

to

the

side

door.

That

side

door

was

directly

to

the

backstage

and

through

the

gap

he

saw

me

was

at

the

time

I

was

back,

I

was

backstage.

So

he

waved

this

young

person

to

the

door

and

said

that's

my

little

kid.

She

has

ad

for

the

whole

day.

So

that's

my

like

a

debut

kind

of

debut

show.

Why

was

I

think

it

was

a

little

bit

over

four,

four,

four

years

old.

Unknown

So

we

have

a

couple

questions

here

for

you

about

Dance

from

Shadow.

So

I'm

just

going

to

bring

them

up

for

the

viewers

and

so

they

can

see

the

question

as

well.

Mr.

Have

you

ever

done

the

sword

dance

or

the

rose

dance?

Unknown

No.

And

then.

Unknown

Or

the

dragon

dance

or

the

lion

dance?

Unknown

No,

no.

We

were

doing

a

totally

different

kind

of

dance.

For

example,

there's

one

very

famous

solo

dance

from

the

ballet.

The

title

was

the

White

Haired

Woman.

So

it's

a

story

about,

you

know,

how

this

young

woman

became

a

ghost

or

forced

to

became

a

ghost,

become

a

ghost

in

old

society.

Old

society

means

before

1949,

before

the

Communists

took

over

the

chat

took

over

power

and

then

in

a

new

society

she,

you

know,

returned.

Well

she

was

a

human

but

because

in

the

old

society

she

suffered

so

much,

all

her

hair

turned

white

and

she

was

in

the

mountains

and

people

thought

she

was

a

ghost.

So

this

cuddle

white

hired

woman,

there's

a

ballet

and

it

was

also

made

into

a

movie

and

the

opening

dance

was

a

solo

dance

by

this

young

girl

when

she

was

still

in

the

village

with

her

dad.

And

that

was

such

a

beautiful

dance

and

everyone

want

to

learn

it.

And

I

knew

how

to

do

it

just

by

watching,

watching

it

for

so

many

times.

Yeah,

we

didn't,

we

didn't

have

like

a

line

dance

or

sword

dance.

That's

more

like

probably

in

the

fiction.

Unknown

So

in

China

growing

up

Changu

was

dance

used

to

tell

stories.

Unknown

Yeah.

Well

when

I

grew

up

again

because

of

the

Cultural

Revolution,

many

shows,

dances,

movies,

books

were

banned.

So

we

were,

we

only

had

eight

operas

were

allowed

and,

and

also,

and

also

two

ballets.

One

is

this

white

haired

woman.

Another

one

is

also

about

the

women,

you

know,

later

liberated

themselves

and

they

joined

the

revolution.

So

sorry,

what

was

your

question

before?

Unknown

This

is

dance

used

to

tell

stories

in

China.

Unknown

Oh

yeah,

yeah.

Those

dancers

always

tell

story

loyalty

dance.

No,

you

just,

it's

just

your

loyal

express

your

loyalty.

I

think

it's

right

just

stretch

your.

Unknown

Arms

and

go

like

I

know,

I

know.

Unknown

It's

more

like

Exercise.

Well,

that's

more

like

exercises.

Unknown

Well,

ballroom

dancing

is

actually

used

as

an

exercise

to

lose

weight

as

well

because

of

the

movement.

Unknown

Oh

yeah,

yeah.

Unknown

And

you

took

some

ballroom

dancing.

So

what

was

your

favorite

in

ballroom

dancing?

Unknown

My

first

love

was

tango,

but

then

I

also

after

that

I

fell

in

love

with

waltz

and

samba.

So

those

are

those

four.

These

three

are

my

favorite

dances.

Unknown

The

tank

was

pretty

good.

I've

done

that.

I

like

the

salsa

and

I

like

the

foxtrot.

Unknown

Oh

yeah,

yeah.

Is

they're

all

beautiful,

right?

All

the

bomb

dances.

I

think

all

the

dance

are

beautiful.

Even

the

fog

dances,

folk

dances,

any,

you

know,

place

you

go,

any

nationality,

any

minority

group.

Like

I.

I

think

the.

Their

dance

is

all

beautiful.

I

couldn't

even

find

some

dancers

not

right.

Which

it

just

so

impressed

me.

Every

dance,

every

kind

of

dancer

are

beautiful,

basically.

Unknown

So

let's

get

into

your

book,

the

book

that

Mickey

sent

me,

and

it's

called

the,

the

House

filler.

So

what's

the

House

Filler

about?

Unknown

The

House

Filler

is

actually

based

on

my

grandmother's

story.

So

in

China

in

old

time,

a

woman

who

marries

a

widower

is

called

a

house

filler.

So

that's

the

title

because

the

protagonist,

the

Golden

Phoenix,

she

missed

her

ideal

marriage

age,

which

was

between

16

and

18

typically.

So

she

didn't

marry

until

she

was

26.

There's

two

reasons.

One

was

because

her

feet

were

too

large.

Like

at

that

time,

Chinese

women,

they

like

their

parents

bound

their

daughter's

feet

because

of

value

of

a

woman

is

measured

by

the

size

of

her

feet.

The

tinier

the

feet,

the

more

she

would

be

desirable.

So

all

the

parents

bend

their

daughter's

feet

so

they

can

marry

off

well.

But

Golden

Phoenix

was

a

motherless

child

and

her

father

delayed

her

food

binding

process

until

she

was

six,

so

it

was

a

little

bit

too

late.

So

her

feet

was

not

ideal

size,

which

is

three

twin

golden

water

lily

size,

three

Chinese

twins,

about

4

inches

long.

And

her

feet

was

bigger

than

that.

The

second

reason

that

she

was

trained

as

a

seamstress

and

became

a

breadwinner

of

the

family.

So

her

father

delayed

her,

arranged

the

marriage

until

she

was

26

and

she

had

no

choice

but

to

marry

a

waiter.

And

her

husband

was

20

years

older

than

her.

So

that's

where

the

title

of

the

book

came

from.

Unknown

So

Jungu,

the

people

that

don't

know

my

listeners,

what

is

foot

bonding?

Unknown

Oh,

so

in

China,

for

about

a

thousand,

more

than

a

thousand

years,

that

little

girl

like

their,

their

parents

would

bend

their

feet

with

using

like

basically

bend

the

four

toes

underneath

their

Feet

only

leave

the

big

toe

and

then

wrap

it

up

really

tight

so

stop

the

foot

growing.

And

also

like

those

four,

four

toes,

if

they

were

lucky,

they're

just

dislocated,

but

sometimes

they're

just

broken.

And,

and

so

because

tiny

feet

is.

Is

supposed

to

be

sexy.

And

this

came

from

in

Song

dynasty,

there's

a

emperor

who

just

loved

the

tiny

feet

woman.

And

that's

how

the

tradition

started.

So

even

ordinary

people

would

buy

their

daughter's

feet

because

like

at

that

time,

if

your

fate

is

too

large,

nobody

would

want

to

marry

you

except

for,

let's

say

peasants

or

kuli,

the

hard

labor.

But

everyone

want

their

daughter

to

marry

off

like

mar.

Right.

So

they.

It's

become

a.

A

tradition

lasted

for,

you

know,

more

than

a

thousand

years.

And

the

Chinese

women

suffered

tremendously

from

that.

You

know,

once

they're

fer

bound,

they

couldn't

run,

they

couldn't

jump,

they

couldn't

climb.

So

in

the

book

when

Japanese

invaded

China,

like

Golden

Phoenix

and

her

children

were

like

escaping,

but

with

bump

feet,

it

was

extremely

hard.

And

that's

just

the

way

it

was.

So

there's

a

saying,

something

said

with

every

pair

of

bump

feet

there's

a

bucket

of

tears.

So

most

Chinese

women

suffered

that

before,

like

pretty

much

like

before.

I

think

as

a

tradition

would

start

to.

That

people

start

to

call

for

abolish.

Abolish

of

the

tradition

in

the

early

20s,

the

20th

century.

Yeah,

probably

like

about

1910,

1920.

But

like

the

big

city

like

Shanghai,

Right.

With

the

family,

the

wealth,

the

wealthy

and

the

progressive.

Their

daughter

stopped

binding

their

daughter

feet.

But

for

average

people,

they

still

do

that.

I

think

the

last

case

of

the

foot

banding

was

in

the

1950s.

Oh,

wow.

Yeah.

50s

in

a

village,

a

remote

village

in

China,

because

they

were

too

isolated,

they

did

not

know

what

was

going

on

outside.

So

they're

still.

Last

case

was

in

the

50s.

Yeah.

Unknown

Wow.

And

it

was

only

done

to

the

daughters.

Unknown

Yeah.

Only

women.

Yeah.

Unknown

Oh,

wow.

Did

you

have

that

happen

to

you?

Unknown

No,

I

was

born

in

the

60s.

No.

Even

my

mom,

she

didn't

have

the

bound

feet.

Her

mother

like

my.

Both.

My

grandmother

from

both

side,

they

had

their

feet

bound.

Yeah.

Unknown

So

when

did

you

come

to

Canada?

Unknown

1988.

Unknown

1988.

So

what?

That

must

have

been

a

big

transition

for

you

to

come

to

a

different

country

and

see

the

different

traditions

in

that

as

well,

right?

Unknown

Yeah.

Unknown

Do

you

want

to

share

a

little

bit

about

that?

Unknown

Yeah.

I

came

here

as

an

international

student,

you

know,

in

China

when,

after

1949,

China

pretty

much

closed

its

door

to

the

World

until

Chairman

Mao

passed

away.

So

Chairman

Mao

passed

away

in

1976.

By

the

1980s,

Deng

Xiaoping.

Deng

Xiaoping

was

a

guy

who

took

over,

pretty

much

run

the

country.

And

he

decided

because

the

economy

was

at

the

brink

of

collapse

class

and

there's

so

many

problems

with

this,

with

the

economy,

with

the

society,

with

the,

you

know,

the

system,

educational

system

and

political

system.

So

then

the

leaders

at

the

time

decided

to

carry

out

economic

reform

which

include

open

the

door

to

the

Western,

Western

world

so

we

can

have,

you

know,

export,

we

can

sell

our

goods

to

the

world.

And

also

at

the

same

time,

for

the

first

time,

we

had

opportunity

to

come

out

as

an

international

student

to

study.

But

that

was

way

back

when

that

was

pretty

much

the

only

way

for

us.

For

most

of

Chinese

in

southern

China,

traditionally

they

came

out

way

back

when.

This

railway

workers

is

goat

rash

time.

That

is

from

southern

China

along

the

coast.

But

for

most

part

of

China,

people

didn't

have

that

opportunity.

But

in

the

80s,

all

of

a

sudden

we

had

opportunity.

But

I

still

need

to

study

English

and

pass

the

exam

English

exam

for

foreign

students

and

need

a

good

grades

from

my

college

and

really

good

reference

letter.

But

I

was

able

to

get,

you

know,

I

was

accepted

by

four

graduate

schools

in

North

America,

two

in

Canada,

two

in

the

United

States

and

the

two

out

of

four

provided

a

scholarship.

So

I

choose

Canada,

University

of

Saskatchewan

because

ufs

their

semester

started

like

one

semester's

earlier

than

the

US

one.

So

at

the

time,

because

the

policies,

Chinese

policy

could

change

at

any

time.

So

you'll

come

out

at

your

earliest

opportunity.

But

at

the

time,

actually

after

I

graduate

from

college,

I

went

to

the

same

university

my

dad

was

teaching.

I

went

back

there

to

work

as

a

teacher.

And

then

the

son

of

the

president

was

pursuing

me

and

I

didn't,

I

didn't

like

him.

I

didn't.

I

just

think

he

was

stupid.

Anyway,

so

his

family

found

a

matchmaker

and

proposed,

you

know,

to

our

family.

That's

how

it's

supposed

to

be

done.

You

know,

the

parents

taught,

right?

But

my

parents

knew

I

didn't,

I

didn't

want

to

do

anything

with

this

guy.

So

they

turned

the

proposal

down.

Ever

since

then

his

father

started

to

make

my

life

miserable.

So

tried

everything

to

stop

me

from

coming

to

abroad.

So

even

though

everything

I

had

was

legal,

I

was

like,

escaped

from

China.

Like

when

I

left

my

house,

my

parents

house,

they

were

too

afraid

to

even

step

outside

of

the

door

to

say

goodbye

to

me

because

they

were

afraid

the

neighbors

would

say.

And

then,

you

know,

everybody

knew

I

was

leaving.

Unknown

So

he

Was

he

was

trying

to

get

like

a

rearranged

marriage

from

you?

Unknown

Yeah,

yeah.

The

president

wanted

me

to

marry

his

son

and

I

pretty

much

like

my

family

turned.

Turned

him

down.

Like

I

turned

him

down.

So

then

it

was

like

a.

He

was

taking

revenge

on.

Revenge

on

me.

And

at

the

time,

without

the

approval,

approval

from

the

university,

from

like

my

work

unit,

I

couldn't

even

get

a

passport.

So

it

was

a.

It's

a

pretty

long

story.

And

this.

The

president

even

tried

to

stop

me

after

I

got,

you

know,

I

sent

every.

All

the

documents

to

the

local

police

station.

That's

how

you

get

the

passport

for.

And

he

tried

to

stop

me.

This

is

a

long

story,

but

this

part

is

in

my

third

book

because

my

book

there's

a

trilogy,

right.

So

first

book

is

about

my

grandmother.

Second

book

is

about

my

parents.

And

third

book

is

about

myself

before

I

came

to

Canada.

So

this

part

is

in

the

third

book

and

it

will

be

a

fantastic

reading.

And

the

people

usually

don't

realize

what

we

were,

you

know,

going

through.

Unknown

Yeah.

Unknown

It

doesn't

mean

if

you

do

everything

legally

you

can,

you

can

get

it

done.

There's

still.

Yeah.

I.

I

was

almost

like

escaped

from

China.

Like

I.

In

a

train

station

in

Xi'an

because

my.

My

parents

didn't,

you

know,

say

goodbye

to

me.

But

after

Richard

arrived

the

Xi'an,

which

is

a

big

city

next

to

this

college

town,

then

my

dad

went

to

Xi'an

to

see

me

for.

For

the

last

time,

like

before

I

leave.

That

was

the

last

time

I

saw

him.

That

was

the

last.

Unknown

Have

you

been

back

to

China

since

coming

to

Canada?

Unknown

Yeah,

I

have.

But

after

I

left,

then

I

came

here

in

1988.

My

father

passed

away

in

1991.

So

when

he

was.

When

he

passed,

when

he

was

dying,

I

couldn't

go

back

to

visit

for

two

reasons.

Because

I

had.

I

was

holding

like

I

had

a

student

visa,

international

student

visa.

So

I

was

a

visa

student.

But

at

the

same

times,

all

the

Chinese

students

applied

for

land

immigrant

after

1918

and

massacre

happened.

So

then

we

were

like.

I

was

in

Saskatoon,

right.

We

were

told,

because

we

were

this.

It

was

a

special

case.

We

were

not

limited

by

the

immigration

quota

and

everybody

will

be

landed

within

a

year.

So

we

all,

we

were

all.

We

all

applied

in

1989,

summer

of

1989.

But

Saskatoon

was

only

city

took

Saskatoon

two

and

a

half

years

to

land

us.

Like

every

single

city

in

Canada

landed

those

foreign

students,

Chinese

students.

In

a

year.

It

took

us

to

two

and

a

half

years.

During

that

time,

my

father

passed

away.

So

I

was

told

If

I

leave

Canada,

I

could.

You

know,

I

couldn't

come

back

because

I

have

something

called

the

view

status.

And

also

I

knew

and

my

family

knew,

if

I

go

back

to

China,

that

president

will

stop

me.

I

couldn't

come

back.

Right.

In

Canada,

it's

not

like

in

the

States.

In

the

States

at

the

time,

what

they

did

for

Chinese

students

were

if

they.

If

Chinese

didn't

need

to

go

back

to

visit

during

that

time,

before

their

London

immigrant

was

approved,

the

United

States

will

give

them

something

called

a

return

visa,

which

means

they

stamp

on

their

passport

before

they

leave.

Right.

So

they

don't

have

to

go

through

the

Chinese

system

to

guide

the

visa

to

come

back.

But

Canada

didn't

do

that

for

us.

So

that's

why

it

was

the

last

time

in

a

train

station

in

1988.

Last

time

I

saw

my

father,

I

never

saw

him

again.

Unknown

And

I

think

it's

important

to

have

this

conversation,

you

know,

in

Tungu

and

you

sharing

your

story

with

us,

because

there

are

so

many

things

that

you

have

to

go

through,

becoming

an

international

student

and

stuff

like

that,

that

you

may

not

ever

see

your

family

again.

You

know,

different

visas

for

different

countries.

You

know,

like

you

said,

like,

the

United

States

is

completely

different

than

Canada.

And

these

are

conversations

that

we

don't

even

bring

to

the

table

that

people

don't

even

know

about.

You

know,

we

hear

of

international

students

coming

and

taking

education,

but

the

transformation

that

you

guys

go

through

and

that

with

the

sacrifices

that

you

make

to

come

and

get

the

education,

too.

Unknown

Yeah.

And,

you

know,

in

the

summer

of

1991,

my

father

had.

He

had

liver

cancer.

But

at

first,

my

family

didn't

tell

me

that

they.

Because

they

didn't

want

me

to

risk

going

back.

So

they

lied

to

me.

They

said

that

he

had

a

kidney

stone.

And

until

like

a

few.

Like

a

few

months

later,

I

really

finally

learned

the

truth.

I

went

to

the

immigration

office

in

Saskatoon

and

asked

if

they

can

grant

me

a

return

visa

or

if

they

can

speed

up

my

application

because

of

this

special

reason.

You

know

what

that

officer

said?

He

said,

why,

every

time

you

guys

have

a

problem,

you

come

to

us.

At

the

time,

I

was

too

inexperienced.

I

didn't

know

what

to

say.

Like,

now

I

would

have.

I

would

have

said,

well,

it's

for

the.

For

the

sake

of

humanity.

But

at

the

time,

I

did

not

know.

Unknown

Yeah.

Unknown

And

then

he

also

said

something

because

what

happened

in

Saskatoon

was

those

graduate

students,

Chinese

graduate

students,

those

who

were

graduated,

they

couldn't

work

because

they

don't

have

a

land

immigrant

status.

They

were

still

students.

So

they

went

to

they

sent

a

few

representatives

and

went

to

the

immigration

office

and

asked

if

they

can

do

something

to.

Because

we

were

already

delayed.

Every

city

already

landed

other

students

in

the

year.

We

at

the

time,

we

were

like

over

two

years.

So.

But

I

was

not

involved

in

that.

I

was

not

a

part

of

it.

I

was

just

too,

too

sad,

too

miserable

about

what

happened

to

my

father.

So.

And

also

that

was

the

time

I

was

writing

my

thesis.

And

anyway,

so

when

I

was

visiting,

like

say

this

immigration

officer,

he

also

said

something.

He

said,

you

guys

send

some

students

to

us

and

because

you

can't

find

a

job,

as

far

as

that

concern,

if

you

guys

go

sweep

the

street,

it's

not

our

problem.

This

is

a

immigration

officer.

When

I

saw

there's

a

two

pictures

on

his,

you

know,

the

desk,

there's

a

glass

top,

you

know,

old

time,

you

put

the

pictures

underneath

and

there

were

two

teenager

girls,

very

pretty.

I.

So

I

asked

him,

I

said,

are

those

your

daughters?

He

said,

yeah.

And

that

was

the

only

time

he

was

like

smiling.

I

wanted

to

ask

him,

well,

suppose

you're

dying

and

your

daughter

want

to

see

you

for

the

very

last

time.

But

I

didn't

dare

to,

you

know,

because

I

carry

the

baggage

of

when

I

came

from

China,

what

those

in

power,

what

they

could

do

to

you.

So

I

was

afraid

if

I

say

that

then

he

would

take

my

application

out

and

just

never

grant

my

application

approval.

Like

I

did

not

know

I

thought

he

could

do

something

like

that,

just

like

in

China,

I

did.

So

it

was

totally

like

he

was

powerful,

I

was

powerless

and

I

couldn't

do

anything

about

it.

So

that's

how

eventually

my

father

died

and,

and

his

last

word

to

me

was

study

hard.

And

the

inheritance,

I

said,

so

called

legacy

I

inherited

from

him

was

a

pen.

That's

everything

he

left

to

me.

So

I

guess

I'm

writing.

I

become

a

writer

for

a

reason.

You

know,

people

ask

me

why

I

write.

Like

I

said,

actually

I

heard

about

this,

I

read

about

this

or

heard

about

this

a

few

weeks

ago.

There's

a

survey,

right,

to

all

the

writers,

to

a

group

of

writers,

like

why

you

write.

So

people

like

a

number

one

reason

we

could

think

about.

Okay,

it's

a

passion,

it's

an

interest,

it's

a

hobby,

it's

a,

you

know,

for

the

fame

or

money

or

whatever.

But

actually

the

number

one

reason

is

none

of

those.

The

number

one

reason

is

to

write

a

wrong.

Unknown

So

thank

you

for

sharing

that.

You

know,

these

are

stories

that

we

need

to

get

out

there.

These

are

things

you

made

a

sacrifice

to

come

to

a

country

to

learn.

And

you

were

treated,

you

know,

like

the

same

as

back

home.

Like

you,

you

were

on

your

tippy

toes

walking

on

eggshells

all

your

life.

Unknown

Yeah.

Unknown

That

fear

of,

I,

I

can't

speak

up,

I

can't

have

a

voice

because

if

I

voice

that

they're

going

to

send

me

back.

They're

gonna,

they're

gonna

take

this

from

me.

Unknown

Yeah.

And

Liz,

you

know,

the

most

heartbroken

thing

was

my

father

passed

away

because

I

was

told

by

the

immigration

officer,

nobody

is

a

special

case.

Everybody's

special

case.

Basically,

we're

not

going

to

do

anything

for

you.

I

called

the

Foreign

Affair

Department

and

ask,

you

know,

I

was

just

trying

to

ask

where,

where

was

my

application?

And,

and

I

got

a

flat.

No,

like,

say,

we're

not

going

to

tell

you

anything.

We're

not

going

to

check

anything

for

you.

So

my

father

passed

away

on

November

13,

before

Christmas

of

1991.

All

of

a

sudden,

all

of

us,

like

Chinese

students

in

Saskatoon,

we

got

the

notice

that

we

need

to

be

landed

before

Christmas

because

suddenly

they

found

out

the

foreign

affair

or

immigration

department,

they

found

out

that

they

couldn't

fulfill

that

year's

data

quota.

Immigration

quota.

Well,

even

though

we

were

told

we

had

nothing

to

do

with

the

quota,

it

seems

like

a

Saskatoon

put

us

as

a

regular

immigrant,

not

the

special

case.

So

before

Christmas

they

found

out

they

couldn't

fulfill

the

quota.

So

we

were

notified

to

go

and

go

to

the

office

and

get

our

paper

and

we

were

landed.

So

I

remember

I

was

in

the

office

and

this

time

it's

a

different

immigration

officer.

So

after,

you

know,

he

hand

me

the

certificate

and

we

shake

hand

and

she,

he

said,

congratulations.

I

just

said

thank

you.

Then

I

came

out,

I

rushed

to

the

washroom.

I

was

cry

in

a

wash,

washroom

like

a

puddle

of

water.

So.

And

then

later

I

found

out,

you

know,

actually

my

immigration

was

approved

on

October

30th.

October

30th.

My

father

passed

away

in

November.

On

November

13th.

If

somebody

just

checked

it,

if

somebody

just

checked

it

could,

you

know,

let

me

get

me

landed

before

that.

I

could

still

fly

home

and

say

him

for,

for

the

last

time.

But

nobody

did.

Unknown

So,

Tanku,

when

you're

writing,

I'm

sure

your

father's

spirit

is

with

you

and

he's

giving

you

that

strength

to

stay

strong.

Right.

So

how

have

you

stayed

strong

since

then?

Unknown

Well,

I

think

when

you

have

a

goal,

it

make

you

endure.

We're

talking

about

tribulation,

endurance.

Unknown

She's

going

into

her

tea.

Look

at

that.

We're,

we're

going

to

start

spilling.

Unknown

Yeah.

Adversity.

I

think

you

have

to

have

a

goal,

you

have

to

have

hope.

Without

hope.

I

don't

know

how

one

could

take

all

this.

Like

my

suffering.

It's

just

not

my

suffering.

Like

the

three

generations

from

my

family

which

represent

basically

Chinese

people,

like

what

we

suffered

are

so

much.

My

grandmother

suffered

through

the

worst

poverty,

political

regime

changes.

And

you

know,

like

my

generation

at

least

were

alive.

Like

we're

like.

Even

like

my

father

died

of

diseases,

right?

But

in

my

grandmother's

generation,

my

actually

the

husband

of

my

aunt,

which

was

like

a

daisy

in

the

book,

and

he

was

executed

in

1950

by

the

communist.

He

was,

he

was

not

even

a

counter

revolutionary.

You

know

why?

Because

they

need

to

fill

the

quota

of

5%.

Because

Chairman

Mao

said

5%.

The

Chinese

are

counter

revolutionary.

So

at

the

lower

level,

the

leaders

the

cartridge

at

the

card.

At

the

lower

level,

they

felt

they

need

to

have

5%.

So

when

this

village

didn't

have

5%,

counter

revolution,

the

village

had

approached

my

aunt's

husband

the

basically

said,

you

know,

would

you

please

come

forward?

Just

help

me

out.

Just

help

me

just

fill

this

quota.

Nothing

will

happen.

And

as

ignorant

as

he

was,

he

said,

okay,

sure,

I

like

to

help

you.

Just

put

my

name

in.

So

for

the

first

six

months,

nothing

happened.

Then

all

of

a

sudden

there's

a

like

a

order

from

above.

Every

single

one

was.

Was

executed.

That's

how

he

died.

That

was

a

truth

that

was

not

fictional.

Unknown

But

that's

what

it

is,

right?

There's

so

much

truth

that

hasn't

been

shared

with

the

world,

you

know,

because

it's

covered

up,

right?

Unknown

Yeah.

Unknown

By

the

higher

ups,

by

the

people

that

have

the

control

and

the

power

and

that,

you

know,

sharing

your

story

and

expressing

the

hurt

and

sacrifices

and

fight

that

you

had

for

your

life

and

becoming

this

incredible

author

and

writer

and

poet

is

really

inspiring.

It

really

gives

people

hope

and

the

listeners

out

there.

I

just

want

to

share

a

little

couple

of

the

comments

that

are

coming

in

shadow

Put.

Wow,

that's

a

pretty

impressive

of

story.

I

commend

you

for

migrating

to

Canada

and

making

a

great

success

out

of

your

life.

I

am

so

sorry

for

your

father's

passing.

You

are

such

a

sweetheart,

Tungu.

Study

hard.

That's

right.

It's

hard

to

be

shunned

being

told

to

shut

up

and

sit

down.

That's

wrong.

I've

been

treated

that

like

that

too.

Be.

Be

cannot

control

how

others

think

and

respond.

But

for

us

it's

a

must.

It's

hurt

to

be

shunned.

Being

told

to

be

quiet,

you

know,

being

shunned

be

making

the

sacrifices

coming

for

education.

Learning

that

human

race

is

not

being

treated

equally

is

why

is

sorry

is.

Is

why

I

do

these

tea

times

and

why

I

love

having

stories

like

yours

on

tea

time,

Tungu

is

because

you

open

those

doors

of

true

and

the

truth

needs

to

get

out

there.

These

stories

need

to

be

heard,

you

know.

And

the

house

filler,

you

started

with

your

grandma,

then

you

shared

with

your

parents

and

you

shared

your

story.

So

tell

us

a

little

bit

about

your

parents

story

and

your

story.

Can

people

get

that

book

or

is

those.

Are,

are

those

upcoming

books

that

are

coming?

Unknown

Those

are

not

out

yet.

The

second

book,

the

title

is

called

the

Pin

in

the

Bird.

The

third

one,

the

working

title

is

the

Dream

Chaser.

So

my

parents,

they

were

both

intellectuals.

And

intellectuals

in

China

had

never

been

treated

fairly.

So

even

like

way

back

when,

I

think

in

Qing

Dynasty

they

have,

in

China

they

have

a

class

system.

So

the

intellectuals

were

like

nice

class,

they

were

only

above

beggars,

but

they

are

still

below

the

prostitutes.

So

intellectuals

was

a

nice

class.

So

that's

why

in

China

there's

a.

They

call

like

Internet

intellectuals

number

nine,

which

means

they're

in

ninth

class.

But

the

Chairman

Mao,

he

disliked

intellectuals

so

much,

he

called

intellectuals

the

sticky

stinky

old

man.

So

when

I

was

a

child,

I

know

my

father

was

a

stinky

old

man,

but

you

know,

during

the

Cultural

Revolution,

he

was

locked

up

with

all

his

colleagues

in

the

car

shed.

Well,

COD

is

a

general

term

for

a

place

to

lock.

You

know,

it's

not

a

jail,

it's

never.

Those

people

were

locked

up.

They

never

gone

through

the

legal

system,

There

was

no

legal

system.

So

it's

just

a

place

to

lock

people

up.

So

it's

called

car

shed.

So

my,

like

in

the

college,

the

first

lockup,

all

the

professors,

My,

my

dad

was

an

associate

professor.

So

when

they

locked

up

all

the

professors,

then

they

start

to

lock

up

the

associate

professors.

You

know

why?

Because,

because

like

my

dad,

all

these

professors,

they

were,

they

obtained

their

university

degree

in

old

society

like

before

1949.

So

China

was

against

the

capitalism.

And

we

were

told

that

knowledge

is

a

type

of

capital.

So

anybody

had

knowledge

was

also

a

capitalist.

So

that's

why

they

were

locked

up

just

for

their

occupation.

Right.

But

you

know,

some

people

died

in

that

culture.

Not

everybody

survived.

My

dad

survived,

but

not

everybody

survived.

And

so

like

I

had,

I

have

a

sister

who

is

much

older

than

me.

It's

very

strange.

We're

from

same

family.

You

know

why

I

knew,

I

admire

my,

my

dad

so

much.

So

I,

you

know

what

I

said?

I

said,

oh,

so

first

of

all,

what

she

decided

when

she

was

young,

right.

She

said

not

only

she

didn't

want

to

become

a

stinking

old

nan,

which

means

she

didn't

want

to

go

to

university,

she

didn't

even

want

to

marry,

marry

someone

who

has

a

university

degree

because

she

didn't

want

to

have

anything

to

do

with

stinky

old

man.

You

know

what?

I,

I

was

only

like

a

5

or

6

years

old.

I

said,

you

know,

I

want

to

be

a

stinking

old

man

because

my

dad

was.

Unknown

You

were

daddy's

girl.

Unknown

Yeah,

exactly.

Unknown

You

know,

sometimes

we

got

to

be

daddy

girls

and

we

got

to

be

for

the

stinky

old

man.

Unknown

Yeah,

that's

right.

Unknown

Somebody

has

to

stand

up

for

that

man.

Unknown

Right,

exactly.

Yeah.

So

that's

my

parents

story.

But

they

had

dreams.

Like

my

dad

was

a

scientist

and

my

mom

too,

but

because

of

all

these

political

campaigns

and

they

never

achieved.

Like

my,

my

dad

was

well

known

in

his

field,

but

my

mom

never

achieved

anything.

So

I

think

that's

made

her

better.

Very

bitter

later

because

she

was

very

smart,

extreme

like

she

had

a

very

high

iq,

I

believe,

very

smart

and,

but

she

never

achieved

her

dream

become

a

great

scientist.

So

she

put

all

her

hope

on

me.

So

like

when

I

was

a

child,

I,

I

shoulder

like

a,

two

generations

of

hope

on

my

shoulders.

I

have

to

be

like

number

one

on

like

a

study

grade

all

the

time

because

I

knew

that's

what

I

was

expected

of.

Yeah.

Anyway.

Unknown

And

that

also

took

a

toll

on

you

as

well.

Unknown

Yeah,

but

I

was,

I

love

to

study.

I'm,

I'm

a

person.

Like

I,

I,

my

true

passion

is

the

literature.

But

I,

I'm

disciplined

enough

to

study

things

I

don't

like

and

still

get

really

good

marks

like

win

the

competitions

and

all

that.

Even

though

I,

I

don't

like

it.

I

could

do

it.

Yeah.

Unknown

But

tango,

let's

get

into

your

tea.

Because

you

got

into

a

little

bit

of

the

endurance.

She

jumped

in

the,

into

the

middle

of

the

tea.

Let's

talk

about

the

beginning

of

the

tea.

The

tribute.

Tribulations,

endurance

and

adversaries.

Adversary

adversity.

Let's

talk

about

those

three

words.

Why

you

gave

me

those

three

words.

Unknown

Well,

I

think

they're

all

related,

right?

Tribulations.

Both

my

grandparents,

generation

and

my

parents

generation

and

myself,

we

all

went

through

that,

we

all

suffered

that.

But

for

my

grandmother,

she

didn't

just,

you

know,

at

first

she,

she

just

took,

took,

you

know,

got

those

punches,

you

know,

took

those

punches

in

life

and

got

knocked

down

and

suffered

and

endured.

But

eventually

she

started

to

Fight

back.

So

that's

what

I

admire

her

so

much.

And

as

I

said,

sometimes

I

joking

with

my

friend,

I

said,

you

know

what?

As

a

writer,

I

don't

have

too

rich

of

imagination,

but

because

I

have

so,

like

so

much

good

materials,

I

don't

need

a

lot

of

imagination.

Unknown

You

got

the

truth

story

girl.

You

don't

need

to

imagine

anything.

You've

seen

a

lot

and

you've

been

through

a

lot.

So

you

have

that

knowledge,

right?

To

come

to

the

table

and

express

yourself.

Unknown

Yeah.

So

my

grandmother,

she

indeed

joined

the

underground

resistance,

the

communist

underground

network

to

fight

Japanese.

She

did

that

as

an

in

illiterate

person

with

bomb

feet,

a

little

old

lady.

She

did

all

that

as

I

described

in

the

book.

You

know,

sew

the

clothes,

make

the

clothes

for

the

ace,

rules

armies

and

carry

messages,

which

was

extremely

dangerous.

If

she

was

discovered

that

she

could,

she

could

die,

she

could

be

executed,

and

she

did

all

that.

So

I

admire,

I

really

admired

her

for

that.

That

and

for

my

parents,

I

think

they,

they

just

suffered.

They.

I

don't

think

they

could

fight

back.

I

mean,

my

mom

fought

back

in

a

small

ways.

Unknown

Right.

Unknown

But

if

somebody.

You

spied

on

her.

Yeah.

She

would,

she

would

report

that

person

back.

So

she

did

this

in

a

small

ways,

but

it

was

just.

The

oppression

was

like,

overwhelmingly

like

they

were.

How

do.

How

do

I

put

it?

They

were

against

the

overwhelming

odds

to,

to

not

like,

to

success

in

life

or

even

to

be

free

in

life.

They.

They

never

really

truly

got

that.

And

that's

why

I

left

China.

I

mean,

when

people

ask

me,

you

know,

why

you

leave

China,

of

course

we.

I

would

say

for

freedom.

But

it's,

it's

more

than

just

freedom,

you

know,

it's

also

about

dignity.

Like

in

China,

like,

doesn't

matter

like

the

one

was

growing

up

or

not.

The

problem

is

that

anybody

who

has

power

over

you,

this,

this

person

will

abuse

you

and

use

that

power

to

benefit

himself.

It

could

be

your

supervisor,

it

could

be

the

university

president,

it

could

be

a

doorman.

It

could

be

somebody

just

hold

that.

Something

like

you

couldn't

get.

It's

just

the,

the

whole

system

is

like

that.

Yeah.

And

if

you

don't,

don't

want

to

be

a

part

of

it,

what

do

you

do?

You,

you,

you

know,

sometimes

even

in

case,

if

you're

not

part

of

it,

you,

you'll

be

you.

They

will

make

you

suffer

because,

you

know,

you'll

be

alienated

and,

and

even

attacked.

So

just.

So

just

for

the

freedom,

for

the

dignity,

for

everything.

That's

why

I'm

here.

Yeah.

Unknown

I

think

I

Just

lost

my

mic.

My

back.

Unknown

Yeah,

you're

back.

Now.

Unknown

See,

we're

getting

the

truth

out

and

Ms.

Liz

is

getting

miked.

They're

blocking

my

mic.

They

don't

want

me

to

talk.

But

Tungu,

I

really

just

appreciate

you

sharing

your

story,

writing,

writing

the

truth

and

getting

the

three

generations

out

there

because

I

think

people

can

see

the

challenges

and

sacrifices

that

were

made

through

the

generations.

So

you,

you've

been

in

Canada

since

1988.

So

how

did

you

get

to

be

the

romantic

poet

that

you

are?

Unknown

Well,

I

start

to

write

poems

when

I

was

in

college,

but

I

just.

But

I

could

only

write

in

Chinese.

Right.

Like,

poems

are

very

hard

to

translate.

When

you

translate,

you

lose

like

so

much,

basically.

But

you

know,

in

the

80s,

because

China

opened

the

door

to

the

world,

all

of

a

sudden

we,

we

were

able,

like,

we

have

access

to

the

following

books

like

Shirley

Le

Baring,

you

know,

pushing

all

these

great

point

poets

and

also

the

novels,

you

know,

the

Tolsto,

Victor

Hugo,

Balzac.

Balzac.

All

these

great

writers

in

the

world.

So

it

was

a.

Eye

opening.

I

was

so

hungry.

You

know,

we.

In

the

dormitory,

in

the

college

dormitory,

because

we're

supposed

to.

The

light

was.

Had

to

light.

We

must

turn

off

the

light

at

11pm

that's,

that's

the

rule,

right?

The

rule

was

very

strict,

but

I

remember

I

was

reading

books

under

the

COVID

with

a

flashlight.

Unknown

You

were

the

little

rebel.

Unknown

Yeah,

it's

just

we

were

so

hungry

and

all

of

a

sudden

we're

so

hungry

for

the

books.

And

I'm.

I

think

I'm

a

romantic

poet

because

I

think

I'm

influenced

by

my

father.

I

think

he,

he

was

one,

but

he

also,

he.

He's.

He

was

very

knowledgeable

about

Chinese

literature

and

the

history

as

well

as

classic

poems.

So

I

got

influence

from

him.

My

mom

is

a

scientist.

My

dad

is

actually,

I

think

my

dad

by

heart.

She.

He

was

an

artist.

And

also

I,

you

know,

as

I

mentioned

in

this

other

show

about

the

book,

my

dad

read

for

us

during

the

Cultural

Revolution

when

we

had

a

power

outage

then

he

didn't

have

to

go

to

political

meetings

in

the

evening.

So

we

were

drawn

our

window

curtains.

We

let

light

one

single

candle.

Mom,

dad

and

I

will

huddle

around

and

dad

would

read

from

this

book.

It's.

It's

called

the

Strange

Stories

from

a

Chinese

Studio,

or

it's

translated

as

Strange

Tales

from

a

Chinese

Studio.

Written

by

an

author

in

Qing

Dynasty.

His

name

was

Kusong

Lin.

He

spent

all

his

life,

40

years

to

write

this,

nearly

500

short

stories.

So

that

book

was

considered

as

a

poison

weeds

like

it

was

banned

supposed.

You

know,

you're

supposed

not

to

have

it

but

I

didn't

know.

I

don't

know

how

that

book

survived

because

our

house

were

rated

twice

but

that

book

actually

has

two

volumes

first

volume

one,

volume

two

survived

so.

But

we

need

to

hide

the

book.

So

in

the

evening

evening

those

evenings

my

dad

would

take

out

the

book

and

we

would

huddle

around

the

candle

and

he

would

read

it

to

us.

I

think

that's

my

awakening

about

you

know

how

beautiful

the

stories

can

be

and.

And

those

are

actually

most

are

fantasies

and

some

horror

but

the

author

also

uses

through

these

stories

to

insinuate

the

real

world

because

in

Qingdan

State

actually

it

was

also

something

called

Wen

Ziyu

it

means

like

the.

The

poets,

the

authors

it

could

be

locked

up

or

executed

by

something

they.

They

wrote

so.

So

P.

Songling

you

know

he

couldn't

just

speak

out

loud

okay

this.

This

society

something's

wrong.

It's

not.

It's

injustice,

you

know,

it's

corrupted.

He.

He

couldn't

say

that

so

he

wrote

into

those

stories

actually

you

know

it's

a

really

beautiful

collection

of

stories

because

actually

way

back

when

I

think

in

the

19

like

a

long,

long,

long

time

ago

I

forgot

the

18

something

somebody

translated

the

part

of

the

book

but

I

think

it

was

only

160

short

stories

were

translated

into

English.

This

year

2024

the

whole

book

is

translated

into

English

you

can

actually

find

on

Amazon.

Unknown

Oh

well

you'll

have

to

give

it

to

me

because

I

want

to

check

that

out.

Unknown

Yeah,

I

will.

It's.

It's

really

really

beautifully

writing

written

and

anyway

so

that's.

I

got

my.

I

got

my

nutrition

from

when

I

was

a

child

right

like

a

literature

nutrients

from

and

it's

then

I

started

to

tell

my

friends

the

stories

I

heard

and

later

when

I

could

read

I

would

have

found

some

folk

tales

and

then

I

tell

my

friends

because

when

my

diet

was

classified

as

a

black

class

during

the

Cultural

Revolution

I

become.

I

became

a

target

of

bullying

so

there's.

There's

other

kids,

boys

they

would

bully

me

on

my

way

to

school

and

back

so

I

would

gather

a

few

girls

around

me

and

tell

them

stories

so

everybody

want

to

walk

with

me

so

they

will

put

me

in

the

center

so

that's

how

I

felt

I

was.

I

was

protected.

So

telling

story

become

not

just

the

entertainment

but

became

a

surviving

tool.

That's

how

I

survived

those

initial

years

in

a

great

school

actually

I

think

in

the

entire

we

call

primary

school

yeah

that

was

at

the

time.

We

only

have

five

years,

not

six

years.

Five

years

in

primary

school.

That's

how

I

survived.

Unknown

And

that's

what

I

mean.

Like

storytelling,

it's

survival,

it's

overcoming

adversity,

you

know,

challenges

and

struggles

in

life.

This

is

why

I

find

storytelling

to

be

the

new

way

of

living.

You

know,

if

we

don't

tell

our

stories,

how

do

we

continue

the

pat.

The.

Continue

the.

The

truth

out

there

and

keep

the

truth

out

there.

You

know,

we

all

have

to

be

a

little

rebel

once

in

a

while.

Unknown

Exactly.

Unknown

I

think.

I

think

we

all

need

a

little

rebel

in

us.

Unknown

Yeah.

You

know,

actually,

human

being.

Human

species

is

the

only

one

we

talk

about

like

we

tell

stories.

You

don't

say

that

in

any

other

species.

Unknown

Right?

Unknown

Only

human.

Unknown

Well,

they.

They

haven't

shown

that

yet.

Unknown

Yeah,

that's

right.

Unknown

T.

I,

you

know,

I

really

appreciate

you

sharing

your

story

and

sharing

your

journey

in

Canada

and

China

and

your

family's

history

and

all

that

as

well

by

sharing

this

story

of

your

grandma,

the.

The

house

filler.

Were

you

scared

to

share

that

story?

Unknown

No.

No.

I

mean,

I.

I'm

pretty

safe

in.

In

Canada.

Right.

Unknown

Well,

if.

If

you're

not,

come

and

get

me

because

I'm

in

Canada

too.

Unknown

We.

Unknown

We'll

do

some.

You

got

a

Canadian

Guard

here?

There.

I'll

coming.

I'll

come

and

save

you.

Unknown

Good.

Unknown

I

want

to

get

into

the

word

romantic

before

we

wrap

up

because

I

asked

you

to

give

me

one

word

to

describe

yourself,

and

you

gave

me

the

word

romantic.

What

does

romantic

mean

to

you,

Tungu?

Unknown

Well,

I

think

that's

a

really

good.

Unknown

Question

because

you've

been

through

so

much.

So

romantic.

Like

when

you

gave

me

that

word

and

now

you're

telling

me

this

story

and

I'm

just

like,

she

still

has,

you

know,

hope

for

romance.

Unknown

Yeah,

Yeah.

I,

I

mean,

if.

If

I'm

falling

in

love,

I'm

hopeless.

I.

I

don't

really

consider

anything

like

wealth

or

position

or

class

or

social

status

or

that.

So

I

think

in

a

way

I

was

also

not

mature.

I,

I

probably

am

still

not

matured

now,

but

I.

Unknown

You're

the

rebel.

Unknown

Yeah.

I

like.

Love

to

me

is

like

water

and

the

bread.

I.

You

know,

I

wrote

so

many

romantic

poems

and,

and

the

pearls

in

Chinese

are

so

beautiful,

but

I.

I'm

not

very

good

at

the

judge.

People

like.

I'm,

I'm.

I

read

people

wrong.

So

that's

why

actually

my

romantic

history

is

a

tragedy.

Unknown

You

go

for

the

bad

boys

instead

of

the

good

boys.

Unknown

I

know

I

gave

all

my

heart,

all

my

soul

out.

Then

I

Was

hurt

so

much.

It's

become

a

pattern.

Unknown

Right.

Unknown

It's

like

from

college

time.

Unknown

I

think

all

us

romances

have

always

gone

for

the

bad

boys

and

we.

We

forget

about

the

good

boys

over

on

the

other

side.

Unknown

Exactly.

Yeah.

But

in

a

bigger

sense,

I

think

this

world

is

beautiful.

And

when

you

look

at

the

sky

and

the

ocean.

And

there's

another

question

about

the

color.

Right.

Color

blue.

So

it's

related

because

the

color

blue,

white

color

blue

is

my

favorite

color

because

it's

made

me

think

about

sky

and

ocean.

Both

are

vast

and

there's

limited

life,

there's

no

boundaries.

Like

you,

you

can

have

total

freedom,

you

can

do

whatever.

Like

if

you're

a

fish

in

the

ocean

or

a

bird

in

the

sky,

that

is

how

like

I

relate

to

this

blue

with

freedom,

with

possibility.

And

so.

And

I

think,

you

know,

the

person

who

loves,

you

know,

trees,

flowers,

ocean,

sky,

birds,

has

to

be

romantic.

Unknown

It

has

to

be.

Unknown

Right.

Unknown

We

have

to

have

some

hope

in

something.

Right?

Unknown

Yeah.

If,

you

know,

there's

a

big

beautiful

tree,

it's

cut

off.

I

will

be

sad

like

for.

For

weeks

over

that.

It's

almost

like

morning

for

that

tree.

I.

I'm

just

like

that.

Yeah.

Unknown

You

know,

when

we

have,

when

life

gets

heavy,

we

have

to

have

a

little

bit

of

laugh.

Unknown

Right.

Unknown

We

have

to

lighten

it

up

a

little.

Unknown

Yeah.

Unknown

You

know,

and

Tungu,

that's

what

you've

done

tonight

is,

you

know,

you

shared

a

heavy

story

and

we're

ending

it

with

laughter.

Because

life

is

laughter,

right.

It's.

It's

like

water.

Unknown

Right.

Unknown

It's

a

good

flow,

it's

a

good

spill.

Just

like

tea

is.

Unknown

Yeah.

Unknown

What

final

message

would

you

like

to

leave

everybody

with

tonight?

Unknown

Freedom

is

never

free.

So

I

think

when

we

have

our

freedom,

either

we

fought

of

it,

we

paid

for

it,

or

somebody

else

fought

for

us

and

paid

for

it

for

us.

So

in

my

case,

it

took

three

generations

for

me

to

eventually

gain

freedom.

It's

really.

It

takes

three

generations.

So

I

think

we

need

to

treasure

it.

Don't

take

it

as

granted

because

you

could

lose

it

at

any

moment,

in

blink

of

eye,

you

could

lose

your

freedom.

Look

what

happened

during

the

COVID

you

know,

like,

I

thought

I

would

travel

when

I

retire.

Then

Covid

hit

I

thinking,

gee,

had

I

knew

I

would

do

it

before.

You

only

lose

it.

You

only

realize

how

precious

it

is

when

you

lose

it.

When

you

have

it,

you

don't.

Most

of

us

don't

even

realize.

Right.

It's

something

precious.

So.

Yeah.

So

guard

your

freedom

and

be

aware

of,

you

know,

that

you

could

lose

it.

Unknown

And

Tungu,

if

anybody

wanted

to

reach

out

to

you

to

have

you

on

their

podcast

or

share

your

books

with

them,

how

could

they

reach

you?

Unknown

I

have

a

website.

It's

my

name,

but

there's

a

dash

in

between

tong-gu.com.

so

I.

I

archived

those

interviews,

like

as

many

as

I

as

I

could

there.

And

I

also

have

a

X

account.

I

think

it's

A.D.

yeah,

I

forgot

I

or

something.

But

yeah,

website

is

a

good

place.

People

can

also

reach

me

there

because

I

have

an

email

address

there.

And

as

of

my

book,

it's

available

on

Amazon,

Indigo,

Barnes

and

Noble,

Kobo,

Walmart,

and

some

local

Canadian

bookstores

and

some

local

Canadian

libraries.

But

just

when

people

search

on

Amazon,

I

found

that

if

you

put

a

type

in

the

house

filler,

you

still

need

my

name

hyphen

or

something

tongue.

Because

otherwise

you'll

say

a

whole

bunch

of

house

items.

Unknown

You're

gonna

get

lamps.

You're

gonna

get

couches.

Unknown

Exactly.

Unknown

Things

to

fill

the

house.

Unknown

Exactly.

Yeah,

yeah,

I

didn't.

I

didn't

expect

that

until

too

late.

Right,

But.

But

I

probably

wouldn't

change

the

book

title

because

this

is

such

a

unique

title.

I

probably

wouldn't

change

it

either,

but

just

to

be

beware.

Yeah.

Unknown

Well,

Tungu,

thank

you

so

much

for

sitting

and

having

tea

with

me

tonight

and

sharing

your

story

with

my

listeners.

And

that

out

there

for

all

the

listeners

and

supporters

who

tuned

in

tonight

and

left

your

comments

and

your

support.

Thank

you.

I

could

not

do

this

without

you

guys.

We

have

10

tea

times

left

before

Ms.

Liz

closes

the

podcast

up.

Five

years

is

a

long

time

and

there's

over

400

interviews

to

check.

So

be

sure

to

check

out

Ms.

Liz's

YouTube

channel.

Check

out

Ms.

Liz's

tea

times.

You'll

find

me

on

YouTube.

You'll

find

me

on

all

major

platforms.

If

you'd

like

to

know

more

about

Ms.

Liz,

check

out

WW

Ms.

Liz's

tea

time

with

no

s

dot

com.

And

you

can

see

the

other

stuff

that

Ms.

Liz

is

doing

besides

the

podcasting.

But

I

encourage

you

to

check

these

podcast

episodes

out

from

all

seasons,

season

one,

two,

three,

four,

and

five,

because

there's

a

story

I

guarantee

that

will

resonate

with

all

of

you

guys

out

there.

If

you'd

like

to

know

more

or

you'd

like

to

get

a

topic

on

there

before

Ms.

Liz

wraps

up.

Ms.

Liz

can

do

a

little

tweak

once

in

a

while

and

we

can

get

another

surprise

tea

time

in

there.

I

want

to

give

a

special

shout

out

to

Mickey

Mickelson

again.

From

Creative

Edge

for

tuning

for

sending

me

all

these

incredible

guests

in

the

last

three

years

I've

been

working

with

Mickey.

So

thank

you

for

that.

Thank

you

Shadow

for

tuning

in

and

being

in

the

house

with

us

tonight.

And

I

want

to

thank

everybody

that's

tuning

in

on

Instagram.

I

see

you

guys,

a

couple

shout

outs.

We

have

some

local

supporters

from

Mr.

Puffs

Cornwall

has

joined

Crave

Chicago

in

NSA

and

End

Violence

and

Encounters

has

joined

tonight.

So

thank

you

guys

for

tuning

in

again.

Let's

keep

stirring

our

teeth,

keep

being

true

and

we're

gonna

make

a

difference

with

tea

by

storytelling

and

words.

Ms.

Liz

guarantees

it.

I'm

not

giving

up,

guys.

I'm

only

gonna

take

a

little

break

and

we'll

figure

it

out.

Until

then,

I

will

see

everybody

on

Thursday,

same

time,

same

place,

3pm

and

7pm

Eastern

Standard

Time

where

we

have

two

more

incredible

guests

coming

in

and

sharing

their

teas

with

Ms.

Liz.

So

again,

thank

you

all

and

I

wish

you

guys

all

a

good

night

and

stay

true

to

who

you

are.

And

we

have

one

final

comment.

I

want

to

get

up

here.

Tongu,

I

love

you

and

thank

you.

So

that's

from

Shadow

God

and

he's

also

the

voice

of

Ms.

Liz's

intro

video.

So

if

anybody

wants

to

know

who

Shadow

God

is,

check

him

out

as

well.

He

does

some

incredible

work.

So

thank

you

guys

and

stay

tuned.

We're

gonna

get

this

done.

We

got

10

shows

to

go

and

we'll

see

everybody

on

the

19th

of

December

at

7pm

Eastern

Standard

Time

with

the

reunion

show

where

we

have

over

60

guests

that

are

coming

back

from

five

seasons.

So

it'll

be

a

house

and

we

have

some

cool

entertainment

and

all

that

good

stuff.

So

until

then,

I'll

wish

you

guys

all

a

good

night.

Stay

tuned

and

Ms.

Liz

will

be

back

with

more

guests

of

for

the

month

of

December,

December.

And

we're

going

to

be

doing

Monday,

Tuesday,

Thursdays

and

who

knows,

maybe

we'll

throw

in

a

Friday.

We

just

never

know.

So

thank

you

again,

Tungu

for

joining

me

tonight

and

again

thank

you

everybody.

I

will

see

you

on

Thursday,

3pm

7pm

Eastern

Standard

Time.

We'll

do

it

all

over

again.

Unknown

Thank

you

Ms.

Liz

for

having

me.